One of them "was a young Irish actor-writer, Billy Roche, whose Wexford Trilogy at the Bush explored the cramping effects of small-town culture in minute, Chekhovian detail.
wˈʌn ʌv ðˌɛm "wʌzɐ jˈʌŋ ˈaɪɹɪʃ ˈæktɚɹˈaɪɾɚ, bˈɪli ɹˈɑːtʃ, hˌuːz wˈɛksfɚd tɹˈɪlədʒi æt ðə bˈʊʃ ɛksplˈoːɹd ðə kɹˈæmpɪŋ ɪfˈɛkts ʌv smˈɔːltˈaʊn kˈʌltʃɚɹ ɪn mˈɪnɪt, tʃɛkhˈoʊviən diːtˈeɪl.