"kˈʌŋ fˈoʊ kɹiːˈeɪɾɚ ænd pˈoʊstmɑːdɚn ɹᵻvˈɪʒənˌɪst mˈaɪk nˈuːmən, hɐz ɐn ˈɔfɚɹɪŋ wˈɜːði ʌvðə pˈoʊstmədɚnˌɪzəm kˈænən, ɐlˈɔŋsaɪd dʒˈiːnlˈuːk ɡˈɑːdɚdz wˈiːkɛnd ænd lˈuːɪs bjˈuːnjjuːlz tʃˈiːn ˈændɐlˌuː", ɹᵻpˈoːɹɾᵻd stˈiːv dʒˈɑːnstən ʌvðə fˈɪlm sˈɪnɪks.
"Kung Faux creator and postmodern revisionist Mic Neumann, has an offering worthy of the postmodernism canon, alongside Jean-Luc Godard's Weekend and Luis Buñuel's Chien Andalou", reported Steve Johnston of The Film Cynics.