In which city was the Symphony for Classical Orchestra in B-flat major completed by Harold Shapero who undoubtedly derived a fair amount from the American composer, teacher and writer known as the 'Dean of American Composers'?
Symphony for Classical Orchestra (Shapero) Harold Shapero completed the Symphony for Classical Orchestra in B-flat major on March 10, 1947, in Newton Centre, Massachusetts. It is written for an orchestra consisting of piccolo, 2 flutes, 2 oboes, 2 clarinets in B-flat, 2 bassoons, contrabassoon, 2 horns in F, 2 trumpets in C, 2 tenor trombones and one bass (silent until the Finale), timpani and strings. Although labelled "Classical," many of the work's features point to Beethoven rather than Haydn or Mozart, such as "the way in which Shapero paces himself, alternating long passages in the tonic and the dominant, with fast, dramatic modulations often reserved for transitions and developments." Nicolas Slonimsky remarked on how the piece is "premeditatedly cast in the proclamatory key of B-flat major, the natural tonality of the bugle, and ending in a display of tonic major triads." But there are modern features as well, with "the work's orchestration, in general, ... distinctively bright and brassy, and undoubtedly derived a fair amount from Piston and Copland, as well as from the composer's experience as a dance band arranger."
Joelle Wallach Joelle Wallach (born June 29, 1946, in New York) is an American composer. As a girl she lived for five years in Morocco before returning to the United States to attend the Juilliard School's pre-college program, where she studied the violin, piano, singing, theory, and composition. She attended Sarah Lawrence College, where she earned a bachelor's degree in music composition in 1967. She continued with graduate studies at Columbia University (MA 1969), and, as a pupil of John Corigliano, at the Manhattan School of Music (DMA 1984).