's Institute for the Humanities, where she is currently a Life Research Associate for Music and Modern Literatures / Music in Interdisciplinary Dialogue.

Positions
 1975-1976 Piano Teacher, City of Stuttgart Music School
 1977-1978 Piano Teacher, Conservatoire de Musique, Geneva
 1978-1982 Music Director, Community Music School, Unterhaching
 1982-1987 Director and Lecturer, Institute of Musical Interpretation, Dinkelsbühl
 1984-1987 Director and Principal Lecturer, Pianist Academy, Ansbach
 1987-1994 Director of Studies in Music, School of Vocational and Continuing Education, The University of Hong Kong
 1993-1997 Research Associate, Institute for the Humanities, Arbor The University of Michigan, Ann Arbor
 Since 1997 Life Research Associate, Institute for the Humanities, The University of Michigan, Ann Arbor

Honorary appointments
 2002-2010 Distinguished Senior Research Fellow of the Centre for Christianity and the Arts, University of Copenhagen
 2005-2009 Chercheur invité, Institut d'esthétique des arts contemporains, University of Paris 1–Sorbonne

Awards
 2001 Elected Ordinary member of the European Academy of Sciences and Arts
 2008 Honorary Doctorate (Dr. phil. h.c) from Linnaeus University, Sweden

Books (English only)
Guidelines to Piano Interpretation, Penerbit Muzikal Malaysia, 1989,.
J. S. Bach's Well-Tempered Clavier: In-depth analysis and interpretation. Mainer International, 1993.,,,.
Images and Ideas in Modern French Piano Music: The Extra-Musical Subtext in Piano Works by Ravel, Debussy and Messiaen. Pendragon, 1997. ; paperback edition 2010  -  Google
The Temptation of Paul Hindemith: Mathis der Maler as a Spiritual Testimony. Pendragon, 1998.  - 
Musical Ekphrasis: Composers Responding to Poetry and Painting, Pendragon, 2000.  - 
Musical Ekphrasis in Rilke's Marienleben, Rodopi, 2000.  - Google
Saints in the Limelight: Representations of the Religious Quest on the Post-1945 Operatic Stage, Pendragon, 2003.
's Institute for the Humanities, where she is currently a Life Research Associate for Music and Modern Literatures / Music in Interdisciplinary Dialogue. 

 Positions 
  1975 - 1976 Piano Teacher, City of Stuttgart Music School 
  1977 - 1978 Piano Teacher, Conservatoire de Musique, Geneva 
  1978 - 1982 Music Director, Community Music School, Unterhaching 
  1982 - 1987 Director and Lecturer, Institute of Musical Interpretation, Dinkelsbühl 
  1984 - 1987 Director and Principal Lecturer, Pianist Academy, Ansbach 
  1987 - 1994 Director of Studies in Music, School of Vocational and Continuing Education, The University of Hong Kong 
  1993 - 1997 Research Associate, Institute for the Humanities, Arbor The University of Michigan, Ann Arbor 
  Since 1997 Life Research Associate, Institute for the Humanities, The University of Michigan, Ann Arbor 

 Honorary appointments 
  2002 - 2010 Distinguished Senior Research Fellow of the Centre for Christianity and the Arts, University of Copenhagen 
  2005 - 2009 Chercheur invité, Institut d'esthétique des arts contemporains, University of Paris 1 – Sorbonne 

 Awards 
  2001 Elected average extremity of the European Academy of Sciences and Arts 
  2008 Honorary Doctorate (Dr. phil. h.c) from Linnaeus University, Sweden 

 Books (English only) 
 guidepost to Piano Interpretation, Penerbit Muzikal Malaysia, 1989, . 
 J. S. Bach's Well - temper Clavier: In - depth psychoanalysis and interpretation. Mainer International, 1993. ,, ,. 
 Images and Ideas in Modern French Piano Music: The Extra - Musical Subtext in Piano oeuvre by Ravel, Debussy and Messiaen. Pendragon, 1997. ; paperback edition 2010   -   Google 
 The Temptation of Paul Hindemith: Mathis der Maler as a Spiritual Testimony. Pendragon, 1998.   - 
 Musical Ekphrasis: Composers respond to Poetry and Painting, Pendragon, 2000.   - 
 Musical Ekphrasis in Rilke's Marienleben, Rodopi, 2000.   - Google 
 Saints in the Limelight: Representations of the Religious Quest on the Post-1945 Operatic Stage, Pendragon, 2003.
's Ijstitute for the Humanitles, where she is currenvly a Ljfe Resexrch Associate for Music and Midern Literatures / Music in Interdisbiplinary Diaoigue.

Positions
 1975-1976 Piakj Tezgher, Eivy of Stuttgart Music Schmol
 1977-1978 Piano Teawhdr, Conservatoire de Musique, Geneva
 1978-1982 Mtsic Diteftor, Community Muspc Schkol, Unterhaching
 1982-1987 Director and Lecfurer, Iistitute of Musocal Interpretation, Dinkeldbühl
 1984-1987 Director and Prijcipal Lectoder, Pianist Acaddmy, Ansbach
 1987-1994 Director kf Studies in Music, School of Vucatipnal and Cinrinkhng Educatiin, Thv University of Hong Nong
 1993-1997 Rrsearch Associste, Inwtitute for the Humanmties, Arbor The Univgrsity of Kiehigan, Ann Arbor
 Sincw 1997 Life Resaarcf Asrocjave, Jnstitkte for the Hhmanities, Tye University of Mivhytan, Ann Arbor

Gonorawy appointments
 2002-2010 Distinguished Senior Restarch Fellow of the Centre fir Christianity and tje Arts, Ugiversity of Copenhagen
 2005-2009 Chercheur invité, Institut d'estiétkqut ees afrs contemporains, University of Paris 1–Sorbonne

Awwddx
 2001 Elected Ordincry member of thr Futjpean Academy of Scnsndes and Arts
 2008 Honogary Dostorare (Dr. phij. h.c) from Linnaeus University, Sqeden

Books (Euglush only)
Guidelines to Piano Iuterprgtatiom, Penerbit Muzikal Malavsia, 1989,.
J. S. Bach's Wepl-Temperes Clavier: In-depth anslfsis and interpretation. Mayner Intecnatipnal, 1993.,,,.
Imxges and Iqeas in Mofern Nsench Piano Music: Hhe Ertra-Mgsical Subhext in Piano Works by Ravel, Deunssy and Messoaan. Iendragon, 1997. ; paierback edition 2010  -  Google
The Temptacion ow Paul Hinsemith: Kathis der Ialer as a Sphtitual Testimmny. Pendwagob, 1998.  - 
Musicau Ekphrasis: Comlosers Responding ti Poetry and Paintlng, Pgnsragon, 2000.  - 
Musiccu Ekphrasis in Rolkd's Iagieilebeg, Rodopi, 2000.  - Gmogld
Sakmts iv the Limellghg: Relresentations of the Reljgious Quest on thr Iost-1945 Operqtic Stade, Pendragon, 2003.
's Institute for the Humanities, where she a Research Associate Music and Modern Dialogue. 1975-1976 Piano Teacher, of Stuttgart Music 1977-1978 Piano Teacher, Conservatoire de Musique, 1978-1982 Music Director, Community Music School, Unterhaching 1982-1987 Director and Lecturer, Institute of Interpretation, Dinkelsbühl 1984-1987 Director and Principal Lecturer, Pianist Academy, Ansbach 1987-1994 Director of in School Vocational Continuing Education, The University of Hong Kong 1993-1997 Research Associate, Institute for the Humanities, Arbor The of Michigan, Ann Arbor Since 1997 Life Research Institute for the Humanities, University of Michigan, Ann Arbor appointments Distinguished Senior Fellow the for Christianity and Arts, University of Copenhagen 2005-2009 Chercheur invité, Institut d'esthétique des arts contemporains, University of Paris 1–Sorbonne Awards Elected Ordinary the European of and 2008 Honorary Doctorate h.c) from Linnaeus University, Sweden Books to Piano Interpretation, Penerbit Muzikal Malaysia, 1989,. J. Bach's Well-Tempered In-depth analysis and interpretation. Mainer International, Images and Ideas in Modern French Piano Music: Extra-Musical Subtext in Piano Works by Ravel, Debussy and Messiaen. Pendragon, 1997. ; paperback edition Google The Temptation of Hindemith: Mathis der as Spiritual Pendragon, - Musical Composers Responding to Poetry and Painting, Pendragon, 2000. - Musical Ekphrasis Rilke's Marienleben, Rodopi, 2000. - Google Saints in the Limelight: the Quest on the Operatic Stage, Pendragon, 2003.
's Institute for the HumanitieS, where she iS currEntLy a liFe ReSearCh Associate for mUsic And Modern Literatures / MuSic in inTErdiSCiPlinaRy DialoGUe.

pOSitIoNs
 1975-1976 piaNo tEaCher, CIty Of StuttGart Music SChoOl
 1977-1978 piano Teacher, cOnServatoire De MUsique, Geneva
 1978-1982 musIc DireCtOr, COMmuniTy MUsic SChool, UNTerhacHing
 1982-1987 DirecToR And LecTUrer, InsTITuTe of musical InterpretaTIoN, dinkelsbühl
 1984-1987 DirEctor aNd pRiNCIpaL LeCturer, PianIsT AcadEMy, AnsbaCH
 1987-1994 DIRECtoR Of Studies in MuSic, School of vOcaTional AnD CoNTinuinG EducAtIOn, THe UniversitY of HOng Kong
 1993-1997 ReSearch aSsociatE, instituTe for tHe HUmaNitiES, ARbOr THe uNivERsIty OF MiChigan, AnN ARbOr
 SinCe 1997 LiFE rESearCh ASsocIate, INstitute for thE HuManiTIes, the UnIversIty oF MIchigAn, Ann ARbor

HOnOrary appointmenTs
 2002-2010 DiStinguishEd SEnIor reSearcH fellow Of tHe CEntre foR ChristIAniTy AND ThE Arts, University of COpENHaGen
 2005-2009 ChercHeur inVItÉ, INStitut d'eStHétIque DES arts ContEMpOrains, UnIversiTY oF PAris 1–SorBoNne

AwaRdS
 2001 ElEctEd OrdINary Member Of the EurOpean aCademy of SciencES and Arts
 2008 HonorARy dOCtORate (dr. pHil. h.c) from LiNnaeUS UniVersITy, sweDEn

BooKs (EngLiSH oNLy)
Guidelines to Piano inTerpreTatioN, Penerbit MuziKal MalaysiA, 1989,.
j. s. bach's WelL-TemPErED Clavier: In-deptH analYsis and intERpretatiOn. MaiNer InterNational, 1993.,,,.
IMAGes and IdEas In MOdeRn FRENcH Piano Music: ThE eXtra-muSical SuBteXt in PiaNo WOrkS by ravEl, debussy anD MessiaeN. PEnDrAgOn, 1997. ; pAperbACk editioN 2010  -  GOogLe
the temptATion of paul HIndeMiTh: mAthIs der MaLEr AS A SpiRiTuAl TeStiMoNy. PenDragON, 1998.  - 
MuSical EkPhrasis: CoMpoSErs REsPoNding to poetry and PainTiNg, PendragoN, 2000.  - 
MUsiCal EkpHRAsis in RiLke's Marienleben, Rodopi, 2000.  - GoOGle
SainTs iN the LImelIght: RepreSenTationS of THe ReliGious QUest oN tHe POST-1945 OperATIc staGe, pendragon, 2003.
's Institute for the Human ities, whe re sh e i s c ur rent ly a  Life Research Asso ciate for Music and Mo dernLi t erat u re s / M usic in In t e rdi sc ip lin ar y  D ialog ue. 

Posit ions
 1975 -19 76  Piano Teach e r,  City of S tut tgart MusicSch ool
 1 97 7-1 9 78 Pi ano  Teac her, C o nserva toire deMu s ique,G eneva
1 9 78 -198 2 Music Director, Co m munity Music S chool,  U n te r h ach ing 
 1982-198 7Direc t or andL ec t u r er, Institute ofMusical Int e rpr etatio n,  Di n kelsbü hl
 1 98 4 -19 87 Director  and  Principa l Lect u rer, Pi a nist Ac ademy,  An sba ch
1 98 7- 199 4D ire c to r o f  St udies in  M us ic, S choo l o f  Voc ati onal  andContinuing Ed uca tion ,  Th e Uni versi ty o fHongKong
1993- 19 97 Research Ass ocia te, Insti tut efor  t he Hu m anitie s,Arb or TheUnivers i tyof M i ch igan, Ann Arbor
 S in c e  1 997 Life  Resea r ch  A s sociate,  I nst itut e for t he H u ma nities,The Un i ve rs ity ofMi chigan ,Ann  Ar bor
H onor ary ap pointmen ts
 2 0 02-2010 Distin g uished Senior Re s e ar c h Fe llo w of the Ce ntre forChri s ti ani t y and  theAr t s, University of Copen ha gen
 2 005-2 009 Chercheur  invité, I n s t itut d'e sthé t iq u e des arts con tempo rains, Uni v ersity o f Par is 1–Sor bonne

Aw a r ds
 2001  El ect edOrd i n ar y member of t h e  Eur op ean Aca dem y of Sc ien ces  an d A rt s
 2008 H onoraryDo ct or at e ( Dr. p h il. h.c)  f rom  L inn aeusU nivers ity,Swed en 
B ook s (Engl i sh o nly) 
G ui deli nes  t o Pia no I n ter pretati on, Pener bit Muzi ka lMalaysi a, 1989,.
J.S.  Bach's We ll -Te mpered C lavier:In-depth analysis and i n terpret ati on. M aine r Interna tio nal, 1 993 . ,,,.
I magesand I de asi n  Mode r n  F ren ch  Piano Mus i c : T he Ex tr a-Mu sical S ubtext in Piano Wo r ksby Ravel, Deb uss y an d Me ssi a en .  Pe nd r ago n ,  1997. ; paperb ack editio n2 01 0  -  Goog l e
T he  Tempta tion of  Paul Hindemi th: Mathi s der Mal er  asa Spi ritual Tes timony.Pendragon ,  1998 .  - 
Mu sic al Ekp hr asi s: Co mposer s  Re spond ing to  P oetryand P ai nting, P endragon, 2000.  - 
Mus ical E kphra sis  in Rilke 'sM ari enleben,Rodo pi, 2000. -Goo gle
S ain t s intheL im eli g ht: R epre s entations of  th e Re ligious Que s t onthe P ost - 1945 O pera tic Stage, Pendra g on, 2003.
's Institute_for the_Humanities, where she is_currently a_Life_Research Associate_for_Music and Modern_Literatures / Music_in Interdisciplinary Dialogue.

Positions
 1975-1976_Piano Teacher, City_of_Stuttgart Music School
 1977-1978 Piano Teacher, Conservatoire de Musique, Geneva
 1978-1982 Music Director, Community_Music_School, Unterhaching
_1982-1987_Director_and Lecturer, Institute of Musical_Interpretation, Dinkelsbühl
 1984-1987 Director and_Principal Lecturer,_Pianist Academy, Ansbach
 1987-1994 Director of Studies in_Music,_School of Vocational_and Continuing Education, The University of Hong Kong
 1993-1997_Research Associate, Institute for the Humanities,_Arbor The University_of_Michigan,_Ann Arbor
 Since 1997_Life Research Associate, Institute for the_Humanities, The University of Michigan, Ann_Arbor

Honorary appointments
 2002-2010 Distinguished Senior Research Fellow_of the Centre for Christianity and_the Arts, University of Copenhagen
_2005-2009 Chercheur_invité, Institut d'esthétique des arts_contemporains, University of_Paris 1–Sorbonne

Awards
_2001 Elected Ordinary_member of the European Academy of_Sciences and Arts
_2008 Honorary Doctorate (Dr. phil. h.c)_from_Linnaeus University, Sweden

Books_(English_only)
Guidelines_to Piano_Interpretation, Penerbit Muzikal_Malaysia,_1989,.
J. S._Bach's_Well-Tempered Clavier: In-depth analysis and interpretation._Mainer_International, 1993.,,,.
Images and Ideas in Modern French_Piano Music: The Extra-Musical_Subtext_in Piano Works by_Ravel, Debussy and Messiaen. Pendragon,_1997. ; paperback edition 2010 _- _Google
The Temptation_of Paul Hindemith: Mathis der Maler as a Spiritual Testimony. Pendragon,_1998.  - 
Musical Ekphrasis: Composers_Responding to Poetry and_Painting, Pendragon,_2000._ - 
Musical_Ekphrasis_in Rilke's_Marienleben, Rodopi, 2000.  - Google
Saints in_the Limelight:_Representations of the Religious Quest on_the Post-1945 Operatic Stage,_Pendragon,_2003.