While extensive documentation exists regarding the release of Nobody's Children (however, no prints are known to exist), very little is known about the release of Eleven P.M., Maurice's second and only known surviving feature.
Bowser and Musser also praise the film by stating, "Maurice's innovative use of cinematography-location filming, unusual angles, and tracking shots as well as special, almost surrealist effects-distinguish the film from its surviving counterparts of race cinema."[REF] .