ɹˈiːsənt kɹˈɪɾɪsˌɪzəm ʌv mə ɡˈʌkiən hɐz pˈɔɪntᵻd tə hɜːɹ ɛkstˈɛnsɪv jˈuːs ʌv ʌnɐknˈɑːlɪdʒd sˈoːɹs mətˈɪɹiəl, fɹʌm ɹˈʌʃən pˈoʊɪtɹi ænd ˈɛlswɛɹ , ɐ dɪskˈʌvɚɹi ðæt mˌeɪhɐv mˈoʊɾᵻvˌeɪɾᵻd hɜː dᵻsˈɪʒən tə nˈeɪm ɔnðɪ ɐknˈɑːlɪdʒmənts pˈeɪdʒ ðə pɹˈaɪmɚɹi sˈoːɹs fɔːɹ hɜː kəlˈɛkʃən, ðə kˈɜːɹætʃ ɹᵻkwˈaɪɚz nˈoʊ hˈɑːɹbɚ.
Recent criticism of McGuckian has pointed to her extensive use of unacknowledged source material, from Russian poetry and elsewhere , a discovery that may have motivated her decision to name (on the acknowledgements page) the primary source for her collection, The Currach Requires No Harbour.