fˈɛɹiəz pɹədˈʌkʃənz hæv bɪkˌʌm pˈɑːpjʊlɚɹ ɪnðə ɹˈɛɡjʊlɚ pɹˈaɪmtˈaɪm mˈɑːɹkɪts: hwˈɑːnə lˌæ vˈɜːdʒən wʌz ɹᵻmˈeɪd ˌɪntʊ dʒˈeɪn ðə vˈɜːdʒɪn, ænd lˌæ ɹˌiːɪnɐ dˈɛl sˈɜːz pɹəmˈɪɹ bˈiːt ˈaʊt ˈiːvən ˈɪŋɡlɪʃlˈæŋɡwɪdʒ pɹˈoʊɡɹæmɪŋ ænd stˈɑːɹz ɐn ʌŋkənvˈɛnʃənəl fˈiːmeɪl lˈiːd.
Farías' productions have become popular in the regular prime-time markets: Juana la virgen was remade into Jane the Virgin, and La Reina del Sur's premiere beat out even English-language programming and stars an unconventional female lead.