a highly detailed and photorealistic scene of the 1969 moon landing in a 16:9 cinemascope aspect ratio, with an extraordinary twist. Replace the astronauts with biblically accurate angels, as described in Ezekiel. These angels, the cherubim, are wearing space suits yet retain their unique features. They have four faces - one of a human, an ox, an eagle, and a lion. Their bodies, merging with the space suits, are covered in eyes, radiating an ethereal, otherworldly light that reflects off the moon’s surface. Alongside these cherubim, depict the Ophanim, interpreted as celestial wheels within wheels, also integrated into the space theme, shimmering like topaz and covered in eyes. The scene should seamlessly blend the historic lunar module and the American flag with these celestial beings, creating a surreal yet majestic tableau on the moon’s barren landscape. The light and shadows should play dramatically, highlighting the contrasts between the divine, fiery glow of the angels and the stark, monochrome moon surface