ɑːbdʒˈɛktᵻd baɪ ðə bɹˈɛxt ˈɛɹz, bˈɜːɡaʊs θiːˈætɹɪkəl ɐpɹˈoʊtʃ wʌz dʒˈɛnɚɹəli kwˈɛstʃənd fɹʌm ðæt mˈoʊmənt ˈɔn.
Objected by the Brecht heirs, Berghaus’ theatrical approach was generally questioned from that moment on.