Create a light sketch or rough drawing of these two humanoid figures, as if Edward Gorey himself were sketching them, without replacing or altering the original design. The figures should maintain their patchwork, frayed fabric bodies, with disproportionate limbs and loose threads. Their expressions remain vacant and unsettling--one figure with three stitched eyes, and the other with a vertical red seam down its torso--evoking a sense of forgotten memories and quiet discomfort. Use Edward Gorey’s cross-hatching sparingly, only to add a hint of shadow and depth, as if it were a quick study or preliminary sketch. The fine lines should enhance, not transform, the original textures of the fabric and unraveling threads. The characters’ slumped and awkward postures remain intact, preserving their eerie stillness, with only a subtle trace of Gorey’s whimsical detachment influencing the overall mood. The background should stay minimal but consistent with the original scene--cracked floorboards or peeling walls hinted at faintly in the drawing. Negative space is used lightly to maintain focus on the figures without altering their core atmosphere. Include symbolic elements, like a small hidden clock or a bird’s silhouette within the stitching, as subtle references to time and forgotten narratives. However, these elements should blend seamlessly into the original design rather than overpower it. This sketch aims to stay true to the original figures, with just enough of Gorey’s influence to evoke a sense of quiet melancholy and surreal beauty, as if the characters were observed and quickly sketched by Gorey himself.