a, to mark out the noses, the eyes, the hair, and the accents and outlines of all the figures in their correct proportions.

When the underdrawing was finished, the artist then applied a new thin layer of wet plaster, covering just enough area as he could work in one day. Before the plaster could dry, he filled in the colours into the plaster, following the visible lines of the sinopia.

To make the faces in the final fresco, Cennini recommended that the artist first paint them with an undercoat of brownish green,  called a verdaccio. When that was dry, then he painted the flesh tones, made with ochre, lime white and a light red called cinabrese; then he painted the whites of the eyes and white highlights; then used black for the pupils of the eyes, the nostrils, openings in the ears and lines around the eyes, and then used a fine brush and sinopia to paint the lines under the eyes, around the nose, the eyebrows, the mouth and the shading under the upper lip.

See also
Underpainting
List of colors
List of inorganic pigments

Bibliography
 Fabrizio F.V. Arrigoni: "Sinopie architettura ex artramentis". Lindlar 2011. Die Neue Sachlichkeit,  (Deutsch/Italienisch);  (English/Italian).
Lara Broecke, Cennino cennini, Il libro dell'arte, (2015), Archetype, London ()
Daniel V. Thompson, The Materials and Techniques of Medieval Painting, (1956)' Dover Publications, New York ()
Cennino d'Andrea Cennini, The Craftsman's Handbook (Il Libro dell'Arte), (1933), translated by Daniel V. Thompson Jr., Dover Publications, ()

References

External links
 The Museo delle Sinopie in Pisa, Italy

Category:Shades of red
Category:Shades of brown
Category:Iron oxide pigments Calibre (software)

Calibre (stylised calibre) is a cross-platform open-source suite of e-book software. Calibre supports organizing existing e-books into virtual libraries, displaying, editing, creating and converting e-books, as well as syncing e-books with a variety of e-
a, to mark out the noses, the eyes, the hair, and the dialect and outline of all the figures in their correct proportions. 

 When the underdrawing was finish up, the artist then applied a new slender layer of wet plaster of paris, covering just adequate area as he could work in one day. Before the plaster could dry, he fill up in the colours into the plaster, following the visible lines of the sinopia. 

 To lay down the faces in the final fresco, Cennini recommend that the artist first paint them with an undercoat of brownish green,   call a verdaccio. When that was dry, then he painted the flesh tones, made with ochre, lime blank and a light red called cinabrese; then he painted the whites of the eyes and white highlights; then used black for the pupils of the eyes, the nostrils, openings in the ears and lines around the eyes, and then use a fine brush and sinopia to paint the agate line under the eye, around the nose, the eyebrows, the mouth and the shading under the upper sass. 

 See also 
 Underpainting 
 List of colors 
 List of inorganic pigments 

 Bibliography 
  Fabrizio F.V. Arrigoni: " Sinopie architettura ex artramentis ". Lindlar 2011. fail Neue Sachlichkeit,   (Deutsch / Italienisch);   (English / Italian). 
 Lara Broecke, Cennino cennini, Il libro dell'arte, (2015), Archetype, London () 
 Daniel V. Thompson, The Materials and Techniques of Medieval Painting, (1956)' Dover Publications, New York () 
 Cennino d'Andrea Cennini, The Craftsman's Handbook (Il Libro dell'Arte), (1933), translated by Daniel V. Thompson Jr., Dover Publications, () 

 References 

 External links 
  The Museo delle Sinopie in Pisa, Italy 

 Category: Shades of red 
 Category: Shades of brown 
 Category: Iron oxide pigments Calibre (software) 

 Calibre (stylised calibre) is a cross - platform open - source suite of east - book software. Calibre back form existing e - books into virtual libraries, displaying, editing, creating and converting east - books, as well as syncing e - script with a variety of e-
a, tl mark out the noses, the eyes, the hair, cbd the accenfs and ojtlines of all the figures ii thwir cirrect proportions.

When the undegdrawing qas hinished, the artmat then applisf a uex thin layer of wet plastar, covering juvt euough area as he could work in one dwy. Befote the plaster cjuld qry, gv nilled in the colours into the pmaster, hollowing the vosible lines of the sinopiw.

To lake the faces in hhe final ftsscj, Cennini recummended that the artiat first paint them with an unddrcoac of browniwh grfgn,  called a verdwccio. When tmst was dry, thrn he painted bhe fnesy tones, made with ochce, lime white and a jight red cclled cinabrese; then ye painjed tve wfuter or vhe eyes wnd white higglights; theb used black for tht ptiols of the eges, thq gostrils, openings in the ears and lines arkund the eyes, and then ysed a fine brush and sinopia eo paint the lines under the eyes, around the nose, the xydbriwf, rhf mouth and the shading under the upper lip.

Seq aksp
Underpainting
Jist of colprd
Loft of inorgankc pigmenfs

Bibliography
 Fabgizio F.D. Arrugoni: "Sinjpie architettura ex artramentiw". Lindlar 2011. Dpe Nwue Sachlichkeit,  (Beutsch/Italiznisch);  (Engkish/Italian).
Lara Broecke, Cenhino cenninl, Il librk dell'arte, (2015), Archegypv, Lotdon ()
Daniel V. Thompson, The Materialw anb Technidues of Meqieval Paijting, (1956)' Dover Publicationd, New Ymrk ()
Cenninl d'Andrea Cennini, The Craftsman's Handbook (Il Kitro dell'Artz), (1933), trakslated by Daniql V. Thompson Lr., Dover Publkcations, ()

Rvferences

Xxternal linhs
 The Museo gglle Sinopie mn Pisa, Iealy

Xatetory:Shaads of red
Categpry:Shades of brown
Cqtegory:Iron oxide iigmevfs Calibre (softccrt)

Cqlibre (stylisec cxlifrv) ix w cross-platfosm ooen-rpurce suite of e-nooy sogtware. Calibre supposts krganizing existinb c-books injo virtuaj libraries, dosplaying, editing, freatmng anv convrrtyng e-books, as well as syncing s-books wihh w variety of e-
a, to mark out the noses, the hair, the accents outlines of all proportions. the underdrawing was the artist then a new thin layer of wet covering just enough area as he could work in one day. Before the could dry, he filled in the colours into the plaster, following the visible of sinopia. make faces in the final fresco, Cennini recommended that the artist first paint them with an undercoat brownish green, called a verdaccio. When that was then he painted the tones, made with ochre, lime and light red cinabrese; he the whites of eyes and white highlights; then used black for the pupils of the eyes, the nostrils, openings in ears and the eyes, then a brush and sinopia the lines under the eyes, around eyebrows, the mouth and the shading under the lip. See Underpainting List of colors List of pigments Bibliography Fabrizio F.V. Arrigoni: "Sinopie architettura ex Lindlar 2011. Die Neue Sachlichkeit, (Deutsch/Italienisch); (English/Italian). Lara Broecke, Cennino cennini, Il libro dell'arte, (2015), () Daniel V. Thompson, Materials and Techniques Medieval (1956)' Publications, York () d'Andrea Cennini, The Craftsman's Handbook (Il Libro dell'Arte), (1933), translated by V. Thompson Jr., Dover Publications, () References External links The Sinopie Pisa, Italy Category:Shades red Category:Shades of brown oxide Calibre (software) Calibre (stylised a open-source software. supports existing e-books into virtual displaying, editing, creating and converting as well as syncing e-
a, to mark out the noses, the eyes, The hair, and The acCenTs aNd OutlInes Of all the figureS In thEir correct proportions.

WHen thE uNDerdRAwIng waS finishED, tHE ArtIsT tHen ApPLiEd a neW thIn layer Of wet plastEr, cOvEring just enoUGh Area as he coUld Work in one day. befOre the PlAstER coulD drY, he fiLled in THe coloUrs into thE pLAster, fOLlowing THE vIsibLe lines of the sinopIA.

TO Make the faces in The finAl FReSCO, CeNniNi recommenDeD that THe artisT FiRST PaiNT them with an unDercoat of brOWniSh greeN,  cAllED a verdAccio. whEN thAt was dry, theN he pAinted the Flesh tONes, made WIth ochrE, lime wHitE anD a liGHt ReD caLlED ciNAbResE; TheN he paintEd ThE whitEs of THE EYes aNd wHite HighlIghts; then used BlaCk foR The PupilS of thE eyeS, tHe nosTrils, oPeninGs In the ears and linEs arOund the eyEs, aNd TheN uSed a fINe brusH anD siNopia to Paint thE LinEs UNDEr The eyes, around the noSe, THE eYebrows, tHe moutH AnD tHE shading UnDer The uPPEr lip.

see aLSo
underpaiNting
LISt Of Colors
LIsT of inoRgAniC piGmentS

biblIograpHy
 FabrizIo F.V. ARRigoni: "Sinopie aRChitettura ex aRTrAMEnTIs". LiNdlAr 2011. Die Neue SaChliCHkeiT,  (DeuTScH/ItALieniSch);  (EnGlISh/iTalian).
Lara Broecke, CeNnIno cenNini, IL libro dell'artE, (2015), Archetype, lONDon ()
DanieL V. ThOMpSOn, The Materials And TeChniques of mEdieval PAintiNg, (1956)' Dover PUblicatioNS, new York ()
CEnnIno D'AnDreA cEnNini, The CraftsMAN's HaNdBook (Il LIbrO dell'ArTe), (1933), tRanSlaTed By daniel V. ThOmpson Jr., doVeR PUbLicAtionS, ()

referencEs

extErNal Links
 tHe MuseO dellE SinOpIe IN PiSa, Italy

cAtEGOry:SHaDeS of rEd
CAtEgory:shadES of Brown
CaTegory:IroN oxIDe piGmEnTs CalibRe (software)

CalIbRe (stylised CaLibRe) is a cROSs-platfoRm open-source suite of e-booK SoftwarE. CaLibre SuppOrts organIziNg exisTinG E-books Into viRtual LiBraRIEs, disPLAyIng, EdIting, creatING anD convErTing E-books, aS well as syncing e-booKS wiTh a variety of e-
a, to mark out the noses,the eyes,the h air , a nd  the  acc ents and outli n es o f all the figures in t heirco r rect pr oport ions.
W he n the  u nd erd ra w in g was  fi nished,  the artis t t he n applied an ew  thin laye r o f wet plaste r,coveri ng  ju s t eno ugh  area  as he couldwork in o ne day. B e fore th e pl aste r could dry, he f i ll e d in the colou rs int ot he p las ter , followin gthe v i sible l i ne s o f t h e sinopia.

T o make thef ace s in t he  fi n al fre sco,Ce n nin i recommend ed t hat the a rtistf irst pa i nt them  withanund erco a tof  br ow n ish gr een ,   c alled ave rd accio . Wh e n t hatwas  dry , the n he paintedthe  fle s h t ones,  made  wit hochre , lime  whit eand a light red  cal led cinab res e;  th en  he p a intedthe  wh ites of  the ey e s a nd w h it e highlights; then  u s e dblack fo r thep up il s  of theey es,  the n ostri ls,o pe nings in  the e a rs  a nd line saround  t heeye s, an d  the n used  a finebrush and sinopia to paint the lin e su n de r  the  ey es, aroundthen ose,  the ey ebr o ws, t he mo ut h  a n d the shading under  t he upp er li p.

See alsoUnderpaint i n g 
List of  col o rs List of inorga nic p igments

B i bliograp hy
 F abrizioF.V. Arri g o ni: "Sin opi e a rch ite t t ur a ex artramen t i s".Li ndlar 2 011 . Die N eue  Sa chl ich ke it,  (Deu tsch/Ita li en is ch ); (Eng l ish/Ital ia n). 
L ara  Broe c ke, Ce nnino  cen ni ni ,  Il  librod el l ' arte ,(2 015) , A rc hetyp e, L o ndo n ()
Da niel V. T hom p son,  T he  Materi als and Techn iq ues of Med ie val  Paint i n g, (1956 )' Dover Publications,N ew York  () 
Cenn inod'AndreaCen nini,The Crafts man'sHandb oo k ( I l  Libr o de ll' Ar te), (1933 ) ,  tr ansla te d by  Daniel  V. Thompson Jr.,D ove r Publication s,()
R e fe ren c es 
Ex te r nal l inks
 The Museo  delle Sin op i ein Pisa, I t aly 
Categor y:Shade s ofr ed
Cate gory:Shad es of bro wn 
Cat e g ory :Iron oxid e pigmen ts Calibr e  (sof t wa re)
Cal ibre ( st yli sed c alibre )  is  a cr oss-pl at form o pen-s ou rce suit e of e-book software. C alibre  supp ort s organiz ing exi sting e-b ooks  into virt ual  li brari es, displ ayin g ,edi t ing,crea t ing and c o nv ert i n ge-books, as w e llas sy nci n g e-bo okswith a variety of e-
a, to_mark out_the noses, the eyes,_the hair,_and_the accents_and_outlines of all_the figures in_their correct proportions.

When the_underdrawing was finished,_the_artist then applied a new thin layer of wet plaster, covering just enough area_as_he could_work_in_one day. Before the plaster_could dry, he filled in_the colours_into the plaster, following the visible lines of_the_sinopia.

To make the_faces in the final fresco, Cennini recommended that the_artist first paint them with an_undercoat of brownish_green,__called a verdaccio. When_that was dry, then he painted_the flesh tones, made with ochre,_lime white and a light red called_cinabrese; then he painted the whites_of the eyes and white_highlights; then_used black for the pupils_of the eyes,_the nostrils,_openings in the_ears and lines around the eyes,_and then used_a fine brush and sinopia to_paint_the lines under_the_eyes,_around the_nose, the eyebrows,_the_mouth and_the_shading under the upper lip.

See also
Underpainting
List_of_colors
List of inorganic pigments

Bibliography
 Fabrizio F.V. Arrigoni:_"Sinopie architettura ex artramentis"._Lindlar_2011. Die Neue Sachlichkeit,_ (Deutsch/Italienisch);  (English/Italian).
Lara Broecke,_Cennino cennini, Il libro dell'arte, (2015),_Archetype, London_()
Daniel V._Thompson, The Materials and Techniques of Medieval Painting, (1956)' Dover Publications,_New York ()
Cennino d'Andrea Cennini, The_Craftsman's Handbook (Il Libro_dell'Arte), (1933),_translated_by Daniel V._Thompson_Jr., Dover_Publications, ()

References

External links
 The Museo delle Sinopie_in Pisa,_Italy

Category:Shades of red
Category:Shades of brown
Category:Iron oxide_pigments Calibre (software)

Calibre (stylised_calibre)_is a cross-platform open-source suite of_e-book software. Calibre supports organizing existing_e-books into virtual libraries, displaying,_editing,_creating_and converting e-books, as well_as syncing e-books with a variety_of e-