water, Thad Jones, George Lewis, Tyrone Washington, Reggie Workman, Ken Peplowski, Randy Sandke, and Jay Clayton; the Harlem Spiritual Ensemble; a large group of important twentieth-century composers including the Americans Harry Partch and Petr Kotik, Japanese composer Somei Satoh, Korean composer Isang Yun and many others.

He is particularly known for his extensive recordings of the American avant-garde pioneer John Cage, begun in cooperation with the composer and continuing until his death. He also supervised the release of  Philip Glass's famous recording of Einstein on the Beach (originally for Tomato, currently available on Sony).  Stadler has produced for Labor Records, Arabesque Records, Zoho,  WERGO Records, Tomato Records, Arcadia Records and several labels within the Concord Music Group.

Labor Records
He founded Labor Records in 1973 as one of the first labels with what would subsequently be called a "cross-over" or "multi-cultural" point of view, and has served as owner, CEO, Producer and Executive Producer since inception. Labor's current catalogue focuses on unusual and often unknown repertoire coupled with landmark editions such as the complete keyboard works of J. S. Bach performed by legendary Brazilian pianist João Carlos Martins. Other projects include Music of Tribute, Labor's ambitious piano series as well as genre-crossing releases by Germany's Hanns Eisler/Bertolt Brecht, Walter Steffens (Music to Art), American Eric Salzman, Uruguay's Eduardo Fernández, and Brazil's Duo Caramuru/Baldanza.

In 2000, Stadler traveled to Albania to record the music of Aleksandër Peçi. This was the first time in history that a foreign company had gone directly to Albania to produce two albums of contemporary classical music, a landmark event in the history of this impoverished country on the Balkan Peninsula.

Tomato Records
Stadler served as Director of Artists and Repertoire at Tomato Records from 1978 to 1981 and as the company's Director of Operations/Executive Producer from 1987 until 1991.  In the latter position, he supervised the company's complete reissue program (a catalogue of over 65 releases).

Arcadia and Concord Records
Stadler was Vice president/Producer of Arcadia Records from 1991 to 1994,
water, Thad Jones, George Lewis, Tyrone Washington, Reggie Workman, Ken Peplowski, Randy Sandke, and Jay Clayton; the Harlem Spiritual Ensemble; a large group of important twentieth - century composer include the Americans Harry Partch and Petr Kotik, Japanese composer Somei Satoh, Korean composer Isang Yun and many others. 

 He is particularly known for his across-the-board recordings of the American avant - garde pioneer John Cage, begin in cooperation with the composer and continuing until his death. He besides monitor the release of   Philip Glass's celebrated recording of Einstein on the Beach (primitively for Tomato, currently available on Sony).   Stadler has produce for Labor Records, Arabesque Records, Zoho,   WERGO Records, Tomato Records, Arcadia Records and several labels within the Concord Music Group. 

 Labor Records 
 He establish Labor Records in 1973 as one of the inaugural labels with what would subsequently be called a " cross - over " or " multi - cultural " point of view, and has serve as owner, CEO, Producer and Executive Producer since inception. Labor's current catalogue focuses on strange and often unknown repertory coupled with landmark edition such as the complete keyboard work of J. S. Bach performed by legendary Brazilian pianist João Carlos Martins. Other undertaking include Music of Tribute, Labor's ambitious piano series as well as genre - crossing releases by Germany's Hanns Eisler / Bertolt Brecht, Walter Steffens (Music to Art), American Eric Salzman, Uruguay's Eduardo Fernández, and Brazil's Duo Caramuru / Baldanza. 

 In 2000, Stadler traveled to Albania to record the music of Aleksandër Peçi. This was the first time in history that a foreign company had gone directly to Albania to produce two albums of contemporary authoritative music, a landmark consequence in the history of this impoverished country on the Balkan Peninsula. 

 Tomato Records 
 Stadler served as Director of Artists and Repertoire at Tomato Records from 1978 to 1981 and as the ship's company's Director of Operations / Executive Producer from 1987 until 1991.   In the latter position, he supervised the company's accomplished reissue program (a catalogue of over 65 releases). 

 Arcadia and Concord Records 
 Stadler was Vice president / Producer of Arcadia Records from 1991 to 1994,
watfr, Thad Jones, George Lewls, Tyrone Washinyron, Rejgie Wodkman, Kev Peplowski, Randy Sandke, and Jqy Clqyton; the Harlem Spirigual Enselble; a lqrge troup of important twentjcth-ceutnry composers ikcluding tha Americans Hasrh 'artch and Petr Kotik, Japanese compofer Somri Satoh, Korean somppfer Jsang Yun and many others.

He is parficularny known for nis extensive recordings ov thf American avant-gagde pioneer Johg Cage, begun kn cooperauimn with thg composer and continuing until fis dzath. He alsi wupftvised the rxlease of  Philip Nkass's xamous tecording of Elnstemn ob the Beach (originallb for Tomato, currentjy availatlz on Sony).  Stadler haw produwed xor Uqbof Rtcocds, Arabedqux Records, Zkho,  WERGO Eecords, Tomato Recotdf, Arcadia Recodds anq feveral labels within the Concord Music Grkup.

Labor Records
He founeed Labor Records in 1973 as one os the first labels with what would subsequently ba calmdd c "crosr-ivfr" or "multi-cultural" point of view, and has serdsd ax owner, CEO, Prjducer and Rxfcijive Producer rince nhcsption. Labor's currfnt catwloguw focuses on inusual and often unknown rwpertoire colplee with landmark edntions such cs the compkete keyboard works of L. S. Badh performef by legehaary Brazilian pkanpst Boão Carlos Martins. Other pwojects iicludz Music uf Ttibute, Jabor's ambltious piano series as wfll ad cenre-crosslng releases by Germany's Hanns Xmsler/Bertolt Nrachn, Walter Fteffcns (Music to Are), American Erie Salzmau, Urugjay's Eduarso Fernáidez, and Brasil's Duo Carakoru/Baldanza.

In 2000, Stadlew trqvelwd to Aucania to recorc the muspc of Qleksandër Peçi. This war the first time in history that a fofeidn cpm[dny had gone dirdctuu to Xlbania to iroauce two albums of contekporzry classical musiv, w landmatk event yn the historu of this impoveridhed rountrb on tne Falkan Peninsula.

Tomato Records
Atadler sfrvcd as Directow of Artists and Repertoire at Tomato Records from 1978 to 1981 and as the compant's Director of Operctlons/Executivx Prodtcer from 1987 until 1991.  In the latrer position, he smpervised the company's complate rfissue program (a catalogue of over 65 releases).

Arcadia and Concord Records
Stqdler xaf Vice presjdeny/Prodlcex oy Arcadya Rxcurds from 1991 to 1994,
water, Thad Jones, George Lewis, Tyrone Washington, Ken Randy Sandke, Jay Clayton; the group important twentieth-century composers the Americans Harry and Petr Kotik, Japanese composer Somei Korean composer Isang Yun and many others. He is particularly known for his recordings of the American avant-garde pioneer John Cage, begun in cooperation with the and until death. also supervised the release of Philip Glass's famous recording of Einstein on the Beach (originally for currently available on Sony). Stadler has produced for Records, Arabesque Records, Zoho, Records, Tomato Records, Arcadia Records several within the Music Labor He founded Labor in 1973 as one of the first labels with what would subsequently be called a "cross-over" or point of has served owner, Producer Executive Producer since current catalogue focuses on unusual and coupled with landmark editions such as the complete works of S. Bach performed by legendary Brazilian João Carlos Martins. Other projects include Music of Labor's ambitious piano series as well as genre-crossing releases by Germany's Hanns Eisler/Bertolt Brecht, Walter to Art), American Eric Uruguay's Eduardo Fernández, Brazil's Caramuru/Baldanza. 2000, traveled to to record the music of Aleksandër Peçi. This was the first in history that a foreign company had gone directly to produce albums of contemporary music, a landmark event the of this impoverished country Balkan Tomato as of and Repertoire at Tomato from 1978 to 1981 and the company's Director of 1991. In the latter position, he supervised the complete reissue program (a catalogue of over releases). Arcadia and Concord Records Stadler was Vice president/Producer of Arcadia Records 1991 to
water, Thad Jones, George Lewis, tyrone WashIngtoN, ReGgiE WOrkmAn, KeN Peplowski, RandY sandKe, and Jay Clayton; the HarlEm SpiRiTUal ENSeMble; a Large grOUp OF ImpOrTaNt tWeNTiEth-ceNtuRy compoSers includIng ThE Americans HaRRy partch and PEtr kotik, JapanesE coMposer soMei sAtoh, KOreAn comPoser ISAng Yun And many otHeRS.

He is pARticulaRLY kNown For his extensive reCOrDIngs of the AmeriCan avaNt-GArDE PioNeeR John Cage, bEgUn in cOOperatiON wITH The COmposer and conTinuing untiL His Death. HE aLso SUperviSed thE rELeaSe of  Philip GLass'S famous reCordinG Of EinstEIn on the beach (oRigInaLly fOR TOmAto, CuRRenTLy AvaILabLe on Sony).  stAdLer haS proDUCED for labOr ReCords, arabesque RecoRds, zoho,  weRGo RecoRds, ToMato reCords, arcadiA RecoRdS and several labeLs wiThin the CoNcoRd musIc group.

lAbor ReCorDs
HE foundeD Labor RECorDs IN 1973 AS oNe of the first labels WiTH WhAt would sUbsequENtLy BE called a "CrOss-Over" OR "Multi-CultURaL" point of View, anD HaS sErved as OwNer, CEO, prOduCer And ExECutiVe ProdUcer sincE incePTion. Labor's currENt catalogue foCUsES On UNusuAl aNd often unknOwn rEPertOire COuPleD With lAndmaRk EDiTIons such as the compleTe KeyboaRd worKs of J. S. Bach perFormed by leGENDary BrazIliaN PiANist João Carlos martiNs. Other proJEcts inclUde MuSic of TriBute, Labor'S AMbitious PiaNo sEriEs aS WElL as genre-crossING relEaSes by GeRmaNy's HannS EiSleR/BeRtoLt brecht, WalTer SteffEnS (MUsIc To ARt), AmeRIcan Eric saLzmAn, uruGuay's eDuardo fernáNdez, AnD BRAziL's Duo CaRAmURU/BalDaNzA.

In 2000, STadLeR travEled TO AlBania to Record the MusIC of ALeKsAndër PeÇi. This was the fIrSt time in hiStOry That a fOREign compAny had gone directly to AlbANia to prOduCe two AlbuMs of conteMpoRary clAssICal musIc, a lanDmark EvEnt IN The hiSTOrY of ThIs impoveriSHEd cOuntrY oN the balkan PEninsula.

Tomato RecoRDs
STadler served aS DiRectOR Of artIStS And rePErtOIRe at Tomato RecorDs from 1978 to 1981 anD aS ThE company's DIRecToR of OperAtions/EXecutIVe ProduCer from 1987 unTil 1991.  In the lAtTer pOSItiOn, he supervIsed the cOmpany's coMPlete REiSsue pRogRam (a caTaLogUe of oVer 65 relEAseS).

ArcaDia and coNcord REcordS
STadler waS Vice president/Producer oF ArcadIa RecOrdS from 1991 to 1994,
water, Thad Jones, GeorgeLewis, Tyr one W ash ing to n, R eggi e Workman, Ken Pepl owski, Randy Sandke, a nd Ja yC layt o n;  theHarlemS pi r i tua lEn sem bl e ;a lar gegroup o f importan t t we ntieth-centu r ycomposersinc luding the A mer icansHa rry Partc h a nd Pe tr Kot i k, Jap anese com po s er Som e i Satoh , Ko rean  composer Isang Y u na nd many others .

Heis pa r t icu lar ly known f or  hise xtensiv e  r e c o rdi n gs of the Ame rican avant - gar de pio ne erJ ohn Ca ge, b eg u n i n cooperati on w ith the c ompose r  and co n tinuing  until  hi s d eath .  H eals os upe r vi sed the  release  o f Phil ip G l a s s 's f amo us r ecord ing of Einste inon t h e B each(orig inal ly  forTomato , cur re ntly availableon S ony).  St adl er  ha sprodu c ed for  La bor  Record s, Arab e squ eR e c or ds, Zoho,  WERGO R ec o r ds , Tomato  Recor d s,  A r cadia Re co rds  and s evera l la b el s within  the C o nc or d Music  G roup.
L abo r R ecord s 
Hefounde d LaborRecor d s in 1973 as o n e of the firs t  l a b el s  wit h w hat would s ubse q uent ly b e  c all e d a " cross -o v er "  or "multi-cultural "pointof vi ew, and has s erved as o w n e r, CEO,Prod u ce r  and Executive  Prod ucer since inceptio n. La bor's cu rrent cat a l ogue foc use s o n u nus u a land often unk n o wn r ep ertoire  co upled w ith  la ndm ark  e ditions s uch as t he  c om pl ete  keyb o ard work sofJ.  S.  Bach perfor med b y le ge nd a ryBrazili a np i anis tJo ão C arl os  Mart ins. Oth er proj ects incl ude Musi cof  Tribut e, Labor's am bi tious pian oser ies as w ell as g enre-crossing releasesb y Germa ny' s Han ns E isler/Ber tol t Brec ht, Walter  Steff ens ( Mu sic t o Art ) ,  A mer ic an Eric Sa l z man , Uru gu ay's  Eduard o Fernández, and B r azi l's Duo Caram uru /Bal d a nz a.In 200 0, Sta d l er traveled toAlbania to  r e co rd the mus i c o fAleksan dër Peç i. Th i s was t he firsttime in h is tory t hat  a foreign  company  had gone direc t ly  to A lba nia to  p rod uce t wo alb u msof co ntempo ra ry cla ssica lmusic, a  landmark event in thehistor y ofthi s impover ish e d c ountry on  the  Balkan Pe nin sul a.

T oma t o Rec ords St adl e r ser veda s Directo r  o f A r t is ts and Repe r t o ire  at T oma t o Reco rdsfrom 1978 to 1981 and as the com pany ' s  Di rec t or o fOperations/Exe cut iv e Producer  f rom 1987 un til 1991 .In th e latt er pos ition,h e  s u pervis ed t hecompany's  co mp l ete rei ss ue progra m (a  c atalog ue ofo ver6 5  releases).

Arc adiaa n d Con c ord  Reco rd s
Stadl e r wa s Vice pre sident/Prod ucer o f Ar cadia  Record sfrom 1 991  t o 1994,
water, Thad_Jones, George_Lewis, Tyrone Washington, Reggie_Workman, Ken_Peplowski,_Randy Sandke,_and_Jay Clayton; the_Harlem Spiritual Ensemble;_a large group of_important twentieth-century composers_including_the Americans Harry Partch and Petr Kotik, Japanese composer Somei Satoh, Korean composer Isang_Yun_and many_others.

He_is_particularly known for his extensive_recordings of the American avant-garde_pioneer John_Cage, begun in cooperation with the composer and_continuing_until his death._He also supervised the release of  Philip Glass's_famous recording of Einstein on the_Beach (originally for_Tomato,_currently_available on Sony). _Stadler has produced for Labor Records,_Arabesque Records, Zoho,  WERGO Records,_Tomato Records, Arcadia Records and several labels_within the Concord Music Group.

Labor Records
He_founded Labor Records in 1973_as one_of the first labels with_what would subsequently_be called_a "cross-over" or_"multi-cultural" point of view, and has_served as owner,_CEO, Producer and Executive Producer since_inception._Labor's current catalogue_focuses_on_unusual and_often unknown repertoire_coupled_with landmark_editions_such as the complete keyboard works_of_J. S. Bach performed by legendary Brazilian_pianist João Carlos Martins._Other_projects include Music of_Tribute, Labor's ambitious piano series_as well as genre-crossing releases by_Germany's Hanns_Eisler/Bertolt Brecht,_Walter Steffens (Music to Art), American Eric Salzman, Uruguay's Eduardo Fernández,_and Brazil's Duo Caramuru/Baldanza.

In 2000, Stadler_traveled to Albania to_record the_music_of Aleksandër Peçi._This_was the_first time in history that a foreign_company had_gone directly to Albania to produce_two albums of contemporary_classical_music, a landmark event in the_history of this impoverished country on_the Balkan Peninsula.

Tomato Records
Stadler served_as_Director_of Artists and Repertoire at_Tomato Records from 1978 to 1981_and as the_company's Director of Operations/Executive Producer from 1987_until_1991.  In the latter position,_he_supervised the company's complete reissue program_(a_catalogue_of over 65 releases).

Arcadia and_Concord Records
Stadler was Vice president/Producer of_Arcadia Records from 1991 to 1994,