pˌɑːɡlɪˈɛɾi ɪz pɹaɪmˈɛɹᵻli ɪmpˈoːɹtənt fɔːɹ hɪz kˈiːboːɹd mjˈuːzɪk, pɚtˈɪkjʊlɚli ɹˈɔsɪnjəlˌoʊ wˈʌn θˈaʊzənd sˈɪkshˈʌndɹɪd sˈɛvənti sˈɛvən, ɐ kəlˈɛkʃən ʌv daɪvˈɜːs pˈiːsᵻz fɔːɹ hˈɑːɹpsɪkˌɔːɹd ðæt ɪŋklˈuːdz ɐ lˈɑːɹdʒ nˈʌmbɚɹ ʌv ˌɪmɪtˈeɪʃənz ʌv nˈætʃɚɹəl sˈaʊndz, ænd ɐ kəlˈɛkʃən ʌv twˈɛlv ɹˈaɪsɚkˌɛɹz, wˌɪtʃ wʌz wˈaɪdli kˈɑːpɪd dˈʊɹɹɪŋ hɪz lˈaɪftaɪm.
Poglietti is primarily important for his keyboard music, particularly Rossignolo (1677), a collection of diverse pieces for harpsichord that includes a large number of imitations of natural sounds, and a collection of 12 ricercares, which was widely copied during his lifetime.