In the eighteenth century the word once again came to describe contemporary brass instruments, such as in a 1706 inventory from the Ossegg monastery in Bohemia, which equates it with the hunting horn: "litui vulgo Waldhörner duo ex tono G" [REF].
Johann Sebastian Bach specified the use of two litui for his composition O Jesu Christ, Meins Lebens Licht (BWV 118).