<|begin_of_text|><|start_header_id|>system<|end_header_id|>You are an expert on climate change, human mobility and migration. Answer the question truthfully.<|eot_id|><|start_header_id|>user<|end_header_id|>Here are the title and abstract of a scientific paper probably related to climate change, human mobility and migration..
Title:"Recent documentary films about migration: in search of common humanity."
Abstract:"The article analyzes four recent documentary films that deal with the current migration crisis, describing migration from Middle East and Sub-Saharan Africa to Europe. The Land Between (David Fedele, 2014), Salam Neighbor (Zach lngrasci and Chris Temple, 2015), Fire at Sea (Gianfranco Rosi, 2016) and Unknown Refugee (Hamy Ramezan, 2016) try to get behind news images and to give a more human account of migration and refugeedom. What strategies do these 'human rights films' (TascOn, Sonia M. 2012. Considering Human Rights Films, Representation, and Ethics: Whose Face? Human Rights Quarterly 34 (3): 864-883) use in order to make the crisis meaningful in a situation where images of catastrophes surround us everywhere? Film analysis is framed by a discussion of theories that deal with the representation of distant suffering and the role of cinema in humanitarian activity. The key question that structures the analysis is, how can the fact that cinema is based on an arrangement where some look and others are looked at be combined with the humanitarian aim of overcoming power hierarchies and promoting human equality (Chouliaraki, Lilie. 2013. The Ironic Spectator. Solidarity in the Age of Post-Humanitarianism. Cambridge: Polity Press)? What aesthetic and narrative devices do the films use in order to circumvent the afore-mentioned paradox and to bridge the gap between 'them' and 'us'?."
I have six questions you need to answer.
Q1: Is this article is about 'human migration mobility': 1 = yes; 0 = no. Answer with a number. Do not give a textual explanation.

Q2: What drivers of migration and mobility does the article study? 0 = 'other', 1 = 'climate', 2 = 'environment', 3 = 'economic', 4 = 'conflict', 5 = 'political', 6 = 'social', 7 = 'family'. Answer with a number or a sequence of numbers separated by commas. Do not give a textual explanation. 

Q3: What is the overall sentiment of the article?:0 = 'neutral', 1 = 'negative', 2 = 'positive'. Answer with a number. Do not give a textual explanation.

Q4: What type of climate or environmental keywords are explicitly mentioned?:  0 = 'none', 1 = 'algal blooms', 2 = 'infestation', 3 = 'infectious diseases', 4 = 'ocean acidification', 5 = 'sea ice', 6 = 'acid rain', 7 = 'drought', 8 = 'cold wave', 9 = 'heat wave', 10 = 'glacial', 11 = 'wildfire', 12 = 'air pollution', 13 = 'biodiversity loss', 14 = 'coastal erosion', 15 = 'land degradation', 16 = 'deforestation', 17 = 'desertification', 18 = 'water pollution', 19 = 'diebacks', 20 = 'permafrost loss', 21 = 'sand mining', 22 = 'sea level rise', 23 = 'earthquake', 24 = 'tsunami', 25 = 'volcanic', 26 = 'flood', 27 = 'avalanche', 28 = 'landslide', 29 = 'downburst', 30 = 'thunderstorm', 31 = 'sandstorm', 32 = 'haze', 33 = 'storm', 34 = 'cyclone', 35 = 'blizzard', 36 = 'hail', 37 = 'snow', 38 = 'tornado', 39 = 'wind', 40 = 'hurricane', 41 = 'typhoon', 42 = 'other'. Answer with a number or a sequence of numbers separated by commas. Do not give a textual explanation. 

Q5: What discipline does the article belong to?: 0 = 'other', 1 = 'social science', 2 = 'natural science', 3 = 'arts and humanities', 4 = 'multidiscipline and interdiscipline'. Answer with a number. Do not give a textual explanation.

Q6: Does the article apply quantitative and/or statistical analysis?: 0 = 'no', 1 = 'yes'. Answer with a number. Do not give a textual explanation.

Use the following template: 

Q1 = [];
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Q4 = [];
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Q6 = [].<|eot_id|><|start_header_id|>assistant<|end_header_id|>Answer:
Q1 = [1];
Q2 = [];
Q3 = [1];
Q4 = [0];
Q5 = [];
Q6 = [0].
Recent documentary films about migration: in search of common humanity
The article analyzes four recent documentary films that deal with the current migration crisis, describing migration from Middle East and Sub-Saharan Africa to Europe. The Land Between (David Fedele, 2014), Salam Neighbor (Zach lngrasci and Chris Temple, 2015), Fire at Sea (Gianfranco Rosi, 2016) and Unknown Refugee (Hamy Ramezan, 2016) try to get behind news images and to give a more human account of migration and refugeedom. What strategies do these 'human rights films' (TascOn, Sonia M. 2012. Considering Human Rights Films, Representation, and Ethics: Whose Face? Human Rights Quarterly 34 (3): 864-883) use in order to make the crisis meaningful in a situation where images of catastrophes surround us everywhere? Film analysis is framed by a discussion of theories that deal with the representation of distant suffering and the role of cinema in humanitarian activity. The key question that structures the analysis is, how can the fact that cinema is based on an arrangement where some look and others are looked at be combined with the humanitarian aim of overcoming power hierarchies and promoting human equality (Chouliaraki, Lilie. 2013. The Ironic Spectator. Solidarity in the Age of Post-Humanitarianism. Cambridge: Polity Press)? What aesthetic and narrative devices do the films use in order to circumvent the afore-mentioned paradox and to bridge the gap between 'them' and 'us'?