The bec de corbin and Lucerne hammer were both popular in medieval Europe, but the Lucerne hammer was particularly popular in what European country during the 15th to 17th centuries?
Bec de corbin A bec de corbin is a type of pole weapon and war hammer that was popular in medieval Europe. The name is Old French for "raven's beak" or "beak of the crow". Similar to the Lucerne hammer, it consists of a modified hammer's head and spike mounted atop a long pole. Unlike the Lucerne hammer, the bec de corbin was used primarily with the 'beak' or fluke to attack instead of the hammer head. The hammer face balancing the beak was often blunt instead of the multi-pronged Lucerne, and the beak tended to be stouter; better designed for tearing into thinner plate armor, chainmail or padded jacks . Also, the spike mounted on the top of head was not nearly as long and thin as in the Lucerne. Bec de corbin occasionally becomes a catchall for any type of warhammer, such as a maul or a horseman's pick.
Early Netherlandish painting Early Netherlandish painting is the work of artists, sometimes known as the Flemish Primitives, active in the Burgundian and Habsburg Netherlands during the 15th- and 16th-century Northern Renaissance; especially in the flourishing cities of Bruges, Ghent, Mechelen, Louvain, Tournai and Brussels, all in contemporary Flanders. Their work follows the International Gothic style and begins approximately with Robert Campin and Jan van Eyck in the early 1420s. It lasts at least until the death of Gerard David in 1523, although many scholars extend it to the start of the Dutch Revolt in 1566 or 1568 (Max J. Friedländer's acclaimed surveys run through Pieter Bruegel the Elder). Early Netherlandish painting coincides with the Early and High Italian Renaissance but is seen as an independent artistic culture, separate from the Renaissance humanism that characterised developments in Italy. Because these painters represent the culmination of the northern European medieval artistic heritage and the incorporation of Renaissance ideals, they are sometimes categorised as belonging to both the Early Renaissance and Late Gothic.