ðə lˈɔŋ ʃˈɑːts ɪn bɑːlˈɛɹoʊ ɑːɹ ɪn fˈækt ʌv vˈɛlɑːz ænd jɑːlˈændə, ðˌoʊ nˈoʊ ˌɪndɪkˈeɪʃən ɪz ɡˈɪvən ðæt ðɪs pɚtˈɪkjʊlɚ dˈæns nˈʌmbɚ wʌz wˈʌn ðætðə fˈeɪmd dˈæns tˈiːm ˈɛvɚ pɚfˈɔːɹmd æz pˈɑːɹt ʌv ɪts ˈoʊn ɹˈɛpɚtwˌɑːɹ, wˌaɪl ɪn ɹˈʌmbə, ðə dˈæns stˈɛps ɑːɹ ˈæktʃuːəli ɐ sˈɪmplᵻfˌaɪd vˌɛɹɪˈeɪʃən əvə vˈɛlɑːz ænd jɑːlˈændɚ ɹuːtˈiːn pɚfˈɔːɹmd ðə pɹˈiːviəs jˈɪɹ ɪnðə mˈuːvi mˈɛni hˈæpi ɹᵻtˈɜːnz, stˈɑːɹɹɪŋ bˈɜːnz ænd ˈælən.
The long shots in Bolero are in fact of Veloz and Yolanda, though no indication is given that this particular dance number was one that the famed dance team ever performed as part of its own repertoire, while in Rumba, the dance steps are actually a simplified variation of a Veloz and Yolanda routine performed the previous year in the movie Many Happy Returns, starring Burns and Allen.