mjˈuːzɪk kɹˈɪɾɪk kˈiːθ hˈæɹɪs kˈɔːld hˈaɪnɹɪtʃz "ɐn ɪnɛskˈeɪpəbəl pɹˈɛzəns ɪn tˈɜːnʌvðəmɪlˈɛniəm mˌɪnɪsˈoʊɾə mjˈuːzɪk" hˈuː "mˈuːvd ˈiːzili bᵻtwˌiːn ðə wˈɜːldz ʌv dˈæns mjˈuːzɪk, hˈɪphˈɑːp, ænd ˈɪndi ɹˈɑːk."
Music critic Keith Harris called Heinrichs "an inescapable presence in turn-of-the-millennium (Minnesota) music" who "moved easily between the worlds of dance music, hip-hop, and indie rock."