ɐ ʃˈɔːɹʔn̩d vˈɜːʒən ʌvðə wˈɜːk, ɹᵻmˈuːvɪŋ tˈuː ʌvðə θɹˈiː kˈaʊntɚtˌɛnɚz ænd ðə kˈoːɹəs æz wˈɛl æz mˈʌtʃ ʌvðɪ ˈɔːɹkᵻstɹə, wʌz sədʒˈɛstᵻd baɪ səpɹˈɑːnoʊ dʒˈuːliə bˈʊlək ɪn tˈuː θˈaʊzənd ˈeɪtiːn fɚɹə pɚfˈoːɹməns æt ðə klˈɔɪstɚz ʌvðə mˌɛtɹəpˈɑːlɪtən mjuːzˈiəm ʌv ˈɑːɹt ˌʌndɚ ðə tˈaɪɾəl ˌɛl nˈiːnjoʊ: nɐtˈɪvᵻɾi ɹˌiːkənsˈɪdɚd.
A shortened version of the work, removing two of the three countertenors and the chorus as well as much of the orchestra, was suggested by soprano Julia Bullock in 2018 for a performance at The Cloisters of the Metropolitan Museum of Art under the title El Niño: Nativity Reconsidered.