hiː lˈɛft ðə kˈoːɹs bᵻfˌoːɹ kəmplˈiːʃən tə wˈɜːk wɪð hˈaʊɚd bɹˈaʊn wˈɜːkɪŋ fɔːɹ klˈaɪənts sˈʌtʃ ɐz ɹˈɪtʃɚd kˈɜːɾɪs θɹuː fˈeɪbɚ ænd fˈeɪbɚ, ɡˈoʊldkɹɛst fˈɪlmz ænd ðə pˈoʊst ˈɑːfɪs, pɹˈaɪɚ tə dʒˈɔɪnɪŋ pˈɛntɐɡɹˌæm dɪzˈaɪn, wˌɛn bɹˈaʊn bɪkˌeɪm ɐ pˈɑːɹtnɚɹ ɪn nˈaɪntiːnhˈʌndɹɪd ˈeɪɾi sˈɛvən.
He left the course before completion to work with Howard Brown working for clients such as Richard Curtis (through Faber & Faber), Goldcrest Films and the Post Office, prior to joining Pentagram Design, when Brown became a partner in 1987.