ʃˈeɪkspɪɹ jˈuːsᵻz ðə tˈaɪp mˈoʊst nˈoʊɾəbli wɪððə bəmbˈæstɪk ænd sˈɛlfɡlˈoːɹᵻfˌaɪɪŋ ˈɛnsaɪn ˈeɪntʃənt pˈɪstəl ɪn hˈɛnɹi ɹˌoʊmən fˈoːɹ, pˈɑːɹt tˈuː, ðə mˈɛɹi wˈaɪvz ʌv wˈɪndsɚ ænd hˈɛnɹi vˈiː. ˈʌðɚɹ ɛɡzˈæmpəlz ɑːɹ  "fˈæʃənz ˈoʊn nˈaɪt", ðə spˈænɪɚd ɑːɹmˈɑːɹdoʊ, ɪn lˈʌvz lˈeɪbɚz lˈɔst, ðə wˈɜːθləs kˈæptɪn pˈæɹoʊlz ɪn ˈɔːlz
Shakespeare uses the type most notably with the bombastic and self-glorifying ensign Ancient Pistol in Henry IV, Part 2, The Merry Wives of Windsor and Henry V. Other examples are  "fashion's own knight", the Spaniard Armardo, in Love's Labour's Lost, the worthless Captain Parolles in All's