Tchaikovsky's original layout for the Third Suite was similar to that of his Second-a fairly large opening movement as in his first two orchestral suites, then three smaller ones and a theme-and-variations finale [REF].
Wiley also says the quality of Prelest (meaning "charming" or "pleasing") in the Third Suite "is too prominent for a symphony, while at the same time the suite's coherence advances well beyond the casual miscellency of the Second."