To him, films in color were like moving paintings or photographs, which are too beautiful to be a realistic depiction of life.
tə hˌɪm, fˈɪlmz ɪn kˈʌlɚ wɜː lˈaɪk mˈuːvɪŋ pˈeɪntɪŋz ɔːɹ fˈoʊɾəɡɹˌæfz, wˌɪtʃ ɑːɹ tˈuː bjˈuːɾifəl təbi ɐ ɹiːəlˈɪstɪk dᵻpˈɪkʃən ʌv lˈaɪf.