hiː tˈʊk pˈɑːɹt ɪn ɹᵻvˈaɪvəlz ʌv nᵻɡlˈɛktᵻd ˈɑːpɚɹə sˈʌtʃ ɐz lˌæ dˈɑːnə dˈɛl lˈeɪɡoʊ, ˈɑːpəzˌɪt mˈɔntsɪɹˌæt kˌæbɐlˈeɪ, ænd lə sˈiːdʒ də kˈɔːɹɪnð, ˈɑːpəzˌɪt bˈɛvɚli sˈɪlz, ænd tˈʊk pˈɑːɹt ɪnðə kɹiːˈeɪʃən ʌv nˈuː wˈɜːks, sˈʌtʃ ɐz ɐlɐdˈiːnoʊ ˈiː lˌæ læmpˈɑːdə mˈædʒɪkə baɪ ɹˈoʊɾə, ænd ljˌuːɪsˈɪlə baɪ mænˈiːnoʊ.
He took part in revivals of neglected opera such as La donna del lago, opposite Montserrat Caballé, and Le siège de Corinthe, opposite Beverly Sills, and took part in the creation of new works, such as Aladino e la lampada magica by Rota, and Luisilla by Mannino.