Some of his first work with the workshop involved providing sounds for the science-fiction serial Quatermass and the Pit (1958–59).
sˌʌm ʌv hɪz fˈɜːst wˈɜːk wɪððə wˈɜːkʃɑːp ɪnvˈɑːlvd pɹəvˈaɪdɪŋ sˈaʊndz fɚðə sˈaɪənsfˈɪkʃən sˈɪɹiəl kwˈæɾɚmˌæs ænd ðə pˈɪt nˈaɪntiːnhˈʌndɹɪd fˈɪfti ˈeɪt fˈɪfti nˈaɪn.