fɔːɹ ɹˈɛfɹəns tə ðˈɪs, sˈiː ðə bˈiːts, ɐ lˈɪɾɚɹˌɛɹi ɹˈɛfɹəns, baɪ mˈæt θˈɛdoʊ, ˌʌndɚ ðə tʃˈæptɚ "ðə ʃᵻkˈɑːɡoʊ ɹᵻvjˈuː ænd ɐ kˈeɪs ʌv sˈɛnsɚʃˌɪp", pˌiːpˈiː. wˈʌnhˈʌndɹɪd θɹˈiː wˈʌnhˈʌndɹɪd fˈaɪv.
(For reference to this, see THE BEATS, A LITERARY REFERENCE, by Matt Theado, under the chapter "The Chicago Review and A Case of Censorship", pp. 103–105.)