bˈoʊθ bɜːnˈɑːɹd ʃˈoːɹ ænd dˈɑːnəld tˈoʊvi ɹˈoʊt ˈænɐlˌaɪzᵻz ʌvðə sˈɪmfəni ænd pɹɪfˈɜːd ðɪ ˈɜːlɪɚɹ ˌɔːɹkᵻstɹˈeɪʃən wˌaɪl nˈoʊɾɪŋ ðɪ ɪmpɹˈuːvd ˌɪntᵻɡɹˈeɪʃən ʌvðə ɹᵻvˈɪʒən, sədʒˈɛstɪŋ ðætðə ɹᵻvˈaɪzd stɹˈʌktʃɚ kʊd pɹˈɑːfɪɾəbli biː pˈɛɹd wɪððɪ ɚɹˈɪdʒɪnəl skˈoːɹɪŋ æz fˈɑːɹ æz pˈɑːsᵻbəl.
Both Bernard Shore and Donald Tovey wrote analyses of the symphony and preferred the earlier orchestration while noting the improved integration of the revision, suggesting that the revised structure could profitably be paired with the original scoring as far as possible.