æz ðə sˈɔŋ slˈoʊz dˈaʊn, ðə vˈaɪələnt ˈɪmɪdʒᵻz ɑːɹ ɹˈiːpleɪd, bˌʌt ðɪs tˈaɪm, ðeɪ ɑːɹ tɹænsfˈɔːɹmd ˌɪntʊ ɐ ʃˈɔːɹt sˈiːn kənsˈɪdɚd təbi hˈæpi, ˈaɪ.ˈiː. ðə sˈiːn ʌvðə pəlˈiːs ˈɑːfɪsɚz jˈuːzɪŋ fˈaɪɚ hˈoʊzᵻz ˌɔn pɹətˈɛstɚz tˈɜːnz ˌɪntʊ ɐ sˈiːn əvə wˈʊmən wˈɔːɾɚɹɪŋ hɜː plˈænts, ænd ðə sˌɪnsɪnˈæɾi ɹˈɛdz fˈɔːɹmɚ stˈeɪdiəm bˌiːɪŋ dᵻmˈɑːlɪʃt tˈɜːnz ˌɪntʊ ɐ ʃˈoːɹ vjˈuː.
As the song slows down, the violent images are replayed, but this time, they are transformed into a short scene considered to be happy, i.e. the scene of the police officers using fire hoses on protesters turns into a scene of a woman watering her plants, and the Cincinnati Reds' former stadium being demolished turns into a shore view.