pˈæɹəmˌaʊnt mˈiːnwaɪl hˈɛld ˌɔn tə stˈeɪt ʌvðə jˈuːniən fɔːɹ ɐnˈʌðɚ tˈuː jˈɪɹz ʌntˈɪl ˌɛmsˌiːˈeɪ ɐkwˈaɪɚd mˈoʊst əv pˈæɹəmˌaʊnts pɹˈiː nˈaɪntiːnhˈʌndɹɪd fˈɪfti θiːˈætɹɪkəl sˈaʊnd fˈiːtʃɚz ɪn nˈaɪntiːnhˈʌndɹɪd fˈɪfti ˈeɪt ænd fˈɔːɹmd ɛmkˈæ, lˈɪmɪɾᵻd. tə hˈoʊld ðə kˈɑːpɪɹˌaɪt ðˈɛn bˈɔːt ðə jˌuːˈɛs bɹˈæntʃ ʌv dˈɛkɚ ɹˈɛkɚdz, wˌɪtʃ ˈoʊnd jˌuːnɪvˈɜːsəl stˈuːdɪˌoʊz, ɪn nˈaɪntiːnhˈʌndɹɪd sˈɪksti tˈuː.
Paramount meanwhile held on to State of the Union for another two years until MCA acquired most of Paramount's pre-1950 theatrical sound features in 1958 (and formed EMKA, Ltd. to hold the copyright) then bought the US branch of Decca Records, which owned Universal Studios, in 1962.