Thus, animation studios starting with Disney began the practice in the 1930s of maintaining story departments where storyboard artists develop every single scene through storyboards, then handing the film over to the animators only after the production team is satisfied that all the scenes make sense as a whole.
ðˈʌs, ˌænɪmˈeɪʃən stˈuːdɪˌoʊz stˈɑːɹɾɪŋ wɪð dˈɪzni bɪɡˈæn ðə pɹˈæktɪs ɪnðə nˈaɪntiːnhˈʌndɹɪd θˈɜːɾi z ʌv meɪntˈeɪnɪŋ stˈoːɹi dᵻpˈɑːɹtmənts wˌɛɹ stˈoːɹibˌoːɹd ˈɑːɹɾɪsts dɪvˈɛləp ˈɛvɹi sˈɪŋɡəl sˈiːn θɹuː stˈoːɹibˌoːɹdz, ðˈɛn hˈændɪŋ ðə fˈɪlm ˌoʊvɚ tə ðɪ ˈænɪmˌeɪɾɚz ˈoʊnli ˈæftɚ ðə pɹədˈʌkʃən tˈiːm ɪz sˈæɾɪsfˌaɪd ðæt ˈɔːl ðə sˈiːnz mˌeɪk sˈɛns æz ɐ hˈoʊl.