tə ðɪ ɛkstˈɛnt ðæt bˈoʊi dˈʊɹɹɪŋ ðɪs pˈiəɹɪəd ɐpˈɪɹd tʊ ɐsˈuːm ðə pɜːsˈoʊnə ʌv "zˈɪɡi stˈɑːɹdʌst", ðə zˈɪɡi kˈʌt kæn biː ɹᵻɡˈɑːɹdᵻd, æt lˈiːst pˈɑːɹʃəli, æz ɐn ɛpˈɑːnɪməs stˈaɪl.
To the extent that Bowie during this period appeared to assume the persona of "Ziggy Stardust", the Ziggy cut can be regarded, at least partially, as an eponymous style.