mˈʊɹmənz pˈoʊᵻm ðə dˈeɪlzmənz lˈɪtəni ˈɔːlsoʊ bɪkˌeɪm ɐ stˈændɚd ɪn fˈoʊk mjˈuːzɪk sˈɜːkəlz, ɐpˈɪɹɪŋ ˌɔn tˈɪm hˈɑːɹt ænd mˈædi pɹˈaɪɚz ˈælbəm, fˈoʊk sˈɔŋz ʌv ˈoʊld ˈɪŋɡlənd vˈɑːl. wˈʌn ɪn nˈaɪntiːnhˈʌndɹɪd sˈɪksti ˈeɪt, ɐɡˈɛn ˌɔn klˈɪf hˈæsləz nˈaɪntiːnhˈʌndɹɪd sˈɛvənti sˈɪks ˈælbəm hˈɪɹz ɐ hˈɛlθ tə ðə mˈæn ænd ðə mˈeɪd, ænd ɐɡˈɛn ɪn tˈuː θˈaʊzənd ɪlˈɛvən ɪn mˈʊɹ mˈɔs ɹˈʌɾɚz ɛpˈɑːnɪməs ˈælbəm, mˈʊɹ mˈɔs ɹˈʌɾɚ.
Moorman's poem 'The Dalesman's Litany' also became a standard in folk music circles, appearing on Tim Hart and Maddy Prior's album, Folk Songs of Old England Vol. 1 in 1968, again on Cliff Hasla's 1976 album Here's A Health to the Man and the Maid, and again in 2011 in Moore Moss Rutter's eponymous album, Moore Moss Rutter.