wˈɛb kəŋklˈuːdᵻd ðæt bᵻfˌoːɹ fˈɪlmɪŋ bɪɡˈæn fɚðə vˈɪdɪoʊ, hiː hæd wˈɔntᵻd tə lˈɜːn ðɪ ɛkspˈiəɹɪəns ðæt kˈiː ænd bˈeɪsɪst pˈiːɾɚ mˈoʊsli wɜː ɡˌoʊɪŋ θɹuː ɪn nˈuː jˈɔːɹk, æz ðeɪ mˈuːvd ðɛɹ tə bɪɡˈɪn wˈɜːkɪŋ ˌɔn lˈaɪts ænd sˈaʊndz, ænd ɐbˌaʊt ðə θˈɪŋz ðeɪ sˈɔː wˌaɪl ðeɪ wɜː ðˈɛɹ.
Webb concluded that before filming began for the video, he had wanted to learn the experience that Key and bassist Peter Mosely were going through in New York, as they moved there to begin working on Lights and Sounds, and about the things they saw while they were there.