ɪn ðiːz ɪfjˈuːsɪv, ˈɔːlmoʊst bˈaʊndləs bˈʊks, wˌɪtʃ ɑːɹ nˈaʊ wˈaɪdli kəlˈɛktᵻd, hiː mˌeɪd stɹˈeɪndʒ, sɐtˈɪɹɪkəl jˈuːs ʌv dɪstˈɜːbɪŋ sɚɹˈiːəlɪst stɹˈæɾədʒiz lˈaɪk fɹˈiː ɐsˌoʊsɪˈeɪʃən, fˈaʊnd ˈɪmɪdʒɹi, ænd ðə ɹˈædɪkəl dʒˌʌkstɐpəzˈɪʃən ʌv ˈædvɚtˌaɪzɪŋ ɪfˈɛmɚɹə.
In these effusive, almost boundless books, which are now widely collected, he made strange, satirical use of disturbing Surrealist strategies like free association, found imagery, and the radical juxtaposition of advertising ephemera.