bˌʌt, bɪkˈʌz ðə tʃˈeɪndʒᵻz wɜː mˌʌltɪpəl bˈeɪs, tɹˈɛbəl, daɪnˈæmɪk ɹˈeɪndʒ ænd ˌælɡɚɹˈɪθmɪk θɹˈɛʃoʊldz, ɡˈeɪn kˈɜːvz, ˌɑːɹsˌiːˈeɪ dʒˈʌstɪfˌaɪəbli ɹᵻfˈɜːd tə ðɪ ˈænəlˌɑːɡ dɪvˈaɪs æz ɐ kəmpjˈuːɾɚ.
But, because the changes were multiple (bass, treble, dynamic range) and algorithmic (thresholds, gain curves), RCA justifiably referred to the analog device as a computer.