ɹˌɛvəlˈuːʃənˌɛɹi pˈiːsᵻz sˈʌtʃ ɐz ðə "hˌaʊ hˈaɪ ðə mˈuːn" tʃˈɛɹ nˈaɪntiːnhˈʌndɹɪd ˈeɪɾi sˈɪks ɹᵻflˈɛkt ðɪ ɪmˈɜːdʒɪŋ dˈaɪnɐmˌɪzəm ænd mətʃˈʊɹɹɪŋ kɹiːˌeɪtˈɪvᵻɾi ʌv pˈoʊstwɔːɹ dʒəpˈæn, ɔːɹ hɪz aɪkbˈɑːnə, lˈiːd kɹˈɪstəl fɹˈiː hˈænd blˈoʊn vˈeɪs, ɹˈiːəlaɪzd baɪ ðə vˈɪlkə fɹʌm kˈɑːl di vˈæl dˈɛlsə pɹˈɑːvɪns ʌv siˈɛnə, ˈɪɾəli, ɐn ɛɡzˈæmpəl ʌv fjˈuːʒən bᵻtwˌiːn ˌoːɹɪˈɛntəl ænd ˌɑːksɪdˈɛntəl kˈʌltʃɚz.
Revolutionary pieces such as the "How High the Moon" chair (1986)] reflect the emerging dynamism and maturing creativity of postwar Japan, or his Ikebana, lead crystal free hand blown vase, realized by the Vilca from Colle di Val d'Elsa (province of Siena, Italy), an example of fusion between oriental and occidental cultures.