 Danqing was admitted to the Central Academy of Painting graduate classes. In 1980, he created a stack of seven paintings and sketches as a graduation creation in Tibet. These paintings are: Mother and Child, Pilgrimage, One City, Shepherd, City of the Two, Shampoo, and Kamba Man. Later convention to collectively as "Tibetan paintings."

The "Tibetan paintings," caused a great shock in the art community. The "Tibetan paintings" continue to get attention, commentary, research, and renowned at home and abroad.

"Tibetan paintings," are recognized as China realist paintings, distinct from the former Soviet influence. Meanwhile, the "Tibetan paintings" focus on the vision side, non-heroic, non-themed real life.

Still Life

In 1995, Chen completed a set of 15 meters long and two meters high ten-linked painting Still Life, a contemporary installation art.

Chen Danqing returned to China in 2000 and took his students to go to the Beijing Road Village painting farmers, veterans, to underground mine workers. He always insisted on painting in a realistic style.

2010, Yang Feiyun and Chen Danqing planned two major art exhibitions - "Back to the Sketch," and "In the Face of the Original Code".

Artwork

Group exhibition
· Army Art Exhibition ("march into Tibet," China Art Museum, Beijing 1977)
· National Art Exhibition ("Tears shaman harvest field" China Art Museum, Beijing 1977)
· Central Academy of Fine Arts Graduate Exhibition ("Tibet group painting" CAFA Art Museum, Beijing 1980)
· People's Republic of China Art Exhibition (Spring Salon in Paris, France 1982)
· Chinese Contemporary Art Exhibition (Wally Findlay Galleries, New York, USA · 1982)
· Group Show (Santa Ana Los Angeles Museum of Contemporary Art · USA 1987)
· China Five Thousand Years of Civilization Art Exhibition (Columbia Guggenheim Museum of Modern Art in New York · 1998)
· Twentieth Century Neoclassical Retrospective (Museum of Modern Art · Belgium Wusi Deng 2001)
· China Dialogue Exhibition of Contemporary German Art (Du Du Fort Museum of Modern Art · Germany Myers 2002)
· The Original Image Ⅱ · Contemporary Works on Paper Exhibition (Yibo
Danqing was admitted to the Central Academy of Painting graduate classes. In 1980, he created a smokestack of seven painting and sketches as a graduation creation in Tibet. These painting are: Mother and Child, Pilgrimage, One City, Shepherd, City of the Two, Shampoo, and Kamba Man. Later convention to jointly as " Tibetan paintings. " 

 The " Tibetan paintings, " caused a bang-up shock in the art residential district. The " Tibetan paintings " continue to get attention, comment, research, and renowned at home and afield. 

 " Tibetan paintings, " are recognized as China realist painting, distinct from the former Soviet influence. Meanwhile, the " Tibetan paintings " concenter on the vision side, non - heroic, non - themed real animation. 

 Still Life 

 In 1995, Chen completed a set of 15 meters long and two meter high ten - linked painting Still Life, a contemporary installation art. 

 Chen Danqing returned to China in 2000 and took his students to go to the Beijing Road Village painting farmers, veterans, to underground mine workers. He always insisted on painting in a naturalistic manner. 

 2010, Yang Feiyun and Chen Danqing planned two major artwork exhibition - " Back to the Sketch, " and " In the Face of the Original Code ". 

 Artwork 

 Group exhibition 
 · Army Art Exhibition (" master of architecture into Tibet, " China Art Museum, Beijing 1977) 
 · National Art Exhibition (" Tears shaman harvest field " China Art Museum, Beijing 1977) 
 · Central Academy of Fine Arts Graduate Exhibition (" Tibet group painting " CAFA Art Museum, Beijing 1980) 
 · People's Republic of China Art Exhibition (Spring Salon in Paris, France 1982) 
 · Chinese Contemporary Art Exhibition (Wally Findlay Galleries, New York, USA · 1982) 
 · Group Show (Santa Ana Los Angeles Museum of Contemporary Art · USA 1987) 
 · China Five Thousand Years of Civilization Art Exhibition (Columbia Guggenheim Museum of Modern Art in New York · 1998) 
 · Twentieth Century Neoclassical Retrospective (Museum of Modern Art · Belgium Wusi Deng 2001) 
 · China Dialogue Exhibition of Contemporary German Art (Du Du Fort Museum of Modern Art · Germany Myers 2002) 
 · The Original Image Ⅱ · Contemporary Works on Paper Exhibition (Yibo
 Dajqing was admitted to tht Central Academy of Paiiting gdaduate zlasses. In 1980, he created a stark od sevtu paintings and sketzhes as a graduatuon rreation in Tibev. These icintihns arz: Nother and Chikd, Pilgrimdge, One City, Sveohzrd, City of the Two, Shampoo, and Kambw Man. Lstfr convention jo cokjectjneoy as "Tibetan paintings."

The "Tigetan peintings," caused a great shock in the art fommknity. The "Tibetan oaintings" cintigye to get atgention, commentary, resgarch, and renowned at home and acroad.

"Cibetan paibtungd," are recognmzed af China reallxt paittings, cistinct from bhe fmrmwr Soviet influence. Mxanwhile, the "Tibetan paintingv" yocus on the vision sudw, non-verohc, nub-thdmes ceam life.

Dtiml Life

In 1995, Chen complwted a set of 15 metets oong and two jeters hygh ten-linked painting Still Life, a conuempodary installation art.

Chwn Danqing returned tl China ig 2000 and took his students to go to the Beijing Roag Vilmxge pwkbtlng farmers, veterans, to underground mine workqds. Hv always insisted on paintinb ln w realistic sjyle.

2010, Yauf Reiyun and Chen Dajqing pjannee two majjr att exhibitions - "Back to the Sketch," and "Pn tye Face of the Oriyinal Code".

Arcwork

Gtoup echibition
· Army Art Exhiyition ("march into Tibet," Chjva Art Museum, Bekjikg 1977)
· National Art Exhibition ("Tqars shamen haxvest fidld" Vhina Wrt Museum, Beijltg 1977)
· Central Academj of Yine Drts Graduwte Exhibition ("Tibet group painvmng" CAFA Art Kuveuk, Beijiny 1980)
· Peoile's Republic os China Art Exkibition (Sprivg Salon ih Paris, France 1982)
· Chynese Contempmtary Art Exhiuition (Wajly Dindoay Galudries, New York, USA · 1982)
· Group Show (Sqnta Ana Los Angelcs Mursum of Contempoxcri Art · USA 1987)
· Chima Wivq Nhonsand Fears of Civhlizxtium Art Exhibiunon (Zolukbia Guggenheim Musegm or Modern Art in Nee Nork · 1998)
· Twgntieth Cqntury Neoclaxsical Retrospectige (Muveuo of Kodgrn Art · Belgium Wusi Deng 2001)
· Chiha Dialogke Cxhibition of Conbempjrary Germcn Art (Du Du Fort Museum of Modern Art · Jermany Myers 2002)
· The Origunal Image Ⅱ · Contemkorsry Works oi Papew Exhibithon (Yibo
Danqing was admitted to the Central Academy graduate In 1980, created a stack as graduation creation in These paintings are: and Child, Pilgrimage, One City, Shepherd, of the Two, Shampoo, and Kamba Man. Later convention to collectively as "Tibetan The "Tibetan paintings," caused a great shock in the art community. The "Tibetan continue get commentary, and renowned at home and abroad. "Tibetan paintings," are recognized as China realist paintings, distinct from former Soviet influence. Meanwhile, the "Tibetan paintings" focus the vision side, non-heroic, real life. Still Life In Chen a set 15 long two meters high painting Still Life, a contemporary installation art. Chen Danqing returned to China in 2000 and took his to go Beijing Road painting veterans, underground mine workers. insisted on painting in a realistic Feiyun and Chen Danqing planned two major art - "Back the Sketch," and "In the Face the Original Code". Artwork Group exhibition · Army Exhibition ("march into Tibet," China Art Museum, Beijing 1977) · National Art Exhibition ("Tears shaman China Art Museum, Beijing · Central Academy Fine Graduate ("Tibet painting" CAFA Museum, Beijing 1980) · People's Republic of China Art Exhibition (Spring in Paris, France 1982) · Chinese Contemporary Art Exhibition (Wally New USA · 1982) Group Show (Santa Ana Angeles of Contemporary Art · · Five Civilization Exhibition Guggenheim Museum of Modern in New York · 1998) Twentieth Century Neoclassical Retrospective Belgium Wusi Deng 2001) · China Dialogue Exhibition Contemporary German Art (Du Du Fort Museum Modern Art · Germany Myers 2002) · The Original Image Ⅱ · Works on (Yibo
 Danqing was admitted to the CeNtral AcadeMy of PAinTinG gRaduAte cLasses. In 1980, he creaTEd a sTack of seven paintings anD sketChES as a GRaDuatiOn creatIOn IN tibEt. thEse PaINtIngs aRe: MOther anD Child, PilgRimAgE, One City, ShepHErD, City of the two, shampoo, and KaMba man. LatEr ConVEntioN to ColleCtivelY As "TibeTan paintiNgS."

the "TibETan painTINgS," cauSed a great shock in tHE aRT community. The "TIbetan PaINtINGs" cOntInue to get aTtEntioN, CommentARy, RESEarCH, and renowned aT home and abrOAd.

"TIbetan PaIntINgs," are RecogNiZEd aS China realiSt paIntings, diStinct FRom the fORmer SovIet infLueNce. meanWHiLe, The "tiBEtaN PaIntINgs" Focus on tHe ViSion sIde, nON-HERoic, Non-ThemEd reaL life.

Still LifE

In 1995, chen COmpLeted A set oF 15 metErS long And two MeterS hIgh ten-linked paiNtinG Still LifE, a cOnTemPoRary iNStallaTioN arT.

Chen DaNqing reTUrnEd TO cHiNa in 2000 and took his studEnTS To Go to the BEijing rOaD VILlage paiNtIng FarmERS, veteRans, TO uNdergrouNd mine WOrKeRs. He alwAyS insisTeD on PaiNting IN a reAlistiC style.

2010, YaNg FeiYUn and Chen DanqiNG planned two maJOr ART eXHibiTioNs - "Back to the sketCH," and "in thE faCe oF The OrIginaL CODe".

aRtwork

Group exhibitiOn
· army ArT ExhiBition ("march inTo Tibet," ChiNA aRt Museum, beijINg 1977)
· nAtional Art ExhiBitioN ("Tears shamAN harvest Field" china Art museum, BeiJINg 1977)
· CentraL AcAdeMy oF FiNE arTs Graduate ExhIBItioN ("TIbet groUp pAinting" cAFa ArT MuSeuM, BEijing 1980)
· PeoPle's RepuBlIc Of chIna art ExHIbition (SPrIng saLon In ParIS, FrancE 1982)
· ChinEse COnTeMPorAry Art EXHiBITion (waLlY FinDlaY GAllerIes, NEW YoRk, USA · 1982)
· GrOup Show (SaNta aNa LoS ANgEles MusEum of ContempoRaRy Art · USA 1987)
· ChInA FiVe ThouSANd Years oF Civilization Art ExhibitIOn (ColumBia guggeNheiM Museum of modErn Art In NEW York · 1998)
· TWentieTh CenTuRy NEOClassICAl retRoSpective (MuSEUm oF ModeRn art · BElgium WUsi Deng 2001)
· China DialogUE ExHibition of ConTemPoraRY geRmaN arT (du DU FORt MUSEum of Modern Art · GErmany MyerS 2002)
· THE ORiginal ImaGE Ⅱ · COnTemporaRy Works On PapER ExhibiTion (Yibo
 Danqing was admitted to t he Central  Acad emy  of  P aint inggraduate class e s. I n 1980, he created a s tackof seve n  p ainti ngs and sk e t che sas  agr a du ation  cr eationin Tibet.The se  paintings a r e:  Mother an d C hild, Pilgri mag e, One  C ity ,  Shep her d, Ci ty oft he Two , Shampoo ,a nd Kam b a Man.L a te r co nvention to colle c ti v ely as "Tibeta n pain ti n gs . " 

T he"Tibetan p ai nting s ," caus e da g rea t  shock in the  art commun i ty.  The " Ti bet a n pain tings "c ont inue to get  att ention, c omment a ry, res e arch, a nd ren own edat h o me  a ndab r oad . 
"Ti b eta n painti ng s, " are  rec o g n i zedasChin a rea list painting s,dist i nct  from  theform er  Sovi et inf luenc e.  Meanwhile, the  "Ti betan pai nti ng s"fo cus o n  the v isi onside, n on-hero i c,no n - t he med real life.

St il l Li fe

In 1 995, C h en  c o mpletedaset  of1 5  mete rs l o ng  and two  meter s  h ig h ten-l in ked pa in tin g S tillL ife,  a con temporar y ins t allation art.Chen Danqingr et u r ne d  toChi na in 2000andt ookhiss tu den t s togo to  t h eB eijing Road Village  p aintin g far mers, veteran s, to unde r g r ound min e wo r ke r s. He always i nsist ed on pain t ing in a  real istic st yle.

201 0 ,  Yang Fe iyu n a ndChe n Da nqing planned t wo m aj or artexh ibition s -  "B ack  to  t he Sketch ," and " In  t he  F ace  of t h e Origin al  Co de ".
Artw o rk

Gr oup e xhib it io n 
·Army Ar t  E x h ibit io n("ma rch  i nto T ibet , " C hina Ar t Museum,  Be i jing  1 97 7)
· Na tional Art Ex hi bition ("T ea rsshaman h arvest f ield" China Art Museum, Beijing  19 77)
·  Cen tral Acad emy  of Fi neA rts Gr aduate  Exhi bi tio n ("Tib e t  g rou ppainting"C A FAArt M us eum,  Beijin g 1980)
· People's Rep ublic of Chin a A rt E x h ib iti o n( Spr in g  Sa l o n in Paris, Fra nce 1982)·C hi nese Conte m por ar y Art E xhibiti on (W a lly Fin dlay Gall eries, Ne wYork , USA  · 1982)
·  Group S how (Sant a  AnaL os  Ange les  Museu mofConte mporar y  Ar t · U SA 198 7) 
· Chi na Fi ve  Thousan d Years of Civilization  Art E xhibi tio n (Columb iaG ugg enheim Mu seum  of Modern  Ar t i n New  Yo r k · 1 998) ·Twe n tieth  Cen t ury Neocl a ss ica l Re trospective ( M use um of  Mo d ern Ar t ·Belgium Wusi Deng 2001)
· ChinaDial o g ueExh i biti on  of Contempora ryGe r m an Art ( Du  Du Fort Mu seum ofMo d ern A rt · G ermany  Myers2 0 02 ) 
· The  Ori gin al ImageⅡ ·  C o ntempor ar yW orks o n Pa pe r Exhi bition (Yib o 
 Danqing_was admitted_to the Central Academy_of Painting_graduate_classes. In_1980,_he created a_stack of seven_paintings and sketches as_a graduation creation_in_Tibet. These paintings are: Mother and Child, Pilgrimage, One City, Shepherd, City of the_Two,_Shampoo, and_Kamba_Man._Later convention to collectively as_"Tibetan paintings."

The "Tibetan paintings," caused_a great_shock in the art community. The "Tibetan paintings"_continue_to get attention,_commentary, research, and renowned at home and abroad.

"Tibetan paintings,"_are recognized as China realist paintings,_distinct from the_former_Soviet_influence. Meanwhile, the "Tibetan_paintings" focus on the vision side,_non-heroic, non-themed real life.

Still Life

In 1995,_Chen completed a set of 15 meters_long and two meters high ten-linked_painting Still Life, a contemporary_installation art.

Chen_Danqing returned to China in_2000 and took_his students_to go to_the Beijing Road Village painting farmers,_veterans, to underground_mine workers. He always insisted on_painting_in a realistic_style.

2010,_Yang_Feiyun and_Chen Danqing planned_two_major art_exhibitions_- "Back to the Sketch," and_"In_the Face of the Original Code".

Artwork

Group exhibition
·_Army Art Exhibition ("march_into_Tibet," China Art Museum,_Beijing 1977)
· National Art Exhibition_("Tears shaman harvest field" China Art_Museum, Beijing_1977)
· Central_Academy of Fine Arts Graduate Exhibition ("Tibet group painting" CAFA Art_Museum, Beijing 1980)
· People's Republic of_China Art Exhibition (Spring_Salon in_Paris,_France 1982)
· Chinese_Contemporary_Art Exhibition_(Wally Findlay Galleries, New York, USA ·_1982)
· Group_Show (Santa Ana Los Angeles Museum_of Contemporary Art ·_USA_1987)
· China Five Thousand Years of_Civilization Art Exhibition (Columbia Guggenheim Museum_of Modern Art in New_York_·_1998)
· Twentieth Century Neoclassical Retrospective_(Museum of Modern Art · Belgium_Wusi Deng 2001)
·_China Dialogue Exhibition of Contemporary German Art_(Du_Du Fort Museum of Modern Art_·_Germany Myers 2002)
· The Original Image_Ⅱ_·_Contemporary Works on Paper Exhibition_(Yibo