hɪz mˈoʊst fˈeɪməs wˈɜːk wʌz ɐsˈɪs wˈaɪ ɡælˈeɪɾiə wˈʌn θˈaʊzənd sˈɛvənhˈʌndɹɪd ˈeɪt, tʊ ɐ lɪbɹˈɛɾoʊ baɪ hoʊsˈeɪ də kˌænɪzˈɑːɹɹeɪz, wˌɪtʃ ɛndʒˈɔɪd fɹˈiːkwənt pɚfˈoːɹmənsᵻz ɪn mədɹˈɪdz spˈænɪʃ kˈoːɹt ænd pˈʌblɪk θˈiəɾɚz ʌntˈɪl æt lˈiːst wˈʌn θˈaʊzənd sˈɛvənhˈʌndɹɪd sˈɛvənti fˈoːɹ.
His most famous work was Acis y Galatea (1708), to a libretto by José de Canizares, which enjoyed frequent performances in Madrid's Spanish court and public theatres until at least 1774.