ðɪ ˈɑːɹɾɪst jˈuːsᵻz hɪz ɛkspˈiəɹɪənsᵻz æz ɡˈeɪm tˈɛkstʃɚz, ɹᵻlˈiːfs ænd lˈaɪt ʌv hɪz pɹˈɪnts ˌɪntʊ wˈaɪt kˈɑːŋkɹiːt wˈɜːks, ðɛɹbˈaɪ mˌeɪkɪŋ ðə bˈɪldɪŋ fɚðə kˈeɪs pˌɑːpjʊlˈɛɹ lˈɔːɹiɚɹ ɪn ˈɑːɾɐwə ɐ dˈʌzən bˈæsɹᵻlˈiːfs ʌv wˈaɪt kˈɑːŋkɹiːt, lˈɑːɹdʒ ænd smˈɔːl dᵻmˈɛnʃənz, vˈɛɹiɪŋ tˈɛkstʃɚz, θˈɪknəsᵻz ænd ɹᵻlˈiːf pɹˈɪntᵻd tə ðə mətˈɪɹiəl.
The artist uses his experiences as game textures, reliefs and light of his prints  into white concrete works, thereby making the building for the Caisse populaire Laurier in Ottawa a dozen bas-reliefs of white concrete, large and small dimensions, varying textures, thicknesses and relief printed to the material.