tˈɑːməs ɡˌoʊliənəpˈuːloʊz ʌv spˈɪn sˈɛd ʌvðə ɹˈɛkɚd, "dᵻspˈaɪt tʃˈɪŋiz lˈʌv fɔːɹ snˈiːkɚz, fɹˈiːki ɡˈɜːlz, ænd pˈækt dˈæns flˈoːɹz, ðə mˈoʊst mˈɛmɚɹəbəl sˈɔŋz ˌɔn hɪz θˈɜːd ˈælbəm ɑːɹ dᵻsˈaɪdɪdli bˈʌz kˈɪlɚz: "pˈʊlᵻn mˌiː bˈæk" ɪz ɐ ɡlˈuːmi bɹˈeɪkɪŋˌʌpɪz hˈɑːɹdtədˈuː ˈænθəm kɹˈæftᵻd baɪ sˌuːpɚpɹədˈuːsɚ dʒˈɜːmeɪn dˈuːpɹi, ænd ɔnðə sɚpɹˈaɪzɪŋli kˈændɪd "kˈædɪlˌæk dˈoːɹ," ðə sənt. lˈuːi ɹˈæpɚ lɐmˈɛnts lˈɔst fɹˈɛndz.
Thomas Golianopoulos of Spin said of the record, "Despite Chingy’s love for sneakers, freaky girls, and packed dance floors, the most memorable songs on his third album are decidedly buzz killers: "Pullin' Me Back" is a gloomy breaking-up-is- hard-to-do anthem crafted by superproducer Jermaine Dupri, and on the surprisingly candid "Cadillac Door," the St. Louis rapper laments lost friends.