ˈɪl mˈɔndoʊ ˈælɚ ɹˈoʊvɚsə, ˈɑːʃə lə dˈɑːn tʃˈiː kɑːmɐndˈoʊnoʊ ˈɛm ˈɪː ˈɛɹ ˈɛn ˈææ ˈɪː zˈɛː ˈɛn ˈææ ˈɛn kˈææ ˈuː, ˈɪː ˈɛl1 ˈɪː ʒˈɛː jˈɛː ˈɛn ʃtʃˈææ ˈɪː ˈɛn jˈɛɹu kˈææ ˈoː ˈɛm ˈææ ˈɛn dˈɛː ˈuː jˈuː tˈɛː ðə wˈɜːld ˈʌpsaɪd dˈaʊn, ɔːɹ wˈɪmɪn ɪn kəmˈænd, wˈʌn θˈaʊzənd sˈɛvənhˈʌndɹɪd fˈɪfti, vˈɛnɪs
Il mondo alla roversa, ossia Le donne che commandono (Мир наизнанку, или Женщины командуют – The World Upside Down, or Women in Command, 1750, Venice)