hɜː nˈoʊɾəbəl pɹədˈʌkʃənz ðɛɹ ɪŋklˈuːdᵻd ɐ nˈaɪntiːnhˈʌndɹɪd ˈeɪɾi dˈaɪ zˈɔːbɚflˌɜːt ʌv wˈʊlfɡæŋ æmˈædɪəs mˈoʊtsɑːɹt, nˈaɪntiːnhˈʌndɹɪd ˈeɪɾi wˈʌn mˈoʊtsɑːɹts dˈaɪ ɛntfˈuːhɹʌŋ ˌoʊz dˈɛm sˈɛɹeɪl, nˈaɪntiːnhˈʌndɹɪd ˈeɪɾi tˈuː lˈɛs tɹˈɔɪənz ʌv hˈɛktɚ bˈɜːlɪˌɑːz dɪzˈaɪnz baɪ hˈænzdˈaɪəɾɚ ʃˈɑːl, vˈɛk mˌækɹəpjˈʊloʊz ʌv dʒˈæneɪtʃək ænd ɹˈɪtʃɚd wˈæɡnɚz pˈɑːɹsɪfəl ænd nˈaɪntiːnhˈʌndɹɪd ˈeɪɾi fˈaɪv ˈeɪɾi sˈɛvən dˈɛɹ ɹˈɪŋ dˈɛs nˈaɪblʌndʒən.
Her notable productions there included a 1980 Die Zauberflöte of Wolfgang Amadeus Mozart, 1981 Mozart's Die Entführung aus dem Serail, 1982 Les Troyens of Hector Berlioz (designs by Hans-Dieter Schaal), Věc Makropulos of Janáček and Richard Wagner's Parsifal and 1985–87 Der Ring des Nibelungen.