Robert Graves postulated a prehistoric matriarchal religion in the 1950s, in his The Greek Myths and The White Goddess, and gave a detailed depiction of a future society with a matriarchal religion in his novel Seven Days in New Crete [REF].
Inspired by Graves and other sources was the Austrian Surrealist Wolfgang Paalen who, in his painting "Pays interdit" ("Forbidden Land"), draws an apocalyptic landscape dominated by a female goddess and, as symbols of the male gods, fallen, meteorite-like planets.