ˈæftɚ ðɪ ˈɛnd ʌv wˈɜːld wˈɔːɹ aɪ mˈeɪfˈɪlm lˈiːst ðə dˈʌbəl ɡlˈæshaʊs stˈuːdɪˌoʊz æt fˈaɪv sˈɛvən fɹˈænts dʒˈoʊsəfstɹˈæs bᵻlˈɔŋɪŋ tə dˈɔɪtʃ vˈɪɾɐskˌoʊp ɪn nˈaɪntiːnhˈʌndɹɪd nˈaɪntiːn fɔːɹ sˈɪkshˈʌndɹɪd,zˈiəɹoʊzˈiəɹoʊ zˈiəɹoʊ mˈɑːɹks, wˌɪtʃ bɪkˌeɪm nˈoʊn æz ðə mˈeɪˌæɾəljˈe.
After the end of World War I May-Film leased the double glasshouse studios at 5–7 Franz Joseph-Strasse (belonging to Deutsche Vitascope) in 1919 for 600,000 marks, which became known as the May-Atelier.