jˈuːzɪŋ ɐ hˌɑːnəlˈuːluː pɹˈɑːstɪtˌuːt tə stˈeɪt hɪz kˈeɪs, hjˈuːi ʃˈoʊz hɜː ɹˈaɪz ˌiːkənˈɑːmɪkli, sˈoʊʃəli, ænd pəlˈɪɾɪkli wɪððɪ ˈeɪd, ɪn pˈɑːɹt, ʌvðə fˈɛdɚɹəl ɡˈʌvɚnmənt æz ʃiː flˈaʊts lˈoʊkəl ɹˌɛɡjʊlˈeɪʃən pɹˌɑːstɪtˈuːʃən ɪtsˈɛlf bˌiːɪŋ lˈiːɡəl æt ðə tˈaɪm.
Using a Honolulu prostitute to state his case, Huie shows her rise economically, socially, and politically with the aid, in part, of the federal government as she flouts local regulation (prostitution itself being legal at the time).