ɪn kəmpjˈuːɾɚ nˈuːd stˈʌdiz ɪn pɚsˈɛpʃən aɪ ðeɪ kɹiːˈeɪɾᵻd ɐn ˈɪmɪdʒ əvɚ ɹᵻklˈaɪnɪŋ nˈuːd kˌoːɹɪˈɑːɡɹəfɚ dˈɛbɚɹə hˈeɪ, baɪ skˈænɪŋ ɐ fˈoʊɾəɡɹˌæf wɪð ɐ kˈæmɹə ænd kənvˈɜːɾɪŋ ðɪ ˈænəlˌɑːɡ vˈoʊltɪdʒᵻz tə bˈaɪnɚɹi nˈʌmbɚz, wˌɪtʃ wɜːɹ ɐsˈaɪnd tˌaɪpəɡɹˈæfɪk sˈɪmbəlz bˈeɪst ˌɔn hˈæftoʊn dˈɛnsᵻɾiz.
In Computer Nude (Studies in Perception I) they created an image of a reclining nude (choreographer Deborah Hay), by scanning a photograph with a camera and converting the analog voltages to binary numbers, which were assigned typographic symbols based on halftone densities.