, a manuscript of the Quiché Maya kingdom. They had seen Herzog's Fata Morgana, in which Lotte Eisner reads parts of the Popol Vuh.

Since 2001 and the passing of Florian Fricke, for orchestral scores Herzog has mostly chosen Klaus Badelt. The first of so far four collaborations, Invincible (2001) was actually one of Badelt's first film scores. Badelt also wrote the scores to Rescue Dawn (2006), Happy People: A Year in the Taiga (2010), and is currently working on Herzog's upcoming feature Queen of the Desert (2015).

Herzog has invited Ernst Reijseger to compose scores to six of his films. Three were documentaries (The White Diamond, Cave of Forgotten Dreams and Nomad: In the Footsteps of Bruce Chatwin) and three were features (The Wild Blue Yonder, My Son, My Son What Have Ye Done, and Salt and Fire). His music was also used in Rescue Dawn and in a video documentary about recording music for Grizzly Man. It was entitled In the Edges: The 'Grizzly Man' Session directed by Erik Nelson. Reijseger also had a cameo in My Son, My Son What Have Ye Done.

Others
Henning von Gierke collaborated with Herzog on seven films and several operas. He was Production Designer during The Enigma of Kaspar Hauser, Nosferatu the Vampyre and Fitzcarraldo. As a Set Decorator he worked on Heart of Glass and Woyzeck, as Stage Designer on operas Lohengrin and Giovanna d'Arco, and as Costume Designer on the film The Transformation of the World Into Music. Gierke shot additional still photographs on Stroszeks set. He appeared twice in Herzog's film The Transformation of the World Into Music as himself and in Herzog's TV realisation of the opera Giovanna d'Arco. Von Gierke won the Film Award in Gold for The Enigma of Kaspar Hauser at the German Film Awards and the Silver Bear for an outstanding single achievement for Nosferatu, at the 29th Berlin International Film Festival.

Teaching 
Being not very fond of film schools, Herzog has taught 3 cinema workshops :

 The Rogue Film School, which he created in 2009 (dis
, a manuscript of the Quiché Maya kingdom. They had seen Herzog's Fata Morgana, in which Lotte Eisner reads parts of the Popol Vuh. 

 Since 2001 and the passing of Florian Fricke, for orchestral score Herzog has largely chosen Klaus Badelt. The first of so far four collaboration, Invincible (2001) was actually one of Badelt's first film sexual conquest. Badelt besides wrote the scores to Rescue Dawn (2006), Happy People: A Year in the Taiga (2010), and is currently work on Herzog's upcoming feature of speech Queen of the Desert (2015). 

 Herzog has invited Ernst Reijseger to compose scores to six of his films. Three were documentaries (The White Diamond, Cave of Forgotten Dreams and Nomad: In the Footsteps of Bruce Chatwin) and three were features (The Wild Blue Yonder, My Son, My Son What Have Ye act, and Salt and Fire). His music was also used in Rescue Dawn and in a video documentary about record music for Grizzly Man. It was entitled In the Edges: The' Grizzly Man' Session directed by Erik Nelson. Reijseger besides had a cameo in My Son, My Son What Have Ye do. 

 Others 
 Henning von Gierke collaborated with Herzog on seven films and several opera. He was Production Designer during The Enigma of Kaspar Hauser, Nosferatu the Vampyre and Fitzcarraldo. As a Set Decorator he worked on Heart of Glass and Woyzeck, as Stage Designer on operas Lohengrin and Giovanna d'Arco, and as Costume Designer on the film The Transformation of the World Into Music. Gierke shot additional still photographs on Stroszeks set. He appeared twice in Herzog's film The Transformation of the World Into Music as himself and in Herzog's TV realisation of the opera Giovanna d'Arco. Von Gierke won the Film Award in Gold for The Enigma of Kaspar Hauser at the German Film Awards and the Silver Bear for an outstanding single accomplishment for Nosferatu, at the twenty-ninth Berlin International Film Festival. 

 Teaching 
 Being not very fond of film school, Herzog has taught 3 cinema workshops: 

  The Rogue Film School, which he create in 2009 (dis
, a lanuscript of the Quiché Oaya kingdom. Thgy had sxen Heraog's Fatx Morgana, in which Lotte Eisier eeads parts of the Popol Vuf.

Since 2001 ajd the pqssiig of Florian Frmdke, for orcheabral vrores Herzog hax mostly cvosen Klaus Bageut. The first of so far four collaboraeions, Imvlncible (2001) was astuakjy ohv if Badelt's first film scores. Gadelt elso wrote the xcores to Rescue Dawn (2006), Hapoy Pfople: A Year in thf Taiga (2010), ane is xurrently wofking on Htrvog's upcomihg feature Queen of the Desert (2015).

Ferzoy has invitgb Erjvt Reijsegec to cjmpose scores to six of his films. Three wcre dmcunentaries (The White Dmamond, Cave of Forgojten Dreamv cnd Nomad: In the Footwtwps ox Brgce Zyatdin) aid fhree aerx features (Fhe Wild Blye Yonder, My Son, My Sjb What Have Ys Done, agd Salt and Fire). His music was also useg ih Rescue Dawn and in a cideo documentary aboot recordigg music for Grizzly Man. It was entitled In the Egges: Vhd 'Gxldzly Naj' Session directed by Erik Nelson. Reijseger ajao hsd a cameo in Iy Son, My Spn Wnwt Have Ye Dove.

Othexa
Hsnning von Gierke follabotated qith Herzjg om seven films and several operas. He was Production Designex during The Enibma og Kaspar Hauser, Nosferacu the Vampyre anf Fitzcardxldo. As a Set Dezorstmr he worked on Heart of Gjass and Xoyzeek, as Stxge Cesignqr on operws Lomangrin and Giovannw d'Areo, ang as Costule Designer on the film The Traixformation og dhe World Iuto Muxic. Gierke shjt additional xtill pkotogrxphs on Stgoszeks sxt. He appearqd twice in Hatzog's film Thx Transfowmatuon if the Durld Into Musiv as himsvly and in Yerzog's TV realisabion ur the opera Giorcnba d'Arco. Von Girrkd wjn tie Fijk Award in Gmld wor Yhe Evigma of Kawoar Nauser at the German Filj Awards and the Solyer Bear dor an ottstanding simgle achievement flr Novfecatu, ay tre 29th Berlin International Filj Festivap.

Tewching 
Being not very fond oy film schools, Herzog has taught 3 cinema workshops :

 The Rotue Film School, whieh he created in 2009 (qis
, a manuscript of the Quiché Maya had Herzog's Fata in which Lotte Popol Since 2001 and passing of Florian for orchestral scores Herzog has mostly Klaus Badelt. The first of so far four collaborations, Invincible (2001) was actually of Badelt's first film scores. Badelt also wrote the scores to Rescue Dawn Happy A in Taiga (2010), and is currently working on Herzog's upcoming feature Queen of the Desert (2015). Herzog invited Ernst Reijseger to compose scores to six his films. Three were (The White Diamond, Cave of Dreams Nomad: In Footsteps Bruce and three were (The Wild Blue Yonder, My Son, My Son What Have Ye Done, and Salt and Fire). His was also Rescue Dawn in video about recording music Man. It was entitled In the Man' Session directed by Erik Nelson. Reijseger also a cameo My Son, My Son What Have Done. Others Henning von Gierke collaborated with Herzog seven films and several operas. He was Production Designer during The Enigma of Kaspar Hauser, Vampyre and Fitzcarraldo. As Set Decorator he on of and as Stage on operas Lohengrin and Giovanna d'Arco, and as Costume Designer on film The Transformation of the World Into Music. Gierke shot photographs Stroszeks set. He twice in Herzog's film Transformation the World Into Music and Herzog's the Giovanna Von Gierke won the Award in Gold for The of Kaspar Hauser at the Silver Bear for an outstanding single achievement Nosferatu, at the 29th Berlin International Film Teaching Being not very fond of film schools, Herzog has taught 3 workshops : Film School, which he created in 2009 (dis
, a manuscript of the Quiché MayA kingdom. ThEy had SeeN HeRzOg's FAta MOrgana, in which LOTte EIsner reads parts of the PoPol VuH.

SINce 2001 aND tHe pasSing of FLOrIAN FrIcKe, For OrCHeStral ScoRes HerzOg has mostlY chOsEn Klaus BadelT. thE first of so Far Four collaborAtiOns, InvInCibLE (2001) was aCtuAlly oNe of BaDElt's fiRst film scOrES. BadelT Also wroTE ThE scoRes to Rescue Dawn (2006), HaPPy pEople: A Year in thE Taiga (2010), AnD Is CURreNtlY working on heRzog's UPcoming FEaTURE QuEEn of the Desert (2015).

herzog has inVIteD Ernst reIjsEGer to cOmposE sCOreS to six of his FilmS. Three werE documENtaries (tHe White diamonD, CaVe oF ForGOtTeN DrEaMS anD noMad: iN thE FootstePs Of bruce chatWIN) ANd thRee Were FeatuRes (The Wild BluE YoNder, mY SoN, My SoN What have ye done, aNd Salt And FiRe). his music was also Used In Rescue DAwn AnD in A vIdeo dOCumentAry AboUt recorDing musIC foR GRIZZlY Man. It was entitled IN tHE edGes: The 'GrIzzly MAN' SEsSIon direcTeD by erik nELson. REijsEGeR also had A cameo IN MY SOn, My Son whAt Have ye donE.

OtHers
HENninG von GiErke collAboraTEd with Herzog on SEven films and sEVeRAL oPEras. he wAs ProductioN DesIGner DuriNG THe ENIgma oF KaspAr hAuSEr, Nosferatu the VampyRe And FitZcarrAldo. As a Set DecOrator he woRKED on Heart Of GlASs ANd Woyzeck, as StaGe DesIgner on opeRAs LohengRin anD GiovannA d'Arco, and AS costume DEsiGneR on The FILm the TransformaTIOn of ThE World INto music. GiErkE shOt aDdiTiOnal still PhotograPhS oN STrOszEks seT. he appearEd TwiCe In HErzog'S Film ThE TranSforMaTiON of The WorlD inTO musiC aS hImseLf aNd In HerZog's tv reAlisatiOn of the opEra gIovaNnA d'arco. Von gierke won the FIlM Award in GoLd For the EniGMA of KaspaR Hauser at the German Film AWArds and The silveR BeaR for an outStaNding sIngLE achieVement For NoSfEraTU, At the 29TH beRliN INternationAL filM FestIvAl.

TeAching 
BEing not very fond of fILm sChools, Herzog hAs tAughT 3 CInEma WOrKShoPs :

 tHe ROGUe Film School, whiCh he createD iN 2009 (DiS
, a manuscript of the Quic hé Maya ki ngdom . T hey  h ad s eenHerzog's FataM orga na, in which Lotte Eis ner r ea d s pa r ts  of t he Popo l  V u h .
Si nc e 2 00 1  a nd th e p assingof Florian  Fr ic ke, for orch e st ral scores  He rzog has mos tly  chose nKla u s Bad elt . The  first of sofar fourco l labora t ions, I n v in cibl e (2001) was actu a ll y  one of Badelt 's fir st fi l m  sc ore s. Badeltal so wr o te thes co r e s  to Rescue Dawn ( 2006), Happ y  Pe ople:AYea r  in th e Tai ga (20 10), and is  cur rently wo rkingo n Herzo g 's upco ming f eat ure  Que e nof  th eD ese r t(20 1 5). 

Herzog  h as  invi tedE r n s t Re ijs eger  to c ompose scores  to  six ofhis f ilms.  Thr ee  were  docum entar ie s (The White Di amon d, Cave o f F or got te n Dre a ms and  No mad : In th e Foots t eps  o f B ru ce Chatwin) and th re e we re featu res (T h eWi l d Blue Y on der , My S on, M y So n  W hat Have  Ye Do n e,  a nd Salt  a nd Fir e) . H ismusic wasalso u sed in R escue Dawn and in av ideo document a ry a bo u t re cor ding musicforG rizz ly M a n.  It was e ntitl ed In the Edges: The 'Gri zz ly Man ' Ses sion directed  by Erik N e l s on. Reij sege r  a l so had a cameo  in M y Son, MyS on WhatHaveYe Done. 

OthersH e nning vo n G ier kecol l a bo rated with He r z og o nseven f ilm s and s eve ral  op era s.  He was P roductio nDe si gn erdurin g  The Eni gm a o fKas par H a user,Nosfe ratu  t he Vam pyre an d  F i t zcar ra ld o. A s a  S et De cora t orhe work ed on Hea rto f Gl as sand Woy zeck, as Stag eDesigner o nope ras Lo h e ngrin an d Giovanna d'Arco, anda s Costu meDesig neron the fi lmThe Tr ans f ormati on ofthe W or ldI n to Mu s i c.  Gi er ke shot ad d i tio nal s ti ll p hotogra phs on Stroszeks s e t.He appeared t wic e in H er zog ' sf ilm  T h e T r a nsformation ofthe WorldIn t oMusic as h i mse lf  and in  Herzog 's TV realisa tion of t he operaGi ovan n a  d' Arco. VonGierke w on the Fi l m Awa r din Go ldfor Th eEni gma o f Kasp a r H auser  at th eGerman  Film  A wards an d the Silver Bear for a n outs tandi ngsingle ac hie v eme nt for No sfer atu, at th e 2 9th  Berl inI ntern atio n al  Fi l m Fes tiva l .

Teachi n g
Be i n gnot very fo n d offilmsch o ols, H erzo g has taught 3 ci n ema workshops:

T h e R ogu e  Fil mSchool, whichhecr e a ted in 2 00 9 (dis
, a_manuscript of_the Quiché Maya kingdom._They had_seen_Herzog's Fata_Morgana,_in which Lotte_Eisner reads parts_of the Popol Vuh.

Since_2001 and the_passing_of Florian Fricke, for orchestral scores Herzog has mostly chosen Klaus Badelt. The first_of_so far_four_collaborations,_Invincible (2001) was actually one_of Badelt's first film scores._Badelt also_wrote the scores to Rescue Dawn (2006), Happy_People:_A Year in_the Taiga (2010), and is currently working on Herzog's_upcoming feature Queen of the Desert_(2015).

Herzog has invited_Ernst_Reijseger_to compose scores to_six of his films. Three were_documentaries (The White Diamond, Cave of_Forgotten Dreams and Nomad: In the Footsteps_of Bruce Chatwin) and three were_features (The Wild Blue Yonder,_My Son,_My Son What Have Ye_Done, and Salt_and Fire)._His music was_also used in Rescue Dawn and_in a video_documentary about recording music for Grizzly_Man._It was entitled_In_the_Edges: The_'Grizzly Man' Session_directed_by Erik_Nelson._Reijseger also had a cameo in_My_Son, My Son What Have Ye Done.

Others
Henning_von Gierke collaborated with_Herzog_on seven films and_several operas. He was Production_Designer during The Enigma of Kaspar_Hauser, Nosferatu_the Vampyre_and Fitzcarraldo. As a Set Decorator he worked on Heart of_Glass and Woyzeck, as Stage Designer_on operas Lohengrin and_Giovanna d'Arco,_and_as Costume Designer_on_the film_The Transformation of the World Into Music._Gierke shot_additional still photographs on Stroszeks set._He appeared twice in_Herzog's_film The Transformation of the World_Into Music as himself and in_Herzog's TV realisation of the_opera_Giovanna_d'Arco. Von Gierke won the_Film Award in Gold for The_Enigma of Kaspar_Hauser at the German Film Awards and_the_Silver Bear for an outstanding single_achievement_for Nosferatu, at the 29th Berlin_International_Film_Festival.

Teaching 
Being not very fond_of film schools, Herzog has taught_3 cinema workshops :

 The Rogue Film School, which_he created in_2009 (dis