ˈɑːksfɚdˈɛdʒuːkˌeɪɾᵻd ɔːstɹˈeɪliən ˈɑːɹts lˈiːdɚɹ ˈænθəni stˈiːl ɹˈiːkɔːlz ɪn hɪz ˌɔːɾoʊbaɪˈɑːɡɹəfi, pˈeɪnfəl ɪn dˈeɪli dˈoʊsᵻz: ɐn ˈænɪkdˌoʊɾəl mˈɛmwɑːɹ, ðæt ˈælən kˈoːɹs, ðə lˈændlɔːɹd, plˈeɪd ðə lˈæst pˈoʊst ˌɔn hɪz bjˈuːɡəl, fɚɹə stˈuːdənt lˈaɪɪŋ ɪnðə mˈɪdəl ʌvðə stɹˈiːt aʊtsˈaɪd ðə pˈʌb.
Oxford-educated Australian arts leader Anthony Steel recalls in his autobiography, Painful in Daily Doses: An Anecdotal Memoir, that Alan Course, the landlord, played the Last Post on his bugle, for a student lying in the middle of the street outside the pub.