ðɪs nˈaɪntiːnmˈɪnɪt sˈɛɾɪŋ ʌvðə ɹˈoʊmən kˈæθlɪk mˈæs ɛɡzˈɪbɪts ðɪ ɔːstˈɪɹ, nˌiːoʊklˈæsɪk, ˈæntaɪɹoʊmˈæntɪk ɛsθˈɛɾɪk ðæt kˈæɹɪktɚɹˌaɪzᵻz hɪz wˈɜːk fɹʌm ɐbˌaʊt nˈaɪntiːnhˈʌndɹɪd twˈɛnti θɹˈiː tə nˈaɪntiːnhˈʌndɹɪd fˈɪfti wˈʌn.
This 19-minute setting of the Roman Catholic Mass exhibits the austere, Neoclassic, anti-Romantic aesthetic that characterizes his work from about 1923 to 1951.