 ends with a word that usually ends with a sound like "Aab or Aywa!"
 Dal'ona is the second most popular type of song in Palestine. It is easier to compose than ataba because it does not require the similar sound of the ends of the first three verses. However, like ataba, dal'na has four verses of poetry, where the first three have similar endings and the fourth usually ends with a sound like "Oana". Dal'ona is the sound of the Palestinian popular dance, dabka, where the dancers sing it along with the sound of the shubbabah (flute), yarghool or mijwiz.
 The Sahja is another popular form of Palestinian song usually sung at weddings. It may be done by men or women and involves clapping to the rhythm of the song that is being sung to the bride by women, or groom by men. The men gather in two lines facing each other, or surround the groom. Then the zajal leads the sahja. The zajal is a talented singer or close family member who sings the sahja on the spot. The zajal leads the sahja with a verse, and the entire group repeats. The sahja done by women carries out the same process but with many women leading (usually older women) while the young women repeat. Also, the women may add a loud, "Lolololeey" during and at the end of the sahja. There is no female zajal.
 Zaghareet (pl), one of the oldest forms of Palestinian song, is another important form of song during Palestinian weddings.  The zaghreet is traditionally sung by women at weddings or important events. One woman starts the zaghroot with a loud "Heeey Hee..." or "Aweeha...". She then continues with a short poem or few rhyming words. After the women are done, they all join with a loud, "Lolololoolololoeeeey" sound. Unlike the women's sahja, the zaghroot involves no clapping, and only one woman must take turns to offer a zaghareet.

Palestinian hip hop

.
Beginning in the late 1990s, Palestinian youth forged a new Palestinian musical subgenre – Palestinian rap or hip hop – which blends Arabic melodies and Western beats, with lyrics in Arabic, English and even Hebrew.

ends with a word that usually ends with a strait like " Aab or Aywa! " 
  Dal'ona is the second about popular type of birdcall in Palestine. It is easy to compose than ataba because it does not require the alike sound of the ends of the inaugural three verses. However, like ataba, dal'na has four verse of poetry, where the first three have exchangeable endings and the fourth usually ends with a sound like " Oana ". Dal'ona is the sound of the Palestinian democratic dance, dabka, where the dancers sing it along with the phone of the shubbabah (flute), yarghool or mijwiz. 
  The Sahja is another popular form of Palestinian birdcall usually sing at weddings. It may be done by men or women and involves clap to the rhythm of the song that is being sung to the bride by women, or groom by men. The men gather in two lines facing each other, or surround the groom. Then the zajal leads the sahja. The zajal is a talented singer or close family extremity who sings the sahja on the spot. The zajal lead the sahja with a poetry, and the integral group repeats. The sahja done by women carries out the same process but with many women leading (normally older women) while the young women repeat. Also, the women may add a loud, " Lolololeey " during and at the end of the sahja. There is no female zajal. 
  Zaghareet (pl), one of the oldest mannequin of Palestinian song, is another significant form of song during Palestinian weddings.   The zaghreet is traditionally sung by women at wedding or important events. One woman start the zaghroot with a loud " Heeey Hee... " or " Aweeha... ". She then continues with a short poem or few rhyming password. After the women are do, they all join with a brassy, " Lolololoolololoeeeey " sound. Unlike the woman's sahja, the zaghroot involves no applause, and only one woman must film turns to offer a zaghareet. 

 Palestinian hip hop 

. 
 Beginning in the former 1990s, Palestinian youth forged a new Palestinian musical subgenre – Palestinian rap or hip hop – which blends Arabic melodies and westerly beats, with lyrics in Arabic, English and even Hebrew.
 enfs with a word that usuauly ends with a sound nike "Azb or Ayda!"
 Dal'ona is the second most pipulae type of song in Palertine. It ps easier to rompose than atauz because it sles uov require the slmilar soung of the ends mf tke first three verses. However, like aeaba, dak'nw has four verfes ps posnrn, where the first three have simjlar envings and the fpurth usually ends with a dounf like "Oana". Dal'ona is the soubd os the Palestivian popular dance, dabia, where the dancers sing it alung wnth the soubd of jhe shubbabai (flutv), yarghool or mijwiz.
 Dhe Sahka is another iopuler firm of Palestinian soig usually sung at wgddings. It mcy be done by men or qonen atd itvolxws zlakpiig fo the rhbthm of the song that us being sung to tht bwpce by women, kr grojm by men. The men gather in two lines facpng sach other, or surround rhe groom. Then the zaual leads the sahja. The zajal is a talented singer or closa fammlh mtmncr wfi dings the sahja on the spot. The zajal leads trs xamja with a verse, and the enyige droup repeats. The scgjz done by women cagries oot the same prosess but with many women leadint (usually olber women) while the ylung women xepeat. Also, the women may add a lobd, "Lolkloleey" durlng and af the end of the rahma. Dhere is no female zajal.
 Zwghareet ('l), onz of the oldgst foris of Paledtinian song, is another lmporjant fmrm of sonh during Palestinian weddings.  Vie zaghreet ix dragitionaljy sukg by women at reddings or imkortant erents. Une woman atarts vhe zaghroot with a loud "Vgeey Hee..." or "Axeeha...". She theb cobtinues dith a short ppem or fec rhyning words. After tme woosn are done, thev qll join with a lojd, "Jopokojmolololoeeeef" sojnd. Inlikd the women'w sahka, the zaghroot invonves no clapping, and omln one womqn must eake turns to offer a zaghareet.

Kalestmnian iip hol

.
Bedinning in the late 1990s, Palestinjan youth fovged a new Pajestlniag musical xubgenre – Palestinian rap or hip hop – wiich blends Arabic meloeies and Western bectx, with lyrirs in Wrabic, Enclish and even Hebreq.

ends with a word that usually ends sound "Aab or Dal'ona is the song Palestine. It is to compose than because it does not require the sound of the ends of the first three verses. However, like ataba, dal'na four verses of poetry, where the first three have similar endings and the usually with sound "Oana". Dal'ona is the sound of the Palestinian popular dance, dabka, where the dancers sing it with the sound of the shubbabah (flute), yarghool mijwiz. The Sahja is popular form of Palestinian song sung weddings. It be by or women and clapping to the rhythm of the song that is being sung to the bride by women, or by men. gather in lines each or surround the the zajal leads the sahja. The talented singer or close family member who sings sahja on spot. The zajal leads the sahja a verse, and the entire group repeats. The done by women carries out the same process but with many women leading (usually older the young women repeat. the women may a "Lolololeey" and the end the sahja. There is no female zajal. Zaghareet (pl), one of oldest forms of Palestinian song, is another important form of Palestinian The zaghreet is sung by women at or events. One woman starts with loud "Aweeha...". then with a short poem few rhyming words. After the are done, they all sound. Unlike the women's sahja, the zaghroot involves clapping, and only one woman must take to offer a zaghareet. Palestinian hip hop . Beginning in the late Palestinian youth new Palestinian musical subgenre – Palestinian rap or hop – which blends melodies and Western beats, with lyrics in Arabic, English even
 ends with a word that usually eNds with a soUnd liKe "AAb oR AYwa!"
 DAl'onA is the second moST popUlar type of song in PalestIne. It Is EAsieR To CompoSe than aTAbA BEcaUsE iT doEs NOt RequiRe tHe similAr sound of tHe eNdS of the first tHReE verses. HowEveR, like ataba, daL'na Has fouR vErsES of poEtrY, wherE the fiRSt threE have simiLaR EndingS And the fOURtH usuAlly ends with a sounD LiKE "Oana". Dal'ona is tHe sounD oF ThE pAleStiNian populaR dAnce, dABka, wherE ThE DANceRS sing it along wIth the sound OF thE shubbAbAh (fLUte), yarGhool Or MIjwIz.
 The Sahja iS anoTher populAr form OF PalestINian sonG usualLy sUng At weDDiNgS. It MaY Be dONe By mEN or Women and InVoLves cLappING TO the RhyThm oF the sOng that is beinG suNg to THe bRide bY womeN, or gRoOm by mEn. The mEn gatHeR in two lines faciNg eaCh other, or SurRoUnd ThE grooM. then thE zaJal Leads thE sahja. THE zaJaL IS A tAlented singer or cloSe FAMiLy member Who sinGS tHe SAhja on thE sPot. the zAJAl leaDs thE SaHja with a Verse, aND tHe Entire gRoUp repeAtS. ThE saHja doNE by wOmen caRries out The saME process but witH Many women leadINg (USUaLLy olDer Women) while tHe yoUNg woMen rEPeAt. ALSo, the Women MaY AdD A loud, "Lolololeey" duriNg And at tHe end Of the sahja. TheRe is no femaLE ZAjal.
 ZaghAreeT (Pl), ONe of the oldest fOrms oF PalestiniAN song, is aNotheR importaNt form of sONG during PAleStiNiaN weDDInGs.  The zaghreet IS TradItIonally SunG by womeN at WedDinGs oR iMportant eVents. One WoMaN sTaRts The zaGHroot witH a LouD "HEeeY Hee..." oR "aweeha...". she thEn coNtInUEs wIth a shoRT pOEM or fEw RhYminG woRdS. AfteR the WOmeN are donE, they all jOin WIth a LoUd, "lolololOolololoeeeey" SoUnd. Unlike tHe WomEn's sahJA, The zaghrOot involves no clapping, anD Only one WomAn musT takE turns to oFfeR a zaghAreET.

PalesTinian Hip hoP

.
BEgiNNIng in THE lAte 1990S, PAlestinian YOUth ForgeD a New PAlestinIan musical subgenre – pAleStinian rap or hIp hOp – whICH bLenDS ARAbiC mELodIES and Western beatS, with lyricS iN arAbic, EnglisH And EvEn HebreW.

 ends with a word that usu ally endswitha s oun dlike  "Aa b or Aywa!"
 D a l'on a is the second most p opula rt ypeo fsongin Pale s ti n e . I tis  ea si e rto co mpo se than  ataba bec aus eit does notr eq uire the s imi lar sound of  th e ends  o f t h e fir stthree  verse s . Howe ver, like  a t aba, d a l'na ha s fo ur v erses of poetry,w he r e the first th ree ha ve si m i lar  en dings andth e fou r th usua l ly e n dsw ith a sound l ike "Oana". Dal 'ona i sthe soundof th eP ale stinian pop ular  dance, d abka,w here th e  dancer s sing  it  al ongw it hthe  s o und of  th e  sh ubbabah(f lu te),yarg h o o l  ormij wiz. 
 The  Sahja is ano the r po p ula r for m ofPale st inian  songusual ly  sung at weddin gs.It may be  do ne  by  m en or womenand  in volvesclappin g  to  t h e rh ythm of the song t ha t is  being s ung to th eb ride bywo men , or g roomby m e n.  The men  gathe r  i ntwo lin es  facin geac h o ther, or s urroun d the gr oom.T hen the zajall eads the sahj a .T h ez ajal  is  a talented  sin g er o r cl o se  fa m ily m ember  w h os ings the sahja on t he  spot.  Thezajal leads t he sahja w i t h  a verse , an d  t h e entire group  repe ats. The s a hja done  by w omen car ries outt h e same p roc ess  bu t w i t hmany women le a d ing(u suallyold er wome n)whi lethe  y oung wome n repeat .Al so ,the  wome n  may add  a  lo ud , " Lolol o leey"durin g an dat the  end of th e sahj a.  T here  is  n o fem alez aja l.
 Zag hareet (p l), oneof  t he olde st forms of P al estinian s on g,is ano t h er impor tant form of song durin g  Palest ini an we ddin gs.  Thezag hreetist raditi onally  sung  b y w o m en at w ed din gs  or import a n t e vents .Onewoman s tarts the zaghroot wit h a loud "Hee eyHee. . . "or" Aw e eha .. . ".S h e then continue s with a s ho r tpoem or fe w  rh ym ing wor ds. Aft er th e  womenare done,  they all  j oinw i tha loud, "L olololoo lololoeee e y" so u nd . Unl ike  the w om en' s sah ja, th e  za ghroo t invo lv es noclapp in g, and o nly one woman must take  turns  to o ffe r a zagha ree t .
Palestini an h ip hop

.Beg inn ing i n t h e lat e 19 9 0s , P a lesti nian youth for g ed  an e wPalestinian m u sic al su bge n re – P ales tinian rap or hip hop – which bl ends A rab icm elod ie s and Westernbea ts , with lyr ic s in Arabic , Englis ha nd ev en Heb rew.

 ends_with a_word that usually ends_with a_sound_like "Aab_or_Aywa!"
 Dal'ona is_the second most_popular type of song_in Palestine. It_is_easier to compose than ataba because it does not require the similar sound of_the_ends of_the_first_three verses. However, like ataba,_dal'na has four verses of_poetry, where_the first three have similar endings and the_fourth_usually ends with_a sound like "Oana". Dal'ona is the sound of_the Palestinian popular dance, dabka, where_the dancers sing_it_along_with the sound of_the shubbabah (flute), yarghool or mijwiz.
_The Sahja is another popular form_of Palestinian song usually sung at weddings._It may be done by men_or women and involves clapping_to the_rhythm of the song that_is being sung_to the_bride by women,_or groom by men. The men_gather in two_lines facing each other, or surround_the_groom. Then the_zajal_leads_the sahja._The zajal is_a_talented singer_or_close family member who sings the_sahja_on the spot. The zajal leads the_sahja with a verse,_and_the entire group repeats._The sahja done by women_carries out the same process but_with many_women leading_(usually older women) while the young women repeat. Also, the women_may add a loud, "Lolololeey" during_and at the end_of the_sahja._There is no_female_zajal.
 Zaghareet_(pl), one of the oldest forms of_Palestinian song,_is another important form of song_during Palestinian weddings. _The_zaghreet is traditionally sung by women_at weddings or important events. One_woman starts the zaghroot with_a_loud_"Heeey Hee..." or "Aweeha...". She_then continues with a short poem_or few rhyming_words. After the women are done, they_all_join with a loud, "Lolololoolololoeeeey" sound._Unlike_the women's sahja, the zaghroot involves_no_clapping,_and only one woman must_take turns to offer a zaghareet.

Palestinian_hip hop

.
Beginning in the late 1990s, Palestinian youth forged_a new Palestinian_musical subgenre – Palestinian rap_or_hip_hop – which blends Arabic melodies and Western beats, with_lyrics in_Arabic, English and_even Hebrew.
