In this regard, Algerian cinematographers in general and Lakhdar-Hamina in particular have remained deeply committed to the ideological tenets of the nonaligned movement and Third-worldism.
ɪn ðɪs ɹᵻɡˈɑːɹd, ældʒˈɪɹiən sˌɪnɪmɐtˈɑːɡɹəfɚz ɪn dʒˈɛnɚɹəl ænd lˈækhdɑːɹhˈæmɪnə ɪn pɚtˈɪkjʊlɚ hæv ɹᵻmˈeɪnd dˈiːpli kəmˈɪɾᵻd tə ðɪ ˌaɪdɪəlˈɑːdʒɪkəl tˈɛnɪts ʌvðə nˌɑːnɐlˈaɪnd mˈuːvmənt ænd θˈɜːdwˈɜːldɪzəm.