bˈɛkɚz ˈoʊn kˌoːɹɪˈɑːɡɹəfi hˈæzbiːn dᵻskɹˈaɪbd æz "ˈɪnəvˌeɪɾɪv ænd ˌɛnɚdʒˈɛɾɪk, vˈɛɹi ɡɹˈæfɪk ænd wɪð pjˈʊɹɹᵻɾi ʌv mˈuːvmənt" baɪ swˈɪs nˈuːzpeɪpɚ twˈɛnti fˈoːɹ hjˈuːɹəz, ænd pɹˈeɪzd fɔːɹ ɪts "dˈɛlᵻkət, ˈɪntɹɪkət pˈɑːɹtnɚɹɪŋ ænd flˈiːt mˈuːvmənts" baɪ ðə nˈuː jˈɔːɹk tˈaɪmz.
Becker's own choreography has been described as "innovative and energetic, very graphic and with purity of movement" by Swiss newspaper 24 Heures, and praised for its "delicate, intricate partnering and fleet movements" by The New York Times.