fɚðə vˈɛɹi fˈɜːst tˈaɪm, mɪlˈɑːni dᵻɹˈɛkts ðə fˈɪlm bˈeɪst ɔnðə tˈoʊɾəl pɹˈɛzəns əvə wˈʊmən, hɜː fˈiːlɪŋz ænd θˈɔːts, ænd ʃˈoʊz ðə wˈɜːld hˌaʊ ðɪ ɐ wˈʊmənz lˈaɪf ɪz ɑːbdʒˈɛktᵻfˌaɪd baɪ mˈɛn tɹˈaɪɪŋ tə ɡˈʌvɚn hɜː lˈaɪf ɪn ɐ pˈeɪtɹɪˌɑːɹkəl səsˈaɪəɾi ænd hˌaʊ ðə mˈɛn kæn tˈɜːn ɐ stɹˈɔŋ, ˌɪndᵻpˈɛndənt wˈʊmən tʊ ɐ hˈɛlpləs, bɹˈoʊkən wˌʌn.
For the very first time, Milani directs the film based on the total presence of a woman, her feelings and thoughts, and shows the world how the a woman's life is objectified by men trying to govern her life in a patriarchal society and how the men can turn a strong, independent woman to a helpless, broken one.