kˌæsɪlˈɑːnoʊzᵻz kˌɑːmpəzˈɪʃənəl stˈaɪl kæn pɚhˈæps bˈɛst biː dᵻvˈaɪdᵻd ˌɪntʊ wˈɜːks ðæt ɑːɹ ˌɛmbəlmˈæɾɪk ʌvðə nˌæʃənəlˈɪstɪk ˈɪnfluːənsᵻz sˈɛt fˈɔːɹθ baɪ sˈoʊdʒoʊ, ɔnðə wˈʌn hˈænd, ænd ɔnðɪ ˈʌðɚ, sˈeɪkɹɪd kˌɑːmpəzˈɪʃənz ˈɪnfluːənst baɪ hɪz spˈɪɹɪtʃˌuːəl əpbɹɪŋɪŋ.
Castellanos’s compositional style can perhaps best be divided into works that are emblematic of the nationalistic influences set forth by Sojo, on the one hand, and on the other, sacred compositions influenced by his spiritual upbringing.