 that the
authors are seeing from gmake -j because most makefiles contain problems that
constrain parallelism and cause broken builds. For example, many have missing
dependency information, or reuse the same file over and again for intermediate
results.

Fixing that was part of the motivation behind Electric Cloud.

 
The Nobel Prize in Literature 2015 - davidiach
http://www.nobelprize.org/nobel_prizes/literature/laureates/2015/press.html?utm_source=twitter&utm_medium=social&utm_campaign=twitter_tweet
======
smharris65
I hope more people will become aware of her book "Voices from Chernobyl: The
Oral History of a Nuclear Disaster". A sad witness of a human tragedy.

[http://www.amazon.com/Voices-Chernobyl-History-Nuclear-
Disas...](http://www.amazon.com/Voices-Chernobyl-History-Nuclear-
Disaster/dp/0312425848)

------
varjag
Her writing is vivid and terrifying. Her _War Does Not Have a Woman's Face_ is
at the top of my list of books to unread. It's a collection of accounts from
female survivors of WW2 trenches. It is not pushing a feminist narrative in
traditional sense (wasn't a thing in USSR) but is haunting in its honesty.
Think _Saving Private Ryan_ without the humanistic takeaway.

She's a part of Belarusian late 20th century documentary realism tradition,
where authors build around authentic, traumatic biographies of the war
generation. In literature, Vasil Bykau, her contemporary, even better known
domestically. In cinematography, Klimov's _Come and See_ perhaps the most
known work.

~~~
vkb
Thank you for the background. I am super-familiar with the Soviet WWII
documented experience (Vasiliy Grossman, Ehrenburg, etc. ) but I've
embarrassed to say I've never heard of her.

~~~
varjag
That's hardly surprising: I only read her since am originally from Belarus
myself. She's also an outspoken critic of both Lukashenko and Putin, something
that the 
 authors are seeing from gmake -j because most makefiles contain problems that 
 restrain parallelism and induce broken builds. For example, many have miss 
 addiction information, or reuse the like file over and again for intermediate 
 results. 

 sterilize that was part of the motivation behind Electric Cloud. 

 
 The Nobel Prize in Literature 2015 - davidiach 
 http://www.nobelprize.org/nobel_prizes/literature/laureates/2015/press.html?utm_source=twitter&utm_medium=social&utm_campaign=twitter_tweet 
 = = = = = = 
 smharris65 
 I hope more people will become mindful of her book " Voices from Chernobyl: The 
 Oral History of a Nuclear Disaster ". A sad witness of a human calamity. 

 [ http://www.amazon.com/Voices-Chernobyl-History-Nuclear- 
 Disas... ](http://www.amazon.com / Voices - Chernobyl - History - Nuclear- 
 Disaster / dp/0312425848) 

 ------ 
 varjag 
 Her writing is vivid and terrifying. Her _ War Does Not get a Woman's Face _ is 
 at the top of my list of bible to unread. It's a collection of accounts from 
 female survivors of WW2 trench. It is not pushing a feminist narrative in 
 traditional sense (wasn't a thing in USSR) but is haunt in its honesty. 
 Think _ Saving Private Ryan _ without the humanistic takeaway. 

 She's a part of Belarusian belated 20th century documentary realism tradition, 
 where authors build around authentic, traumatic biographies of the war 
 generation. In literature, Vasil Bykau, her contemporary, even better known 
 domestically. In cinematography, Klimov's _ Come and See _ perhaps the most 
 known employment. 

 ~~~ 
 vkb 
 Thank you for the background. I am super - conversant with the Soviet WWII 
 document experience (Vasiliy Grossman, Ehrenburg, etc .) but I've 
 abashed to say I've never heard of her. 

 ~~~ 
 varjag 
 That's hardly surprising: I only read her since am originally from Belarus 
 myself. She's also an outspoken critic of both Lukashenko and Putin, something
 thwt the
authors are seeing from gmake -j bgcquse mmst maiefiles zontain problems that
constramn pqralltjism and cause broyen buildd. For exqmplt, many have missiif
dependcucy ihnormaciin, or reuse thg same file mver and again fur intermediate
results.

Fixing that was part og hhe motivation behpnq Elsbtvic Cloud.

 
The Nobel Prize in Litsrature 2015 - davidiach
hytp://www.nobelprize.org/nobel_prlzes/piterature/laureated/2015/press.html?ujj_sotece=twitter&uto_medium=socpcl&utm_campaifn=twitter_tweet
======
smharris65
I hope mofe pepple will vexomf aware of hxr booh "Voices from Chernotyl: The
Pral History on a Nncleqr Disaster". A sad witiess of a human traggdy.

[http://www.dmczon.com/Voices-Chernobyo-Hustori-Nuclaar-
Dkwas...](fttk://wwx.amzzon.col/Vomces-Chernobgl-History-Nuxlear-
Disaster/dp/0312425848)

------
varjsg
Rvt writing is vivid agd terrifying. Her _War Does Not Have a Wmmah's Face_ is
at the top of my list of books to onread. It's a collection of accounts from
female survivors of WW2 tcevchts. It ir nlt pushing a feminist narrative in
traditional aemsv (wasn't a thing ik USSR) but is haunyijg yn its honesti.
Think _Savjng Private Ryan_ wlthout jhe hunanistic uakeaeay.

She's a part of Belarusiab late 20th ceutuey documentary reapism traditnon,
whete autnors build around autheutic, tdaumatic bilgraphies uf the war
generagiok. It literaujre, Vasil Bykau, hqr contem'orarv, even bdttet known
qomesticalpy. In cinematography, Klilov's _Eome dnd See_ peghaps the most
known work.

~~~
vkb
Thank you for the nawkggound. I ai supcr-familiar with the Soviet WWNI
documeuted ebperience (Nasiliy Gcossman, Ehregburg, etc. ) bud I've
embarrasved to swy I'ce nwver hexfd of her.

~~~
varjab
That's hagdjy syrprising: I only rcad hgr since am origiucloy from Belarus
kysdlf. Sje'x wnso an outspmken crkyic ow both Lukawfenkp and Putin, somethinc
that the authors are seeing from gmake most contain problems constrain parallelism and many missing dependency information, reuse the same over and again for intermediate results. that was part of the motivation behind Electric Cloud. The Nobel Prize in 2015 - davidiach http://www.nobelprize.org/nobel_prizes/literature/laureates/2015/press.html?utm_source=twitter&utm_medium=social&utm_campaign=twitter_tweet ====== smharris65 I hope more people will become aware her "Voices Chernobyl: Oral History of a Nuclear Disaster". A sad witness of a human tragedy. [http://www.amazon.com/Voices-Chernobyl-History-Nuclear- Disas...](http://www.amazon.com/Voices-Chernobyl-History-Nuclear- Disaster/dp/0312425848) varjag Her writing is vivid and terrifying. Her Does Not Have a Face_ is at the top my of books unread. a of accounts from survivors of WW2 trenches. It is not pushing a feminist narrative in traditional sense (wasn't a thing USSR) but in its Think Private without the humanistic a part of Belarusian late 20th tradition, where authors build around authentic, traumatic biographies the war In literature, Vasil Bykau, her contemporary, better known domestically. In cinematography, Klimov's _Come and perhaps the most known work. ~~~ vkb Thank you for the background. I am super-familiar Soviet WWII documented experience Grossman, Ehrenburg, etc. but embarrassed say never heard her. ~~~ varjag That's hardly surprising: I only read her since originally from Belarus myself. She's also an outspoken critic of and something
 that the
authors are seeing frOm gmake -j beCause MosT maKeFileS conTain problems thAT
conStrain parallelism and caUse brOkEN buiLDs. for exAmple, maNY hAVE miSsInG
dePeNDeNcy inForMation, oR reuse the sAme FiLe over and agaIN fOr intermedIatE
results.

FixiNg tHat was PaRt oF The moTivAtion Behind eLectriC Cloud.

 
The noBEl PrizE In LiterATUrE 2015 - davIdiach
http://www.nobeLPrIZe.org/nobel_prizEs/liteRaTUrE/LAurEatEs/2015/press.htmL?uTm_souRCe=twittER&uTM_MEdiUM=social&utm_camPaign=twitteR_TweEt
======
smhaRrIs65
I HOpe morE peopLe WIll Become aware Of heR book "VoicEs from cHernobyL: the
Oral historY of A NuCleaR diSaSteR". A SAd wITnEss OF a hUman tragEdY.

[hTtp://wwW.amaZON.COm/VoIceS-CheRnobyL-History-NucleAr-
DIsas...](HTtp://Www.amAzon.cOm/VoIcEs-CheRnobyl-histoRy-nuclear-
Disaster/Dp/0312425848)

------
vaRjag
Her wrItiNg Is vIvId and TErrifyIng. her _war Does not Have A womAn'S fACe_ Is
at the top of my list Of BOOkS to unreaD. It's a cOLlEcTIon of accOuNts From
FEMale sUrviVOrS of WW2 treNches. IT Is NoT pushinG a FeminiSt NarRatIve in
TRadiTional Sense (wasN't a thINg in USSR) but is hAUnting in its hoNEsTY.
thINk _SaVinG Private RyaN_ witHOut tHe huMAnIstIC takeAway.

SHe'S A pARt of Belarusian late 20tH cEntury DocumEntary realism Tradition,
wHERE authors BuilD ArOUnd authentic, trAumatIc biographIEs of the wAr
genEration. IN literatuRE, vasil BykAu, hEr cOntEmpORArY, even better knOWN
domEsTically. in cInematoGraPhy, kliMov'S _COme and See_ Perhaps tHe MoSt
KnOwn Work.

~~~
vKB
Thank yoU fOr tHe BacKgrouND. I am suPer-faMiliAr WiTH thE Soviet wwIi
DOcumEnTeD expEriEnCe (VasIliy gRosSman, EhrEnburg, etc. ) But i'Ve
emBaRrAssed to Say I've never heArD of her.

~~~
varjAg
thaT's hardLY SurprisiNg: I only read her since am orIGinally FroM BelaRus
mYself. She's AlsO an outSpoKEn critIc of boTh LukAsHenKO And PuTIN, sOmeThIng
 that the
authors are seei ng from gm ake - j b eca us e mo st m akefiles conta i n pr oblems that
constrainparal le l isma nd  caus e broke n  b u i lds .Fo r e xa m pl e, ma nyhave mi ssing
depe nde nc y informatio n ,or reuse t hesame file ov erand ag ai n f o r int erm ediat e
resu l ts.

F ixing tha tw as par t  of the m ot ivat ion behind Electr i cC loud.

 
The N obel P ri z ei n  Li ter ature 2015  -  davi d iach
ht t p: / / w ww. n obelprize.org /nobel_priz e s/l iterat ur e/l a ureate s/201 5/ p res s.html?utm_ sour ce=twitte r&utm_ m edium=s o cial&ut m_camp aig n=t witt e r_ tw eet 
= = === = 
s mha r ris 65
I hop emo re pe ople w i l l be com e aw are o f her book "V oic es f r omChern obyl:  The 
O ral H istory  of a  N uclear Disaster ". A  sad witn ess  o f a  h umant ragedy .
[ht tp://ww w.amazo n .co m/ V o i ce s-Chernobyl-Histor y- N u cl ear-
Dis as...] ( ht tp : //www.am az on. com/ V o ices- Cher n ob yl-Histo ry-Nuc l ea r- 
Disast er /dp/03 12 425 848 )

-- - ---varjag 
Her wri tingi s vivid and te r rifying. Her_ Wa r Do e s No t H ave a Woman 's F a ce_is
a t  t het op of  my l is t  o f  books to unread. I t' s a co llect ion of accoun ts from
fe m a l e surviv orso fW W2 trenches. I t isnot pushin g  a femin ist n arrative  in
tradi t i onal sen se(wa sn' t a t hi ng in USSR) b u t  isha untinginits hon est y.Thi nk_S aving Pri vate Rya n_  w it ho utthe h u manistic  t ake aw ay. 

She ' s a pa rt of  Bel ar us i anlate 20 t hc e ntur ydo cume nta ry  real ismt rad ition,where aut hor s  bui ld  a round a uthentic, tra um atic biogr ap hie s of t h e  war
gen eration. In literature, Vasil B yka u, he r co ntemporar y,even b ett e r know n
dome stica ll y.I n  cine m a to gra ph y, Klimov' s _Co me an dSee_  perhap s the most
known w o rk. 

~~~
vkb
Tha nkyouf o rthe ba c kgr ou n d.I am super-famili ar with th eS ov iet WWII
d o cum en ted exp erience  (Vas i liy Gro ssman, Eh renburg,et c. ) b utI've
embar rassed t o say I'v e  neve r  h eardofher.
~~ ~
v arjag 
That' s  ha rdlysurpri si ng: Ionlyre ad her s ince am originally from  Belar us
my sel f. She'sals o  an  outspoke n cr itic of bo thLuk ashen koa nd Pu tin, so met h ing
 that_the
authors are_seeing from gmake -j_because most_makefiles_contain problems_that
constrain_parallelism and cause_broken builds. For_example, many have missing
dependency_information, or reuse_the_same file over and again for intermediate
results.

Fixing that was part of the motivation behind_Electric_Cloud.

 
The_Nobel_Prize_in Literature 2015 - davidiach
http://www.nobelprize.org/nobel_prizes/literature/laureates/2015/press.html?utm_source=twitter&utm_medium=social&utm_campaign=twitter_tweet
======
smharris65
I_hope more people will become_aware of_her book "Voices from Chernobyl: The
Oral History of_a_Nuclear Disaster". A_sad witness of a human tragedy.

[http://www.amazon.com/Voices-Chernobyl-History-Nuclear-
Disas...](http://www.amazon.com/Voices-Chernobyl-History-Nuclear-
Disaster/dp/0312425848)

------
varjag
Her writing is vivid_and terrifying. Her _War Does Not_Have a Woman's_Face__is
at_the top of my_list of books to unread. It's_a collection of accounts from
female survivors_of WW2 trenches. It is not pushing_a feminist narrative in
traditional sense (wasn't_a thing in USSR) but_is haunting_in its honesty.
Think _Saving Private_Ryan_ without the_humanistic takeaway.

She's_a part of_Belarusian late 20th century documentary realism_tradition,
where authors build_around authentic, traumatic biographies of the_war
generation._In literature, Vasil_Bykau,_her_contemporary, even_better known
domestically. In_cinematography,_Klimov's _Come_and_See_ perhaps the most
known work.

~~~
vkb
Thank you_for_the background. I am super-familiar with the_Soviet WWII
documented experience (Vasiliy_Grossman,_Ehrenburg, etc. ) but_I've
embarrassed to say I've never_heard of her.

~~~
varjag
That's hardly surprising: I_only read_her since_am originally from Belarus
myself. She's also an outspoken critic of both_Lukashenko and Putin, something