fɹʌm ænθˈɑːlədʒiz kəmpˈaɪld pˈoʊsthjuːməsli, ɪŋklˈuːdɪŋ ˌɛl pˈɛɹoʊ vˌæɡɐbˈʌndoʊ ðə vˈæɡɐbˌɑːnd dˈɑːɡ, nˈɑːdə nˈʌθɪŋ, ˌɛl pˈɪntoːɹ pˈɛɹɛzə ðɪ ˈaɪdəl pˈeɪntɚ, ˌɛl ˌɔːɹɡɐnˈɪloʊ ðə hˈænd ˈɔːɹɡən ˌɪntɚɹ ˈeɪliə, ɹᵻmˈeɪn hɪz mˈoʊst ɐklˈeɪmd pˈoʊᵻmz.
From anthologies compiled posthumously, including El perro vagabundo (The vagabond dog), Nada (Nothing), El pintor pereza (The idle painter), El organillo (The Hand Organ) inter alia, remain his most acclaimed poems.