ðˈɛn kˈeɪm "ðə ɡlˈæs hˈaʊs" sˌæntɪˈɑːɡoʊ də tʃˈɪli, nˈaɪntiːnhˈʌndɹɪd fˈoːɹɾi tˈuː; "ɹoʊmˈænsᵻz ʌv nˈɔːɹθ ænd sˈaʊθ nˈaɪntiːnhˈʌndɹɪd fˈoːɹɾi sˈɪks, "sˈɪɾi ˌʌndɚ maɪ vˈɔɪs" ˈæstɚɹˌɪsk nˈaɪntiːnhˈʌndɹɪd fˈoːɹɾi sˈɛvən, wˌɪtʃ wʌzðə wˈɪnɚɹ ʌvðɪ ᵻvˈɛnts kəmˈɛmɚɹˌeɪɾɪŋ ðə fˈoːɹθ sɛntˈiːnɛɹi ʌvðə tˈaɪɾəl ʌv sˈɪɾi sˌæn sˈælvɐdˌoːɹ.
Then came "The Glass House" (Santiago de Chile, 1942); "Romances of North and South (1946), "City under my Voice" *(1947), which was the winner of the events commemorating the fourth centenary of the title of City San Salvador.