Referencing the sinuous curves of nature, the asymmetrical building appears to be carved from a singular raw material, abstracting its formal composition. Its softened floorplates read as the primary element subtly molded into fine blades resting on an irregular grid of feature-fluted columns. The interplay of flowing forms gives the building a sense of visual movement. Deep rippling along the undulant facades results in a conscious layering of positive and negative spaces allowing the integration of intermittent gardens with vegetation growing to further soften the forms.