ðɪs pɹˈɑːmpts fˈɛɹɪʃtˌeɪz fˈɑːðɚ ɹᵻzˈæ kˈɑːndən fˈoːɹsɪŋ hɜː tə ɹᵻtˈɜːn tə ðɛɹ hˈoʊm ɪn ˈɛsfɐhˌæn ɔːlðˈoʊ fˈɛɹɪʃtˌeɪ lˈaɪvz ˌɪndᵻpˈɛndəntli ɪn ɐ jˌuːnɪvˈɜːsᵻɾi dˈoːɹmɪtˌoːɹi, ʃiː ɪz fˈɔːɹməli ɪnðə kˈɛɹ ʌv hɜːɹ ˈʌŋkəl, hɜː fˈɑːðɚz bɹˈʌðɚ, hˌuː lˈɪvz ɪn tɛɹˈɑːn; θɹuː sˌʌm ɪnvˈɜːɾᵻd lˈɑːdʒɪk, ðə fˈɑːðɚ bᵻlˈiːvz ðætðɪ ˈækʃənz ʌvðə stˈɔːkɚ mˈʌstɐv bˌɪn pɹəvˈoʊkt baɪ sˌʌm ɪmpɹəpɹˈaɪəɾi ɔnðə pˈɑːɹt ʌv hɪz dˈɔːɾɚ.
This prompts Fereshteh's father (Rezā Khāndān) forcing her to return to their home in Esfahan (although Fereshteh lives independently in a university dormitory, she is formally in the care of her uncle, her father's brother, who lives in Tehran); through some inverted logic, the father believes that the actions of the stalker must have been provoked by some impropriety on the part of his daughter.