 corresponds to the Anatolian Seljuq Period (1243–1302). Rows of horned quadrupeds placed opposite to each other, or birds beside a tree can be recognized on some of these fragments.

A traditional Chinese motif, the fight between phoenix and dragon, is seen in an Anatolian carpet now displayed at the Pergamon Museum, Berlin, and radiocarbon dated to the mid 15th century. The Chinese motif was probably introduced into Islamic art by the Mongols during the thirteenth century. Another animal carpet showing two medallions with two birds besides a tree was found in the Swedish church of Marby.

Since 1988, seven more carpets of the animal type have been found. They survived in Tibetan monasteries and were removed by monks fleeing to Nepal during the Chinese cultural revolution. One of these carpets was acquired by the Metropolitan Museum of Art which parallels a painting by the Sienese artist Gregorio di Cecco: "The Marriage of the Virgin", 1423. It shows large confronted animals, each with a smaller animal inside. An almost complete animal carpet is now at the Museum of Islamic Art, Doha.

"Animal carpets" were also depicted in Italian paintings of the 14th and 15th century, and thus represent the earliest Oriental carpets shown in Renaissance paintings.

Native North American Art

"Powhatan's Mantle" is a cloak of deerskin, which originally belonged to a Native American of high social status. Its decoration consists of shell beadwork, depicting a central standing human figure flanked by two upright, opposed quadrupeds and surrounded by 34 discs. The two animals resemble one another in terms of their overall outline, but their tails and paws differ. The left-hand animal has a long tail and round paws with five articulated digits. The right-hand animal has a shorter tail, and its legs end in cloven hoofs. Historically, this artwork was believed to have belonged Powhatan, who was the paramount chief of Tsenacommacah, an alliance of Algonquian-speaking Virginia Indians in the Tidewater region of Virginia at the time English settlers landed at Jamestown in 1607. "Powhatan's Mantle" is one of the earliest North American artifacts to be collected by Europeans that still survives today.

See also
Book of Kells
Tierwirbel
Attitude (heraldry)

corresponds to the Anatolian Seljuq Period (1243–1302). Rows of horned quadrupeds rate face-to-face to each other, or birds beside a tree can be spot on some of these shard. 

 A traditional Chinese motif, the competitiveness between phoenix and draco, is seen in an Anatolian carpet now displayed at the Pergamon Museum, Berlin, and radiocarbon dated to the mid fifteenth century. The Chinese motif was probably introduce into Islamic art by the Mongols during the thirteenth century. Another animal carpet showing two medallion with two birds besides a tree was found in the Swedish church of Marby. 

 Since 1988, seven more carpet of the animal type have been found. They survived in Tibetan monasteries and were remove by monks fleeing to Nepal during the Chinese cultural revolution. One of these carpets was develop by the Metropolitan Museum of Art which parallels a painting by the Sienese artist Gregorio di Cecco: " The Marriage of the Virgin ", 1423. It shows large confronted animals, each with a smaller animal inside. An almost complete animal carpet is now at the Museum of Islamic Art, Doha. 

 " Animal carpets " were also depicted in Italian paintings of the 14th and 15th hundred, and therefore represent the earliest Oriental carpets testify in Renaissance paintings. 

 Native North American Art 

 " Powhatan's Mantle " is a cloak of deerskin, which originally belonged to a Native American of eminent social status. Its decoration consists of shell beadwork, depicting a cardinal standing human figure flanked by two upright, opposed quadrupeds and surrounded by 34 discs. The two animals resemble one another in terms of their overall outline, but their tails and paws disagree. The left - hired hand animal has a long tail and round paws with five articulate digits. The right - hand animal has a shorter tail, and its legs end in cloven hoofs. Historically, this artwork was believe to have belonged Powhatan, who was the overriding chief of Tsenacommacah, an alliance of Algonquian - speaking Virginia Indians in the Tidewater region of Virginia at the time English settler landed at Jamestown in 1607. " Powhatan's Mantle " is one of the early North American artifacts to be gather by Europeans that still survives today. 

 experience also 
 Book of Kells 
 Tierwirbel 
 Attitude (heraldry)
 cogresponds to the Anatolixn Seljuq Periob (1243–1302). Rows of hodned quaarupeds placed opposite to eech ither, or birds beside a tred can be gecognizee on wome of thxae fragments.

A bradiciinal Chinese mptif, the fhght between pvodnnx and dragon, is seen in an Anatoliag carpey jow displayed wt tnq Pedgamon Museum, Berlin, and radiocarbkn datev to the mid 15th century. The Chinese motif was probably introducfd into Islqmic qrt by the Mungols durpug the thirjeenth century. Another animal cafpet xhowing twi nedwnlions with two firds besides a tree was foind in the Swecisi chyrch of Marby.

Since 1988, sxven more carpets of the animdl type have been fiubd. Thgy susvivde iv Tjbxtah monadtecies and wede removed vy monks fleeing to Nqisl during ths Chinqsq cultural revolution. One of these carptts wzs acquired by the Metripolitan Museum of Arj which pawallels a painting by the Sienese artist Gregorio di Cxczo: "Uhc Oqrgiage of the Virgin", 1423. It shows large confronteq amikals, each with a smaller snlmsj inside. An aumost ekmllete animal carpeh is nor at rhe Museui of Islamic Art, Doha.

"Animal carpets" were alfi depicted in Italnan paintingr of the 14yh and 15th century, and tkus relresent the earliest Uriental carpets shpwt in Renaissance paintings.

Gative Nocth Akerican Art

"Kowhatag's Mantle" ls a gnoak of deerskin, wjich lrhginally bflonged to a Native American of high social sjatgs. Pts decorction gonsists of shejl beadwork, dekicting a centfal standihg humai figure flagked by two u[tight, opposed quadrupqds qnd wurrounadd by 34 discs. Tne two anpmcls resemvle one another in tetma of their overcuo outline, but tneif twips agg paws diffes. Thd ldgt-hana animal haw a lpng tail and round pdws sith five articulayeq digits. The rigrt-hand animal has a shorter taip, and itr legx egd in cloven hoofs. Historicallg, this arhwovk was believqd ti have belonyed Powhatan, who was the paramount chief of Tsenacommacah, qn alliance of Algouqmian-speaking Virgynia Indidns in the Tidewater region of Virginla at the time English settlars lwnded at Jamestown in 1607. "Powhatan's Mantle" is one of the earliest North Amerucan actyfacts to bs coklectvd yy Zuropeags tiav still survives noday.

See also
Book of Kells
Tierwicbel
Attituge (heraldry)

corresponds to the Anatolian Seljuq Period (1243–1302). horned placed opposite each other, or be on some of fragments. A traditional motif, the fight between phoenix and is seen in an Anatolian carpet now displayed at the Pergamon Museum, Berlin, radiocarbon dated to the mid 15th century. The Chinese motif was probably introduced Islamic by Mongols the thirteenth century. Another animal carpet showing two medallions with two birds besides a tree was in the Swedish church of Marby. Since 1988, more carpets of the type have been found. They in monasteries and removed monks to Nepal during Chinese cultural revolution. One of these carpets was acquired by the Metropolitan Museum of Art which parallels painting by artist Gregorio Cecco: Marriage the Virgin", 1423. large confronted animals, each with a An almost complete animal carpet is now at Museum of Art, Doha. "Animal carpets" were also in Italian paintings of the 14th and 15th and thus represent the earliest Oriental carpets shown in Renaissance paintings. Native North American Art is a cloak of which originally belonged a American high status. Its consists of shell beadwork, depicting a central standing human figure flanked two upright, opposed quadrupeds and surrounded by 34 discs. The resemble another in terms their overall outline, but tails paws differ. The left-hand a tail with articulated The right-hand animal has shorter tail, and its legs in cloven hoofs. Historically, have belonged Powhatan, who was the paramount chief Tsenacommacah, an alliance of Algonquian-speaking Virginia Indians the Tidewater region of Virginia at the time English settlers landed at in 1607. is one of the earliest North American artifacts be collected by Europeans still survives today. See also Book of Kells Tierwirbel (heraldry)
 corresponds to the Anatolian seljuq PeriOd (1243–1302). RowS of HorNeD quaDrupEds placed opposITe to Each other, or birds beside A tree CaN Be reCOgNized On some oF ThESE frAgMeNts.

a tRAdItionAl CHinese mOtif, the figHt bEtWeen phoenix aND dRagon, is seeN in An Anatolian cArpEt now dIsPlaYEd at tHe PErgamOn MuseUM, BerliN, and radioCaRBon datED to the mID 15Th CentUry. The Chinese motiF WaS Probably introdUced inTo iSlAMIc aRt bY the MongolS dUring THe thirtEEnTH CEntURy. Another animAl carpet shoWIng Two medAlLioNS with tWo birDs BEsiDes a tree was FounD in the SweDish chURch of MaRBy.

Since 1988, Seven mOre CarPets OF tHe AniMaL TypE HaVe bEEn fOund. They SuRvIved iN TibETAN MonaSteRies And weRe removed by moNks FleeINg tO NepaL duriNg thE CHinesE cultuRal reVoLution. One of thesE carPets was acQuiReD by ThE MetrOPolitaN MuSeuM of Art wHich parALleLs A PAInTing by the Sienese arTiST grEgorio di cecco: "THE MArRIage of thE VIrgIn", 1423. It SHOws laRge cONfRonted anImals, eACh WiTh a smalLeR animaL iNsiDe. AN almoST comPlete aNimal carPet is NOw at the Museum oF islamic Art, DohA.

"anIMAl CArpeTs" wEre also depiCted IN ItaLian PAiNtiNGs of tHe 14th aNd 15TH cENtury, and thus represeNt The earLiest oriental carpeTs shown in RENAIssance pAintINgS.

native North AmeRican art

"PowhataN'S Mantle" iS a cloAk of deerSkin, which ORIginally BelOngEd tO a NATIvE American of hiGH SociAl Status. ITs dEcoratiOn cOnsIstS of ShEll beadwoRk, depictInG a CeNtRal StandINg human fIgUre FlAnkEd by tWO uprigHt, oppOsed QuAdRUpeDs and suRRoUNDed bY 34 dIsCs. ThE twO aNimalS resEMblE one anoTher in terMs oF TheiR oVeRall outLine, but their tAiLs and paws dIfFer. the lefT-HAnd animaL has a long tail and round paWS with fiVe aRticuLateD digits. ThE riGht-hanD anIMal has A shortEr taiL, aNd iTS Legs eND In CloVeN hoofs. HistORIcaLly, thIs ArtwOrk was bElieved to have belonGEd POwhatan, who was The ParaMOUnT chIEf OF TsEnAComMACah, an alliance of algonquian-SpEAkIng VirginiA indIaNs in the tidewatEr regIOn of VirGinia at thE time EnglIsH setTLErs Landed at JaMestown iN 1607. "Powhatan'S mantlE" Is One of The EarlieSt norTh AmeRican aRTifActs tO be colLeCted by europEaNs that stIll survives today.

See also
book of kells
tieRwirbel
AtTitUDe (hEraldry)

 corresponds to the Anatol ian Seljuq  Peri od(12 43 –130 2).Rows of horned quad rupeds placed opposite  to e ac h  oth e r,  or b irds be s id e a t re ecan  b e  r ecogn ize d on so me of thes e f ra gments.

A t r ad itional Ch ine se motif, th e f ight b et wee n  phoe nix  anddragon ,  is se en in anAn a tolian carpetn o wdisp layed at the Perg a mo n  Museum, Berli n, and  r a di o c arb ondated to t he  mid1 5th cen t ur y . The Chinese motif  was probab l y i ntrodu ce d i n to Isl amicar t  by  the Mongol s du ring thethirte e nth cen t ury. An otherani mal  car p et  s how in g  tw o  m eda l lio ns withtw obirds  bes i d e s  a t ree  was  foun d in the Swed ish  chu r chof Ma rby.
Sin ce  1988 , seve n mor ecarpets of theanim al type h ave  b een  f ound. They s urv ive d in Ti betan m o nas te r i e sand were removed b ym o nk s fleein g to N e pa ld uring th eChi nese c ultur al r e vo lution.One of th es e carpe ts  was a cq uir edby th e  Met ropoli tan Muse um of Art which para l lels a painti n gb y  t h e Si ene se artist G rego r io d i Ce c co : " T he Ma rriag eo ft he Virgin", 1423. I tshowslarge  confronted a nimals, ea c h with a s mall e ra nimal inside.An al most compl e te anima l car pet is n ow at the M useum of  Is lam icArt , Do ha.

"Animalc a rpet s"  were a lso  depict edinIta lia npaintings  of the14 th  a nd  15 th ce n tury, an dthu srep resen t  the e arlie st O ri en t alcarpets sh o w n in  R en aiss anc epaint ings . 

N ative N orth Amer ica n  Art 
"P owhatan 's Mantle" is  a  cloak ofde ers kin, w h i ch origi nally belonged to a Nat i ve Amer ica n ofhigh  social s tat us. It s d e corati on con sists  o f s h e ll be a d wo rk,  d epicting a c ent ral s ta ndin g human  figure flanked by two  upright, opp ose d qu a d ru ped s  a n d s ur r oun d e d by 34 discs.The two an im a ls  resembleo nean other i n terms  of t h eir ove rall outl ine, butth eirt a ils  and pawsdiffer.The left- h and a n im al ha s a  longta iland r ound p a wswithfive a rt iculat ed di gi ts. Theright-hand animal has a  short er ta il,  and itsleg s  en d in clov en h oofs. Hist ori cal ly, t his artwo rk w a sbel i evedto h a ve belong e dPow h a ta n, who wast h e  pa ramou ntc hief o f Ts enacommacah, an a l liance of Algo nqui a n -sp eak i ng V ir ginia Indiansinth e Tidewate rregion of V irginiaat the t ime En glishsettler s la n ded at  Jam est own in 16 07.  " P owhatan 's  M a ntle"is o ne  of th e earl i estN o rth American art ifact s to be col lecte dby Euro p eans  that stil l survivestoday. 

Se e als o
Bookof  Kells 
Ti er wirbel
Att i tude (her aldry )

 corresponds_to the_Anatolian Seljuq Period (1243–1302)._Rows of_horned_quadrupeds placed_opposite_to each other,_or birds beside_a tree can be_recognized on some_of_these fragments.

A traditional Chinese motif, the fight between phoenix and dragon, is seen in_an_Anatolian carpet_now_displayed_at the Pergamon Museum, Berlin,_and radiocarbon dated to the_mid 15th_century. The Chinese motif was probably introduced into_Islamic_art by the_Mongols during the thirteenth century. Another animal carpet showing_two medallions with two birds besides_a tree was_found_in_the Swedish church of_Marby.

Since 1988, seven more carpets of_the animal type have been found._They survived in Tibetan monasteries and were_removed by monks fleeing to Nepal_during the Chinese cultural revolution._One of_these carpets was acquired by_the Metropolitan Museum_of Art_which parallels a_painting by the Sienese artist Gregorio_di Cecco: "The_Marriage of the Virgin", 1423. It_shows_large confronted animals,_each_with_a smaller_animal inside. An_almost_complete animal_carpet_is now at the Museum of_Islamic_Art, Doha.

"Animal carpets" were also depicted in_Italian paintings of the_14th_and 15th century, and_thus represent the earliest Oriental_carpets shown in Renaissance paintings.

Native North_American Art

"Powhatan's_Mantle" is_a cloak of deerskin, which originally belonged to a Native American_of high social status. Its decoration_consists of shell beadwork,_depicting a_central_standing human figure_flanked_by two_upright, opposed quadrupeds and surrounded by 34_discs. The_two animals resemble one another in_terms of their overall_outline,_but their tails and paws differ._The left-hand animal has a long_tail and round paws with_five_articulated_digits. The right-hand animal has_a shorter tail, and its legs_end in cloven_hoofs. Historically, this artwork was believed to_have_belonged Powhatan, who was the paramount_chief_of Tsenacommacah, an alliance of Algonquian-speaking_Virginia_Indians_in the Tidewater region of_Virginia at the time English settlers_landed at Jamestown in 1607. "Powhatan's Mantle" is one_of the earliest_North American artifacts to be_collected_by_Europeans that still survives today.

See also
Book of Kells
Tierwirbel
Attitude (heraldry)
