"A pencil drawing for the cover of Dostoyevsky's The Double. The protagonist is shown walking down a narrow, dark street, viewed from a distance. His silhouette should reflect loneliness and inner conflict, with his face unclear, only shadows and lines capturing his psychological breakdown. In the background, 19th-century Russian streets with old stone buildings and a grim atmosphere should be depicted. The character walking through the street should appear as a lost figure, emphasizing his isolation and the contrast between his inner turmoil and the bleak world around him. Strong light and shadow contrasts should be used, with no text." --ar 3:4