ðɪs mˌɪθɪfɪkˈeɪʃən ʌvðɪ ældʒˈɪɹiən pˈɛzəntɹi æz ɐ ɹᵻpˈɑːzɪtˌoːɹi ʌv nˈæʃənəl pɹˈaɪd ænd ɹᵻsˈɪstəns wʊd ᵻvˈɛntʃuːəli biː tɹænsfˈɔːɹmd dˈʊɹɹɪŋ ðə nˈaɪntiːnhˈʌndɹɪd ˈeɪɾi z, wˌɛn ældʒˈɪɹiən sˈɪnəmə bɪkˌeɪm mˈoːɹ kənsˈɜːnd wɪð ˈɜːbən kˈæɹɪktɚz ænd fˈoʊkəst ɔnðə kɹˈaɪsɪs ʌv pˌoʊstkəlˈoʊnɪəl kˈɑːnflɪkts.
This mythification of the Algerian peasantry as a repository of national pride and resistance would eventually be transformed during the 1980s, when Algerian cinema became more concerned with urban characters and focused on the crisis of postcolonial conflicts.