sˈʌbsᵻkwəntli, ɪn nˈaɪntiːnhˈʌndɹɪd twˈɛnti sˈɛvən, ɑːɹmˈændoʊ dənˈoʊsoʊ pˈʌblɪʃt ɐ nˈuː bˈʊk ɪŋklˈuːdɪŋ nˈuː pˈoʊᵻmz, ʃˈɔːɹt stˈoːɹiz ænd dʒˌɜːnəlˈɪstɪk ˈɑːɹɾɪkəlz ˌʌndɚ ðə tˈaɪɾəl kæmpˈɑːnəz də ˈoːɹoʊ ðə ɡˈoʊldən tʃˈaɪmz, wˌɪtʃ wɜː lˈeɪɾɚɹ ˌɔn bɹˈɔːdənd baɪ nˈɪkəmˌɛdz ɡˈʌzmən ɪn hɪz æntˈɑːlədʒə də kˈɑːɹloʊz pɛzˈoʊə vˈeɪlɪz ænθˈɑːlədʒi ʌv kˈɑːɹloʊz pɛzˈoʊə vˈeɪlɪz nˈaɪntiːnhˈʌndɹɪd fˈɪfti sˈɛvən; tˈuː ˈɛd nˈaɪntiːnhˈʌndɹɪd sˈɪksti sˈɪks.
Subsequently, in 1927, Armando Donoso published a new book including new poems, short stories and journalistic articles under the title Campanas de Oro (The Golden Chimes), which were later on broadened by Nicomedes Guzman in his Antología de Carlos Pezoa Véliz (Anthology of Carlos Pezoa Véliz) (1957; 2 ed 1966).