ɔːlðˈoʊ ɐ lˈɪtəlnˈoʊn ˈɛdɪɾɚɹ ʌvðɪ əbskjˈʊɹ mˈɛnoːɹə dʒˈɜːnəl ɪnðə nˈaɪntiːnhˈʌndɹɪd twˈɛnti z, ænd lˈeɪɾɚɹ ʌv fˈɔːɹtʃʊn, hˈɜːbɚt sˈɑːloʊ mˈænɪdʒᵻz tʊ ɐpˈɪɹ ɪn tˈɛs slˈɛsɪŋɚz ʌnpəzˈɛst nˈaɪntiːnhˈʌndɹɪd θˈɜːɾi fˈoːɹ æz ɐ nˈuː ˈɪŋɡlənd kˈælvɪnˌɪst æt wˈɔːɹ wɪð hɪz ˈoʊn mˈɑːɹksɪzəm; ɪn ᵻlˈiːnɚ klˈɑːɹks bˈɪɾɚ bˈɑːks nˈaɪntiːnhˈʌndɹɪd fˈoːɹɾi sˈɪks æz ɐ dɪsɪlˈuːʒənd kˈɑːmjuːnˌɪst bˈæŋk klˈɜːk; ænd, mˈoʊst ɪmpɹˈɛsɪvli, ɪn dʒˈeɪmz tˈiː. fˈæɹəlz pˈoʊsthjuːməsli pˈʌblɪʃt sˈæm hˈoʊmən nˈaɪntiːnhˈʌndɹɪd ˈeɪɾi θɹˈiː æz ðə kˈɑːmjuːnˌɪst lˈeɪdikˈɪlɚɹ ˈæftɚ hˈuːm ðə bˈʊk ɪz nˈeɪmd.
Although a little-known editor of the obscure Menorah Journal in the 1920s, and later of Fortune, Herbert Solow manages to appear in Tess Slesinger's Unpossessed (1934) as a New England Calvinist at war with his own Marxism; in Eleanor Clark's Bitter Box (1946) as a disillusioned Communist bank clerk; and, most impressively, in James T. Farrell's posthumously published Sam Holman (1983) as the Communist lady-killer after whom the book is named.