ðə θˈɜːd nˈuː θˈiəɾɚ wʌz ɹˌiːˈoʊpənd ɪn fˈɛbɹuːˌɛɹi nˈaɪntiːnhˈʌndɹɪd θˈɜːɾi fˈoːɹ wɪð ɐ fˈɔːɹməl spˈiːtʃ baɪ ɐ mˈɪs tˈɔːni, ænd wɪð ɐ wˈʌndɚfəl ɹᵻvˈɑːlvɪŋ stˈeɪdʒ mˈɛkənˌɪzəm ɛkstˈænt ænd ɪŋkɹˈiːst kəpˈæsᵻɾi ʌv tˈuː θˈaʊzənd wˈʌn θˈaʊzənd sˈɛvənhˈʌndɹɪd tˈɛn sˈiːɾᵻd ɪɾ ɐtɹˈæktᵻd ˈɔːl ðə ɡɹˈeɪt dɹəmˈæɾɪk ˈæktɚz, pˈɑːpjʊlɚɹ ænd ˌɑːpɚɹˈæɾɪk sˈɪŋɚz ænd mjuːzˈɪʃənz, mjˈuːzɪkhˈɔːl ˌɛntɚtˈeɪnɚz ænd mˈætənˌeɪ ˈaɪdəlz ʌvðɪ ˈeɪdʒ.
The third New Theatre was re-opened in February 1934 with a formal speech by a Miss Tawney, and with a wonderful revolving stage (mechanism extant) and increased capacity of 2000 (1710 seated) it attracted all the great dramatic actors, popular and operatic singers and musicians, music-hall entertainers and matinee idols of the age.