ɪnðə dᵻɹˈɪvətˌɪv wˈɜːld ʌvðə jˌʊɹɹəpˈiən sˈɪnəmə ʌvðə nˈaɪntiːnhˈʌndɹɪd sˈɪksti z, kˈɛndəl ænd hˈæɹɪs fˈɜːst tˈiːmd ˌʌp ɪn tˈuː sˈaʊɚkɹˌaʊt wˈɛstɚn fˈɪlmz "ɪnspˈaɪɚd" baɪ ðə səksˈɛsfəl dʒˈɜːmən kˈɑːɹl mˈeɪ wˈɪnɪtˌuː sˈɪɹiz wɪð hˈæɹɪs æz ɐ lˈɛks bˈɑːɹkɚ klˈoʊn ænd kˈɛndəl æz ɐ nˈeɪɾɪv ɐmˈɛɹɪkən "tʃˈiːf blˈæk ˈiːɡəl" ɪnðə pˈaɪɹəts ʌvðə mˌɪsɪsˈɪpi nˈaɪntiːnhˈʌndɹɪd sˈɪksti θɹˈiː ænd blˈæk ˈiːɡəl ʌv sˈæntə fˈiː nˈaɪntiːnhˈʌndɹɪd sˈɪksti fˈaɪv.
In the derivative world of the European cinema of the 1960s, Kendall and Harris first teamed up in two sauerkraut western films "inspired" by the successful German Karl May Winnetou series with Harris as a Lex Barker clone and Kendall as a Native American "Chief Black Eagle" in The Pirates of the Mississippi (1963) and Black Eagle of Santa Fe (1965).