hɪz kənsˈɪdɚɹəbəl pɹədˈʌkʃən ɪŋklˈuːdᵻd stˈeɪdʒ mjˈuːzɪk fɔːɹ ˈɛdɪp vˈiː ɐfˈaɪnæk ˈiːdɪpəs ɪn ˈæθᵻnz, wˈʌn θˈaʊzənd ˈeɪthˈʌndɹɪd fˈoːɹ, fˈɪŋɡəl tɹˈædʒədi baɪ vˈiː. ˈoʊzɹɑːv, wˈʌn θˈaʊzənd ˈeɪthˈʌndɹɪd fˈaɪv, tsˈɑːɹ ˈɛdɪp ˈiːdɪpəs ɹˈɛks wˈʌn θˈaʊzənd ˈeɪthˈʌndɹɪd sˈɪkstiːn, ˈɛstɚ baɪ ɹˈæsiːn wˈʌn θˈaʊzənd ˈeɪthˈʌndɹɪd sˈɪkstiːn, lɪtˈɜːdʒɪkəl mjˈuːzɪk ɪŋklˈuːdɪŋ ðə tˈiː dˈiːəm, kæntˈɑːɾəz, kˈoːɹəsᵻz, sˈɔŋz ɪŋklˈuːdɪŋ twˈɛnti ˈeɪt ɹˈʌʃən sˈɔŋz, ɐbˌaʊt sˈɛvənti pˌɑːlənˈeɪzᵻz ænd ˈʌðɚ dˈæns mjˈuːzɪk fɚðə kˈoːɹt bˈɔːlz, ɛtsˈɛtɹə.
His considerable production included stage music for Edip v Afinakh (Oedipus in Athens, 1804), Fingal (tragedy by V. Ozerov, 1805), Tsar Edip (Oedipus Rex) (1816), Esther (by Racine 1816), liturgical music including the Te Deum, cantatas, choruses, songs (including 28 Russian songs), about 70 polonaises and other dance music for the court balls, etc.