ɐ mˈeɪdʒɚɹ ɛksˈɛpʃən wʌzðə mjuːzˈiəm ænd ˈɑːɹt ɡˈælɚɹi ʌvðə nˈɔːɹðɚn tˈɛɹɪtˌoːɹi mˈæɡnt, ðæt hɐz ðə lˈɑːɹdʒɪst kəlˈɛkʃən ʌv dʒˈʌst ˌoʊvɚ tˈuːhˈʌndɹɪd twˈɛnti ˈɜːli wˈɜːks ɐkwˈaɪɚd bᵻtwˌiːn nˈaɪntiːnhˈʌndɹɪd sˈɛvənti tˈuː ænd nˈaɪntiːnhˈʌndɹɪd sˈɛvənti sˈɪks, θˈæŋks tə ðə vˈɪʒənˌɛɹi ˈɛfɚts ʌvðə mˈæɡnt dᵻɹˈɛktɚ dˈɑːktɚ kˈɑːlɪn dʒˈæk hˈɪntən ænd ˈælɪs spɹˈɪŋz ɡˈælɚɹi ˈoʊnɚ pˈæt hˈoʊɡən.
A major exception was the Museum and Art Gallery of the Northern Territory (MAGNT), that has the largest collection of just over 220 early works acquired between 1972 and 1976, thanks to the visionary efforts of the MAGNT Director Dr Colin Jack Hinton and Alice Springs gallery owner Pat Hogan.