kənfˈɛʃən ɪz ɪspˈɛʃəli ˈɪntɹɛstɪŋ, ɪn ðæt mˈeɪz fˈɪlm ɪz ɐn ɛɡzˈækt kˈɑːpi ʌv dʒˈɜːmən dᵻɹˈɛktɚ wˈɪli fˈoːɹsts mˈæzɜːkə, ɹˈaɪt dˌaʊn tə ðə lˈæst fˈeɪd ænd dɪsˈɑːlv, wɪð ˈɛvɹi ʃˈɑːt tˈaɪmd tə ɹˈʌn ɛɡzˈæktli ðə sˈeɪm lˈɛŋθ, ænd jˈuːzɪŋ ðə sˈeɪm mjˈuːzɪk æz fˈoːɹsts ɚɹˈɪdʒɪnəl fˈɪlm.
Confession is especially interesting, in that May's film is an exact copy of German director Willi Forst's Mazurka, right down to the last fade and dissolve, with every shot timed to run exactly the same length, and using the same music as Forst's original film.