fɹʌmðə kˈʌltʃɚɹəl pˈɔɪnt ʌv vjˈuː, mɪkˈæɡliəz wˈɜːk wʌz ˈɪnfluːənst baɪ ˈɜːlɪɚ wˈɜːks ʌv fˈɔːstoʊ vəɹˈænzɪˌoʊ ænd bˈɑːɹɾəlˌoʊmɪˌoʊ kˈæsɪˌoʊ, ænd ɪɾ ˈɪnfluːənst ðə kɹoʊˈeɪʃən sˈɜːkəl ʌv lˌɛksɪkˈɑːɡɹəfɚz ɐmˌʌŋ ðˌɛm fɹænsˈɪskənz dɪvkˈɑːvɪk ænd tˈoʊmoʊ bˈæbɪk, bˈoʊθ ɪn kɹoʊˈeɪʃə ænd ɪn bˈɑːsniə ænd hˈɜːzɪɡˌɑːvɪnə.
From the cultural point of view, Micaglia's work was influenced by earlier works of Fausto Veranzio and Bartolomeo Cassio, and it influenced the Croatian circle of lexicographers (among them Franciscans Divković and Tomo Babić), both in Croatia and in Bosnia and Herzegovina.