ðɪ ˈɪmɪdʒ flˈoʊz ˌɔn tʊ ɐ kəndˈʌktɚ wɪð mˈoːɹ mjˈuːzɪk, fˈɑːloʊd baɪ ɐ nˈʌmbɚɹ ʌv mˈɛnz fˈeɪsᵻz wˈɑːtʃɪŋ θɹˈiː bælˈeɪ dˈænsɚz, hˌuː ɑːɹ dˈænsɪŋ ˌɔn ɐ flˈoːɹ ʌv mjˈuːzɪkəl nˈoʊts, ðə mjˈʊɹɹəl ˈɛndz wɪððɪ ˈɪmɪdʒ əvə fˈeɪs lˈʊkɪŋ ˌaʊɾəv ɐ wˈɪndoʊ hˈaɪ ˌʌp ɪn ɐ bɹˈɪk wˈɔːl æt ðə tˈɑːp ɹˈaɪt hˈænd kˈɔːɹnɚɹ ʌvðə mjˈʊɹɹəl, wˌɪtʃ hɐz vˈɛɹiəsli bˌɪn sədʒˈɛstᵻd təbi ðɪ ˈɑːɹɾɪst hɪmsˈɛlf, ɔːɹ ɐ ɹˈɛlətˌɪv bˈæk ˈɪn "blˈaɪɾi" ɐwˈeɪɾɪŋ hɪz ɹᵻtˈɜːn.
The image flows on to a conductor with more music, followed by a number of men's faces watching three ballet dancers, who are dancing on a floor of musical notes, the mural ends with the image of a face looking out of a window high up in a brick wall at the top right hand corner of the mural, which has variously been suggested to be the artist himself, or a relative back in "blighty" awaiting his return.