<|begin_of_text|><|start_header_id|>system<|end_header_id|>You are an expert on climate change, human mobility and migration. Answer the question truthfully.<|eot_id|><|start_header_id|>user<|end_header_id|>Here are the title and abstract of a scientific paper probably related to climate change, human mobility and migration..
Title:"Lawful Performance and the Representational Politics of Queer African Refugees in Documentary Film."
Abstract:"This article explores lawful performance in documentary film representation of queer African refugees. Lawful performance is a framework I develop to identify a performative structure in which cultural production and everyday performances internalize and reproduce legal paradigms, such that legal logics remain the central paradigm against which to measure belonging, legitimacy, and value. I argue that Getting Out, a 2011 film produced by the Uganda-based Refugee Law Project demonstrates how documentary aesthetics, asylum policy, and international human rights parallel and reinforce one another. I interrogate the implications of using documentary to represent the experiences of LGBTIQ African asylum seekers to ask: how, if at all, a medium so focused on documenting and visualizing can intervene upon political frameworks that themselves are founded upon visualizing and documenting? I then look at a series of short films, the Seeking Asylum Series, produced by the queer African digital storytelling project None on Record, identifying how these films offer representational strategies that propose opportunities for refashioning queer asylum seekers' relationships to dominant structures and how viewers might imagine queer asylum seekers within and beyond those structures.."
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Q1: Is this article is about 'human migration mobility': 1 = yes; 0 = no. Answer with a number. Do not give a textual explanation.

Q2: What drivers of migration and mobility does the article study? 0 = 'other', 1 = 'climate', 2 = 'environment', 3 = 'economic', 4 = 'conflict', 5 = 'political', 6 = 'social', 7 = 'family'. Answer with a number or a sequence of numbers separated by commas. Do not give a textual explanation. 

Q3: What is the overall sentiment of the article?:0 = 'neutral', 1 = 'negative', 2 = 'positive'. Answer with a number. Do not give a textual explanation.

Q4: What type of climate or environmental keywords are explicitly mentioned?:  0 = 'none', 1 = 'algal blooms', 2 = 'infestation', 3 = 'infectious diseases', 4 = 'ocean acidification', 5 = 'sea ice', 6 = 'acid rain', 7 = 'drought', 8 = 'cold wave', 9 = 'heat wave', 10 = 'glacial', 11 = 'wildfire', 12 = 'air pollution', 13 = 'biodiversity loss', 14 = 'coastal erosion', 15 = 'land degradation', 16 = 'deforestation', 17 = 'desertification', 18 = 'water pollution', 19 = 'diebacks', 20 = 'permafrost loss', 21 = 'sand mining', 22 = 'sea level rise', 23 = 'earthquake', 24 = 'tsunami', 25 = 'volcanic', 26 = 'flood', 27 = 'avalanche', 28 = 'landslide', 29 = 'downburst', 30 = 'thunderstorm', 31 = 'sandstorm', 32 = 'haze', 33 = 'storm', 34 = 'cyclone', 35 = 'blizzard', 36 = 'hail', 37 = 'snow', 38 = 'tornado', 39 = 'wind', 40 = 'hurricane', 41 = 'typhoon', 42 = 'other'. Answer with a number or a sequence of numbers separated by commas. Do not give a textual explanation. 

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Q6: Does the article apply quantitative and/or statistical analysis?: 0 = 'no', 1 = 'yes'. Answer with a number. Do not give a textual explanation.

Use the following template: 

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Q6 = [].<|eot_id|><|start_header_id|>assistant<|end_header_id|>Answer:
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Lawful Performance and the Representational Politics of Queer African Refugees in Documentary Film
This article explores lawful performance in documentary film representation of queer African refugees. Lawful performance is a framework I develop to identify a performative structure in which cultural production and everyday performances internalize and reproduce legal paradigms, such that legal logics remain the central paradigm against which to measure belonging, legitimacy, and value. I argue that Getting Out, a 2011 film produced by the Uganda-based Refugee Law Project demonstrates how documentary aesthetics, asylum policy, and international human rights parallel and reinforce one another. I interrogate the implications of using documentary to represent the experiences of LGBTIQ African asylum seekers to ask: how, if at all, a medium so focused on documenting and visualizing can intervene upon political frameworks that themselves are founded upon visualizing and documenting? I then look at a series of short films, the Seeking Asylum Series, produced by the queer African digital storytelling project None on Record, identifying how these films offer representational strategies that propose opportunities for refashioning queer asylum seekers' relationships to dominant structures and how viewers might imagine queer asylum seekers within and beyond those structures.