Bleckmann's multidisciplinary works include a commission by the Whitney Museum of American Art at Philip Morris to compose and create a music performance piece out of Kenneth Goldsmith's text Fidget, which Bleckmann scored for voice, piano, percussion, bass, video and three sewing machines.
Playing the gangster Dutch Schultz, Bleckmann co-created The True Last Words of Dutch Schultz a new music opera in collaboration with director Valeria Vasilevski and composer Eric Salzman.