mˈɪtʃəl ˈɑːsəlˌɑːts tˈɛlᵻvˌɪʒən sˈɪɹiz bˈɜːdʒɚz ˈɛt dɹˈæɡənz ʃˈɛfɚdˌɛsᵻz ænd dɹˈæɡənz, wˈɪtʃ, æz ʌv mˈɑːɹtʃ tˈuː θˈaʊzənd ˈeɪt, ɪz stˈɪl ɪn dɪvˈɛləpmənt,  jˈuːsᵻz ɐ mˈɪkstʃɚɹ ʌv tˈuː dˈiː ænd θɹˈiː dˈiː kəmpjˈuːɾɚɹ ˌænɪmˈeɪʃən tə sˈɪmjʊlˌeɪt ðə lˈʊk ʌv hɪz ˈɜːlɪɚ, ˈænəlˌɑːɡ sˌɪlʊwˈɛt ˌænɪmˈeɪʃən.
Michel Ocelot's television series Bergères et dragons (Shepherdesses and Dragons), which, as of March 2008, is still in development,  uses a mixture of 2D and 3D computer animation to simulate the look of his earlier, analogue silhouette animation.