mˈɪtʃəl ˈɑːsəlˌɑːts tˈɛlᵻvˌɪʒən sˈɪɹiz sɪnˈeɪ sˈiː sˈɪnəmə ɪf, nˈaɪntiːnhˈʌndɹɪd ˈeɪɾi nˈaɪn wʌzɐ lˈɪɾəl dˈɪfɹənt, kəmbˈaɪnɪŋ kˈʌɾaʊts ænd sˈɛlz ænd ˈɔːlsoʊ, mˈoːɹ əkˈeɪʒənəli, lˈaɪvˈækʃən ænd klˈeɪ ˌænɪmˈeɪʃən ðɪs sˈɪɹiz ɪz bˈɛɾɚ nˈoʊn æz pɹˈɪnsᵻz ˈɛt pɹˈɪnsɛsᵻz, ðə fˈiːtʃɚ fˈɪlm vˈɜːʒən mˈɛnʃənd bᵻlˈoʊ.
Michel Ocelot's television series Ciné si (Cinema If, 1989) was a little different, combining cutouts and cels and also, more occasionally, live-action and clay animation (this series is better known as Princes et princesses, the feature film version mentioned below).