hɪz nˈoʊɾəbəl fˈɪlm ɹˈoʊlz ɪŋklˈuːd ɹˈeɪ bɹˈɑːk, ðə kˈɑːmplɛks fˈɑːðɚ fˈɪɡjɚɹ əvə nˈuː ˈɪŋɡlənd kˈɑːmjuːn ɪn ˈælɪsᵻz ɹˈɛstɹɑːnt nˈaɪntiːnhˈʌndɹɪd sˈɪksti nˈaɪn, ðə sˈʌbweɪ mˈoʊɾɚmən ɪnðə tˈeɪkɪŋ ʌv pˈɛlæm wˈʌn tˈuː θɹˈiː nˈaɪntiːnhˈʌndɹɪd sˈɛvənti fˈoːɹ, ˌɛfbˌiːˈaɪ ˈeɪdʒənt ʃˈɛldən ɪn dˈɑːɡ dˈeɪ ˌæftɚnˈuːn nˈaɪntiːnhˈʌndɹɪd sˈɛvənti fˈaɪv, ænd dʒˈoʊ ɪnðə ʃˈædoʊ bˈɑːks nˈaɪntiːnhˈʌndɹɪd ˈeɪɾi dᵻɹˈɛktᵻd baɪ pˈɔːl nˈuːmən.
His notable film roles include Ray Brock, the complex father figure of a New England commune in Alice's Restaurant (1969), the subway motorman in The Taking of Pelham One Two Three (1974), FBI agent Sheldon in Dog Day Afternoon (1975), and Joe in The Shadow Box (1980) directed by Paul Newman.