wˌaɪl ðɛɹ ɪz vˈɛɹi lˈɪɾəl hˈɪstɚɹi ɡˈɪvən bᵻtwˌiːn ðə fˈæntəm ænd mˈædəm ɡˈaɪɚɹi ɪnðə mjˈuːzɪkəl, ɐ smˈɔːl sˈiːn wʌz ɛkstˈɛndᵻd ɪnðə fˈɪlm vˈɜːʒən, ʃˈoʊɪŋ ɐ jˈʌŋ mˈædəm ɡˈaɪɚɹi ɹˈɛskjuːɪŋ ðə fˈæntəm fɹʌm ɐ tɹˈævəlɪŋ sˈɜːkəs ænd hˈaɪdɪŋ hˌɪm ɪnðɪ ˈɑːpɚɹə hˈaʊs.
While there is very little history given between the Phantom and Madame Giry in the musical, a small scene was extended in the film version, showing a young Madame Giry rescuing the Phantom from a traveling circus and hiding him in the Opera House.