θˈɜːd, ɐnˈiːɾə kəntˈɪnjuːz ɹˈɛsəl wɪð hɜː ɹˈiːsənt ˈɪŋkɹiːs ɪn pˈaʊɚ, fˈɜːst ɐtˈɛmptɪŋ tə dˈiːl wɪððɪ ɑːɹdˈʊɹ, ɐ mˌɛɾəfˈɪzɪkəl ɪfˈɛkt ðæt kˈɔːzᵻz ɐnˈiːɾə tə nˈiːd tə hæv sˈɛks ˈɛvɹi fjˈuː ˈaʊɚz, ænd sˈɛkənd, ɹˈɛsəlɪŋ wɪððə vˈæst ˈɪŋkɹiːs ɪn hɜːɹ ˈoʊn pˈaʊɚz æz ɐ nˈɛkɹoʊmənsɚ, wˌɪtʃ ɑːɹ nˈaʊ sˌoʊ pˈaʊɚfəl ðæt hɜːɹ ɐtˈɛmpt tə ɹˈeɪz ɐ sˈɪŋɡəl pˈɜːsən θɹˈɛʔn̩z tə ɹˈeɪz ˈɛvɹi kˈɔːɹps ɪnðə sˈɛmɪtˌɛɹi.
Third, Anita continues wrestle with her recent increase in power, first attempting to deal with the ardeur, a metaphysical effect that causes Anita to need to have sex every few hours, and second, wrestling with the vast increase in her own powers as a necromancer, which are now so powerful that her attempt to raise a single person threatens to raise every corpse in the cemetery.