ɪn ɐdˈɪʃən tə ðiːz tɹænslˈeɪʃənz, sˌʌm ˈɔːθɚz ɐdˈæptᵻd stˈoːɹiz fɚɹən ˈɪŋɡlɪʃspˈiːkɪŋ ˈɔːdiəns, sˈʌtʃ ɐz mˈɛɹi daɪˈænə dˈɑːdz "ðə θɹˈiː dˈæmsəlz" ɪn fɚɡˈɛtmˌiːnˌɑːt fɔːɹ wˈʌn θˈaʊzənd ˈeɪthˈʌndɹɪd twˈɛnti sˈɛvən wˈʌn θˈaʊzənd ˈeɪthˈʌndɹɪd twˈɛnti sˈɪks, bˈeɪst ˌɔn pˈɑːɹt ʌv "", ænd dʒˈeɪ. ˈiː. pɹˈɛstən mˈʌdəks "ðə dˈæns ʌvðə dˈɛd" ɪn tˈeɪlz ʌv tˈɛɹɚ wˈʌn θˈaʊzənd ˈeɪthˈʌndɹɪd nˈaɪnti nˈaɪn, bˈeɪst ˈɔn "".
In addition to these translations, some authors adapted  stories for an English-speaking audience, such as Mary Diana Dods' "The Three Damsels" in Forget-Me-Not for 1827 (1826), based on part of "", and J. E. Preston Muddock's "The Dance of the Dead" in Tales of Terror (1899), based on "".