wˌaɪl ðɪ ˈʌðɚ kˈaʊntɚɹᵻfˈoːɹmɚz wɛnt ɐlˈɔŋ wɪððə tˈaɪmz, jˈuːzɪŋ ɹˈæʃənəlˌɪzəm tə lˈʊɹ pˈiːpəl, dɪvkˈɑːvɪk wɛnt bˈæk tə ðə mˈɪdəl ˈeɪdʒᵻz tʊ ɐtɹˈækt hɪz pˈʌblɪk θɹuː ɹᵻtˈɛlɪŋ ʌvðə bˈɪblɪkəl stˈoːɹiz ænd ˈeɪntʃənt lˈɛdʒəndz wɪð kˌæɹɪktɚɹˈɪstɪk mˈɛdɪˌiːvəl ɪmˌædʒᵻnˈeɪʃən.
While the other Counter-Reformers went along with the times, using rationalism to lure people, Divković went back to the Middle Ages to attract his public through retelling of the biblical stories and ancient legends with characteristic medieval imagination.