ˌoʊvɚ ðə twˈɛnti fˈaɪv jˈɪɹz ʃiː hæd ɔːlɹˌɛdi bˌɪn kənsˈɜːɾaɪzɪŋ, "hɜː plˈeɪɪŋ, ˈɔːlweɪz mɜːkjˈʊɹɹɪəl ænd ɛksˈaɪɾɪŋ bˌʌt əkˈeɪʒənəli ɐ lˈɪɾəl skˈæɾɚʃˌɑːt, hɐz bɪkˌʌm pˈɑːzᵻtˌɪvli ɹᵻlˈaɪəbəl, bˈoʊθ mjˈuːzɪkli ænd tˈɛknɪkli, wɪðˌaʊt lˈuːzɪŋ ˌɛni ʌvðə wˈaɪld ᵻlɛktɹˈɪsᵻɾi ðæt ˈɔːlweɪz sˈɛt hɜːɹ ɐpˈɑːɹt."
Over the 25 years she had already been concertizing, "her playing, always mercurial and exciting but occasionally a little scattershot, has become positively reliable, both musically and technically, without losing any of the wild electricity that always set her apart."