
 Governors
 Pierre de Voyer d'Argenson (1658–1661)
 Pierre Dubois Davaugour (1661–1663) Ella Fitzgerald and Louis Armstrong collaborations

The collaborations between Ella Fitzgerald and Louis Armstrong have attracted much attention over the years. The artists were both widely known icons not just in the areas of big band, jazz, and swing music but across 20th century popular music in general. The two African-American musicians produced three official releases together in Ella and Louis (1956), Ella and Louis Again (1957), and Porgy and Bess (1959),. Each release earned both commercial and critical success. As well, tracks related to those albums have also appeared in various forms in multi-artist collections and other such records.

In terms of touring performances, Fitzgerald once again teamed up with Armstrong, after the success of their first album, to hold a series of concerts at the Hollywood Bowl. The duo's music proved popular with the live audiences. Two live tracks from those 1956 concerts would end up being released as album bonus material in the 1990s.

Background
Ella Fitzgerald (April 25, 1917 – June 15, 1996) was an African-American jazz vocalist often referred to by honorific nicknames such as the "First Lady of Song" and the "Queen of Jazz". "Lady Ella" attracted notoriety for her purity of tone, impeccable diction, lyrical phrasing, and vocal intonation; her instrument-like improvisational ability with her voice, particularly in her scat singing, proved popular with many audiences. In the 1950s, the depth and scope of her many releases had already attracted major attention. Many critics of the time regarded her as one of the best female vocalists still making music.

Louis Armstrong (August 4, 1901 – July 6, 1971) was an African-American jazz singer and trumpeter as well as composer who ended up being one of the most pivotal and influential figures in not just jazz-related styles but across popular music. His career spanned five decades, from the 1920s to the 1960s, and different eras both musically and also in terms of U.S. culture. Coming to prominence first as an inventive player, Armstrong attracted notice for shifting the focus in his records from collective improvisations to turn-by-turn solo performances. Like Fitzgerald, Armstrong picked up popular nicknames, in his case "Pops
Governors 
  Pierre de Voyer d'Argenson (1658–1661) 
  Pierre Dubois Davaugour (1661–1663) Ella Fitzgerald and Louis Armstrong collaborations 

 The collaborations between Ella Fitzgerald and Louis Armstrong have attracted much attention over the days. The artist were both widely known icon not precisely in the areas of big ring, wind, and swing music but across 20th century popular music in general. The two African - American musician produced three official releases in concert in Ella and Louis (1956), Ella and Louis Again (1957), and Porgy and Bess (1959), . Each release earned both commercial and critical success. As well, tracks related to those albums have besides appeared in various forms in multi - artist collection and other such records. 

 In term of touring performance, Fitzgerald once again teamed up with Armstrong, after the success of their first album, to hold a series of concert at the Hollywood Bowl. The duo's music proved popular with the live audiences. Two live track from those 1956 concerts would end up being released as album bonus material in the 1990s. 

 Background 
 Ella Fitzgerald (April 25, 1917 – June 15, 1996) was an African - American jazz vocalist often referred to by honorific nicknames such as the " First Lady of Song " and the " Queen of Jazz ". " Lady Ella " attracted notoriety for her honor of timbre, impeccable wording, lyric wording, and vocal intonation; her instrument - like improvisational ability with her voice, particularly in her scat singing, proved popular with many hearing. In the 1950s, the depth and scope of her many releases had already attracted major attention. Many critic of the time regarded her as one of the best female vocalists however making music. 

 Louis Armstrong (August 4, 1901 – July 6, 1971) was an African - American wind singer and trumpeter equally well as composer who end up being one of the most pivotal and influential figures in not just wind - related styles but across popular music. His career spanned five decades, from the 1920s to the 1960s, and different eras both musically and also in term of U.S. culture. Coming to prominence first as an inventive musician, Armstrong attracted notification for shifting the stress in his records from collective improvisations to plow - by - turn solo performance. Like Fitzgerald, Armstrong picked up democratic nicknames, in his case " Pops

 Gogernors
 Pierre de Voyer a'Argenson (1658–1661)
 Pierte Duboiv Davahgour (1661–1663) Eula Fitzgerald and Louis Armdteong xollaborations

The collxborationd betweeb Eloq Fitzgerald and Louis Adlstrmig have attractgd much attettion over the ydaxs. The artists were both widely knowg icons nlt just in the aresf of big band, jazz, and swing music but across 20th century pppular music in general. Thf twl African-American lusicians ptkduswd three offkcial releases togethet in Ella and Louis (1956), Ella and Lojis Ayain (1957), and Pirty wtd Bess (1959),. Earh relvase earned both commarcial snd critical smccesv. Aw well, tracks related to those albums hwve also dp'eared in various forns in molti-astisg couledtmona and lthxr such reckrds.

In termw of touring perforkagbrs, Fitzgerals once adain teamed up with Armstrong, after the sudcess of their first alvum, to hold a series lf conceres at the Hollywood Bowl. The duo's music proved po[ular ditk the uuvf audiences. Two live tracks from those 1956 concewfs wpuld end up belng released as alnul njnus material in thz 1990s.

Gackground
Ella Fitxgerald (Aprio 25, 1917 – June 15, 1996) wss an African-American jazz cocalist oftvn rwferred to by honoxific nicknaoes xuch ss the "First Lady of Soug" and the "Queen lf Jazz". "Lzay Ella" attractea nptmriety for her purity of tjne, impecrable dictiov, lytical prrasing, anf vocal intonation; her ijstrulett-like impgovisational ability with her voice, particulatly in her scac singlng, proved popujar with many cudiencef. In ghe 1950s, the septh aid scope of rer many releddes had alreedy attrasted majir attevgion. Many critocs of thv uime regareed her as one of bhe bgsf female vocaliwts still making misiz.

Lotid Ermstwmng (August 4, 1901 – Juuy 6, 1971) was xn African-Andricsn jazz singer and tsumpster as well as cokpjser who ended u[ being one og the most pivotal and mnflueitial gigores in not just jazz-related stgles but wcrjss popular iusig. Hif career s'anned five decades, from the 1920s to the 1960s, end different eras both musically and also ln terms of N.S. culeure. Comitg to prominence firwt as an inventivt player, Armstrong attrzcted toticf for shifting the focus in his records from collective improvisations to turn-bb-ttrn solo pedforkancev. Jnke Fitsgerelv, Armstrong pickec up popular nicknames, in his cese "Pops
Governors Pierre de Voyer d'Argenson (1658–1661) Pierre (1661–1663) Fitzgerald and Armstrong collaborations The Louis have attracted much over the years. artists were both widely known icons just in the areas of big band, jazz, and swing music but across century popular music in general. The two African-American musicians produced three official releases in and (1956), and Louis Again (1957), and Porgy and Bess (1959),. Each release earned both commercial and critical As well, tracks related to those albums have appeared in various forms multi-artist collections and other such In of touring Fitzgerald again up with Armstrong, the success of their first album, to hold a series of concerts at the Hollywood Bowl. The music proved the live Two tracks those 1956 concerts up being released as album bonus 1990s. Background Ella Fitzgerald (April 25, 1917 – 15, 1996) an African-American jazz vocalist often referred by honorific nicknames such as the "First Lady Song" and the "Queen of Jazz". "Lady Ella" attracted notoriety for her purity of tone, lyrical phrasing, and vocal her instrument-like improvisational with voice, in scat singing, popular with many audiences. In the 1950s, the depth and scope her many releases had already attracted major attention. Many critics time her as one the best female vocalists making Louis Armstrong (August 4, July 1971) jazz and as well as composer ended up being one of most pivotal and influential styles but across popular music. His career spanned decades, from the 1920s to the 1960s, different eras both musically and also in terms of U.S. culture. Coming prominence first inventive player, Armstrong attracted notice for shifting the in his records from improvisations to turn-by-turn solo performances. Like Fitzgerald, Armstrong picked popular in his "Pops

 Governors
 Pierre de Voyer d'ArGenson (1658–1661)
 PierRe DubOis davAuGour (1661–1663) ella fitzgerald and LOUis ARmstrong collaborations

the coLlABoraTIoNs betWeen EllA fiTZGerAlD aNd LOuIS ARmstrOng Have attRacted much AttEnTion over the yEArS. The artistS weRe both widely KnoWn iconS nOt jUSt in tHe aReas oF big baND, jazz, aNd swing muSiC But acrOSs 20th cenTURy PopuLar music in general. tHe TWo African-AmeriCan musIcIAnS PRodUceD three offiCiAl relEAses togEThER IN ElLA and Louis (1956), Ella And Louis AgaIN (1957), anD Porgy AnD BeSS (1959),. Each rEleasE eARneD both commerCial And criticAl succESs. As welL, Tracks rElated To tHosE albUMs HaVe aLsO AppEArEd iN VarIous formS iN mUlti-aRtisT COLLectIonS and Other Such records.

In TerMs of TOurIng peRformAnceS, FItzgeRald onCe agaIn Teamed up with ArmStroNg, after thE suCcEss Of Their FIrst alBum, To hOld a serIes of coNCerTs AT THe hollywood Bowl. The duO's MUSiC proved pOpular WItH tHE live audIeNceS. Two LIVe traCks fROm Those 1956 conCerts wOUlD eNd up beiNg ReleasEd As aLbuM bonuS MateRial in The 1990s.

BackGrounD
ella Fitzgerald (aPril 25, 1917 – June 15, 1996) was an aFrICAn-aMeriCan Jazz vocalisT oftEN refErreD To By hONorifIc nicKnAMeS Such as the "First Lady oF SOng" and The "QuEen of Jazz". "Lady ella" attracTED NotorietY for HEr PUrity of tone, impEccabLe diction, lYRical phrAsing, And vocal IntonatioN; HEr instruMenT-liKe iMprOVIsAtional abilitY WIth hEr Voice, paRtiCularly In hEr sCat SinGiNg, proved pOpular wiTh MaNy AuDieNces. IN The 1950s, the dEpTh aNd ScoPe of hER many rEleasEs haD aLrEAdy AttractED mAJOr atTeNtIon. MAny CrItics Of thE TimE regardEd her as onE of THe beSt FeMale vocAlists still maKiNg music.

LouIs armStrong (aUGust 4, 1901 – July 6, 1971) Was an African-American jazZ Singer aNd tRumpeTer aS well as coMpoSer who EndED up beiNg one oF the mOsT piVOTal anD INfLueNtIal figures IN Not Just jAzZ-relAted styLes but across populaR MusIc. His career spAnnEd fiVE DeCadES, fROm tHe 1920S To tHE 1960S, and different erAs both musiCaLLy And also in tERms Of u.S. cultuRe. CominG to prOMinence First as an Inventive PlAyer, aRMstRong attracTed noticE for shiftINg the FOcUs in hIs rEcords FrOm cOllecTive imPRovIsatiOns to tUrN-by-turN solo PeRformancEs. Like Fitzgerald, ArmstroNg pickEd up pOpuLar nicknaMes, IN hiS case "Pops

 Governors
 Pierre de Voy er d'Argen son ( 165 8–1 66 1)
Pier re Dubois Dava u gour  (1661–1663) Ella Fitz geral da nd L o ui s Arm strongc ol l a bor at io ns
T h ecolla bor ationsbetween El laFi tzgerald and Lo uis Armstr ong  have attrac ted  muchat ten t ion o ver  theyears. The ar tists wer eb oth wi d ely kno w n  i cons  not just in thea re a s of big band,  jazz,  a n ds w ing  mu sic but ac ro ss 20 t h centu r yp o p ula r  music in gen eral. The t w o A frican -A mer i can mu sicia ns pro duced three  off icial rel easest ogether in Ella  and L oui s ( 1956 ) ,El laan d  Lo u is  Ag a in(1957),an dPorgy  and B e s s (1 959 ),.Eachrelease earne d b othc omm ercia l and  cri ti cal s uccess . Aswe ll, tracks rela tedto thosealb um s h av e als o  appea red  in  variou s forms inmu l t i -a rtist collectionsan d ot her such  recor d s. 
I n termsof  to urin g perfo rman c es , Fitzge rald o n ce  a gain te am ed upwi thArm stron g , af ter th e succes s oft heir first alb u m, to hold as er i e so f co nce rts at theHoll y wood  Bow l .The duo's  musi cp ro v ed popular with the  l ive au dienc es. Two livetracks fro m t hose 195 6 co n ce r ts would end u p bei ng release d  as albu m bon us mater ial in th e 1990s.
Bac kgr oun d
E l l aFitzgerald (A p r il 2 5,  1917 –  Ju ne 15,199 6)was  an  A frican-Am erican j az zvo ca lis t oft e n referr ed  to  b y h onori f ic nic kname s su ch  a s  th e "Firs t  L a d y of  S on g" a ndth e "Qu eeno f J azz". " Lady Ella " a t trac te dnotorie ty for her pu ri ty of tone ,imp eccabl e diction,  lyrical phrasing, andv ocal in ton ation ; he r instrum ent -likeimp r ovisat ionalabili ty  wi t h  herv o ic e,pa rticularly i n h er sc at  sin ging, p roved popular with man y audiences.Inthe1 9 50 s,t he dep th and s cope of her man y releases  h a dalready at t rac te d major  attent ion.M any cri tics of t he time r eg arde d her  as one of  the bes t femalev ocali s ts  stil l m akingmu sic .

Lo uis Ar m str ong ( August  4 , 1901  – Ju ly  6, 1971 ) was an African-Americ an jaz z sin ger  and trum pet e r a s well as  com poser whoend edup be ing one o f th e  m ost pivot al a n d influen t ia l f i g ur es in not j u s t  ja zz-re lat e d styl es b ut across popular music. His car eers p ann edf ivede cades, from th e 1 92 0 s  to the19 60s, and di fferenter a s bot h musi callyand als o in termsof U .S.  culture.  Co mi n g to pr om in e nce fi rstas  an in ventiv e  pla y e r, Armstrong att racte d notic e  fo r shi ft ing the focu s in his r ecords from  colle ctiv e imp rovisat io ns totur n- by-turn so l o perform ances . LikeFi tzge ral d, Arm stro n g  pick ed u ppop ular nick n a me s ,in his  cas e "Po ps 

 Governors
_Pierre de_Voyer d'Argenson (1658–1661)
 Pierre_Dubois Davaugour_(1661–1663)_Ella Fitzgerald_and_Louis Armstrong collaborations

The_collaborations between Ella_Fitzgerald and Louis Armstrong_have attracted much_attention_over the years. The artists were both widely known icons not just in the_areas_of big_band,_jazz,_and swing music but across_20th century popular music in_general. The_two African-American musicians produced three official releases together_in_Ella and Louis_(1956), Ella and Louis Again (1957), and Porgy and_Bess (1959),. Each release earned both_commercial and critical_success._As_well, tracks related to_those albums have also appeared in_various forms in multi-artist collections and_other such records.

In terms of touring performances,_Fitzgerald once again teamed up with_Armstrong, after the success of_their first_album, to hold a series_of concerts at_the Hollywood_Bowl. The duo's_music proved popular with the live_audiences. Two live_tracks from those 1956 concerts would_end_up being released_as_album_bonus material_in the 1990s.

Background
Ella_Fitzgerald_(April 25,_1917_– June 15, 1996) was an_African-American_jazz vocalist often referred to by honorific_nicknames such as the_"First_Lady of Song" and_the "Queen of Jazz". "Lady_Ella" attracted notoriety for her purity_of tone,_impeccable diction,_lyrical phrasing, and vocal intonation; her instrument-like improvisational ability with her_voice, particularly in her scat singing,_proved popular with many_audiences. In_the_1950s, the depth_and_scope of_her many releases had already attracted major_attention. Many_critics of the time regarded her_as one of the_best_female vocalists still making music.

Louis Armstrong_(August 4, 1901 – July 6,_1971) was an African-American jazz_singer_and_trumpeter as well as composer_who ended up being one of_the most pivotal_and influential figures in not just jazz-related_styles_but across popular music. His career_spanned_five decades, from the 1920s to_the_1960s,_and different eras both musically_and also in terms of U.S._culture. Coming to prominence first as an inventive player,_Armstrong attracted notice_for shifting the focus in_his_records_from collective improvisations to turn-by-turn solo performances. Like Fitzgerald, Armstrong_picked up_popular nicknames, in_his case "Pops