ðɛɹwˌɜːɹ ɐ nˈʌmbɚɹ ʌv ˈʌðɚ kˈɑːnsɔːɹt kˌɑːmpəzˈɪʃənz pˈʌblɪʃt baɪ fˈɪlɪp ɹˈɔsɛɾɚ wˈʌn θˈaʊzənd sˈɪkshˈʌndɹɪd nˈaɪn, ænd sˌʌm vˈoʊkəl mjˈuːzɪk ɐkˈʌmpənid baɪ ðɪs spəsˈɪfɪk kˈɑːnsɔːɹt wʌz pˈʌblɪʃt ɪn kəlˈɛkʃənz sˈʌtʃ ɐz wˈɪljəm lˈiːtənz ðə tˈɛɹz ænd lɐmˈɛntɐtˌæʃənz əvə sˈɑːɹoʊfˌʊl sˈoʊl wˈʌn θˈaʊzənd sˈɪkshˈʌndɹɪd fˈoːɹtiːn ænd ðə sˈɑːmz ʌv dˈeɪvɪd ɪn mˈiːɾɚ wˈʌn θˈaʊzənd fˈaɪvhˈʌndɹɪd nˈaɪnti nˈaɪn baɪ ɹˈɪtʃɚd ˈælɪsən.
There were a number of other consort compositions published by Philip Rosseter (1609), and some vocal music accompanied by this specific consort was published in collections such as William Leighton's The Teares and Lamentatacions of a Sorrowfull Soule (1614) and the Psalms of David in Metre (1599) by Richard Allison.