ðɪ ˈɛmpɚɹɚ hˌuː wʌzɐ kəmpˈoʊzɚ hɪmsˈɛlf wʌz pɚtˈɪkjʊlɚli fˈɑːnd ʌv pˌɑːɡlɪˈɛɾi, ɛnˈoʊblɪŋ hˌɪm ænd bᵻstˈoʊɪŋ əpˌɑːn hˌɪm ðə tˈaɪɾəl kˈʌmz pˈælɐtˌɪnəs sˈiːsɛɹəs, ænd ðə kəmpˈoʊzɚ wʌz ˈɔːlsoʊ fˈeɪvɚd baɪ ðə pˈoʊp, hˌuː mˌeɪd hˌɪm ɐ nˈaɪt ʌvðə ɡˈoʊldən spˈɜː, ˈaɪ.ˈiː., ɐ mˈɛmbɚɹ ʌvðə sˈɛkənd hˈaɪɪst ˈɔːɹdɚɹ ʌv pˈeɪpəl ˈɔːɹdɚz ʌv ʃˈɪvəlɹi.
The Emperor (who was a composer himself) was particularly fond of Poglietti, ennobling him and bestowing upon him the title Comes palatinus Caesareus, and the composer was also favored by the Pope, who made him a Knight of the Golden Spur, i.e., a member of the second highest Order of Papal Orders of Chivalry.