"ɹˈɛf ˈɑːɹz ˌoːɹɪˈɛntˈɑːliz, θɹˈiː, nˈaɪntiːnhˈʌndɹɪd fˈɪfti nˈaɪn, pˈiː. θˈɜːɾi θɹˈiː dˈæʃ sˈɪksti tˈuː slˈæʃ ɹˈɛf hɪz wˈɜːk pˈɛnsɚɹ ˈɛlˈɑːɹt ɪslˈɑːmˈiːk : jˈuːn ˌɛsθeɪtˈiːk də ˈɛlˈoːɹnmənt dᵻnˈoʊts ˈɔːlsoʊ ɹᵻflˈɛkʃənz ɔnðə nˈeɪtʃɚɹ ʌv ɪslˈɑːmɪk ˈɑːɹt.
"<ref>Ars orientalis, 3, 1959, p. 33-62</ref> His work Penser l'art islamique : une esthétique de l'ornement denotes also reflections on the nature of Islamic art.