ˈeɪtʃlˈædnɪks ˈɜːli sˈɪksti z fˈiːtʃɚz, plˈɛz vˈiː dˈɛʒdʒuː dˈæns ɪnðə ɹˈeɪn nˈaɪntiːnhˈʌndɹɪd sˈɪksti wˈʌn ænd pˈɛʃtʃɛni ɡɹˈæd slˈæʃ sˈænd kˈæsəl nˈaɪntiːnhˈʌndɹɪd sˈɪksti tˈuː, ˈɪnfluːənst ðə kˈoːɹs ʌv jˈuːɡəslˌæv sˈɪnəmə, θɹuː ˈɪntᵻɡɹˌeɪɾɪŋ ˈɪnfluːənsᵻz fɹʌmðə nuːvˈɛl vˈeɪɡ ˌɪntʊ ɪt.
Hladnik's early-'60s features, Ples v dežju (Dance in the Rain) (1961) and Peščeni grad/Sand Castle (1962), influenced the course of Yugoslav cinema, through integrating influences from the nouvelle vague into it.