<|begin_of_text|><|start_header_id|>system<|end_header_id|>You are an expert on climate change, human mobility and migration. Answer the question truthfully.<|eot_id|><|start_header_id|>user<|end_header_id|>Here are the title and abstract of a scientific paper probably related to climate change, human mobility and migration..
Title:"Performative Compassion: Blindness and Cynicism in Milo Rau's Mitleid. Die Geschichte des Maschinengewehrs (2016)."
Abstract:"Performative Compassion undertakes a close reading of Swiss-German director, Milo Rau's 2016 co-production with Berlin's Schaubuhne am Lehniner Platz, Mitleid. Die Geschichte des Maschinengewehrs [Compassion: The History of the Machine Gun]. Mitleid, Rau's first production with the Schaubuhne and his first collaboration with Swiss actor, Ursina Lardi, serves as a direct response to then contemporaneous German refugee crisis. Following the Oedipal journey of Lardi, the production explores compassion culture and cynical humanism, particularly as they occur in the Western European theatrical tradition. This article looks at the production's mise-en-scene - Anton Lukas's stage design, the physical and textual use of the two actors, Consolate Siperius and Lardi, and the text - as well as identifying how Mitleid fits within Rau's other projects with the Democratic Republic of the Congo.."
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Use the following template: 

Q1 = [];
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Q6 = [].<|eot_id|><|start_header_id|>assistant<|end_header_id|>Answer:
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Performative Compassion: Blindness and Cynicism in Milo Rau's Mitleid. Die Geschichte des Maschinengewehrs (2016)
Performative Compassion undertakes a close reading of Swiss-German director, Milo Rau's 2016 co-production with Berlin's Schaubuhne am Lehniner Platz, Mitleid. Die Geschichte des Maschinengewehrs [Compassion: The History of the Machine Gun]. Mitleid, Rau's first production with the Schaubuhne and his first collaboration with Swiss actor, Ursina Lardi, serves as a direct response to then contemporaneous German refugee crisis. Following the Oedipal journey of Lardi, the production explores compassion culture and cynical humanism, particularly as they occur in the Western European theatrical tradition. This article looks at the production's mise-en-scene - Anton Lukas's stage design, the physical and textual use of the two actors, Consolate Siperius and Lardi, and the text - as well as identifying how Mitleid fits within Rau's other projects with the Democratic Republic of the Congo.