spˈɪn tɹˈɛvɚ kˈɛli ɡˈeɪv ðɪ ˈælbəm fˈaɪv ˌaʊɾəv tˈɛn ɪn hɪz ɹᵻvjˈuː, ɹᵻmˈɑːɹkɪŋ, "wˌaɪl ðə sˈɪnθpˈʌŋk ˈænθəmz ɔnðə kˌælɪfˈoːɹniə kwɔːɹtˈɛts deɪbjˈuː fˈʊllˈɛŋθ ɑːɹ ɪnfˈɛkʃəs blˈæsts, wˌɛn klˈaɪn tɹˈaɪz hɪz hˈænd æt kˈɪŋkswˈaɪ ɹˈeɪvˈʌps"stˈʌk tə juː"ænd swˈiːpɪŋ ˈɔːɹkᵻstɹəl pˈɑːp"bˈeɪbi, ɪts fˈækt", hɪz ˌoʊvɚɹˈiːtʃ ɪz ɐ tˈæd pɹɪmətʃˈʊɹ."
Spin Trevor Kelley gave the album 5 out of 10 in his review, remarking, "While the synth-punk anthems on the California quartet's debut full-length are infectious blasts, when Kline tries his hand at Kinks-y rave-ups ("Stuck to You") and sweeping orchestral pop ("Baby, It's Fact"), his overreach is a tad premature."