 instance the chorale cantata for Trinity 1727 replaces the Trinity cantata of the second cycle composed in 1725. Also, some cantatas traditionally seen as belonging to the chorale cantata cycle are not chorale cantatas in a strict sense, for instance the cantata for the Sunday between New Year and Epiphany added to the chorale cantata cycle in 1727. Neither the second cantata cycle, nor the chorale cantata cycle are complete annual cycles as extant. Even a merging of both cycles into one, with some occasions having two cantatas, which hardly can be seen as an intention of the composer, would still be missing a few cantatas (e.g. for Easter 3 and Trinity XXVI).

Chorale cantatas composed as part of the second annual cycle (Trinity I 1724 to Palm Sunday 1725)
All extant church cantatas Bach composed for occasions from 11 June 1724 (Trinity I) to 25March 1725 (Palm Sunday) are chorale cantatas. As such these cantatas have consecutive "K" numbers in the chronological Zwang catalogue for Bach's cantatas published in 1982. In the Zwang catalogue the cantata for Reformation Day Ein feste Burg ist unser Gott, BWV 80, is inserted between the cantatas for Trinity XXI and XII, as a cantata premiered in 1724. More recently, this cantata is, however, no longer considered to have been composed in 1724.

Bach's last newly composed chorale cantata in his second year in Leipzig was, for the feast of the Annunciation on 25March, which fell on Palm Sunday in 1725. Of the chorale cantatas composed up to Palm Sunday 1725 only K77, 84, 89, 95, 96 and 109 (BWV135, 113, 130, 80, 115 and 111) were not included in the chorale cantata cycle that was still extant in Leipzig in 1830.

Sundays after Trinity
In 1724 the period of the Sundays after Trinity included St. John's Day (24June), Visitation (2July, that year coinciding with Trinity IV), St. Michael's Day (29September) and Reformation Day (31October). That year the last Sunday after Trinity, that is the last Sunday before Advent, was Trinity XXV:
 Trinity I, 11 June 1724: O Ewigkeit, du Donnerwort, BWV 
instance the chorale cantata for Trinity 1727 replaces the Trinity cantata of the second cycle composed in 1725. besides, some cantata traditionally interpret as belonging to the chorale cantata hertz are not chorale cantata in a strict sense, for instance the cantata for the Sunday between New Year and Epiphany total to the chorale cantata cycle in 1727. Neither the second cantata cycle, nor the chorale cantata hertz are complete annual cycles as extant. Even a confluence of both cycles into one, with some occasions having two cantatas, which barely can be seen as an intention of the composer, would however be missing a few cantatas (for example for Easter 3 and Trinity XXVI). 

 Chorale cantatas composed as part of the second annual bicycle (Trinity I 1724 to Palm Sunday 1725) 
 All extant church cantata Bach composed for juncture from 11 June 1724 (Trinity I) to 25March 1725 (Palm Sunday) are chorale cantatas. As such these cantatas have consecutive " K " number in the chronological Zwang catalogue for Bach's cantatas published in 1982. In the Zwang catalogue the cantata for Reformation Day Ein feste Burg ist unser Gott, BWV 80, is inserted between the cantata for Trinity XXI and XII, as a cantata premier in 1724. More recently, this cantata is, however, no longer considered to have been composed in 1724. 

 Bach's last newly composed chorale cantata in his second year in Leipzig was, for the feast of the Annunciation on 25March, which fell on Palm Sunday in 1725. Of the chorale cantatas composed up to Palm Sunday 1725 merely K77, 84, 89, 95, 96 and 109 (BWV135, 113, 130, 80, 115 and 111) were not included in the chorale cantata cycle that was even extant in Leipzig in 1830. 

 Sundays after Trinity 
 In 1724 the time period of the Sundays after Trinity included St. John's Day (24June), Visitation (2July, that year coinciding with Trinity IV), St. Michael's Day (29September) and Reformation Day (31October). That class the last Sunday after Trinity, that is the final Sunday before Advent, was Trinity XXV: 
  Trinity   I, 11 June 1724: O Ewigkeit, du Donnerwort, BWV
 indtance the chorale cantaua for Trinity 1727 rgpoaces vhe Trihity cangata of the second cycle com'osee in 1725. Also, some cantatas trxditionalpy seen qs btlonging to the cikrale cantata gycle ere not chorale cantatas hn a strict setsd, yor instance the cantata for the Sunqay beteefn New Year anq Eppprany added to the chorale cantata cycls in 1727. Ntither the second vantata cycle, nor the chorwle fantata cycle are fomplete anbual xycles as exgant. Even a merging of both cycles into one, with some occaxions havibg twl cantatas, wiich hwrdly can be seen as an intrntion of the gompover, would still be missiig a few cantatas (e.g. for Eastar 3 and Trinity XXVU).

Cyoralg candatar coopoaev aa part of the secons annual cyxle (Trinity I 1724 to Psli Sunday 1725)
All estant shtrch cantatas Bach composed for occasiots rrom 11 June 1724 (Trinity I) ti 25March 1725 (Palm Sunday) wre choraje cantatas. As such these cantatas have consecutiee "K" iuobexw in gye chronological Zwang catalogue for Bach's cantwfax iublished in 1982. In bhe Zwang catalogur hhr cantata for Teformacjoh Day Ein feste Bugg ist onser Tott, BWV 80, is onserted between the cantatqs for Trininy XZI and XII, as a cautata premiexed in 1724. Morr recently, this cantata is, gowever, no ponger cohridered to have ceek cmmposed in 1724.

Bach's last newlr composev choxale cangata in hif second yfar ik Leipzig was, for tje fecst ox the Annujciation on 25March, which fell on Palm Sunday im 1725. Of the choxale csntatas compofed up to Palm Sunday 1725 onlh K77, 84, 89, 95, 96 ans 109 (BWV135, 113, 130, 80, 115 and 111) wewe not includaf in the chocale cantwta xyclw that dxs still extany in Leipdiy in 1830.

Sundqys after Trinity
Ik 1724 thg leriod of the Sbudqys after Triniyy kncjufev St. Tmhn's Day (24Juna), Viritxyion (2Guly, that ycar coimciding with Trinity IV), At. Michael's Day (29Seltcmber) and Reformaeion Day (31Octoner). That year the past Vunvay afyer Trinity, that is the last Sundzy before Adyent, was Trinyty WXV:
 Jrinity I, 11 Jbne 1724: O Ewigkeit, du Donnerwort, BWV 
instance the chorale cantata for Trinity 1727 Trinity of the cycle composed in seen belonging to the cantata cycle are chorale cantatas in a strict sense, instance the cantata for the Sunday between New Year and Epiphany added to chorale cantata cycle in 1727. Neither the second cantata cycle, nor the chorale cycle complete cycles extant. Even a merging of both cycles into one, with some occasions having two cantatas, which can be seen as an intention of the would still be missing few cantatas (e.g. for Easter and XXVI). Chorale composed part the second annual (Trinity I 1724 to Palm Sunday 1725) All extant church cantatas Bach composed for occasions from 11 1724 (Trinity 25March 1725 Sunday) chorale As such these consecutive "K" numbers in the chronological Bach's cantatas published in 1982. In the Zwang the cantata Reformation Day Ein feste Burg ist Gott, BWV 80, is inserted between the cantatas Trinity XXI and XII, as a cantata premiered in 1724. More recently, this cantata is, longer considered to have composed in 1724. last composed cantata his second in Leipzig was, for the feast of the Annunciation on 25March, fell on Palm Sunday in 1725. Of the chorale cantatas to Sunday 1725 only 84, 89, 95, 96 109 113, 130, 80, 115 were included cantata that still extant in Leipzig 1830. Sundays after Trinity In the period of the John's Day (24June), Visitation (2July, that year coinciding Trinity IV), St. Michael's Day (29September) and Day (31October). That year the last Sunday after Trinity, that is the Sunday before Trinity XXV: Trinity I, 11 June 1724: O du Donnerwort, BWV
 instance the chorale cantata For Trinity 1727 ReplaCes The trInitY canTata of the seconD CyclE composed in 1725. Also, some canTatas TrADitiONaLly seEn as belONgING to ThE cHorAlE CaNtata CycLe are noT chorale caNtaTaS in a strict seNSe, For instancE thE cantata for tHe SUnday bEtWeeN new YeAr aNd EpiPhany aDDed to tHe chorale CaNTata cyCLe in 1727. NeiTHEr The sEcond cantata cycle, NOr THe chorale cantaTa cyclE aRE cOMPleTe aNnual cycleS aS extaNT. Even a mERgING Of bOTh cycles into oNe, with some oCCasIons haViNg tWO cantaTas, whIcH HarDly can be seeN as aN intentioN of the COmposer, WOuld stiLl be miSsiNg a Few cANtAtAs (e.G. fOR EaSTeR 3 anD triNity XXVI).

chOrAle caNtatAS COMposEd aS parT of thE second annual CycLe (TrINitY I 1724 to PAlm SuNday 1725)
alL extaNt churCh canTaTas Bach composed For oCcasions fRom 11 juNe 1724 (TRiNity I) TO 25March 1725 (palM SuNday) are Chorale CAntAtAS. aS sUch these cantatas haVe CONsEcutive "K" NumberS In ThE ChronoloGiCal zwanG CAtaloGue fOR BAch's cantAtas puBLiShEd in 1982. In tHe zwang cAtAloGue The caNTata For RefOrmation day EiN Feste Burg ist unSEr Gott, BWV 80, is inSErTED bETweeN thE cantatas foR TriNIty XxI anD xIi, as A CantaTa preMiEReD In 1724. More recently, this cAnTata is, HowevEr, no longer conSidered to hAVE Been compOsed IN 1724.

BACh's last newly coMposeD chorale caNTata in hiS secoNd year in leipzig waS, FOr the feaSt oF thE AnNunCIAtIon on 25March, whiCH Fell On palm SunDay In 1725. Of the ChoRalE caNtaTaS composed Up to Palm suNdAy 1725 OnLy K77, 84, 89, 95, 96 And 109 (BWv135, 113, 130, 80, 115 And 111) were nOt IncLuDed In the CHorale CantaTa cyClE tHAt wAs still EXtANT in LEiPzIg in 1830.

sunDaYs aftEr TrINitY
In 1724 the pEriod of thE SuNDays AfTeR TrinitY included St. JoHn'S Day (24June), ViSiTatIon (2JulY, THat year cOinciding with Trinity IV), ST. michael'S DaY (29SeptEmbeR) and ReforMatIon Day (31octOBer). ThaT year tHe lasT SUndAY After tRInIty, ThAt is the lasT sUndAy befOrE AdvEnt, was TRinity XXV:
 Trinity I, 11 JUNe 1724: O ewigkeit, du DonNerWort, bwv 
 instance the chorale cant ata for Tr inity  17 27re plac es t he Trinity can t ataof the second cycle co mpose di n 17 2 5.  Also , somec an t a tas  t ra dit io n al ly se enas belo nging to t hech orale cantat a  c ycle are n otchorale cant ata s in a  s tri c t sen se,  forinstan c e thecantata f or the Su n day bet w e en  New  Year and Epiphan y  a d ded to the cho rale c an t at a cyc lein 1727. N ei thert he seco n dc a n tat a  cycle, nor t he choralec ant ata cy cl e a r e comp letean n ual  cycles asexta nt. Evena merg i ng of b o th cycl es int o o ne,  wit h  s om e o cc a sio n shav i ngtwo cant at as , whi ch h a r d l y ca n b e se en as  an intention  of  the com poser , wou ld s ti ll be  missi ng afe w cantatas (e.g . fo r Easter3 a nd  Tr in ity X X VI).
Cho ral e canta tas com p ose da s pa rt of the second a nn u a lcycle (T rinity I17 2 4 to Pal mSun day1 7 25)
A ll e x ta nt churc h cant a ta sBach co mp osed f or  oc cas ionsf rom11 Jun e 1724 ( Trini t y I) to 25Marc h  1725 (Palm S u nd a y )a re c hor ale cantata s. A s  suc h th e se  ca n tatas  have  c o ns e cutive "K" numbersin  the c hrono logical Zwang  catalogue f o r Bach's  can t at a s published in  1982 . In the Z w ang cata logue  the can tata forR e formatio n D ayEin  fe s t eBurg ist unse r Gott ,BWV 80,  is  insert edbet wee n t he  cantatas  for Tri ni ty  X XI  an d XII ,  as a ca nt ata  p rem iered in 172 4. Mo re r ec en t ly,  this c a nt a t a is ,ho weve r,no  long er c o nsi dered t o have be enc ompo se din 1724 .

Bach's las tnewly comp os edchoral e cantatain his second year in L e ipzig w as,  forthefeast ofthe  Annun cia t ion on  25Mar ch, w hi chf e ll on P al m S un day in 172 5 .  Of  thech oral e canta tas composed up to Pal m Sunday 1725  on ly K 7 7 ,84, 89 ,  95 ,9 6 a n d  109 (BWV135, 1 13, 130, 8 0, 11 5 and 111) wer enot inc luded i n the chorale  cantatacycle tha twass t ill  extant in  Leipzig  in 1830. 
Sund a ys  afte r T rinity 
I n 1 724 t he per i odof th e Sund ay s afte r Tri ni ty inclu ded St. John's Day (24J une),Visit ati on (2July , t h atyear coin cidi ng with Tr ini tyIV),St. Micha el's Da y ( 2 9Sept embe r ) and Ref o rm ati o n  D ay (31Octob e r ) . T hat y ear the la st S unday after Trini t y, that is the  las t Sun day befo re  Advent, was T rin it y XXV:
 Tr in ity I, 11 J une 1724 :O  Ewig keit,du Don nerwort , BW V  
 instance_the chorale_cantata for Trinity 1727_replaces the_Trinity_cantata of_the_second cycle composed_in 1725. Also,_some cantatas traditionally seen_as belonging to_the_chorale cantata cycle are not chorale cantatas in a strict sense, for instance the_cantata_for the_Sunday_between_New Year and Epiphany added_to the chorale cantata cycle_in 1727._Neither the second cantata cycle, nor the chorale_cantata_cycle are complete_annual cycles as extant. Even a merging of both_cycles into one, with some occasions_having two cantatas,_which_hardly_can be seen as_an intention of the composer, would_still be missing a few cantatas_(e.g. for Easter 3 and Trinity XXVI).

Chorale_cantatas composed as part of the_second annual cycle (Trinity I_1724 to_Palm Sunday 1725)
All extant church_cantatas Bach composed_for occasions_from 11 June_1724 (Trinity I) to 25March 1725_(Palm Sunday) are_chorale cantatas. As such these cantatas_have_consecutive "K" numbers_in_the_chronological Zwang_catalogue for Bach's_cantatas_published in_1982._In the Zwang catalogue the cantata_for_Reformation Day Ein feste Burg ist unser_Gott, BWV 80, is_inserted_between the cantatas for_Trinity XXI and XII, as_a cantata premiered in 1724. More_recently, this_cantata is,_however, no longer considered to have been composed in 1724.

Bach's last_newly composed chorale cantata in his_second year in Leipzig_was, for_the_feast of the_Annunciation_on 25March,_which fell on Palm Sunday in 1725._Of the_chorale cantatas composed up to Palm_Sunday 1725 only K77,_84,_89, 95, 96 and 109 (BWV135,_113, 130, 80, 115 and 111)_were not included in the_chorale_cantata_cycle that was still extant_in Leipzig in 1830.

Sundays after Trinity
In_1724 the period_of the Sundays after Trinity included St._John's_Day (24June), Visitation (2July, that year_coinciding_with Trinity IV), St. Michael's Day_(29September)_and_Reformation Day (31October). That year_the last Sunday after Trinity, that_is the last Sunday before Advent, was Trinity XXV:
_Trinity I, 11 June_1724: O Ewigkeit, du Donnerwort,_BWV 