æz wɪð ˈʌðɚ nˈæʃənəl fˈɔːɹmz ʌv bɚɹˈoʊk ˈɑːpɚɹə, lˈɪɾɚzᵻz stˈeɪdʒ wˈɜːks ɛmplˈɔɪ ɐ wˈaɪd vɚɹˈaɪəɾi ʌv mjˈuːzɪkəl fˈɔːɹmz ˈɛɹiəz, ˌæɹɪˈɛɾəz ænd ɹᵻsˈɪɾətˌɪv ɐkˈʌmpənid ænd ʌnɐkˈʌmpənid æz wˈɛl æz dˈæns mˈuːvmənts ænd kˈoːɹəsᵻz, ðˌoʊ hˈɪɹ mˈɪŋɡəld wɪð spˈoʊkən vˈɜːs dˈaɪəlɑːɡ.
As with other national forms of baroque opera, Literes's stage works employ a wide variety of musical forms – arias, ariettas and recitative (accompanied and unaccompanied) as well as dance movements and choruses, though here mingled with spoken verse dialogue.