dˈɪlmənz vˈɜːʒən ʌvðɪ ˈɑːɹt, wˌɪtʃ hiː kˈɔːlz rjˈuːkɪˌuː kˈɛmpoʊ tˈɑːmɚɹitˈiː, hɐz ɐ lˈɑːɹdʒ ˌɪntɚnˈæʃənəl fˈɑːloʊɪŋ.
Dillman's version of the art, which he calls Ryūkyū kempo tomari-te, has a large international following.