haʊˈɛvɚɹ ˈɑːɹ. pˈiː. ˈɑːɹ. ʌv kˈælki ɡˈeɪv ɐ nˈɛɡətˌɪv ɹᵻvjˈuː hˌuː fˈɛlt hˈɑːsənz mˌeɪkˌʌp æz ɐn ˈoʊld wˈʊmən dʌznˌɑːt mˈætʃ ænd hɪz fˈeɪs stɹˈʌɡəlz tə ʃˈoʊ ɪmˈoʊʃənz dˈuː tə mˌeɪkˌʌp wˌaɪl ˈɔːlsoʊ pˈænɪŋ ðə hjˈuːmɚ ænd dˈaɪəlɑːɡz æz vˈʌlɡɚ ænd kəŋklˈuːdᵻd sˈeɪɪŋ ðɪs fˈɪlm mˈeɪ ɡˈeɪn pɹˈɑːfɪts bˌʌt ɪɾ ɪz ɐ ɡˈʊd ɛɡzˈæmpəl ðæt ˈiːvən ɡɹˈeɪt ɑːɹtˈiːsts lˈaɪk hˈɑːsən kæn ɡˌoʊ kəntˈæmᵻnˌeɪɾᵻd fɚðə sˈeɪk ʌv kəmˈɜːʃəl pˈɜːpəsᵻz.
However R. P. R. of Kalki gave a negative review who felt Haasan's make-up as an old woman does not match and his face struggles to show emotions due to make-up while also panning the humour and dialogues as vulgar and concluded saying this film may gain profits but it is a good example that even great artistes like Haasan can go contaminated for the sake of commercial purposes.