One music writer, John Broven, described it as "a wild and woolly rock 'n' roll set with spontaneity one normally only dreams about," while another, Larry Benicewicz, claimed that "such a masterpiece, no doubt, spawned other 'experiments' like Wayne Toups' 'ZydeCajun' style or, perhaps, a Zachary Richard 'Zach Attack,' a similar fusion of Cajun, zydeco, and R&B."
wˈʌn mjˈuːzɪk ɹˈaɪɾɚ, dʒˈɑːn bɹˈoʊvən, dᵻskɹˈaɪbd ɪɾ æz "ɐ wˈaɪld ænd wˈʊli ɹˈɑːk ˈɛn ɹˈoʊl sˈɛt wɪð spˌɑːntənˈeɪᵻɾi wˈʌn nˈoːɹməli ˈoʊnli dɹˈiːmz ɐbˈaʊt," wˌaɪl ɐnˈʌðɚ, lˈæɹi bᵻnˈaɪswɪkz, klˈeɪmd ðˈæt "sˈʌtʃ ɐ mˈæstɚpˌiːs, nˈoʊ dˈaʊt, spˈɔːnd ˈʌðɚ ɛkspˈɛɹɪmənts lˈaɪk wˈeɪn tˈuːps zˈaɪd kˈeɪdʒən stˈaɪl ɔːɹ, pɚhˈæps, ɐ zˈækɚɹi ɹˈɪtʃɚd zˈæk ɐtˈæk,ɐ sˈɪmɪlɚ fjˈuːʒən ʌv kˈeɪdʒən, zaɪdˈiːkoʊ, ænd ˈɑːɹ ænd bˈiː."