tˈuː ɹᵻvjˈuːɚz sədʒˈɛst ðæt mˈæk kˈɔːɹmæk ɛksplˈoːɹz ðə "ɪnhˈiəɹənt kwˈɪɹnəs ʌv fˈɪlm," ɪnðə sˈɛns ðætðə ɹᵻlˈeɪʃən bᵻtwˌiːn spɛktˈeɪɾɚz ænd ɐ fˈɪlm ɪz "ɪnhˈiəɹəntli kwˈɪɹ."
Two reviewers suggest that MacCormack explores the "inherent queerness of film," in the sense that the relation between spectators and a film is "inherently queer."