tɹˈeɪnd ɪn bˈoʊθ dɪstˈɪŋktli mˈeɪl ænd fˈiːmeɪl sˈɪŋɪŋ stˈaɪlz, hɜː kˌɑːntɹɪbjˈuːʃənz hˈɛlpt kəmbˈaɪn ðˌɛm ˌɪntʊ ðə mˈædɹɪɡəl ʌvðə lˈeɪt ɹˈɛnəsˌɑːns.
Trained in both distinctly male and female singing styles, her contributions helped combine them into the madrigal of the late Renaissance.