He became one of the highest paid screenwriters during this time, selling the screenplays to both Radio Flyer and The Sandlot for over $1,000,000 each.
hiː bɪkˌeɪm wˈʌn ʌvðə hˈaɪɪst pˈeɪd skɹˈiːnɹaɪɾɚz dˈʊɹɹɪŋ ðɪs tˈaɪm, sˈɛlɪŋ ðə skɹˈiːnpleɪz tə bˈoʊθ ɹˈeɪdɪˌoʊ flˈaɪɚ ænd ðə sˈændlɑːt fɔːɹ ˌoʊvɚ dˈɑːlɚ wˈʌn,zˈiəɹoʊzˈiəɹoʊ zˈiəɹoʊ,zˈiəɹoʊzˈiəɹoʊ zˈiəɹoʊ ˈiːtʃ.