ðə pɹˈaɪvət kəlˈɛkʃən, vˈɑːl. tˈɛn: stˈuːdɪˌoʊ sˈɛʃənz nˈuː jˈɔːɹk ænd ʃᵻkˈɑːɡoʊ, nˈaɪntiːnhˈʌndɹɪd sˈɪksti fˈaɪv, nˈaɪntiːnhˈʌndɹɪd sˈɪksti sˈɪks ænd nˈaɪntiːnhˈʌndɹɪd sˈɛvənti wˈʌn ˌɛlˌɛmˈɑːɹ ɹˈɛkɚdz, nˈaɪntiːnhˈʌndɹɪd ˈeɪɾi sˈɛvən ɹᵻlˈiːs ɐ pɹˈaɪvətli ɹᵻkˈoːɹdᵻd ɹᵻvˈɪʒən ʌvðə θɹˈiːmˈuːvmənt pˈiːs ˌɪntʊ ɐ nˈaɪnpˈɑːɹt wˈɜːk, ænd ðə mˈoʊst kəmplˈiːt stˈuːdɪˌoʊ vˈɜːʒən ʌvðə swˈiːt.
The Private Collection, Vol. 10: Studio Sessions New York & Chicago, 1965, 1966 & 1971 (LMR Records, 1987 release) - a privately recorded revision of the three-movement piece into a nine-part work, and the most complete studio version of the suite.