Lindemann has a powerful stage presence; his vocal range is that of a bass-baritone, or perhaps even lower [REF].
Lindemann has used contemporary literature for intertextual references; a song title, Non, je ne regrette rien was used as a chorus for the song Frühling in Paris, and the song lyrics of Links 2-3-4 are based from the song Einheitsfrontlied by Bertolt Brecht [REF].