dˈʊɹɹɪŋ ðə ɡˈæp bᵻtwˌiːn ɹᵻlˈiːsᵻz, mˈɛni ɐdvˈænsᵻz hɐdbɪn mˌeɪd ɪnðə jˈuːs ʌv kəmpjˈuːɾɚ tɛknˈɑːlədʒi tə pɹədˈuːs ᵻlɛktɹˈɑːnɪk mjˈuːzɪk ænd ðɪs wʌz ɹᵻflˈɛktᵻd ɔnðə kˌɑːmpɪlˈeɪʃən wɪð mˈʌtʃ ʌvðə mətˈɪɹiəl hˌævɪŋ bˌɪn pɚfˈɔːɹmd jˈuːzɪŋ ðə fˈɛɹlaɪt sˌiːˌɛmˈaɪ, ðə fˈɜːst dˈɪdʒɪɾəl sˈæmplɪŋ sˈɪnθɪsˌaɪzɚ.
During the gap between releases, many advances had been made in the use of computer technology to produce electronic music and this was reflected on the compilation with much of the material having been performed using the Fairlight CMI, the first digital sampling synthesiser.