Other new artistic currents including the one of M'hamed Issiakhem, Mohammed Khadda and Bachir Yelles, appeared on the scene of Algerian painting, abandoning figurative classical painting to find new pictorial ways, in order to adapt Algerian paintings to the new realities of the country through its struggle and its aspirations.
ˈʌðɚ nˈuː ɑːɹtˈɪstɪk kˈɜːɹənts ɪŋklˈuːdɪŋ ðə wˈʌn ʌv ˈɛmhˈeɪmd ˈɪsɪˌækhəm, moʊhˈæmɪd kˈɑːdə ænd bˈɑːkɪɹ jˈɛlz, ɐpˈɪɹd ɔnðə sˈiːn ʌv ældʒˈɪɹiən pˈeɪntɪŋ, ɐbˈændənɪŋ fˈɪɡjɚɹətˌɪv klˈæsɪkəl pˈeɪntɪŋ tə fˈaɪnd nˈuː pɪktˈoːɹɪəl wˈeɪz, ɪn ˈɔːɹdɚ tʊ ɐdˈæpt ældʒˈɪɹiən pˈeɪntɪŋz tə ðə nˈuː ɹɪˈælᵻɾiz ʌvðə kˈʌntɹi θɹuː ɪts stɹˈʌɡəl ænd ɪts ˌæspɚɹˈeɪʃənz.