ʃiː sˈaɪts hɜː tɹˈɪps tə flˈɪndɚz ɹˈeɪndʒᵻz, wˌɪtʃ ʃiː jˈuːzd tə vˈɪzɪt ˈɛvɹi wˈiːkɛnd æz ɐ tʃˈaɪld, ænd ˈɔːlsoʊ kˈæɾi thˈændə lˈeɪk ˈaɪɚɹ æz hɜː mˈeɪn ˈɪnfluːəns tə kˈoːɹɪˌɑːɡɹæf ɐ pˈiːs ðæt ˈɪləstɹˌeɪts hˌaʊ dʒˌɪəɡɹˈæfɪkəl fˈiːtʃɚz ˈɪnfluːənsᵻz pˈiːpəlz mˈuːd ænd spˈɪɹɪt.
She cites her trips to Flinders Ranges, which she used to visit every weekend as a child, and also Kati Thanda–Lake Eyre as her main influence to choreograph a piece that illustrates how geographical features influences people's mood and spirit.