Baxter notes that despite their "clumsy model sequences, the films were often well-photographed in colour... and their dismal dialogue was delivered in well-designed and well-lit sets.
bˈækstɚ nˈoʊts ðæt dᵻspˈaɪt ðɛɹ "klˈʌmzi mˈɑːdəl sˈiːkwənsᵻz, ðə fˈɪlmz wɜːɹ ˈɔfən wˈɛlfˈoʊɾəɡɹˌæft ɪn kˈʌlɚ... ænd ðɛɹ dˈɪzməl dˈaɪəlɑːɡ wʌz dᵻlˈɪvɚd ɪn wˈɛldɪzˈaɪnd ænd wˈɛllˈɪt sˈɛts.