ˈæktʃuːəli, ɹᵻsˈɜːtʃɚz bᵻlˈiːv ðæt dɪvkˈɑːvɪk wʌz vˈɛɹi ˈɪntɹɛstᵻd ɪn hɪz lˈoʊkəl pˈʌblɪk, sˌoʊ hiː tʃˈoʊz ðoʊz wˈɜːks ðæt wʊdhɐv ðə stɹˈɔŋɡɪst ˈɪmpækt ɔnðɪ ˌoʊvɚɹˈɔːl ɡˈoʊl ʌv kˈaʊntɚɹᵻfoːɹmˈeɪʃən, wˌɪtʃ ɛksplˈeɪn wˌaɪ dɪvkˈɑːvɪk hæd sˈʌtʃ ɐ ɡɹˈeɪt səksˈɛs ænd ɡˈeɪnd ɹˌɛpjuːtˈeɪʃən ɐmˌʌŋ kˈæθlɪk sˈɜːkəlz wˌɪtʃ ˈoʊnli ˈændɹɪdʒə kˈætʃɪk mɪˈɑːʃɪk kʊd sɚpˈæs.
Actually, researchers believe that Divković was very interested in his local public, so he chose those works that would have the strongest impact on the overall goal of Counter-Reformation, which explain why Divković had such a great success and gained reputation among Catholic circles which only Andrija Kačić Miošić could surpass.