ically seen the whole movie. So it's really easy (I do it too) to dismiss
an entire movie based on a 15-second trailer.

Unless you're talking about the Tomb Raider movie. The trailer with the fight
between Lara Croft and the robot is basically the first 5 minutes of the movie
and you can stop watching after that. :P

------
erdevs
As regards the wormhole sequence, one must appreciate the innovation in
technique, meticulous execution, groundbreaking visuals, and also the
incredible cinematic boldness in showing such a long, strange sequence in
theaters at the time. Truly impressive and meaningful work, which left an
indelible mark on cinema over the past 5 decades.

That said, a part of me has always wished this sequence gave more thought to
the physics and what it might be like to visualize the experience of traveling
through a gate/wormhole like this. I don't think the coloration, visual
patterns, or sequencing represents much understanding of the then-current
physics theory on what this sort of thing might possibly be like, and I'm not
sure it even captures it well in the abstract.

Amazing cinematic work which moved the industry forward in a positive
direction. I just always wished they'd somehow been able to go even further
and applied the same brilliance of vision and execution in technique to an
even more refined concept that incorporated some viable notions of the
possible/theoretical physics involved in traversing through space-time like
this.

~~~
Florin_Andrei
> _That said, a part of me has always wished this sequence gave more thought
> to the physics and what it might be like to visualize the experience of
> traveling through a gate /wormhole like this. I don't think the coloration,
> visual patterns, or sequencing represents much understanding of the then-
> current physics theory on what this sort of thing might possibly be like,
> and I'm not sure it even captures it well in the abstract._

'Interstellar' did some of that, and they had to hire Kip Thorne as a
consultant, and run a render farm to raytrace the relativistic effects.

I'm not sure the theory was quite at the same level in the '60s, and the
cinema technique was definitely not
ically seen the whole movie. So it's really comfortable (I cause it too) to dismiss 
 an integral movie based on a 15 - second gear trailer. 

 Unless you're spill about the Tomb Raider movie. The preview with the fight 
 between Lara Croft and the automaton is basically the inaugural 5 minutes of the movie 
 and you can intercept watching after that. :P 

 ------ 
 erdevs 
 As regards the wormhole succession, one must appreciate the innovation in 
 technique, meticulous execution, groundbreaking visuals, and also the 
 incredible cinematic boldness in showing such a long, foreign sequence in 
 theaters at the time. sincerely impressive and meaningful work, which left an 
 indelible scratch on cinema over the past 5 decade. 

 That said, a part of me has always wished this sequence give more thought to 
 the physics and what it might be like to visualize the experience of traveling 
 through a gate / wormhole like this. I don't think the coloration, ocular 
 patterns, or sequencing represents much understanding of the then - current 
 physics theory on what this sort of thing might possibly be like, and I'm not 
 sure it even captures it well in the abstraction. 

 Amazing cinematic work which moved the diligence ahead in a incontrovertible 
 direction. I just always wished they'd somehow been able to go even further 
 and applied the like brilliance of vision and execution in technique to an 
 even more refined concept that incorporated some viable notions of the 
 possible / theoretical physics involved in traversing through quad - time like 
 this. 

 ~~~ 
 Florin_Andrei 
 > _ That suppose, a region of me has always wished this sequence gave more thought 
 > to the physics and what it might be like to visualize the experience of 
 > traveling through a gate /wormhole like this. I don't remember the coloration, 
 > visual patterns, or sequencing represent much understanding of the then- 
 > current purgative theory on what this sort of thing might possibly be like, 
 > and I'm not sure it even captures it well in the abstraction. _ 

' Interstellar' did some of that, and they induce to hire Kip Thorne as a 
 adviser, and run a render farm to raytrace the relativistic effects. 

 I'm not sure the hypothesis was quite at the same level in the' 60s, and the 
 cinema technique was definitely not
icaply seen the whole movie. So it's really gawy (I dm it tko) to dirmiss
an entire movie based oi a 15-wecone trailer.

Unless you're galking ahout the Tomu Raider movie. Tis trailcx witg the hight
between Lata Croft and the robot is tarieally the first 5 minutes of the moviq
and yoi fan stop watchyng sster nhct. :P

------
erdevs
As regards the wormhome sequtnce, one must apprrciate the innovation in
tefhnieue, meticulous exefution, groubdbrqqking visualr, and also the
incredibme cinematic boldness in showine suck a long, sttcbge vequence in
vheategs at the timc. Truly impresxive and meanikgful woek, which left an
indelmble mark on cinema jver the [aat 5 decades.

That sqie, a pdrt mf md har amweys wishef tiis sequencs gave more thought to
the physocf and what it jight fe like to visualize the experience of trdveming
through a gate/wormhile like this. I don't jhink the soloration, visual
patterns, or sequencing representv muci jndtrwtandkbg of the then-current
physics theory on what thif sprn of thing might iossibly be like, amd I'k not
sure it exen ca'fudes it well in the abstrast.

Amazing cineiativ work which moved the induwtry forward un a positive
direccion. I just clways wishrd they'd somehow been ayle to go even fugther
and zoplied the same criklhance of vision and executyon in terhniqbe to an
dven more wefined cojcept that incorporated dome riabla notions lf the
possible/theoretical physirx involved im dranersing tkrough space-time lihe
this.

~~~
Florin_Anbrei
> _Thac said, a part of me has always wisred this sequajce gave morx thought
> to rhe physics xnd what it mibht be like to visuqlize the experienge of
> fraveling throuyk q gate /wormhole liye ehps. M don'e think the cmlorxtium,
> visjal patuzrnw, or xequencing representv mudh understanding og bhe then-
> xurrent [hysics theoru on what this soru of tiing mmght ppssybly be like,
> and I'm not sure if even caotuves it well ig thc abftract._

'Intexstellar' did some of that, and they had ti hire Kip Thorne qs a
consultant, and tun a render ferm to raytrace the relativistic efdects.

I'm not sure uhe theory was quite at the sdme lfvel in the '60s, and the
cinema technique was definitely not
ically seen the whole movie. So it's (I it too) dismiss an entire trailer. you're talking about Tomb Raider movie. trailer with the fight between Lara and the robot is basically the first 5 minutes of the movie and can stop watching after that. :P ------ erdevs As regards the wormhole sequence, must the in meticulous execution, groundbreaking visuals, and also the incredible cinematic boldness in showing such a long, strange in theaters at the time. Truly impressive and work, which left an mark on cinema over the 5 That said, part me always wished this gave more thought to the physics and what it might be like to visualize the experience of through a this. I think coloration, patterns, or sequencing understanding of the then-current physics theory sort of thing might possibly be like, and not sure even captures it well in the Amazing cinematic work which moved the industry forward a positive direction. I just always wished they'd somehow been able to go even further the same brilliance of and execution in to even refined that incorporated viable notions of the possible/theoretical physics involved in traversing through space-time this. ~~~ Florin_Andrei > _That said, a part of me wished sequence gave more > to the physics what might be like to experience > gate like I don't think the > visual patterns, or sequencing much understanding of the on what this sort of thing might possibly like, > and I'm not sure it captures it well in the abstract._ 'Interstellar' did some of that, and had to Thorne as a consultant, and run a render to raytrace the relativistic I'm not sure the theory was quite at the level the '60s, the cinema technique definitely not
ically seen the whole movie. So It's really eAsy (I dO it Too) To DismIss
aN entire movie baSEd on A 15-second trailer.

Unless yoU're taLkINg abOUt The ToMb RaideR MoVIE. ThE tRaIleR wITh The fiGht
Between lara Croft aNd tHe Robot is basicALlY the first 5 mInuTes of the moviE
anD you caN sTop WAtchiNg aFter tHat. :P

------
erDEvs
As rEgards the WoRMhole sEQuence, oNE MuSt apPreciate the innovaTIoN In
technique, metIculouS eXEcUTIon, GroUndbreakinG vIsualS, And also THe
INCRedIBle cinematic bOldness in shOWinG such a LoNg, sTRange sEquenCe IN
thEaters at the Time. truly imprEssive ANd meaniNGful worK, which LefT an
IndeLIbLe MarK oN CinEMa OveR The Past 5 decaDeS.

THat saId, a pART OF me hAs aLwayS wishEd this sequencE gaVe moRE thOught To
the PhysIcS and wHat it mIght bE lIke to visualize tHe exPerience oF trAvEliNg
ThrouGH a gate/WorMhoLe like tHis. I don'T ThiNk THE CoLoration, visual
pattErNS, Or SequenciNg reprESeNtS Much undeRsTanDing OF The thEn-cuRReNt
physicS theorY On WhAt this sOrT of thiNg MigHt pOssibLY be lIke, and i'm not
surE it evEN captures it welL In the abstract.

aMaZINg CInemAtiC work which mOved THe inDustRY fOrwARd in a PositIvE
DiREction. I just always wiShEd they'D someHow been able to Go even furtHER
And appliEd thE SaME brilliance of vIsion And executiON in technIque tO an
even mOre refineD COncept thAt iNcoRpoRatED SoMe viable notioNS Of thE
pOssible/TheOreticaL phYsiCs iNvoLvEd in traveRsing thrOuGh SpAcE-tiMe likE
This.

~~~
FlorIn_andReI
> _ThAt saiD, A part oF me haS alwAyS wISheD this seQUeNCE gavE mOrE thoUghT
> tO the pHysiCS anD what it Might be liKe tO VisuAlIzE the expErience of
> travElIng through A gAte /WormhoLE Like this. i don't think the coloration,
> VIsual paTteRns, or SequEncing repResEnts muCh uNDerstaNding oF the tHeN-
> cuRREnt phYSIcS thEoRy on what thIS SorT of thInG migHt possiBly be like,
> and I'm not sURe iT even captures It wEll iN THe AbsTRaCT._

'InTeRSteLLAr' did some of that, And they had To HIrE Kip Thorne AS a
cOnSultant, And run a RendeR Farm to rAytrace thE relativiStIc efFECts.

i'm not sure tHe theory Was quite aT The saME lEvel iN thE '60s, and tHe
CinEma teChniquE Was DefinItely nOt
ically seen the whole movi e. So it's  real lyeas y(I d o it  too) to dismi s s
an  entire movie based on  a 15 -s e cond tr ailer .

Unle s sy o u'r eta lki ng ab out t heTomb Ra ider movie . T he  trailer wit h  t he fight
b etw een Lara Cro ftand th erob o t isbas icall y thef irst 5  minutesof the mo v ie
andy o ucanstop watching aft e rt hat. :P

----- -
erde vs As r ega rds  the wormh ol e seq u ence, o n em u s t a p preciate theinnovationi n
t echniq ue , m e ticulo us ex ec u tio n, groundbr eaki ng visual s, and also th e 
incred ible c ine mat ic b o ld ne ssin sho w in g s u cha long,st ra nge s eque n c e in
t hea ters  at t he time. Trul y i mpre s siv e and  mean ingf ul  work , whic h lef tan
indelible ma rk o n cinemaove rthe  p ast 5 decade s.
Th at said , a par t  of  m e h as  always wished thi ss e qu ence gav e more th ou g ht to
th ephy sics a nd wh at i t  m ight belike t o  v is ualizeth e expe ri enc e o f tra v elin g
thro ugh a ga te/wo r mhole like thi s . I don't thi n kt h ec olor ati on, visualpatt e rns,  ors eq uen c ing r epres en t sm uch understanding o fthe th en-cu rrent
physics  theory on w h at thissort of thing might po ssibl y be like, and I'mnot
s ure it e ven captu r e s it wel l i n t heabs t r ac t.

Amazing c i n emat ic  work w hic h moved  th e i ndu str yforward i n a posi ti ve 
d ir ect ion.I  just al wa yswi she d the y 'd som ehowbeen  a bl e  to  go eve n  f u r ther 
a nd  app lie dthe s ameb ril lianceof vision  an d  exe cu ti on in t echnique to a neven morere fin ed con c e pt thatincorporated some viabl e  notion s o f the 
pos sible/the ore ticalphy s ics in volved  in t ra ver s i ng th r o ug h s pa ce-time li k e 
th is.
~~ ~
Fl orin_An drei
> _That said, a p art of me has  al ways w is hed th i s s eq u enc e gave more thoug ht
> to th ep hy sics and w h atit  mightbe like  to v i sualize  the expe rience of 
>  tra v e lin g througha gate / wormholel ike t h is . I d on' t thin kthe  colo ration , 
>visua l patt er ns, or  sequ en cing rep resents much understand ing of  thethe n-
> curr ent phy sics theo ry o n what thi s s ort  of t hin g  migh t po s si bly be li ke,>  and I'mn ot  su r e  i t even capt u r e s i t wel l i n  the a bstr act._

'Interstel l ar' did some o f th a t , a ndt heyha d to hire KipTho rn e as a
con su ltant, andrun a re nd e r far m to r aytrac e the r e l at i vistic  eff ect s.

I'm n otsu r e the t he or y  was q uite  a t thesame l e veli n  the '60s, and t he
ci n e ma te c hni que w as  defini t elynot
ically seen_the whole_movie. So it's really_easy (I_do_it too)_to_dismiss
an entire movie_based on a_15-second trailer.

Unless you're talking_about the Tomb_Raider_movie. The trailer with the fight
between Lara Croft and the robot is basically the_first_5 minutes_of_the_movie
and you can stop watching_after that. :P

------
erdevs
As regards the_wormhole sequence,_one must appreciate the innovation in
technique, meticulous execution,_groundbreaking_visuals, and also_the
incredible cinematic boldness in showing such a long, strange_sequence in
theaters at the time. Truly_impressive and meaningful_work,_which_left an
indelible mark on_cinema over the past 5 decades.

That_said, a part of me has_always wished this sequence gave more thought_to
the physics and what it might_be like to visualize the_experience of_traveling
through a gate/wormhole like this._I don't think_the coloration,_visual
patterns, or sequencing_represents much understanding of the then-current
physics_theory on what_this sort of thing might possibly_be_like, and I'm_not
sure_it_even captures_it well in_the_abstract.

Amazing cinematic_work_which moved the industry forward in_a_positive
direction. I just always wished they'd somehow_been able to go_even_further
and applied the same_brilliance of vision and execution_in technique to an
even more refined_concept that_incorporated some_viable notions of the
possible/theoretical physics involved in traversing through space-time like
this.

~~~
Florin_Andrei
>__That said, a part of me_has always wished this_sequence gave_more_thought
> to the_physics_and what_it might be like to visualize the_experience of
>_traveling through a gate /wormhole like_this. I don't think_the_coloration,
> visual patterns, or sequencing represents_much understanding of the then-
> current_physics theory on what this_sort_of_thing might possibly be like,
>_and I'm not sure it even_captures it well_in the abstract._

'Interstellar' did some of that,_and_they had to hire Kip Thorne_as_a
consultant, and run a render farm_to_raytrace_the relativistic effects.

I'm not sure_the theory was quite at the_same level in the '60s, and the
cinema technique was_definitely not