kˈɛndəl hɐz pɹˈɑːmɪnəntli ɐpˈɪɹd ɪn ˈʌðɚ vɚɹˈaɪəɾiz ʌv jˌʊɹɹəpˈiən sˈɪnəmə ɪnðə nˈaɪntiːnhˈʌndɹɪd sˈɪksti z ænd nˈaɪntiːnhˈʌndɹɪd sˈɛvənti z sˈʌtʃ ɐz dʒˈaɪəlˌoʊ hˈɔɹɚ ðə wˈɪp ænd ðə bˈɑːdi, nˈaɪntiːnhˈʌndɹɪd sˈɪksti θɹˈiː, spɐɡˈɛɾi wˈɛstɚnz æz dʒˈæŋɡoʊ ɪn dʒˈæŋɡoʊ ɐɡˈɛnst sɑːɹtˈɑːnə, nˈaɪntiːnhˈʌndɹɪd sˈɛvənti, ænd ɡˈʌnmən ʌv wˈʌnhˈʌndɹɪd kɹˈɔsᵻz, nˈaɪntiːnhˈʌndɹɪd sˈɛvənti wˈʌn, kɹˈaɪm mˈuːvɪz sˈʌtʃ ɐz məʃˈiːn ɡˈʌn mə kˈeɪn nˈaɪntiːnhˈʌndɹɪd sˈɪksti nˈaɪn, ænd ɐdvˈɛntʃɚ fˈɪlmz sˈʌtʃ ɐz ˈɔɪl! nˈaɪntiːnhˈʌndɹɪd sˈɛvənti sˈɛvən.
Kendall has prominently appeared in other varieties of European cinema in the 1960s and 1970s such as Giallo horror (The Whip and the Body, 1963), spaghetti westerns (as Django in Django Against Sartana, 1970, and Gunman of 100 Crosses, 1971), crime movies such as Machine Gun McCain (1969), and adventure films such as Oil! (1977).