pˈiːpəl dˈɪdnt kənsˈiːv vˈoʊkəlz ðɪs ˈɪntɹɪkət ænd fˈʌŋki bˈæk ɪn mˈoʊtaʊnz pɹˈaɪm, mˈʌtʃ lˈɛs ˌoʊvɚdˈʌb ðˌɛm sˈɪŋɡəllˈæɹɪŋkst, ænd ðə ɹɪzˈʌlt ɪz ɹᵻmˈeɪks ðæt aʊtdˈuː ðɪ ɚɹˈɪdʒɪnəlz—baɪ bɹˈɛndə hˈɑːləwˌeɪ ænd ðɪ ˈɛldʒɪnz—ænd ɚɹˈɪdʒɪnəlz ðæt stˈænd ɐlˈɔŋsaɪd.
People didn't conceive vocals this intricate and funky back in Motown's prime, much less overdub them single-larynxed, and the result is remakes that outdo the originals—by Brenda Holloway and the Elgins—and originals that stand alongside.