This 19-minute setting of the Roman Catholic Mass exhibits the austere, Neoclassic, anti-Romantic aesthetic that characterizes his work from about 1923 to 1951.
ðɪs nˈaɪntiːnmˈɪnɪt sˈɛɾɪŋ ʌvðə ɹˈoʊmən kˈæθlɪk mˈæs ɛɡzˈɪbɪts ðɪ ɔːstˈɪɹ, nˌiːoʊklˈæsɪk, ˈæntaɪɹoʊmˈæntɪk ɛsθˈɛɾɪk ðæt kˈæɹɪktɚɹˌaɪzᵻz hɪz wˈɜːk fɹʌm ɐbˌaʊt nˈaɪntiːnhˈʌndɹɪd twˈɛnti θɹˈiː tə nˈaɪntiːnhˈʌndɹɪd fˈɪfti wˈʌn.