ðə kˈʌmɪŋ jˈɪɹ ɪn nˈaɪntiːnhˈʌndɹɪd fˈɪfti fˈaɪv hiː ænd hɪz wˈaɪf ɐɡlˈæiːə ɡɛt dᵻvˈoːɹst ænd tˈuː jˈɪɹz fˈɑːloʊɪŋ ðæt ɪn nˈaɪntiːnhˈʌndɹɪd fˈɪfti sˈɛvən hiː ɡɑːt ᵻlˈɛktᵻd pɹəfˈɛsɚɹ ʌvðə pˈeɪntɪŋ wˈɜːkʃɑːp æt ðɪ ˈæθᵻnz skˈuːl ʌv fˈaɪn ˈɑːɹts ænd sˌaɪməltˈeɪniəsli kəmˈɛnst hɪz kəlˌæbɚɹˈeɪʃən wɪððə nˈæʃənəl θˈiəɾɚɹ ʌv ɡɹˈiːs nˈæʃənəl θˈiəɾɚɹ ʌv ɡɹˈiːs dɪzˈaɪnɪŋ sˈɛts ænd kˈɔstuːmz fɔːɹ "ðə hˈændz ʌvðə lˈɪvɪŋ ɡˈɑːd", ɐ plˈeɪ baɪ pˈæntɛliz pɹɪvɪlˈækiz, dᵻɹˈɛktᵻd baɪ ɐlˈɛksɪs səlˈoʊmoʊz.
The coming year in 1955 he and his wife Aglaïa get divorced and two years following that [in 1957] he got elected professor of the painting workshop at The Athens School of Fine Arts and simultaneously commenced his collaboration with the National Theatre of GreeceNational Theatre of Greece designing sets and costumes for "The Hands Of the Living God", a play by Pantelis Prevelakis, directed by Alexis Solomos.