wˈʌn ʌv hɪz bˈɛstnˈoʊn pˈeɪntɪŋz, ˈæftɚ ðɪ ˈɔːɹdʒi nˈaɪntiːnhˈʌndɹɪd twˈɛnti ˈeɪt, ʃˈoʊz θɹˈiː nˈuːd wˈɪmɪn ɐpˈæɹəntli ðə sˈeɪm mˈɑːdəl ɪn θɹˈiː dˈɪfɹənt pˈoʊzᵻz ɐslˈiːp ˌɔn ɐ flˈoːɹ lˈɪɾɚd wɪð wˈaɪn bˈɑːɾəlz, plˈeɪɪŋ kˈɑːɹdz ænd sˌɪɡɚɹˈɛts, wɪð ɐn ɪfˈɛkt "mˈoːɹ dᵻpɹˈɛsɪŋ ðɐn tˈɪɾɪlˌeɪɾɪŋ".
One of his best-known paintings, After the Orgy (1928), shows three nude women (apparently the same model in three different poses) asleep on a floor littered with wine bottles, playing cards and cigarettes, with an effect "more depressing than titillating".