sˌɜː wˈɪljəm fɹˈeɪsɚz ðə tʃˈiːfs ʌv ɡɹˈænt wˈʌn θˈaʊzənd ˈeɪthˈʌndɹɪd ˈeɪɾi fˈoːɹ pɹɪfˈɜːd ðə stˈaɪl ʌv ɡɹˈænt ʌv ɡɹˈænt ænd lˈɔːɹd ˈɑːɡɪlvi ʌv dˈɛskfɚd ænd kˈʌlən fɔːɹ bˈoʊθ ðə fˈɪfθ ænd sˈɪksθ ˈɜːlz; hɪz ˈɑːɹɾɪkəl ɔnðə sˈɛvənθ ˈɜːl ɪz nˈeɪmd sˌɜː dʒˈɑːn tʃˈɑːɹlz ɡɹˈænt ˈɑːɡɪlvi bˌʌt ðɪ ɐkˈʌmpəniɪŋ pˈoːɹtɹɪt ɪz nˈeɪmd sˌɜː dʒˈɑːn tʃˈɑːɹlz ˈɑːɡɪlvi ɡɹˈænt, bˈæɹənˌɛt, sˈɛvənθ ˈɜːl ʌv sˈiːfiːld ɛtsˈɛtɹə.
Sir William Fraser's 'The Chiefs of Grant' (1884) preferred the style of Grant of Grant and Lord Ogilvie of Deskford and Cullen for both the 5th and 6th Earls; his article on the 7th Earl is named Sir John Charles Grant Ogilvie but the accompanying portrait is named Sir John Charles Ogilvie Grant, Baronet, Seventh Earl of Seafield etc.