ðə fˈɪlmz flˈuːɪd, hɪpnˈɑːɾɪk stˈaɪl, sˈɛlfkəmpˈoʊzd ᵻlɛktɹˈɑːnɪk mjˈuːzɪk ænd fˈoʊkəs ˌɔn ˈɪmɪdʒ ænd ɪmˈoʊʃən æz əpˈoʊzd tə plˈɑːt ænd dˈaɪəlɑːɡ ɹᵻmˈeɪnz ɐ hˈɔːlmɑːɹk ʌv ˈɔːl ʌv ˌælɪɡzˈændɚz fˈɪlm wˈɜːk.
The film’s fluid, hypnotic style, self-composed electronic music and focus on image and emotion as opposed to plot and dialogue remains a hallmark of all of Alexander’s film work.