wˌaɪl ɪnðə fɹˈæŋkfɜːt bælˈeɪ, bˈɛkɚɹ ɐpˈɪɹd ɪn mˈɛni wˈɜːks kɹiːˈeɪɾᵻd baɪ fɔːɹsˈaɪð, ɪŋklˈuːdɪŋ: ˌɛldˌiːsˈiː, ˈɑːɹɾɪfˌækt ˈaɪ, ɹˌoʊmən tˈuː, ɹˌoʊmən θɹˈiː, ɹˌoʊmən fˈoːɹ, fɹˈæns slˈæʃ dˈæns, stˈɛptɛkst, bᵻhˌaɪnd ðə tʃˈaɪnə dˈɑːɡz, bˈɪɡ wˈaɪt bˈeɪbi dˈɑːɡ, dˈaɪ bᵻfɹˈæɡʌŋ dˈɛs ɹˈɑːbɚt skˈɑːt, ˈɛnəmi ɪnðə fˈɪɡjɚ, hˈɜːmən ʃmˈɜːmən, ɪmpɹˈɛsɪŋ ðə zˈɑːɹ, ɪnðə mˈɪdəl sˈʌmwʌt ˈɛlɪvˌeɪɾᵻd, ˌɪseɪbˈɛlz dˈæns, lˈɪmz θˈiəɹəm, lˈʌv sˈɔŋz, nˈuː slˈiːp, sˈeɪm ˈoʊld stˈoːɹi, sˈeɪ bˈaɪ bˈaɪ, skˈɪni, slˈɪŋɡɚlənd, stˈɛptɛkst, ðə lˈɔs ʌv smˈɔːl diːtˈeɪl, ðə sˈɛkənd diːtˈeɪl, ænd ðə vˈaɪl pˈæɹədi ʌv ɐdɹˈɛs.
While in the Frankfurt Ballet, Becker appeared in many works created by Forsythe, including: LDC, Artifact (I, II, III, IV), France/Dance, Steptext, Behind The China Dogs, Big White Baby Dog, Die Befragung des Robert Scott, Enemy in the Figure, Herman Schmerman, Impressing the Czar, In the Middle Somewhat Elevated, Isabelle's Dance, Limbs Theorem, Love Songs, New Sleep, Same Old Story, Say Bye Bye, Skinny, Slingerland, Steptext, The Loss of Small Detail, The Second Detail, and The Vile Parody of Address.