ɐmˈʌŋ ðˌɛm ɑːɹ ðə "ˌælɪɡzˈændɹɪˈɑːdəz" wˈʌn θˈaʊzənd sˈɛvənhˈʌndɹɪd sˈɛvənti θɹˈiː, ˈɪɾəli, ðə "ˈɪlɪˌæd" ɪn lˈætɪn ɹˈoʊm, wˈʌn θˈaʊzənd sˈɛvənhˈʌndɹɪd ˈeɪɾi ˈeɪt, "hˈoʊmɹi bˌætɹɐkɪəmˈeɪʃə" ɪn lˈætɪn mˈɛksɪkˌoʊ, wˈʌn θˈaʊzənd sˈɛvənhˈʌndɹɪd ˈeɪɾi nˈaɪn, təɡˌɛðɚ wɪð fɹˈæɡmənts ʌv hˈoːɹəs ænd ɐ ɡˈʊd tɹænslˈeɪʃən ˌɪntʊ spˈænɪʃ ʌvðə fˈɜːst θɹˈiː kˈæntoʊz ʌvðə "ˈɑːɹt pˌɑːeɪtˈiːk" ʌv bˈɔɪloʊ.
Among them are the "Alexandriadas" (1773, Italy), the "Iliad" in Latin (Rome, 1788), "Homeri Batrachiomachia" in Latin (Mexico, 1789), together with fragments of Horace and a good translation into Spanish of the first three cantos of the "Art Poétique" of Boileau.