ɪn kˈɑːntɹæst tə ðə fˈɜːst swˈiːt fɔːɹ tˈuː piˈænoʊz, ðə wˈɜːk ɪz nˌɑːt bˈeɪst ˌɔn lˈɪɾɚɹᵻtʃɚ, ænd ɪts fˈɔːɹm tˈɛndz tʊ ɐpɹˈoʊtʃ ðə tɹɐdˈɪʃənəl swˈiːt.
In contrast to the First Suite for Two Pianos, the work is not based on literature, and its form tends to approach the traditional suite.