"dˈuːk ˈɛlɪŋtən, blˈæk, bɹˈaʊn, ænd bˈeɪʒ, ænd ðə kˈʌltʃɚɹəl pˈɑːlətˌɪks ʌv ɹˈeɪs" ɪn ɹeɪdˈɑːnoʊ, ɹˈɑːnəld mˈaɪkəl ˈɛd., mjˈuːzɪk ænd ðə ɹˈeɪʃəl ɪmˌædʒᵻnˈeɪʃən ʃᵻkˈɑːɡoʊ, ˈɪl, jˌuːˌɛsˈeɪ : jˌuːnɪvˈɜːsᵻɾi ʌv ʃᵻkˈɑːɡoʊ pɹˈɛs, tˈuː θˈaʊzənd, fˈaɪvhˈʌndɹɪd ˈeɪɾi fˈaɪv sˈɪkshˈʌndɹɪd tˈuː.
"Duke Ellington, Black, Brown, and Beige, and the cultural politics of race" in Radano, Ronald Michael  ed., Music and the racial imagination (Chicago, IL, USA : University of Chicago Press, 2000), 585–602.