hiː tɹænsfˈɜːd tə ðə ɹˌeɪdɪoʊfˈɑːnɪk wˈɜːkʃɑːp ɪn nˈaɪntiːnhˈʌndɹɪd sˈɪksti sˈɛvən wˌɛɹ hiː kəmpˈoʊzd vˈɛɹiəs dʒˈɪŋɡəlz ænd sˈɪɡnɪtʃɚ tˈuːnz æz wˈɛl æz ðə kəmplˈiːt ˌɪnsɪdˈɛntəl mjˈuːzɪk fɚðə bˌiːbˌiːsˈiːz ɹˈeɪdɪˌoʊ pɹədˈʌkʃənz ʌvðə wˈɔːɹ ʌvðə wˈɜːldz ɪn nˈaɪntiːnhˈʌndɹɪd sˈɪksti sˈɛvən, ænd ðə hˈɑːbɪt ɪn nˈaɪntiːnhˈʌndɹɪd sˈɪksti ˈeɪt.
He transferred to the Radiophonic Workshop in 1967 where he composed various jingles and signature tunes as well as the complete incidental music for the BBC's radio productions of The War of the Worlds in 1967, and The Hobbit in 1968.