bˈeɪts ɹᵻpɹˈaɪzd hɪz pɚfˈoːɹməns ðə fˈɑːloʊɪŋ jˈɪɹ ɪn ɐ bɹˈɔːdweɪ pɹədˈʌkʃən dᵻɹˈɛktᵻd baɪ dʒˈeɪmz hˈæmɚstˌaɪn, sˈɛt dɪzˈaɪn ˈaɪliːn dˈɪs, lˈaɪɾɪŋ ænd sˈɛt dɪzˈaɪn nˈiːl pˈiːɾɚ dʒˈæmpəlˌɪs, æt ðə mɔːɹˈɑːskoʊ θˈiəɾɚ, wˌɛɹ ɪt ɹˈæn fɔːɹ fˈoːɹtiːn pɹˈiːvjuːz ænd wˈʌnhˈʌndɹɪd θˈɜːɾi fˈaɪv pɚfˈoːɹmənsᵻz.
Bates reprised his performance the following year in a Broadway production directed by James Hammerstein, set design Eileen Diss, lighting and set design Neil Peter Jampolis, at the Morosco Theatre, where it ran for 14 previews and 135 performances.