The painting would be abstract, with layers of meaning and symbolism intertwined. At its core, it would depict a chaotic web of linguistic symbols, words, and letters merging and diverging, reflecting Derrida's notion of the instability and indeterminacy of language. The colors used would be vibrant yet dissonant, representing the tension between signifiers and signifieds. In the foreground, there might be fragmented texts from "Of Grammatology," perhaps excerpts that highlight key concepts such as différance, trace, or the critique of phonocentrism. These texts would be partially obscured or blurred, emphasizing the idea that meaning is always deferred and never fully graspable. Within the composition, there could be juxtapositions of binaries--such as presence/absence, speech/writing, or center/margin--illustrating Derrida's deconstruction of oppositional hierarchies. These binaries might be represented as overlapping circles or intersecting lines, hinting at their interconnectedness and mutual dependence.