ðə dɪvˈɛləpmənt ʌvðə saɪkəlˈɑːdʒɪkəl ænd ɛɡzɪstˈɛnʃəl kəmplˈɛksᵻɾiz ʌv hɪz kˈæɹɪktɚz ɪstˈæblɪʃt ɐ dˈɪfɹəns bᵻtwˌiːn hɪz wˈɜːk ænd pɹˈaɪɚ lˈɪɾɚɹˌɛɹi mˈuːvmənts kɹɪəlˈɪsmoʊ, mˌʌndənəvˈɪsmoʊ, ðæt wɜː kˈæɹɪktɚɹˌaɪzd baɪ ɐ lˈɛs kˈɑːmplɛks vjˈuː ʌv ˌɪndᵻvˌɪduːˈælᵻɾi.
The development of the psychological and existential complexities of his characters established a difference between his work and prior literary movements (criollismo, mundonovismo), that were characterized by a less complex view of individuality.