fɹˈeɪsɚz aɪdˈiəz hæv kˈɑːnsɪkwənsᵻz nˌɑːt ˈoʊnli fɔːɹ ˌaʊɚɹ ˌʌndɚstˈændɪŋ ʌvðə fˈɪzɪkəl jˈuːnɪvˌɜːs, bˌʌt ˈɔːlsoʊ ʌvðɪ ɪmˈɜːdʒəns ʌvðə hjˈuːmən mˈaɪnd ɐ pˈæɹəlˌɛl mˈɑːdəl ʌvwˈɪtʃ wʌz dɪvˈɛləpt baɪ ðə saɪkˈɑːlədʒˌɪst klˈɛɹ dˈʌbəljˌuː. ɡɹˈeɪvz ɪn hɪz mˈɑːdəl ʌv sˈaɪkoʊsˌoʊʃəl ɪmˈɜːdʒəns ænd fɔːɹ kˈʌltʃɚ ænd ðɪ ˈɑːɹts.
Fraser's ideas have consequences not only for our understanding of the physical universe, but also of the emergence of the human mind (a parallel model of which was developed by the psychologist Clare W. Graves in his model of psychosocial emergence) and for culture and the arts.