Music critic Keith Harris called Heinrichs "an inescapable presence in turn-of-the-millennium (Minnesota) music" who "moved easily between the worlds of dance music, hip-hop, and indie rock."
mjˈuːzɪk kɹˈɪɾɪk kˈiːθ hˈæɹɪs kˈɔːld hˈaɪnɹɪtʃz "ɐn ɪnɛskˈeɪpəbəl pɹˈɛzəns ɪn tˈɜːnʌvðəmɪlˈɛniəm mˌɪnɪsˈoʊɾə mjˈuːzɪk" hˈuː "mˈuːvd ˈiːzili bᵻtwˌiːn ðə wˈɜːldz ʌv dˈæns mjˈuːzɪk, hˈɪphˈɑːp, ænd ˈɪndi ɹˈɑːk."