kɹˈɪɾɪks ʌv hɪz tˈaɪm pˈeɪd mˈʌtʃ mˈoːɹ ɐtˈɛnʃən tə hɪz fˈɪɡjɚɹətˌɪv wˈɜːk ðɐn hɪz lˈændskeɪps, kənfˈɜːmɪŋ ðə wˈɛlɪstˈæblɪʃt vjˈuː ðæt ɡælˈɑːnizᵻz fˈɜːst ænd fˈɔːɹmoʊst kənsˈɜːn wʌz hɪz lˈʌv fɚðə hjˈuːmən fˈɔːɹm.
Critics of his time paid much more attention to his figurative work than his landscapes, confirming the well-established view that Galanis’s first and foremost concern was his love for the human form.