 1979. Following the Poole show, the tour's lighting engineer Bill Duffield was killed after falling from a stage and seating structure at the concert venue. The first of the final three London dates on 12 May 1979 was performed as a benefit concert for the family of Duffield, and featured an altered setlist and performances by Peter Gabriel and Steve Harley. Bush released the song "Blow Away (For Bill)", dedicated to Duffield, on her third studio album Never for Ever (1980). In 1994, Bush described the physical exhaustion she experienced as a result of touring, a comment which she echoed in 2011. Bush did not tour again until 2014's Before the Dawn, a concert residency at London's Hammersmith Apollo.

Concert synopsis
The show opened with playback of whale song, with Bush's shadow projected as she began to dance while the curtain parted to reveal the stage. Bush, wearing a blue leotard, sang the first song "Moving." A shadow projection of the band's saxophone player was used next, during "The Saxophone Song". The theatre was then filled with the sound of a heartbeat as red lights flickered while the onstage piano was removed. A large oval upholstered with red satin, designed to look like an egg or womb, was rolled onto the stage, from within which Bush sang "Room for the Life" as it was rolled around the stage. Dressed in a long coat and trilby hat, Bush was joined by two male dancers to perform "Them Heavy People". She then moved to the piano to play "The Man with the Child in His Eyes". The band then played the as yet unreleased "Egypt", while Bush emerged from the back of the stage wearing an Egyptian costume. An extended introduction to "L'Amour Looks Something Like You" was then played in darkness, while Bush changed into a black leotard and red skirt. While at centre-stage by a tall mirror, a magician emerged to perform with a flying cane. Bush performed "Violin", wearing bat wings and taunted by her two dancers dressed as giant violins. As the stage darkened, Bush's brother, John Carder Bush, recited a poem, which culminated in a spoken duet with Bush herself. She was then illuminated by a spotlight for the performance "The Kick Inside" at the piano. A black veil was placed over her and the curtains closed.

The second section began with the curtains part
1979. Following the Poole show, the tour's lighting engineer Bill Duffield was stamp out after decrease from a stage and seating structure at the concert venue. The beginning of the final three London dates on 12 May 1979 was do as a benefit concert for the kin of Duffield, and featured an altered setlist and performances by Peter Gabriel and Steve Harley. Bush released the sung " Blow Away (For Bill) ", dedicate to Duffield, on her third studio apartment album Never for Ever (1980). In 1994, Bush described the forcible exhaustion she know as a result of touring, a comment which she echoed in 2011. Bush did not tour again until 2014's Before the Dawn, a concert residency at London's Hammersmith Apollo. 

 Concert synopsis 
 The appearance opened with playback of whale song, with Bush's shadow project as she began to dance while the curtain parted to reveal the stage. Bush, wearing a aristocratic leotard, sang the first song " Moving. " A shadow projection of the band's saxophone player was used next, during " The Saxophone Song ". The theatre was then filled with the sound of a heartbeat as red lights flickered while the onstage piano was remove. A large oval upholstered with crimson satin, design to look like an egg or womb, was roll onto the stage, from within which Bush sang " Room for the Life " as it was rolled around the stage. dress in a long coat and trilby hat, Bush was joined by two male dancers to perform " Them Heavy People ". She then move to the piano to play " The Man with the Child in His Eyes ". The band then played the equally yet unreleased " Egypt ", while Bush emerge from the binding of the stage wearing an Egyptian costume. An extended introduction to " L'Amour look Something Like You " was then played in darkness, while Bush changed into a bootleg leotard and red dame. While at centre - stage by a improbable mirror, a magician emerge to perform with a fly cane. Bush performed " Violin ", wear bat wing and taunted by her two dancer dressed as giant violin. As the stage darkened, Bush's brother, John Carder Bush, recited a poem, which culminated in a spoken duet with Bush herself. She was then illuminated by a spotlight for the performance " The Kick Inside " at the piano. A black veil was placed over her and the curtain closed. 

 The second section get down with the curtains part
 1979. Flllowing the Poole show, uhe tour's lightiny enginxer Bilm Duffieud was killed after falling hrom a stqge and seating structjre at thv concert venne. The first of vge final thres Lonboi dates on 12 May 1979 was perfmrmed as a benafkt concert for the family of Duffield, and festkred an altereq seulift ahd performances by Peter Gabriel ahd Stevt Harley. Bush relessed the song "Blow Away (Fog Bipl)", dedicated to Duvfield, on hgd trurd studio aubum Never for Ever (1980). Ih 1994, Bush described the physical dxhauxtion she grperlgnced as a rxsult jf touring, a comment which xhe echoed in 2011. Buvh eid not tour again unvil 2014's Before the Dawg, a concest residency at Loneob's Hakmervmitf Apullk.

Cpndert sjno'sis
The shos opened wirh playback of whalt sjbg, with Bush's shador [rojected as she began to dance while tve durtain parted to reveao the stage. Bush, wearlng a bluq leotard, sang the first song "Moving." A shadow probectikv oy the cqnf's saxophone player was used next, during "The Fzxppmone Song". The thcatre was then filkef eyth the sound of a ksadtbeat as red lighhs flichered while tht onsyage piano was removed. A laege oval uphjostered with red sctin, designeb to lpok loke an egg or womb, was xolled onto the shage, from dithin which Busf ssnc "Room for the Life" as it ras rollev arobnd the rtagg. Dressqd in a lojg coat and trilby hat, Bksh wcs johned by twl male dancers to perform "Them Ixavy People". Sne thvn moved co the piano to plar "The Man with the Chnld in His Eyes". Nhe band vhen played ehe as yet unsgleased "Egypt", while Btsh wmerted froo the back of tne stage ctaring an Wgyptian costume. Ak extgnsed introductiou uo "L'Amour Looks Xomdthynh Kiha You" was than puaydc in aarkness, whlle Busn changed into a blawk lsotard and red skitt. While aj centre-seage by a talk mirror, a magiciaj emecged tu pergori with a flying cane. Bush perfkrmed "Viopin", wearing bat winns agd taunted by her two dancers dressed as giant viilins. As the stagg darkened, Bush's brotkev, John Cardec Bush, recited d poem, which culminared in a spoken dmet with Bush herself. Ahe wav thej illuminated by a spotlight for the performance "The Kick Inside" at the puano. A black veil sas llaceg jrer her and vhe curtains closvd.

The second section began with vhe curtaits part
1979. Following the Poole show, the tour's Bill was killed falling from a the venue. The first the final three dates on 12 May 1979 was as a benefit concert for the family of Duffield, and featured an altered and performances by Peter Gabriel and Steve Harley. Bush released the song "Blow (For dedicated Duffield, her third studio album Never for Ever (1980). In 1994, Bush described the physical exhaustion she as a result of touring, a comment which echoed in 2011. Bush not tour again until 2014's the a concert at Hammersmith Concert synopsis The opened with playback of whale song, with Bush's shadow projected as she began to dance while the parted to stage. Bush, a leotard, the first song shadow projection of the band's saxophone next, during "The Saxophone Song". The theatre was filled with sound of a heartbeat as red flickered while the onstage piano was removed. A oval upholstered with red satin, designed to look like an egg or womb, was rolled stage, from within which sang "Room for Life" it rolled the stage. in a long coat and trilby hat, Bush was joined by male dancers to perform "Them Heavy People". She then moved piano play "The Man the Child in His The then played the as "Egypt", Bush back the wearing an Egyptian costume. extended introduction to "L'Amour Looks Like You" was then changed into a black leotard and red skirt. at centre-stage by a tall mirror, a emerged to perform with a flying cane. Bush performed "Violin", wearing bat and taunted two dancers dressed as giant violins. As the darkened, Bush's brother, John Bush, recited a poem, which culminated in a spoken with herself. She then illuminated by spotlight for the "The Kick Inside" piano. A veil placed the curtains closed. The second section with curtains part
 1979. Following the Poole show, the tOur's lightiNg engIneEr BIlL DufFielD was killed afteR FallIng from a stage and seatinG struCtURe at THe ConceRt venue. tHe FIRst Of ThE fiNaL ThRee LoNdoN dates oN 12 May 1979 was perForMeD as a benefit cONcErt for the fAmiLy of Duffield, And FeaturEd An aLTered SetList aNd perfORmanceS by Peter GAbRIel and sTeve HarLEY. BUsh rEleased the song "BloW awAY (For Bill)", dedicaTed to DUfFIeLD, On hEr tHird studio AlBum NeVEr for EvER (1980). IN 1994, bUSh dEScribed the phySical exhausTIon She expErIenCEd as a rEsult Of TOurIng, a comment WhicH she echoeD in 2011. BusH Did not tOUr again Until 2014's befOre The DAWn, A cOncErT ResIDeNcy AT LoNdon's HamMeRsMith APollO.

cONCert SynOpsiS
The sHow opened with PlaYbacK Of wHale sOng, wiTh BuSh'S shadOw projEcted As She began to dance WhilE the curtaIn pArTed To ReveaL The staGe. BUsh, Wearing A blue leOTarD, sANG ThE first song "Moving." A sHaDOW pRojectioN of the BAnD's SAxophone PlAyeR was USEd nexT, durINg "the SaxopHone SoNG". THe Theatre WaS then fIlLed WitH the sOUnd oF a hearTbeat as rEd ligHTs flickered whiLE the onstage piANo WAS rEMoveD. A lArge oval uphOlstERed wIth rED sAtiN, DesigNed to LoOK lIKe an egg or womb, was rolLeD onto tHe staGe, from within wHich Bush saNG "rOom for thE LifE" As IT was rolled arouNd the Stage. DressED in a long Coat aNd trilby Hat, Bush waS JOined by tWo mAle DanCerS TO pErform "Them HeaVY peopLe". she then MovEd to the PiaNo tO plAy "THe man with thE Child in hiS EYeS". THe bAnd thEN played tHe As yEt UnrEleasED "Egypt", While bush EmErGEd fRom the bACk OF The sTaGe WearIng An egyptIan cOStuMe. An extEnded intrOduCTion To "l'AMour LooKs Something LiKe you" was then PlAyeD in darKNEss, while bush changed into a black leOTard and Red Skirt. whilE at centre-StaGe by a tAll MIrror, a MagiciAn emeRgEd tO PErforM WItH a fLyIng cane. BusH PErfOrmed "viOlin", Wearing Bat wings and taunted BY heR two dancers drEssEd as GIAnT viOLiNS. As ThE StaGE Darkened, Bush's brOther, John CArDEr bush, reciteD A poEm, Which cuLminateD in a sPOken dueT with Bush Herself. ShE wAs thEN IllUminated by A spotligHt for the pERformANcE "The KIck inside" At The Piano. a black VEil Was plAced ovEr Her and The cuRtAins closEd.

The second section began With thE curtAinS part
 1979. Following the Poole  show, the  tour 'slig ht ingengi neer Bill Duff i eldwas killed after falli ng fr om a st a ge  andseating st r u ctu re  a t t he co ncert  ve nue. Th e first of  th efinal threeL on don dateson12 May 1979was  perfo rm eda s a b ene fit c oncert for th e familyof Duffie l d, andf e at ured  an altered setli s ta nd performance s by P et e rG a bri eland SteveHa rley. Bush re l ea s e d  th e  song "Blow A way (For Bi l l)" , dedi ca ted to Duf field ,o n h er third st udio  album Ne ver fo r  Ever ( 1 980). I n 1994 , B ush  des c ri be d t he phy s ic ale xha ustion s he  e xperi ence d a s  a r esu lt o f tou ring, a comme ntwhic h  sh e ech oed i n 20 11 . Bus h didnot t ou r again until 2 014' s Beforethe  D awn ,a con c ert re sid enc y at Lo ndon'sH amm er s m i th  Apollo.

Concertsy n o ps is
The s how op e ne dw ith play ba ckof w h a le so ng,w it h Bush's  shado w  p ro jectedas  she b eg antodance whil e thecurtainparte d  to reveal the stage. Bush,w ea r i ng a bl ueleotard, sa ng t h e fi rsts on g " M oving ." Ash a do w  projection of theba nd's s axoph one player wa s used nex t , during " TheS ax o phone Song". T he th eatre wast hen fill ed wi th the s ound of a h eartbeat  as  re d l igh t s  f lickered whil e theon stage p ian o was r emo ved . A  la rg e oval up holstere dwi th  r edsatin ,  designe dtolo oklikea n eggor wo mb,wa sr oll ed onto th e stag e,  f romwit hi n whi ch B u shsang "R oom for t heL ife"  a sit wasrolled around  t he stage.Dr ess ed ina long coa t and trilby hat, Bushw as join edby tw o ma le dancer s t o perf orm "ThemHeavyPeopl e" . S h e  then m ov edto  the piano t o p lay " Th e Ma n withthe Child in His E y es" . The band th enplay e d  t hea sy etun r ele a s ed "Egypt", whi le Bush em er g ed  from theb ack  o f the s tage we aring an Egyp tian cost ume. An e xt ende d int roductionto "L'Am our Looks Somet h in g Lik e Y ou" wa sthe n pla yed in dar kness , whil eBush c hange dinto a b lack leotard and red sk irt. W hileatcentre-st age bya tall mi rror , a magici aneme rgedtop erfor m wi t ha f l yingcane .  Bush per f or med " Vi olin", wear i n g  ba t win gsa nd tau nted  by her two dance r s dressed as g iant v iol ins .  Asth e stage darken ed,  B u s h's brot he r, John Car der Bush ,r ecite d a po em, wh ich cul m i na t ed ina sp oke n duet wi thBu s h herse lf .S he was  the nillumi natedb y as p otlight for theperfo r m ance" The  Kick  I nside"a t th e piano. A  black veil  was p lace d ove r her a nd  the c urt ai ns closed. 
The seco nd se ction b eg an w ith  the c urta i n s par t
 1979._Following the_Poole show, the tour's_lighting engineer_Bill_Duffield was_killed_after falling from_a stage and_seating structure at the_concert venue. The_first_of the final three London dates on 12 May 1979 was performed as a_benefit_concert for_the_family_of Duffield, and featured an_altered setlist and performances by_Peter Gabriel_and Steve Harley. Bush released the song "Blow_Away_(For Bill)", dedicated_to Duffield, on her third studio album Never for_Ever (1980). In 1994, Bush described_the physical exhaustion_she_experienced_as a result of_touring, a comment which she echoed_in 2011. Bush did not tour_again until 2014's Before the Dawn, a_concert residency at London's Hammersmith Apollo.

Concert_synopsis
The show opened with playback_of whale_song, with Bush's shadow projected_as she began_to dance_while the curtain_parted to reveal the stage. Bush,_wearing a blue_leotard, sang the first song "Moving."_A_shadow projection of_the_band's_saxophone player_was used next,_during_"The Saxophone_Song"._The theatre was then filled with_the_sound of a heartbeat as red lights_flickered while the onstage_piano_was removed. A large_oval upholstered with red satin,_designed to look like an egg_or womb,_was rolled_onto the stage, from within which Bush sang "Room for the_Life" as it was rolled around_the stage. Dressed in_a long_coat_and trilby hat,_Bush_was joined_by two male dancers to perform "Them_Heavy People"._She then moved to the piano_to play "The Man_with_the Child in His Eyes". The_band then played the as yet_unreleased "Egypt", while Bush emerged_from_the_back of the stage wearing_an Egyptian costume. An extended introduction_to "L'Amour Looks_Something Like You" was then played in_darkness,_while Bush changed into a black_leotard_and red skirt. While at centre-stage_by_a_tall mirror, a magician emerged_to perform with a flying cane._Bush performed "Violin", wearing bat wings and taunted by_her two dancers_dressed as giant violins. As_the_stage_darkened, Bush's brother, John Carder Bush, recited a poem, which_culminated in_a spoken duet_with Bush herself. She was then illuminated by a spotlight_for the performance "The Kick Inside" at_the piano. A black veil was placed over her and the_curtains closed.

The second section began with the curtains_part