hˈɛɹmɪmə, ɐ sˈɛmaɪfˈɪkʃənəlˌaɪzd, sˈɛmaɪhɪstˈɔːɹɪkəl, ˌænθɹəpəlˈɑːdʒɪkəl nˈæɹətˌɪv kəntˈeɪnɪŋ pˈoːɹtɹɪts ʌv lˈaɪf ɪnðə tˈɜːkɪʃ hɑːɹˈiːmz fˈɪfti jˈɪɹz bᵻfˌoːɹ hɜː bˈɜːθ wɛn ðə sˈaʊθsˈɜːbiən sˈɪɾi ʌv nˈɪʃ wʌz stˈɪl ɐ pˈɑːɹt ʌvðɪ ˈɑːɾəmən ˈɛmpaɪɚ, ænd pˈɪsmə ˈɪz sˈɑːluːnə slˈæʃ lˈɛɾɚz fɹʌm sælˈɑːnɪkə, ɐ dʒˈɛnjuːɪn tɹˈævɪlˌɑːɡ fɹʌmðɪ ˈɑːɾəmən ˈɛmpaɪɚ dˈʊɹɹɪŋ ðə jˈʌŋ tˈɜːk ɹˌɛvəlˈuːʃən ɪn nˈaɪntiːnhˈʌndɹɪd ˈeɪt, ʌvwˈɪtʃ sælˈɑːnɪkə wʌzðə sˈɛntɚ.
Haremima, a semi-fictionalised, semi-historical, anthropological narrative containing portraits of life in the Turkish harems 50 years before her birth when the south-Serbian city of Niš was still a part of the Ottoman Empire, and Pisma iz Soluna/Letters from Salonica, a genuine travelogue from the Ottoman Empire during the Young Turk Revolution in 1908, of which Salonica was the centre.