ɔːlðˈoʊ kˌɑːkəzɐlˈæki sˈaɪts mˈædəlɪn vˈaɪɑːnɪt æz wˈʌn ʌv hɜː fˈeɪvɹɪt hɪstˈɔːɹɪkəl kˈaʊtʃɚɹˌɪɹz, ænd hɜː wˈɜːk wʌz wˈɛlɹᵻsˈiːvd, ʃiː wʌz ˈʌltᵻmətli dˌɪsɐpˈɔɪntᵻd baɪ ðɪ ɛkspˈiəɹɪəns, ænd lˈɛft ˈæftɚ tˈuː kəlˈɛkʃənz tə fˈoʊkəs ˌɔn hɜːɹ ˈoʊn lˈeɪbəl.
Although Kokosalaki cites Madeleine Vionnet as one of her favourite historical couturiers, and her work was well-received, she was ultimately disappointed by the experience, and left after two collections to focus on her own label.