<|begin_of_text|><|start_header_id|>system<|end_header_id|>You are an expert on climate change, human mobility and migration. Answer the question truthfully.<|eot_id|><|start_header_id|>user<|end_header_id|>Here are the title and abstract of a scientific paper probably related to climate change, human mobility and migration..
Title:"Sublime Rock: Burmese Popular Music, Language Code Switching and Sentimentalism among Shan Migrants at The Thai-Burma Border."
Abstract:"While economic strife and internal conflict continue to drive migrants and refugees across the border from Burma into Thailand, one often uncounted aspect of this migration is that of the Burmese media texts and popular culture artifacts consumed by ethnic nationalities in exile. While many theorists of popular media and cultural studies alike have tended to look at the ways in which historically underrepresented groups might take their own renditions of popular musical forms and create symbolic acts of resistance, how, then can we understand people's relationships to dominant forms? Does the appreciation of a dominant form of popular culture necessarily imply subscription to dominant ideology? If popular music can be proven to be a mechanism for the creation of identity and place, what, then does it mean that Shan nationalists still listen to certain Burmese popular songs? Using ethnographic data gathered in a Shan community at the Thai-Burma border between 2004 and 2005, this article will provide an overview of the various ways in which popular culture texts circulate in the borderlands, and also the ways in which Burmese popular music is subjectively understood by members of one ethnic nationality community.."
I have six questions you need to answer.
Q1: Is this article is about 'human migration mobility': 1 = yes; 0 = no. Answer with a number. Do not give a textual explanation.

Q2: What drivers of migration and mobility does the article study? 0 = 'other', 1 = 'climate', 2 = 'environment', 3 = 'economic', 4 = 'conflict', 5 = 'political', 6 = 'social', 7 = 'family'. Answer with a number or a sequence of numbers separated by commas. Do not give a textual explanation. 

Q3: What is the overall sentiment of the article?:0 = 'neutral', 1 = 'negative', 2 = 'positive'. Answer with a number. Do not give a textual explanation.

Q4: What type of climate or environmental keywords are explicitly mentioned?:  0 = 'none', 1 = 'algal blooms', 2 = 'infestation', 3 = 'infectious diseases', 4 = 'ocean acidification', 5 = 'sea ice', 6 = 'acid rain', 7 = 'drought', 8 = 'cold wave', 9 = 'heat wave', 10 = 'glacial', 11 = 'wildfire', 12 = 'air pollution', 13 = 'biodiversity loss', 14 = 'coastal erosion', 15 = 'land degradation', 16 = 'deforestation', 17 = 'desertification', 18 = 'water pollution', 19 = 'diebacks', 20 = 'permafrost loss', 21 = 'sand mining', 22 = 'sea level rise', 23 = 'earthquake', 24 = 'tsunami', 25 = 'volcanic', 26 = 'flood', 27 = 'avalanche', 28 = 'landslide', 29 = 'downburst', 30 = 'thunderstorm', 31 = 'sandstorm', 32 = 'haze', 33 = 'storm', 34 = 'cyclone', 35 = 'blizzard', 36 = 'hail', 37 = 'snow', 38 = 'tornado', 39 = 'wind', 40 = 'hurricane', 41 = 'typhoon', 42 = 'other'. Answer with a number or a sequence of numbers separated by commas. Do not give a textual explanation. 

Q5: What discipline does the article belong to?: 0 = 'other', 1 = 'social science', 2 = 'natural science', 3 = 'arts and humanities', 4 = 'multidiscipline and interdiscipline'. Answer with a number. Do not give a textual explanation.

Q6: Does the article apply quantitative and/or statistical analysis?: 0 = 'no', 1 = 'yes'. Answer with a number. Do not give a textual explanation.

Use the following template: 

Q1 = [];
Q2 = [];
Q3 = [];
Q4 = [];
Q5 = [];
Q6 = [].<|eot_id|><|start_header_id|>assistant<|end_header_id|>Answer:
Q1 = [1];
Q2 = [4];
Q3 = [];
Q4 = [0];
Q5 = [];
Q6 = [0].
Sublime Rock: Burmese Popular Music, Language Code Switching and Sentimentalism among Shan Migrants at The Thai-Burma Border
While economic strife and internal conflict continue to drive migrants and refugees across the border from Burma into Thailand, one often uncounted aspect of this migration is that of the Burmese media texts and popular culture artifacts consumed by ethnic nationalities in exile. While many theorists of popular media and cultural studies alike have tended to look at the ways in which historically underrepresented groups might take their own renditions of popular musical forms and create symbolic acts of resistance, how, then can we understand people's relationships to dominant forms? Does the appreciation of a dominant form of popular culture necessarily imply subscription to dominant ideology? If popular music can be proven to be a mechanism for the creation of identity and place, what, then does it mean that Shan nationalists still listen to certain Burmese popular songs? Using ethnographic data gathered in a Shan community at the Thai-Burma border between 2004 and 2005, this article will provide an overview of the various ways in which popular culture texts circulate in the borderlands, and also the ways in which Burmese popular music is subjectively understood by members of one ethnic nationality community.