ɪn hɪz vjˈuː, ðə kˈɑːnsɛpt "ˈæbsəlˌuːt mjˈuːzɪk" ɪz ɐ ɹˈɛɹ əkˈɜːɹəns, æz mˈoʊst wˈɜːks ɑːɹ dʒˈɛnɚɹəli pˈɑːɹt əvən ˌaɪdɪəlˈɑːdʒɪkəl ɔːɹ ɛsθˈɛɾɪk kˈɑːntɛkst.
In his view, the concept "absolute music" is a rare occurrence, as most works are generally part of an ideological or aesthetic context.