This first occurs in the otherwise monochrome Andrei Rublev, which features a color epilogue of Rublev's authentic religious icon paintings.
ðɪs fˈɜːst əkˈɜːz ɪnðɪ ˈʌðɚwˌaɪz mˈɑːnoʊkɹˌoʊm ˈændɹeɪ ɹˈuːbləv, wˌɪtʃ fˈiːtʃɚz ɐ kˈʌlɚɹ ˈɛpɪlˌɑːɡ ʌv ɹˈuːbləvz ɔːθˈɛntɪk ɹᵻlˈɪdʒəs ˈaɪkɑːn pˈeɪntɪŋz.