ðə fˈɑːloʊɪŋ tˈeɪbəl ʃˈoʊz θɹˈiː ɪntˌɜːpɹɪtˈeɪʃənz wˈʌn ʌvðɪ ˈɜːlɪɪst vˈɜːʒənz ʌvðə "klˈæsɪkəl" tˈɜːkɪk wˈʌn baɪ zˈiːlætˈɑːɹski nˈaɪntiːnhˈʌndɹɪd ˈeɪtiːn, ædhˈɪɹɪŋ klˈoʊsli tə mɪkˈoʊlə, wˈʌn ʌvðə mˈoʊst ɹˈiːsənt "tˈɜːkɪk" vˈɜːʒənz baɪ mˈɑːskɑːv nˈaɪntiːnhˈʌndɹɪd ˈeɪɾi ˈeɪt, ænd ðə "ɪɹˈeɪniən" wˈʌn baɪ dˈɑːbɹɛv nˈaɪntiːnhˈʌndɹɪd nˈaɪnti fˈoːɹ.
The following table shows three interpretations - one of the earliest versions of the "classical" Turkic one by Zlatarski (1918, adhering closely to Mikkola), one of the most recent "Turkic" versions by Moskov (1988), and the "Iranian" one by Dobrev (1994).