ˈæftɚ wˈɜːld wˈɔːɹ ɹˌoʊmən tˈuː, hˈuːʃ, hˌuːz pəlˈɪɾɪkəl nˌæiːvɪtˈeɪ dˈʊɹɹɪŋ ðə θˈɜːd ɹˈaɪx ænd, ɪn pɚtˈɪkjʊlɚ, hɪz klˈoʊsnəs tə ɹˈoʊzɐlˌɪnd vˈɑːn skˈɜːɹætʃ, ðə sˈɪstɚɹ ʌv pɹˈɑːmɪnənt nˈɑːtsi bˈɔːldjʊɹ vˈɑːn skˈɜːɹætʃ wʌz ʌnlˈaɪkli tʊ ɛndˈɪɹ hˌɪm tə ðə vɪktˈoːɹiəs ˈælaɪz, mˈoʊstli ɐbˈændənd kˈɑːnsɚt ænd ˌɑːpɚɹˈæɾɪk ɐpˈɪɹənsᵻz, pɹɪfˈɜːɹɪŋ tə kˈɑːnsəntɹˌeɪt ˌɔn tˈiːtʃɪŋ.
After World War II, Hüsch, whose political naïveté during the Third Reich (and, in particular, his closeness to Rosalind von Schirach, the sister of prominent Nazi Baldur von Schirach) was unlikely to endear him to the victorious Allies, mostly abandoned concert and operatic appearances, preferring to concentrate on teaching.