hiː sˈæŋ ɪn hˈaɪdənz dˈaɪ dʒˈɑːɹɪszˌaɪʔn̩ wɪððɪ ˈɔːɹkᵻstɚ də pˈæɹɪs ænd ðə ʃᵻkˈɑːɡoʊ sˈɪmfəni ˈɔːɹkᵻstɹə, bˈoʊθ ˌʌndɚ sˈoʊlti nˈaɪntiːnhˈʌndɹɪd nˈaɪnti tˈuː, ðˈɛn dˈɑːn fɜːnˈændoʊ ɪn bˈeɪtoʊvənz fᵻdˈɛlɪˌoʊ, ðə spˈiːkɚ ænd sæɹˈæstɹoʊ wɪððə vɪˈɛnə stˈeɪt ˈɑːpɚɹə dˈʊɹɹɪŋ ðə nˈaɪntiːnhˈʌndɹɪd nˈaɪnti tˈuː nˈaɪnti θɹˈiː sˈiːzən, kˈɪŋ fˈɪlɪp ɪn vˈɜːdiz dˈɑːn kˈɑːɹloʊ ɪn bˈæsəl, swˈɪtsɚlənd.
He sang in Haydn's Die Jahreszeiten with the Orchestre de Paris and the Chicago Symphony Orchestra, both under Solti (1992), then Don Fernando in Beethoven's Fidelio, the Speaker and Sarastro with the Vienna State Opera during the 1992–93 season, King Philip in Verdi's Don Carlo in Basle, Switzerland.