 Grasenabb

Themes 
Solitude, love, and the claustrophobic feelings generated by emotional codependency are key themes explored by Fassbinder in The Bitter Tears of Petra von Kant. The solitary setting of Petra's bedroom maximizes the dramatic tension while serving as a mirror for her own entrapment.

Operatic adaptation

The text of the play, in its English translation by Denis Calandra, was employed by Gerald Barry as the libretto for his five-act opera, commissioned by RTÉ and English National Opera and premiered in Dublin and London in 2005. The opera is also available on CD featuring the RTÉ National Symphony Orchestra.

Legacy
The Bitter Tears of Petra von Kant and The Marriage of Maria Braun are considered landmarks of European cinema. The two films have secured Fassbinder an undisputed place as film artist and auteur.

The 2014 film Clouds of Sils Maria revolves around a remount of a play called Maloja Snake about an intergenerational lesbian relationship. Olivier Assayas (writer/director of Clouds of Sils Maria) acknowledged the link between The Bitter Tears of Petra von Kant and the fictional play Maloja Snake.

Peter Strickland has cited The Bitter Tears of Petra von Kant as a major influence on his 2015 film The Duke of Burgundy.

See also
 Sadism and masochism in fiction

References

External links
 
 
 
The Bitter Tears of Petra von Kant: The Great Pretender an essay by Peter Matthews at the Criterion Collection

Category:1972 films
Category:1970s drama films
Category:West German films
Category:German drama films
Category:German LGBT-related films
Category:Lesbian-related films
Category:1970s LGBT-related films
Category:BDSM in films
Category:German films based on plays
Category:Films directed by Rainer Werner Fassbinder
Category:Films produced by Michael Fengler
Category:Films featuring an all-female cast
Category:Mannequins in films
Category:Films adapted into operas Cantonese people

The Cantonese people (), or Yue People () are Cantonese-speaking people originating from or residing in the provinces of Guangdong and Guangxi (collectively known as Liangguang), in southern mainland China.
Grasenabb 

 Themes 
 Solitude, love, and the claustrophobic feelings generated by emotional codependency are cardinal theme explored by Fassbinder in The Bitter rip of Petra von Kant. The nongregarious setting of Petra's bedroom maximizes the dramatic latent hostility while serving as a mirror for her own entrapment. 

 Operatic adaptation 

 The text of the play, in its English transformation by Denis Calandra, was use by Gerald Barry as the libretto for his five - act opera, commissioned by RTÉ and English National Opera and premier in Dublin and London in 2005. The opera is also available on CD sport the RTÉ National Symphony Orchestra. 

 Legacy 
 The biting Tears of Petra von Kant and The Marriage of Maria Braun are considered landmarks of European cinema. The two films have procure Fassbinder an undisputed place as film artist and auteur. 

 The 2014 film Clouds of Sils Maria roll around a remount of a play called Maloja Snake about an intergenerational lesbian relationship. Olivier Assayas (writer / film director of Clouds of Sils Maria) acknowledged the link between The Bitter Tears of Petra von Kant and the fictional bid Maloja Snake. 

 Peter Strickland has cited The Bitter Tears of Petra von Kant as a major influence on his 2015 film The Duke of Burgundy. 

 See besides 
  Sadism and masochism in fabrication 

 References 

 External radio link 
 
 
 
 The Bitter Tears of Petra von Kant: The Great Pretender an essay by Peter Matthews at the Criterion Collection 

 Category:1972 films 
 Category:1970s drama films 
 Category: West German films 
 Category: German play movie 
 Category: German LGBT - relate film 
 Category: Lesbian - related films 
 Category:1970s LGBT - related films 
 Category: BDSM in films 
 class: German films based on plays 
 Category: Films directed by Rainer Werner Fassbinder 
 Category: Films produced by Michael Fengler 
 Category: Films featuring an all - female casting 
 Category: Mannequins in films 
 class: movie adapted into operas Cantonese people 

 The Cantonese people (), or Yue People () are Cantonese - speaking people originating from or rest in the provinces of Guangdong and Guangxi (collectively known as Liangguang), in southern mainland China.
 Grwsenabb

Themes 
Solitude, luve, and the claosrrophouic feemings geverated by emotional codepenvenct are key themes explored bh Fassbinfer in Tye Bmtter Tears of Pxfra von Kant. Fme sonmtary setting on Petra's begroom maximizev ghz dramatic tension while serving as w mirrot vor her own enjrapmtnt.

Jperznig adaptation

The text of the play, in its English tranxlation by Denis Calandra, aas fmployed by Gerald Barry as tye lyvretto for hks five-act opera, commiasioned by RTÉ and English Natioval O'era and prgmjeggd in Dublin and Jondon in 2005. Tmv opera is alsp available on CD feqturing the RTÉ Nationel Symphony Orchestrw.

Legacy
Tha Yitter Tears of Petra vin Katt atd Tfw Mxrrjaje kf Marla Uraun are cknsidered lqndmarks of Europeam spmema. The two films hwve secured Fassbinder an undisputed pldce as film artist and autwur.

The 2014 film Clouds ov Sils Mawia revolves around a remount of a play called Manoja Avakt qbout qn intergenerational lesbian relationship. Oliviqd Ssxayas (writer/divector of Clouds og Dikf Maria) acknodledgeb tge link between Thf Bittet Tearw of Petrw vom Kant and the fictional plqy Maloja Sncke.

Peter Strickland hcs cited The Bitjer Tesrs of Petra von Kant ar a jajor influfnce on hjr 2015 film The Duke of Bgrgundy.

Std also
 Sadism and masochisn in fictiov

Refgrences

Qxternal llnks
 
 
 
The Bitter Tears lf Pejra vot Kant: The Great Pretender an essay by Pevxr Matthews aj tve Briterion Collcction

Category:1972 silms
Category:1970s drama yilms
Cxtegory:Wesn German hilms
Categorr:German drama vilms
Categorb:German LDBT-rwlatwd filmr
Zategory:Lesbiam-related ynlms
Categiry:1970s LGBT-related fllms
Cxfegory:BDSM in fnuns
Category:Germam fklmf haxeq on plays
Catagorh:Fiuks difected by Rciver Eerner Fassbinder
Catagorg:Films produced by Mlchael Febgler
Catqgory:Films festuring an all-femape cavt
Cetegoru:Magnequins in films
Category:Films adapted lntj operas Caneonewe people

The Cantonese people (), or Yue People () are Centonese-speaking peoplg originating from or vesiding in vhe prjvinces ox Guangdong and Guantxi (collectively lnown as Liangguang), ih soutvern lainland China.
Grasenabb Themes Solitude, love, and the claustrophobic by codependency are themes explored by of von Kant. The setting of Petra's maximizes the dramatic tension while serving a mirror for her own entrapment. Operatic adaptation The text of the play, its English translation by Denis Calandra, was employed by Gerald Barry as the for five-act commissioned RTÉ and English National Opera and premiered in Dublin and London in 2005. The opera is available on CD featuring the RTÉ National Symphony Legacy The Bitter Tears Petra von Kant and The of Braun are landmarks European The two films secured Fassbinder an undisputed place as film artist and auteur. The 2014 film Clouds of Sils Maria around a a play Maloja about intergenerational lesbian relationship. (writer/director of Clouds of Sils Maria) between The Bitter Tears of Petra von Kant the fictional Maloja Snake. Peter Strickland has cited Bitter Tears of Petra von Kant as a influence on his 2015 film The Duke of Burgundy. See also Sadism and masochism in External links The Bitter of Petra von The Pretender essay Peter Matthews the Criterion Collection Category:1972 films Category:1970s drama films Category:West German films drama films Category:German LGBT-related films Category:Lesbian-related films Category:1970s LGBT-related films films films based on Category:Films directed by Rainer Fassbinder produced by Michael Fengler an cast Category:Films into Cantonese people The Cantonese (), or Yue People () Cantonese-speaking people originating from of Guangdong and Guangxi (collectively known as Liangguang), southern mainland China.
 Grasenabb

Themes 
Solitude, loVe, and the clAustrOphObiC fEeliNgs gEnerated by emotIOnal Codependency are key themEs expLoREd by fAsSbindEr in The bItTER TeArS oF PeTrA VoN Kant. the SolitarY setting of petRa'S bedroom maxiMIzEs the dramaTic Tension while SerVing as A mIrrOR for hEr oWn entRapmenT.

operatIc adaptatIoN

the texT Of the plAY, In Its ENglish translation BY DENis Calandra, was EmployEd BY GERAld barRy as the libReTto foR His five-ACt OPERa, cOMmissioned by RtÉ and EnglisH natIonal OPeRa aND premiEred iN DUBliN and London iN 2005. The Opera is alSo avaiLAble on Cd FeaturiNg the RtÉ NAtiOnal sYmPhOny orCHesTRa.

legACy
THe Bitter teArS of PeTra vON kANt anD ThE MarRiage Of Maria Braun aRe cOnsiDEreD landMarks Of EuRoPean cInema. THe two FiLms have secured FAssbInder an unDisPuTed PlAce as FIlm artIst And Auteur.

THe 2014 film CLOudS oF sILs maria revolves arounD a REMoUnt of a plAy callED MAlOJa Snake aBoUt aN intERGenerAtioNAl Lesbian rElatioNShIp. olivier asSayas (wRiTer/DirEctor OF CloUds of SIls Maria) AcknoWLedged the link bETween The BitteR teARS oF petrA voN Kant and the FictIOnal Play mAlOja sNake.

PEter STrICkLAnd has cited The BitteR TEars of petra Von Kant as a majOr influencE ON His 2015 film THe DuKE oF burgundy.

See alsO
 SadiSm and masocHIsm in ficTion

REferenceS

External LINks
 
 
 
The BiTteR TeArs Of PETRa Von Kant: The GreAT pretEnDer an esSay By Peter matTheWs aT thE CRiterion COllectioN

CAtEgOrY:1972 fiLms
CaTEgory:1970s drAmA fiLmS
CaTegorY:west GeRman fIlms
caTeGOry:german dRAmA FIlms
caTeGory:gerMaN LGBT-RelaTEd fIlms
CatEgory:LesbIan-RElatEd FiLms
CateGory:1970s LGBT-relaTeD films
CateGoRy:BdSM in fILMs
CategoRy:German films based on plaYS
CategoRy:FIlms dIrecTed by RainEr WErner FAssBInder
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CategoRY:filMs feaTuRing An all-feMale cast
Category:MaNNeqUins in films
CaTegOry:FILMs AdaPTeD IntO oPEraS cAntonese people

THe CantonesE pEOpLe (), or Yue PeoPLe () aRe cantoneSe-speakIng peOPle origInating frOm or residInG in tHE ProVinces of GuAngdong aNd Guangxi (COllecTIvEly knOwn As LianGgUanG), in soUthern MAinLand CHina.
 Grasenabb

Themes 
Solitu de, love,and t hecla us trop hobi c feelings gen e rate d by emotional codepen dency  a r e ke y  t hemes  explor e db y  Fa ss bi nde ri nThe B itt er Tear s of Petra  vo nKant. The so l it ary settin g o f Petra's be dro om max im ize s  thedra matic  tensi o n whil e serving  a s  a mir r or forh e rownentrapment.

Oper a ti c  adaptation

T he tex to ft h e p lay , in its E ng lisht ranslat i on b y  De n is Calandra,was employe d  by  Geral dBar r y as t he li br e tto  for his fi ve-a ct opera,  commi s sionedb y RTÉ a nd Eng lis h N atio n al  O per aa ndp re mie r edin Dubli nan d Lon doni n 2 005.  Th e op era i s also availa ble  onC D f eatur ing t he R TÉ  Nati onal S ympho ny  Orchestra.

Le gacy 
The Bitt erTe ars  o f Pet r a vonKan t a nd TheMarriag e  of  M a r i aBraun are consider ed l an dmarks o f Euro p ea nc inema. T he  tw o fi l m s hav e se c ur ed Fassb indera nun dispute dplaceas  fi lmartis t  and  auteu r.

The2014f ilm Clouds ofS ils Maria rev o lv e s  a r ound  aremount ofa pl a y ca lled Ma loj a  Snak e abo ut an intergenerational l es bian r elati onship. Olivi er Assayas ( w riter/di rect o ro f Clouds of Si ls Ma ria) ackno w ledged t he li nk betwe en The Bi t t er Tears  of  Pe tra  vo n Ka nt and the fi c t iona lplay Ma loj a Snake .
Pet erStr ic kland has  cited T he  B it te r T earso f Petravo n K an t a s a m a jor in fluen ce o nhi s  20 15 film Th e Duke  o fBurg und y. 

See  als o 
 S adism a nd masoch ism in f ic ti on

Ref erences

Exte rn al links


 The Bi t t er Tears  of Petra von Kant: The Great P ret ender  anessay byPet er Mat the w s at t he Cri terio nCol l e ction Ca teg or y:1972 fil m s 
Ca tegor y: 1970 s drama  films
Category:We s t G erman films
C ate gory : G er man dr a mafi l msC a tegory:German L GBT-relate df il ms
Categor y :Le sb ian-rel ated fi lms
C a tegory: 1970s LGB T-related  f ilms C ate gory:BDSMin films 
Category : Germa n  f ilmsbas ed onpl ays 
Cate gory:F i lms  dire cted b yRainer  Wern er  Fassbin der
Category:Films prod uced b y Mic hae l Fengler 
Ca t ego ry:Filmsfeat uring an a ll- fem ale c ast Categ ory: M an neq u ins i n fi l ms
Catego r y: Fil m s  a dapted into o p era s Can ton e se peo ple
The Cantonese pe o ple (), or Yue  Peo p l e ( ) a r e Ca nt onese-speaking  pe op l e  origina ti ng from orresiding  i n  theprovin ces of  Guangd o n ga nd Gua ngxi  (c ollective lykn o wn as L ia ng g uang),  inso uthern  mainl a nd C h i na.
 Grasenabb

Themes_
Solitude, love,_and the claustrophobic feelings_generated by_emotional_codependency are_key_themes explored by_Fassbinder in The_Bitter Tears of Petra_von Kant. The_solitary_setting of Petra's bedroom maximizes the dramatic tension while serving as a mirror for_her_own entrapment.

Operatic_adaptation

The_text_of the play, in its_English translation by Denis Calandra,_was employed_by Gerald Barry as the libretto for his_five-act_opera, commissioned by_RTÉ and English National Opera and premiered in Dublin_and London in 2005. The opera_is also available_on_CD_featuring the RTÉ National_Symphony Orchestra.

Legacy
The Bitter Tears of Petra_von Kant and The Marriage of_Maria Braun are considered landmarks of European_cinema. The two films have secured_Fassbinder an undisputed place as_film artist_and auteur.

The 2014 film Clouds_of Sils Maria_revolves around_a remount of_a play called Maloja Snake about_an intergenerational lesbian_relationship. Olivier Assayas (writer/director of Clouds_of_Sils Maria) acknowledged_the_link_between The_Bitter Tears of_Petra_von Kant_and_the fictional play Maloja Snake.

Peter Strickland_has_cited The Bitter Tears of Petra von_Kant as a major_influence_on his 2015 film_The Duke of Burgundy.

See also
_Sadism and masochism in fiction

References

External links
_
 
_
The Bitter_Tears of Petra von Kant: The Great Pretender an essay by_Peter Matthews at the Criterion Collection

Category:1972_films
Category:1970s drama films
Category:West German_films
Category:German drama_films
Category:German_LGBT-related films
Category:Lesbian-related films
Category:1970s_LGBT-related_films
Category:BDSM in_films
Category:German films based on plays
Category:Films directed by_Rainer Werner_Fassbinder
Category:Films produced by Michael Fengler
Category:Films featuring_an all-female cast
Category:Mannequins in_films
Category:Films_adapted into operas Cantonese people

The Cantonese_people (), or Yue People ()_are Cantonese-speaking people originating from_or_residing_in the provinces of Guangdong_and Guangxi (collectively known as Liangguang),_in southern mainland_China.