Though Trockel has consistently resisted an explicit stylistic signature,[REF][REF] certain recurring themes weave throughout her oeuvre, most notably notions of female identity and feminism, the disjunction between fine art and craftsmanship, and the varying presence or anonymity of the artist traceable in a physical object [REF].
Another of Trockel's pieces consists of a steel cube fitted with six hot plates in two parallel, diagonal lines, meant to establish a bridge between the "feminine domain" of cooking and the "masculine domain" of industrial production.