The dismantling of the Francoist censorship allowed Eloy de la Iglesia to increase sexually charged tones in his works [REF].
De la Iglesia's subsequent films, written in collaboration with Gonzalo Goicoechea, were centered in social problems such as juvenile delinquency and drug addiction in films like: Navajeros (Knifers) (1980), Colegas (Pals) (1982), El pico (The Needle) (1983) and El pico 2 (The Needle 2) (1984).