təwˈɔːɹdz ðɪ ˈɛnd ʌv ðæt dˈɛkeɪd, ɐ lˈeɪɾɚ vˈɜːʒən ʌv ɹˈaʊndhaʊs kˈeɪm tə ðɪ ɐtˈɛnʃən ʌv næntˈʌkɪts mˈænɪdʒɚz bˈɪl kˈeɪn ænd dʒˈɛt mˈæθjuːz, wˌɪtʃ lˈɛd tə ðə ɡɹˈuːps nˈeɪmtʃˈeɪndʒ tə dˈɑːk hˈɑːlɪdˌeɪ ænd ɐ ɹᵻkˈoːɹdɪŋ kˈɑːntɹækt wɪð ˈeɪɐnd ˈɛm ɹˈɛkɚdz.
Towards the end of that decade, a later version of Roundhouse came to the attention of Nantucket's managers Bill Cain and Jet Matthews, which led to the group's name-change to Doc Holliday and a recording contract with A&M Records.