mˈɑːɹtɪn ɹˈoʊt ɐ mˈænjuːəl fɔːɹ θˈiəɾɚ dɪzˈaɪnɚz, bˈɪɡ ʃˈoʊ tˈaɪni bˈʌdʒɪt, bˈeɪst ˌɔn hɪz jˈɪɹz æz ɐ sˈiːnɪk ænd kˈɔstuːm dɪzˈaɪnɚ, ɐ nɑːvˈɛlə tɹˈɪptɪtʃ, ænd ˌædæptˈeɪʃənz ʌv klˈæsɪk θˈiəɾɚ skɹˈɪpts, ɪŋklˈuːdɪŋ ðə pɹˈɪns ʌv pˈɪlsən, ðə pˈɪŋk lˈeɪdi, ænd ðə blˈæk kɹˈʊk.
Martin wrote a manual for theatre designers, Big Show Tiny Budget, based on his years as a scenic and costume designer, a novella Triptych, and adaptations of classic theatre scripts, including The Prince of Pilsen, The Pink Lady, and The Black Crook.