sˌʌm ʌv hɪz fˈɜːst wˈɜːk wɪððə wˈɜːkʃɑːp ɪnvˈɑːlvd pɹəvˈaɪdɪŋ sˈaʊndz fɚðə sˈaɪənsfˈɪkʃən sˈɪɹiəl kwˈæɾɚmˌæs ænd ðə pˈɪt nˈaɪntiːnhˈʌndɹɪd fˈɪfti ˈeɪt fˈɪfti nˈaɪn.
Some of his first work with the workshop involved providing sounds for the science-fiction serial Quatermass and the Pit (1958–59).