dʒˈɛɹoʊm sˈɪlbɚɡˌɛld, ˈɔːθɚɹ ʌv tʃˈaɪnə ˌɪntʊ fˈɪlm: fɹˈeɪmz ʌv ɹˈɛfɹəns ɪn kəntˈɛmpɚɹˌɛɹi tʃaɪnˈiːz sˈɪnəmə, ɹˈoʊt ðætðə hˈʌsbənd, kˈɑːntɹæsts wɪð ˈɜːmoʊ, hˌuː ɪz sˈɛkʃuːəli tʃˈɑːɹdʒd ænd jˈʌŋ.
Jerome Silbergeld, author of China Into Film: Frames of Reference in Contemporary Chinese Cinema, wrote that the husband, contrasts with Ermo, who is sexually charged and young.