ðə stɹˈɔŋli dᵻlˈɪniːˌeɪɾᵻd mˈeɪsənɹi kˈoːɹsᵻz ʌvðɪ ˈæʃlɚ fəsˈɑːd ɑːɹ kˈæɹid ɹˈaɪt əkɹˌɑːs ðɪ aɪˈɑːnɪk pˈɪlæstɚz, ɐ stɹˈaɪkɪŋli ʌnjˈuːʒuːəl fˈiːtʃɚ fɔːɹ wˌɪtʃ ðæt ˈɑːɹ. lˈiːbɚmən kʊd ˈoʊnli fˈaɪnd ɐn ˈɜːlɪɚ pˈæɹəlˌɛl ɪn bˈɜːnɚdˌoʊ ɹˌɔsɪlˈiːnoʊz pɐlˈætsoʊ pˌɪkələmˈiːni ɪn pˈiːnzə, ˈɔːlsoʊ ʌvðə wˈʌn θˈaʊzənd fˈoːɹhˈʌndɹɪd sˈɪksti z, ænd ˈɔːlsoʊ pɹədˈuːst ɪn ɐn ælbˈɜːʃən miːljˈuː.
The strongly delineated masonry courses of the ashlar facade are carried right across the Ionic pilasters, a strikingly unusual feature for which that R. Lieberman could only find an earlier parallel in Bernardo Rossellino's Palazzo Piccolomini in Pienza, also of the 1460s, and also produced in an Albertian milieu.