<|begin_of_text|><|start_header_id|>system<|end_header_id|>You are an expert on climate change, human mobility and migration. Answer the question truthfully.<|eot_id|><|start_header_id|>user<|end_header_id|>Here are the title and abstract of a scientific paper probably related to climate change, human mobility and migration..
Title:"Waiting Subjects: Social Media-Inspired Self-Portraits as Gallery Exhibition in Delhi, India."
Abstract:"In this article, I reflect on a gallery exhibition of self-portraits by young Somali refugees. These images were selected from a collection of digital photographs that were shot while producing a collaborative ethnographic film project on the racialization of African nationals in Delhi, India. The images that my youthful interlocutors produced while shooting for our collaborative film project, however, were not originally intended for display but were an extension of their already prolific visual and textual self-documentation on social media. Utilizing select images and texts from the exhibition we culled from this accidental photographic archive to evoke what it means for these young Somalis to wait for asylum in Europe or North America while they make their lives in India, I argue for an attention to the digital image-making practices of young people as a site where subjectivities are self-fashioned and ethnographic insights emerge.."
I have six questions you need to answer.
Q1: Is this article is about 'human migration mobility': 1 = yes; 0 = no. Answer with a number. Do not give a textual explanation.

Q2: What drivers of migration and mobility does the article study? 0 = 'other', 1 = 'climate', 2 = 'environment', 3 = 'economic', 4 = 'conflict', 5 = 'political', 6 = 'social', 7 = 'family'. Answer with a number or a sequence of numbers separated by commas. Do not give a textual explanation. 

Q3: What is the overall sentiment of the article?:0 = 'neutral', 1 = 'negative', 2 = 'positive'. Answer with a number. Do not give a textual explanation.

Q4: What type of climate or environmental keywords are explicitly mentioned?:  0 = 'none', 1 = 'algal blooms', 2 = 'infestation', 3 = 'infectious diseases', 4 = 'ocean acidification', 5 = 'sea ice', 6 = 'acid rain', 7 = 'drought', 8 = 'cold wave', 9 = 'heat wave', 10 = 'glacial', 11 = 'wildfire', 12 = 'air pollution', 13 = 'biodiversity loss', 14 = 'coastal erosion', 15 = 'land degradation', 16 = 'deforestation', 17 = 'desertification', 18 = 'water pollution', 19 = 'diebacks', 20 = 'permafrost loss', 21 = 'sand mining', 22 = 'sea level rise', 23 = 'earthquake', 24 = 'tsunami', 25 = 'volcanic', 26 = 'flood', 27 = 'avalanche', 28 = 'landslide', 29 = 'downburst', 30 = 'thunderstorm', 31 = 'sandstorm', 32 = 'haze', 33 = 'storm', 34 = 'cyclone', 35 = 'blizzard', 36 = 'hail', 37 = 'snow', 38 = 'tornado', 39 = 'wind', 40 = 'hurricane', 41 = 'typhoon', 42 = 'other'. Answer with a number or a sequence of numbers separated by commas. Do not give a textual explanation. 

Q5: What discipline does the article belong to?: 0 = 'other', 1 = 'social science', 2 = 'natural science', 3 = 'arts and humanities', 4 = 'multidiscipline and interdiscipline'. Answer with a number. Do not give a textual explanation.

Q6: Does the article apply quantitative and/or statistical analysis?: 0 = 'no', 1 = 'yes'. Answer with a number. Do not give a textual explanation.

Use the following template: 

Q1 = [];
Q2 = [];
Q3 = [];
Q4 = [];
Q5 = [];
Q6 = [].<|eot_id|><|start_header_id|>assistant<|end_header_id|>Answer:
Q1 = [1];
Q2 = [4];
Q3 = [0];
Q4 = [0];
Q5 = [];
Q6 = [0].
Waiting Subjects: Social Media-Inspired Self-Portraits as Gallery Exhibition in Delhi, India
In this article, I reflect on a gallery exhibition of self-portraits by young Somali refugees. These images were selected from a collection of digital photographs that were shot while producing a collaborative ethnographic film project on the racialization of African nationals in Delhi, India. The images that my youthful interlocutors produced while shooting for our collaborative film project, however, were not originally intended for display but were an extension of their already prolific visual and textual self-documentation on social media. Utilizing select images and texts from the exhibition we culled from this accidental photographic archive to evoke what it means for these young Somalis to wait for asylum in Europe or North America while they make their lives in India, I argue for an attention to the digital image-making practices of young people as a site where subjectivities are self-fashioned and ethnographic insights emerge.