ɹᵻvjˈuːɪŋ hɜː nˈaɪntiːnhˈʌndɹɪd sˈɛvənti ˈeɪt sˈɛlftˈaɪɾəld ˌɛlpˈiː, ɹˈɑːbɚt kɹˈɪstɡaʊ ɹˈoʊt ɪn kɹˈɪstɡaʊz ɹˈɛkɚd ɡˈaɪd: ɹˈɑːk ˈælbəmz ʌvðə sˈɛvəntiz nˈaɪntiːnhˈʌndɹɪd ˈeɪɾi wˈʌn: "θˈæŋks tʊ kˈoʊpɹədˈuːsɚ bˈɛɹi ɡˈoːɹdi ænd ðə mˈɪɹəkəl ʌv mˈɑːdɚn mˈʌltitɹˌækɪŋ, bˈɑːni mˌeɪks lˈaɪk ðə mˌɑːɹvɪlˈɛts ʌv jʊɹ dɹˈiːmz fɚɹən ɛntˈaɪɚ sˈaɪd.
Reviewing her 1978 self-titled LP, Robert Christgau wrote in Christgau's Record Guide: Rock Albums of the Seventies (1981): "Thanks to (co-producer) Berry Gordy and the miracle of modern multitracking, Bonnie makes like the Marvelettes of your dreams for an entire side.