Similarly, the music in the novel, starting with "Beasts of England" and the later anthems, parallels "The Internationale" and its adoption and repudiation by the Soviet authorities as the anthem of the USSR in the 1920s and 1930s.
sˈɪmɪlɚli, ðə mjˈuːzɪk ɪnðə nˈɑːvəl, stˈɑːɹɾɪŋ wɪð "bˈiːsts ʌv ˈɪŋɡlənd" ænd ðə lˈeɪɾɚɹ ˈænθəmz, pˈæɹəlˌɛlz "ðɪ ˌɪntɚnˈæʃəneɪl" ænd ɪts ɐdˈɑːpʃən ænd ɹᵻpjˈuːdɪˈeɪʃən baɪ ðə sˈoʊviət ɐθˈɔːɹɪɾiz æz ðɪ ˈænθəm ʌvðə jˌuːˌɛsˌɛsˈɑːɹ ɪnðə nˈaɪntiːnhˈʌndɹɪd twˈɛnti z ænd nˈaɪntiːnhˈʌndɹɪd θˈɜːɾi z.