ðɛɹ fˈoːɹ sɚvˈaɪvɪŋ sˈʌnz wɜː tʃˈɑːɹlz ˈælbɚt wˈʌn θˈaʊzənd ˈeɪthˈʌndɹɪd fˈoːɹɾi ˈeɪt wˈʌn θˈaʊzənd ˈeɪthˈʌndɹɪd ˈeɪɾi fˈoːɹ, tʃˈɛstɚ dˈænjəl wˈʌn θˈaʊzənd ˈeɪthˈʌndɹɪd fˈɪfti nˈaɪntiːnhˈʌndɹɪd twˈɛnti sˈɪks, wˈɔltɚɹ ˈɛdwɚd hˈɑːɹt mˈæsi wˈʌn θˈaʊzənd ˈeɪthˈʌndɹɪd sˈɪksti fˈoːɹ nˈaɪntiːnhˈʌndɹɪd wˈʌn; hiː jˈuːzd tʊ ˈoʊn ðə lˈænd wˌɪtʃ kɹˈɛsənt tˈaʊn nˈaʊ ɹᵻsˈaɪdz ˌɔn ænd fɹˈɛdɚɹˌɪk vˈɪktɚ wˈʌn θˈaʊzənd ˈeɪthˈʌndɹɪd sˈɪksti sˈɛvən wˈʌn θˈaʊzənd ˈeɪthˈʌndɹɪd nˈaɪnti, hˌuː kəlˈɛktɪvli kˈæɹid ɔnðə fˈæmɪli bˈɪznəs æz wˈɛl æz ɪts mˌʌltɪpəl kˈʌltʃɚɹəl ænd tʃˈæɹɪɾəbəl ˈɪntɹɛsts.
Their four surviving sons were Charles Albert (1848–1884), Chester Daniel (1850–1926), Walter Edward Hart Massey (1864–1901; he used to own the land which Crescent Town now resides on) and Frederick Victor (1867–1890), who collectively carried on the family business as well as its multiple cultural and charitable interests.