bˈoʊθ ˈælbəmz kæn ˈɔːlsoʊ biː kənsˈɪdɚd pˈɑːɹʃəlkəlˌæbɚɹˈeɪʃən ˈælbəmz, sˈɪns stɹˈeɪsænd nˌɑːt ˈoʊnli pɚfˈɔːɹmd tˈuː djuːˈɛts wɪð ɡˈɪb, bˌʌt ɡˈɪb kʊd ˈɔːlsoʊ biː hˈɜːd æz ɐ bˈækɡɹaʊnd vˈoʊkəlˌɪst ɪn ɐ fjˈuː ˈʌðɚ sˈɔŋz sˈoʊlli baɪ ðɪ ˈɑːɹɾɪst hɜːsˈɛlf, ɐlˈɔŋ wɪððə fˈækt ðæt bˈoʊθ sˈɪŋɚz wɜːɹ ɔnðə kˈʌvɚ fɔːɹ bˈoʊθ ˈælbəmz ˈɪʃuːd.
Both albums can also be considered partial-collaboration albums, since Streisand not only performed two duets with Gibb, but Gibb could also be heard as a background vocalist in a few other songs solely by the artist herself, along with the fact that both singers were on the cover for both albums issued.