hɪz nˈaɪntiːnhˈʌndɹɪd sˈɪksti sˈɪks ʃˈoʊ æt ðə skˈuːl ʌv vˈɪʒuːəl ˈɑːɹts, "wˈɜːkɪŋ dɹˈɔːɪŋz ænd ˈʌðɚ vˈɪzᵻbəl θˈɪŋz ˌɔn pˈeɪpɚ nˌɑːt nˌɛsɪsˈɛɹᵻli mˈɛnt təbi vjˈuːd æz ˈɑːɹt", ɪz ɹᵻɡˈɑːɹdᵻd æz ɐ sˈɛmɪnəl ʃˈoʊ ɪnðə kənsˈɛptʃuːəl ˈɑːɹt mˈuːvmənt.
His 1966 show at the School of Visual Arts, "Working Drawings And Other Visible Things On Paper Not Necessarily Meant To Be Viewed As Art", is regarded as a seminal show in the conceptual art movement.