An example of a snare rush that is in the last 18 seconds of the song "Ghetto Body Buddy" by who?
Snare rush Snare rush is a term often used in electro culture to refer to impossibly fast rolls. A snare rush can vary in tempo considerably, from 16th notes even to 2048th notes. At that sort of speed, the effect is a buzzing sound, but with a detectable pitch, so some artists vary the repeat rate, and can even play a tune. One example of this would be the last 18 seconds of "Ghetto Body Buddy" by Venetian Snares, where the theme from "Sesame Street" is played using only extremely fast snare rushes. The defining characteristic of a snare rush, as opposed to a roll, is the sheer virtuosity it would take for a physical drummer to play a successful one. As such, almost all snare rushes are computer programmed and can be used with bass drums, tom-toms, and cymbals to intensify the effect. They are often used as fills, alongside complex programmed breakbeats. Snare rushes are also often run through analog or dsp effects together with variations in volume, such as a filters or pitch shifting. They are common in trance music, hard techno, gabber music, oldschool jungle, IDM, drill 'n bass, breakcore and glitch music.
John &quot;Jabo&quot; Starks John "Jabo" Starks (born October 26, 1938) is an American funk and blues drummer. He is best known for playing with James Brown. Starks played on many of Brown's biggest hits, either as the sole drummer or in tandem with Clyde Stubblefield, including "The Payback", "Sex Machine", "Super Bad", and "Talkin' Loud and Sayin' Nothing". He has also backed many of the artists produced or managed by Brown, most notably Lyn Collins, The JBs, and Bobby Byrd. Along with his colleague Stubblefield, Starks ranks as one of the most sampled drummers on contemporary hip hop and R&B recordings.