In her essay "'Living Backward' : Slessor and Masculine Elegy" (1997) Kate Lilley noted: "Chronologically displaced, "Five Bells" is repositioned and reread as the generically appropriate marker of the premature end of Slessor's career, and also as the aesthetically satisfying rhetorical proof of his poetic achievement.
The Oxford Companion to Australian Literature stated: "Although the emphasis is on the impermanence of all human relationships and thus the triumph of time (moved by 'little fidget wheels') over life, the affection exposed for the scruffy, unruly, unimportant Irishman gives the poem a tender and human character."[REF] .