ðə fˈaɪnəl ɚɹˈeɪndʒmənt ʌvðə tˈuːn sˈɛɡweɪz ˌɪntʊ ɐn ˈɑːɹ ænd bˈiː ɪnspˈaɪɚd ɚɹˈeɪndʒmənt, ænd təwˈɔːɹdz ðɪ ˈɛnd ʌvðə mˈæstɚɹ aʊttˈeɪk, ðɛɹ ɪz ɐ bˈeɪs ɹˈɪf ðæt hɐdbɪn lˈeɪbəld fɔːɹ jˈɪɹz æz ɐn ˈɛdɪt pˈiːs ðæt ɪz pˈɑːɹt ʌvðə "hˈiəɹoʊz ænd vˈɪlənz" swˈiːt — kənsˈʌlt ðə bˈuːtlɛɡ ˈælbəm, ʌnsɚpˈæst mˈæstɚz vˈɑːl. sˈɛvəntˌiːn.
The final arrangement of the tune segues into an R&B inspired arrangement, and towards the end of the master outtake, there is a bass riff that had been labeled for years as an edit piece that is part of the "Heroes and Villains" suite — consult the bootleg album, Unsurpassed Masters Vol. 17.