skˈuːlwɚθ ˈɔːlsoʊ stˈeɪɾᵻd ðæt ˈæl mˈɑːɹɡɑːliz ʌv nˈuː jˈɔːɹks sˈaʊnd ʌv pˈɪɡ tˈeɪps ænd kɹˈɪs fˈɪni ʌv tˌɛnəsˈiːz hˈɑːɹʃ ɹɪˈælᵻɾi mjˈuːzɪk, hˌuː wɜːɹ ˈæktɪv ɪnðɪ ɪndˈʌstɹɪəl slˈæʃ ɛkspˌɛɹɪmˈɛntəl mjˈuːzɪk sˈiːn, wɜː lˈɑːɹdʒli ɹᵻspˈɑːnsᵻbəl fɹʌm ˌɪntɹədˈuːsɪŋ mˈɪnɪməl sˈɪnθ ænd kˈoʊld wˈeɪv ˈɑːɹɾɪsts tə ðə juːnˈaɪɾᵻd stˈeɪts.
Schoolwerth also stated that Al Margolis of New York's Sound of Pig Tapes and Chris Phinney of Tennessee's Harsh Reality Music, who were active in the industrial/experimental music scene, were largely responsible from introducing minimal synth and cold wave artists to the United States.