mˈoːɹ fɹˈiːkwəntli ðeɪ ˌɪntɹədˈuːs sˌʌm tʃˈeɪndʒᵻz ɔːɹ nˈuː ˈɛlɪmənts ˈiː.dʒˈiː. ɪnðɪ ɚɹˈɪdʒɪnəl ðə fɹˈʌnt pˈeɪdʒ nˈaɪntiːnhˈʌndɹɪd θˈɜːɾi wˈʌn, ɐ mˈeɪl nˈuːzpeɪpɚɹ ˈɛdɪɾɚ tɹˈaɪz tə kˈiːp hɪz mˈeɪl stˈɑːɹ ɹᵻpˈoːɹɾɚ fɹʌm kwˈɪɾɪŋ; ɪnðə ɹᵻmˈeɪk hɪz ɡˈɜːl fɹˈaɪdeɪ nˈaɪntiːnhˈʌndɹɪd fˈoːɹɾi, ðə ɹᵻpˈoːɹɾɚɹ ɪz fˈiːmeɪl ænd ðɪ ˈɛdɪɾɚz ˈɛkswˈaɪf.
More frequently they introduce some changes or new elements e.g. in the original The Front Page (1931), a male newspaper editor tries to keep his male star reporter from quitting; in the remake His Girl Friday (1940), the reporter is female and the editor's ex-wife.