ðˌoʊ pɹˈeɪzd baɪ ˈʌðɚ mˈɛmbɚz ʌvðə nuːvˈɛl vˈeɪɡ, ɪŋklˈuːdɪŋ dʒˈiːnlˈuːk ɡˈɑːdɚd, hˌuː pˌʊt ɪɾ ˌɔn hɪz tˈɑːp tˈɛn fɔːɹ nˈaɪntiːnhˈʌndɹɪd sˈɪksti tˈuː, ɪt wʌz slˈoʊ tə ɹˈiːtʃ ðɪ ˈɪŋɡlɪʃspˈiːkɪŋ wˈɜːld, nˌɑːt bˌiːɪŋ skɹˈiːnd ʌntˈɪl nˈaɪntiːnhˈʌndɹɪd sˈɪksti sˈɪks ɪnðə jˌuːkˈeɪ ænd nˈaɪntiːnhˈʌndɹɪd sˈɛvənti ɪnðə juːnˈaɪɾᵻd stˈeɪts.
Though praised by other members of the Nouvelle Vague, including Jean-Luc Godard, who put it on his top ten for 1962, it was slow to reach the English-speaking world, not being screened until 1966 in the UK and 1970 in the United States.