<|begin_of_text|><|start_header_id|>system<|end_header_id|>You are an expert on climate change, human mobility and migration. Answer the question truthfully.<|eot_id|><|start_header_id|>user<|end_header_id|>Here are the title and abstract of a scientific paper probably related to climate change, human mobility and migration..
Title:"The Unsacred and the Spectacularized: Alan Kurdi and the Migrant Body."
Abstract:"While images can provide a transformative experience, they can also become objects of virtual voyeurism, functioning within regimes of representation while possessing the power to resist dominant ideologies. This article examines this phenomenon of claiming the dead and dispossessing them through the case study of Alan Kurdi who became an iconic symbol representing the trauma of people fleeing conflict zones in the Middle East. As an iconic image, it raised awareness of the plight of the Syrian refugees, but the image also became locked into a sensorium (Ranciere) where it created communion through its pathos but equally was trapped into an aesthetic regime which re-centered the migrant body as a new type of (in)humanity in Europe. The Internet as a platform for this sensorium constantly re-appropriates iconic imagery into new artistic and creative formats where images can be stripped from context, re-hashed, and endlessly circulated as cultural artifacts, bearing the burden of history yet being disenfranchised from it.."
I have six questions you need to answer.
Q1: Is this article is about 'human migration mobility': 1 = yes; 0 = no. Answer with a number. Do not give a textual explanation.

Q2: What drivers of migration and mobility does the article study? 0 = 'other', 1 = 'climate', 2 = 'environment', 3 = 'economic', 4 = 'conflict', 5 = 'political', 6 = 'social', 7 = 'family'. Answer with a number or a sequence of numbers separated by commas. Do not give a textual explanation. 

Q3: What is the overall sentiment of the article?:0 = 'neutral', 1 = 'negative', 2 = 'positive'. Answer with a number. Do not give a textual explanation.

Q4: What type of climate or environmental keywords are explicitly mentioned?:  0 = 'none', 1 = 'algal blooms', 2 = 'infestation', 3 = 'infectious diseases', 4 = 'ocean acidification', 5 = 'sea ice', 6 = 'acid rain', 7 = 'drought', 8 = 'cold wave', 9 = 'heat wave', 10 = 'glacial', 11 = 'wildfire', 12 = 'air pollution', 13 = 'biodiversity loss', 14 = 'coastal erosion', 15 = 'land degradation', 16 = 'deforestation', 17 = 'desertification', 18 = 'water pollution', 19 = 'diebacks', 20 = 'permafrost loss', 21 = 'sand mining', 22 = 'sea level rise', 23 = 'earthquake', 24 = 'tsunami', 25 = 'volcanic', 26 = 'flood', 27 = 'avalanche', 28 = 'landslide', 29 = 'downburst', 30 = 'thunderstorm', 31 = 'sandstorm', 32 = 'haze', 33 = 'storm', 34 = 'cyclone', 35 = 'blizzard', 36 = 'hail', 37 = 'snow', 38 = 'tornado', 39 = 'wind', 40 = 'hurricane', 41 = 'typhoon', 42 = 'other'. Answer with a number or a sequence of numbers separated by commas. Do not give a textual explanation. 

Q5: What discipline does the article belong to?: 0 = 'other', 1 = 'social science', 2 = 'natural science', 3 = 'arts and humanities', 4 = 'multidiscipline and interdiscipline'. Answer with a number. Do not give a textual explanation.

Q6: Does the article apply quantitative and/or statistical analysis?: 0 = 'no', 1 = 'yes'. Answer with a number. Do not give a textual explanation.

Use the following template: 

Q1 = [];
Q2 = [];
Q3 = [];
Q4 = [];
Q5 = [];
Q6 = [].<|eot_id|><|start_header_id|>assistant<|end_header_id|>Answer:
Q1 = [1];
Q2 = [5,6];
Q3 = [1];
Q4 = [0];
Q5 = [];
Q6 = [0].
The Unsacred and the Spectacularized: Alan Kurdi and the Migrant Body
While images can provide a transformative experience, they can also become objects of virtual voyeurism, functioning within regimes of representation while possessing the power to resist dominant ideologies. This article examines this phenomenon of claiming the dead and dispossessing them through the case study of Alan Kurdi who became an iconic symbol representing the trauma of people fleeing conflict zones in the Middle East. As an iconic image, it raised awareness of the plight of the Syrian refugees, but the image also became locked into a sensorium (Ranciere) where it created communion through its pathos but equally was trapped into an aesthetic regime which re-centered the migrant body as a new type of (in)humanity in Europe. The Internet as a platform for this sensorium constantly re-appropriates iconic imagery into new artistic and creative formats where images can be stripped from context, re-hashed, and endlessly circulated as cultural artifacts, bearing the burden of history yet being disenfranchised from it.