bˈʌmstɛdz ɹᵻlˈeɪʃənʃˌɪp wɪð hˈɪl ɛkstˈɛndᵻd ˌɪntʊ ðə lˈeɪt nˈaɪntiːnhˈʌndɹɪd ˈeɪɾi z ænd ɪŋklˈuːdᵻd slˈɔːɾɚhˌaʊsfˈaɪv nˈaɪntiːnhˈʌndɹɪd sˈɛvənti tˈuː, ðə ɡɹˈeɪt wˈɔldoʊ pˈɛpɚ nˈaɪntiːnhˈʌndɹɪd sˈɛvənti fˈaɪv, slˈæp ʃˈɑːt nˈaɪntiːnhˈʌndɹɪd sˈɛvənti sˈɛvən, ɐ lˈɪɾəl ɹoʊmˈæns nˈaɪntiːnhˈʌndɹɪd sˈɛvənti nˈaɪn, ðə wˈɜːld ɐkˈoːɹdɪŋ tə ɡˈɑːɹp nˈaɪntiːnhˈʌndɹɪd ˈeɪɾi tˈuː, ðə lˈɪɾəl dɹˈʌmɚ ɡˈɜːl nˈaɪntiːnhˈʌndɹɪd ˈeɪɾi fˈoːɹ, ænd fˈʌni fˈɑːɹm nˈaɪntiːnhˈʌndɹɪd ˈeɪɾi ˈeɪt.
Bumstead's relationship with Hill extended into the late 1980s and included Slaughterhouse-Five (1972), The Great Waldo Pepper (1975), Slap Shot (1977), A Little Romance (1979), The World According to Garp (1982), The Little Drummer Girl (1984), and Funny Farm (1988).