ɪntˈɛndᵻd æz ɐ bˈaɪɾɪŋ ɹᵻlˈɪdʒəs sˈæɾaɪɚ, ɪt wʌz ˈɔːlsoʊ pɹədˈuːst, dᵻɹˈɛktᵻd ænd kˈoʊɹˈɪʔn̩ baɪ fˈɛldmən, hɪz sˈɛkənd dᵻɹɪktˈoːɹɪəl ˈaʊɾɪŋ fˈɑːloʊɪŋ ðə lˈæst ɹᵻmˈeɪk ʌv bˈoʊ dʒˈɛst, ænd hɪz fˈaɪnəl bᵻfˌoːɹ hɪz dˈɛθ ɪn nˈaɪntiːnhˈʌndɹɪd ˈeɪɾi tˈuː.
Intended as a biting religious satire, it was also produced, directed and co-written by Feldman, his second directorial outing following The Last Remake of Beau Geste, and his final before his death in 1982.