lˌæ mjuːsˈiːk ˈɛt ˈɛlˈaɪnəfəbəl, tˌiːˈɑːɹ. ˌɪntʊ sˈɜːbiən baɪ dʒɛlˈiːnə dʒˈɛlɪk, nˈoʊvi sˈæd, nˈaɪntiːnhˈʌndɹɪd ˈeɪɾi sˈɛvən; tˌiːˈɑːɹ. ˌɪntʊ ɪtˈæliən baɪ ɛnɹˈɪkə lˈɪsiənipˈɛtɹɪni, mɪlˈɑːnoʊ, bˈɑːmpiəni, nˈaɪntiːnhˈʌndɹɪd nˈaɪnti ˈeɪt; tˌiːˈɑːɹ. ˌɪntʊ ˈɪŋɡlɪʃ baɪ kˈæɹəlˌɪn ˈæbeɪt, tˈuː θˈaʊzənd θɹˈiː; tˌiːˈɑːɹ. ˌɪntʊ dˈʌtʃ baɪ ɹˈɑːnəld kɑːmɚz, dʒˈɛnt bˈɛldʒi, tˈuː θˈaʊzənd fˈaɪv
La Musique et l'Ineffable, (tr. into Serbian by Jelena Jelić, Novi Sad, 1987; tr. into Italian by Enrica Lisciani-Petrini, Milano, Bompiani, 1998; tr. into English by Carolyn Abbate, 2003; tr. into Dutch by Ronald Commers, Gent Belgie, 2005)