ɪt wʌz pɹˈɪntᵻd ɪnðə nˈuː jˈɔːɹk tˈaɪmz ˌɔn ɑːktˈoʊbɚɹ ɪlˈɛvən, nˈaɪntiːnhˈʌndɹɪd sˈɪksti sˈɛvən, æz ðə fˈɜːst fˈʊl fɹˈʌntəl nˈuːd pˈʌblɪʃt ɪnðə pˈeɪpɚ, ænd ɛɡzˈɪbɪɾᵻd æt wˈʌn ʌvðɪ ˈɜːlɪɪst kəmpjˈuːɾɚɹ ˈɑːɹt ɛksɪbˈɪʃənz, ðə məʃˈiːn æz sˈiːn æt ðɪ ˈɛnd ʌvðə mᵻkˈænɪkəl ˈeɪdʒ, hˈɛld æt ðə mjuːzˈiəm ʌv mˈɑːdɚn ˈɑːɹt ɪn nˈuː jˈɔːɹk sˈɪɾi fɹʌm noʊvˈɛmbɚ twˈɛnti fˈaɪv, nˈaɪntiːnhˈʌndɹɪd sˈɪksti ˈeɪt, θɹuː fˈɛbɹuːˌɛɹi nˈaɪn, nˈaɪntiːnhˈʌndɹɪd sˈɪksti nˈaɪn.
It was printed in The New York Times on October 11, 1967, as the first full frontal nude published in the paper, and exhibited at one of the earliest computer art exhibitions, The Machine as Seen at the End of the Mechanical Age, held at the Museum of Modern Art in New York City from November 25, 1968, through February 9, 1969.