fˌɜːðɚmˈoːɹ, ɹˈoʊmɚ jˈuːsᵻz "kɹˈuːəl mˈɔːɹəl dᵻlˈɛməz, səfˈɪstᵻkˌeɪɾᵻd sˈɛɾɪŋz ænd ðə jˈuːs ʌv lˈæŋɡwɪdʒ æz ðə mˈeɪn kənstˈɪtʃuːənt ɪnðə dɹˈɑːmə."
Furthermore, Rohmer uses "cruel moral dilemmas, sophisticated settings and the use of language as the main constituent in the drama."