ʃiː kəntˈɪnjuːd ɹˈaɪɾɪŋ mjˈuːzɪk ænd kəmpˈoʊzd mjˈuːzɪk fɔːɹ kəmˈɜːʃəlz, ˈædvɚtˌaɪzɪŋ, ðə dʒˌæpənˈiːz ɡˈʌvɚnmənt ænd dˈɛmoʊz fɔːɹ mˌʌltɪmˈiːdiːə kˈʌmpəniz ɪn dʒəpˈæn; ʃiː “wʌz ˌɔn tˌiːvˈiː, dˌuːɪŋ ˈɛvɹɪθˌɪŋ fɹʌm dʒˈɪŋɡəlz tə ɹˈaɪɾɪŋ mjˈuːzɪk fɔːɹ ˈɑːɹɾɪsts.”
She continued writing music and composed music for commercials, advertising, the Japanese government and demos for multimedia companies in Japan; she “was on TV, doing everything from jingles to writing music for artists.”