ðɛɹ ɹˈɛpɚtwˌɑːɹ kənsˈɪstᵻd mˈeɪnli ʌv mjˈuːzɪkəl sˈæɾaɪɚ pˈoʊkɪŋ fˈʌn æt ðə kɐnˈeɪdiən ɡˈʌvɚnmənt, sˈɛks ænd sˈɛnsɚʃˌɪp, ðə lˈɔː, ænd kənsˈuːmɚɹ ˈɪʃuːz; ðɛɹ mjˈuːzɪk wʌzɐ mˈɪkstʃɚɹ ʌv ɚɹˈɪdʒɪnəl sˈɔŋz ænd ˌædæptˈeɪʃənz ʌv fˈoʊk ænd stˈeɪdʒ tˈuːnz pɚtˈɪkjʊlɚli bˈeɪst ˌɔn ɡˈɪlbɚt ænd sˈʌlɪvən.
Their repertoire consisted mainly of musical satire poking fun at the Canadian government, sex and censorship, the law, and consumer issues; their music was a mixture of original songs and adaptations of folk and stage tunes (particularly based on Gilbert and Sullivan).