bˌʌt wˈʌns ðə fˈoʊɾoʊz ɔːɹ "ɡɹˈæfɪks"ɑːɹ ˈɔːlsoʊ mˈuːvd fɹʌm fɹˈeɪm tə fɹˈeɪm, mˈoːɹ ɛksˈaɪɾɪŋ mˈɔntɑːʒᵻz ʌv mˈuːvmənt kæn biː pɹədˈuːst, sˈʌtʃ ɐz ˌɔn lˌɑːs ˈændʒəlɪs ˈænɪmˌeɪɾɚ mˈaɪk dʒˈɪtlʌvz nˈaɪntiːnhˈʌndɹɪd sˈɛvənti sˈɛvən ʃˈɔːɹt fˈɪlm, ˌænɪmˈɑːɾoʊ.
But once the photos (or "graphics") are also moved from frame to frame, more exciting montages of movement can be produced, such as on Los Angeles animator Mike Jittlov's 1977 short film, Animato.