He suggests that because tragedy possesses all the attributes of an epic, possibly possesses additional attributes such as spectacle and music, is more unified, and achieves the aim of its mimesis in shorter scope, it can be considered superior to epic.
hiː sədʒˈɛsts ðæt bɪkˈʌz tɹˈædʒədi pəzˈɛsᵻz ˈɔːl ðɪ ˈætɹɪbjˌuːts əvən ˈɛpɪk, pˈɑːsᵻbli pəzˈɛsᵻz ɐdˈɪʃənəl ˈætɹɪbjˌuːts sˈʌtʃ ɐz spˈɛktəkəl ænd mjˈuːzɪk, ɪz mˈoːɹ jˈuːnɪfˌaɪd, ænd ɐtʃˈiːvz ðɪ ˈeɪm ʌv ɪts mˈaɪmsiz ɪn ʃˈɔːɹɾɚ skˈoʊp, ɪt kæn biː kənsˈɪdɚd suːpˈiəɹɪɚ tʊ ˈɛpɪk.