ɪt hˈæzbiːn klˈeɪmd ðætðə fˈɜːst vˈɜːʒən ʌvðə pˈeɪntɪŋ ðə lˈaɪt ʌvðə wˈɜːld wˈʌn θˈaʊzənd ˈeɪthˈʌndɹɪd fˈɪfti wˈʌn θɹˈiː baɪ ðɪ ˈɪŋɡlɪʃ pɹˈiːɹˈæfeɪlˌaɪt ˈɑːɹɾɪst wˈɪljəm hˈoʊmən hˈʌnt wˈʌn θˈaʊzənd ˈeɪthˈʌndɹɪd twˈɛnti sˈɛvən nˈaɪntiːnhˈʌndɹɪd tˈɛn wʌz pˈeɪntᵻd æt nˈaɪt ɪn ɐ mˈeɪkʃɪft hˈʌt æt ðə hˈaʊs, ðɪ ˈʌðɚ klˈeɪmənt bˌiːɪŋ ðə ɡˈɑːɹdən ʌvðɪ ˈɑːksfɚd jˌuːnɪvˈɜːsᵻɾi pɹˈɛs
It has been claimed that the first version of the painting The Light of the World (1851–3) by the English Pre-Raphaelite artist William Holman Hunt (1827–1910) was painted at night in a makeshift hut at the house, the other claimant being the garden of the Oxford University Press