mɚɹˈælz hɐz ˈɔːlsoʊ ɹˈɪʔn̩ ˈɛseɪz, ðə mˈoʊst ɪmpˈoːɹtənt ʌvwˈɪtʃ ɪz ˌɛl kɐdˈævɚ də bˈæltsæk bˈæltsækz kˈɔːɹps nˈaɪntiːnhˈʌndɹɪd nˈaɪnti ˈeɪt, ɪnwˌɪtʃ wɪð ɹᵻspˈɛkt tə ðə ɡɹˈeɪt fɹˈɛntʃ nˈɑːvɪlˌɪst mɚɹˈælz sˈɛnʃɚz ɹˌɛpətˈɪʃən ænd dᵻfˈɛndz ɐ nˈuː pˈæɹədˌaɪm ðæt wɪl dɪskˈʌvɚ mˈɪstɚɹi tə ðə ɹˈiːdɚz mˌeɪkɪŋ ɪɾ ɐ pˈɑːɹt ʌv ðɛɹ dˈeɪli lˈaɪvz.
Morales has also written essays, the most important of which is El Cadáver de Balzac (Balzac’s Corpse) (1998), in which – with respect to the great French novelist -  Morales censures repetition and defends a new paradigm that will discover mystery to the readers making it a part of their daily lives.