lˈækhdɑːɹhˈæmɪnəz sˈʌn, mˈælɪk lˈækhdɑːɹhˈæmɪnə, bɪkˌeɪm wˈɛl nˈoʊn ˈæftɚ ðə ɹᵻlˈiːs ʌv hɪz fˈɜːst lˈɔŋ fˈɪlm, ˈɔːɾʌm: ɑːktˈoʊbɚɹ ɪn ældʒˈɪɹz nˈaɪntiːnhˈʌndɹɪd nˈaɪnti tˈuː, ɐ fˈɪlm ðæt ɛksplˈoːɹz ðə ɹˈaɪəts ʌv ɑːktˈoʊbɚ nˈaɪntiːnhˈʌndɹɪd ˈeɪɾi ˈeɪt θɹuː ðə mˈaɪkɹoʊkˌɑːzəm əvən ældʒˈɪɹiən fˈæmɪli splˈɪt baɪ ɐ wˈɛstɚnˌaɪzd vˈɜːsᵻz ɪslˈɑːmɪsˌaɪzd vjˈuː ʌv kəntˈɛmpɚɹˌɛɹi ældʒˈɪɹiə.
Lakhdar-Hamina's son, Malik Lakhdar-Hamina, became well known after the release of his first long film, Autumn: October in Algiers (1992), a film that explores the riots of October 1988 through the microcosm of an Algerian family split by a Westernized versus Islamicized view of contemporary Algeria.