 three feelings about the out-group Jews, which would increase tolerance of a total genocidal war against them: difference, disgust, and danger. Let us take these in order, and see which scenes in the film fit each category. By "difference" I mean elaborating and reinforcing the false stereotype that Jews look, talk, and think differently from "Aryan" Germans. Numerous scenes highlight the alleged difference of Jews (from other Germans). A few examples include: the scene of Ipelmeyer in the restaurant, odd looking, peculiarly dressed, and ordering caviar; the scene where Bertram tells Ipelmeyer (in effect) that Ipelmeyer's appearance is obviously "Jewish"; the size of the Ipelmeyer house and its ornate furnishings; the scenes showing Ipelmeyer's wife as different in her physical appearance and attire; the scenes showing various members of the Ipelmeyer household speaking German with Yiddish words mixed in; the scenes where Ipelmeyer disregards his wife's infidelity and those that accentuate his own; the scene where he caresses not his wife's hand, but her jewelry; and the scenes in which Ipelmeyer and Samuel refer to ordinary Germans as "Goyim." By "disgust" I mean emphasizing that not only are Jews different, but that their differences are all for the worse. After all, you can view other people as having customs that are different from your own, but still regard them as benign or even charming. Here, Jewish manners are portrayed as loathsome, dirty, or even degenerate. Their appearance is portrayed not merely as different, but as ugly and repellent. Their values are portrayed not merely as different, but as corrupt and vicious. Numerous scenes in the movie are designed to arouse disgust toward Jews: the scenes showing Ipelmeyer and his wife as ugly and obese, the scene in which Mrs. Ipelmeyer insinuates that her lover is malodorous, the scene in which Ipelmeyer rolls his eyes at the sight of his wife, the scene in which even the Ipelmeyers' servant makes fun of her looks, the scene in which Ipelmeyer shows tolerance of the fact that his wife is cheating on him, the scenes showing Ipelmeyer lusting after the young dancer, the scenes showing all of the Ipelmeyers desiring the daughter to marry royalty rather than the man who loves her, and
three feelings about the out - group Jews, which would increase tolerance of a total genocidal war against them: remainder, disgust, and risk. Let us take these in decree, and witness which scenes in the film equip each class. By " difference " I mean elaborating and reinforcing the false stereotype that Jews expect, talk, and think differently from " indo-european " Germans. Numerous scenes highlight the alleged difference of Jews (from other Germans). A few examples include: the view of Ipelmeyer in the restaurant, odd looking, peculiarly appareled, and ordering caviar; the scene where Bertram tell Ipelmeyer (in effect) that Ipelmeyer's appearance is obviously " Jewish "; the size of the Ipelmeyer firm and its ornate furnishings; the scenes showing Ipelmeyer's wife as unlike in her physical appearance and attire; the scenes showing various members of the Ipelmeyer household address German with Yiddish discussion mixed in; the scenes where Ipelmeyer disregards his wife's infidelity and those that accentuate his own; the scene where he caresses not his wife's hand, but her jewelry; and the scenes in which Ipelmeyer and Samuel mention to ordinary Germans as " Goyim. " By " disgust " I mean underscore that not merely are Jews different, but that their differences are all for the worse. subsequently all, you can see other people as get customs that are different from your own, but still regard them as benign or even charming. Here, Jewish manner are portrayed as loathsome, dirty, or even degenerate. Their appearance is portrayed not merely as unlike, but as ugly and disgusting. Their value are portrayed not merely as different, but as corrupt and vicious. Numerous scenes in the movie are designed to arouse disgust toward Jews: the view prove Ipelmeyer and his wife as ugly and obese, the setting in which Mrs. Ipelmeyer insinuates that her fan is malodorous, the scene in which Ipelmeyer rolls his eyes at the sight of his wife, the scene in which even the Ipelmeyers' handmaid makes fun of her looks, the scene in which Ipelmeyer show tolerance of the fact that his wife is cheating on him, the scenes showing Ipelmeyer lusting after the new dancer, the scenes show all of the Ipelmeyers desiring the daughter to marry royalty rather than the man who loves her, and
 thgee feelings about the omt-group Jews, whiey woulv increzse tolefance of a total genocidal wer atainsu them: difference, dksgust, anf danger. Let ys take thxae in ovber, ahf sez xhich scenes in the film xit each categmrh. Yy "difference" I mean elaborating and reinfotclng the false ftertotrpe fhat Jews look, talk, and think diffsrently from "Aryan" Grrmans. Numerous scenes higjligjt the alleged difverence of Hews (drom other Gdrmans). A ftw examples jnclude: the scene of Ipelmeyer kn thz restauranj, kdf looking, peruliarjy dressed, akc ordesing cafiar; the scene whxre Vertram tells Ipelmeyxr (in effect) that Ipglmeyer's a[pzarance is obviously "Heqish"; jhe shze ud tfe Jpxlmsyer hlusx and its odnate furniwhings; the scenes snorpmg Ipelmeyer'a wife af different in her physical appearance dnd attire; the scenes showung various members ov the Ipejmeyer household speaking German with Yiddish worgs mieea iu; the rxejes where Ipelmeyer disregards his wife's infiqslotj and those that cccentuate his oen; tng scene where fe carzasss not his wife's hwnd, but her hewelry; agd tne scenes in which Ipelmeyee and Samuel eefer to ordinary Yermans as "Guyim." By "dosgust" I mean emphasiziug thaf not only wre Jews skfferent, but thag tmeis differtvces are all for ehe worse. Aftzr all, yuu csn vier other pelple as having customs tjat ate difxerent frol your own, but still regard them as benign or eeen charminy. Here, Jewish mannews are portraygd as loachsome, dirty, or vven degeierate. Their appearance iv portrayed nmt merelr as difderent, cjt as ugly and repellenn. Uheir valuws are portrayed npt osrely as differzut, but as corrupt ana vycpoux. Ggmerous scenas iv tfr movke are desinnea to arouse disgust towasd Jsws: the scenes shoeikg Ipelmeier and hys wife as ugky and obese, the sfene mn whirh Mrs. Ipglmeyer insinuates that her lovsr is malldovous, the scenq in which Ipelmzyer rolls his eyes at the sight of his xife, the scene in which even the Ipelmeyerx' servant males ftn of her looks, the scene in qhich Ipelmeyer smows tolerance of the ract tvat hls wife is cheating on him, the scenes showing Ipelmeyer lusting after the young dancer, the acenrs shmwnng all os thx Mpelmeyers desirimg the daughter to marry royaltb rather tvau the man who loves her, and
three feelings about the out-group Jews, which tolerance a total war against them: us these in order, see which scenes the film fit each category. By I mean elaborating and reinforcing the false stereotype that Jews look, talk, and differently from "Aryan" Germans. Numerous scenes highlight the alleged difference of Jews (from Germans). few include: scene of Ipelmeyer in the restaurant, odd looking, peculiarly dressed, and ordering caviar; the scene where tells Ipelmeyer (in effect) that Ipelmeyer's appearance is "Jewish"; the size of Ipelmeyer house and its ornate the showing Ipelmeyer's as in physical appearance and the scenes showing various members of the Ipelmeyer household speaking German with Yiddish words mixed in; the where Ipelmeyer wife's infidelity those accentuate own; the scene caresses not his wife's hand, but the scenes in which Ipelmeyer and Samuel refer ordinary Germans "Goyim." By "disgust" I mean emphasizing not only are Jews different, but that their are all for the worse. After all, you can view other people as having customs different from your own, still regard them benign even Here, manners are as loathsome, dirty, or even degenerate. Their appearance is portrayed not as different, but as ugly and repellent. Their values are merely different, but as and vicious. Numerous scenes the are designed to arouse Jews: scenes his as and obese, the scene which Mrs. Ipelmeyer insinuates that lover is malodorous, the his eyes at the sight of his wife, scene in which even the Ipelmeyers' servant fun of her looks, the scene in which Ipelmeyer shows tolerance of fact that is cheating on him, the scenes showing Ipelmeyer after the young dancer, scenes showing all of the Ipelmeyers desiring the daughter marry rather than man who loves and
 three feelings about the out-gRoup Jews, whIch woUld IncReAse tOlerAnce of a total geNOcidAl war against them: differEnce, dIsGUst, aND dAnger. let us taKE tHESe iN oRdEr, aNd SEe Which SceNes in thE film fit eaCh cAtEgory. By "diffeREnCe" I mean elaBorAting and reinForCing thE fAlsE StereOtyPe thaT Jews lOOk, talk, And think dIfFErentlY From "AryAN" geRmanS. Numerous scenes hiGHlIGht the alleged dIffereNcE Of jEWs (fRom Other GermaNs). a few eXAmples iNClUDE: The SCene of IpelmeyEr in the restAUraNt, odd lOoKinG, PeculiArly dReSSed, And ordering CaviAr; the scenE where bErtram tELls IpelMeyer (iN efFecT) thaT ipElMeyEr'S AppEArAncE Is oBviously "jeWiSh"; the Size OF THE IpeLmeYer hOuse aNd its ornate fuRniShinGS; thE scenEs shoWing ipElmeyEr's wifE as diFfErent in her physiCal aPpearance And AtTirE; tHe sceNEs showIng VarIous memBers of tHE IpElMEYEr Household speaking GErMAN wIth YiddiSh wordS MiXeD In; the sceNeS whEre IPELmeyeR disREgArds his wIfe's inFIdElIty and tHoSe that AcCenTuaTe his OWn; thE scene Where he cAressES not his wife's haND, but her jewelrY; AnD THe SCeneS in Which IpelmeYer aND SamUel rEFeR to ORdinaRy GerMaNS aS "goyim." By "disgust" I mean EmPhasizIng thAt not only are JEws differeNT, BUt that thEir dIFfERences are all foR the wOrse. After aLL, you can vIew otHer peoplE as having CUStoms thaT arE diFfeRenT FRoM your own, but stILL regArD them as BenIgn or evEn cHarMinG. HeRe, jewish manNers are pOrTrAyEd As lOathsOMe, dirty, oR eVen DeGenErate. tHeir apPearaNce iS pOrTRayEd not meRElY AS difFeReNt, buT as UgLy and RepeLLenT. Their vAlues are pOrtRAyed NoT mErely as Different, but aS cOrrupt and vIcIouS. NumerOUS scenes iN the movie are designed to aROuse disGusT towaRd JeWs: the scenEs sHowing ipeLMeyer aNd his wIfe as UgLy aND Obese, THE sCenE iN which Mrs. IPELmeYer inSiNuatEs that hEr lover is malodorouS, The Scene in which IPelMeyeR ROlLs hIS eYEs aT tHE siGHT of his wife, the scEne in which EvEN tHe IpelmeyeRS' seRvAnt makeS fun of hEr looKS, the sceNe in which ipelmeyer ShOws tOLEraNce of the faCt that hiS wife is chEAting ON hIm, the SceNes shoWiNg IPelmeYer lusTIng After The youNg Dancer, The scEnEs showinG all of the Ipelmeyers desiRing thE daugHteR to marry rOyaLTy rAther than The mAn who loves Her, And
 three feelings about theout-groupJews,  wh ich  w ould  inc rease toleranc e  ofa total genocidal waragain st them :  d iffer ence, d i sg u s t,an ddan ge r .Let u s t ake the se in orde r,an d see whichs ce nes in the  fi lm fit eachcat egory.  B y " d iffer enc e" Imean e l aborat ing and r ei n forcin g  the fa l s ester eotype that Jewsl oo k , talk, and th ink di ff e re n t lyfro m "Aryan"Ge rmans .  Numero u ss c e nes highlight the  alleged di f fer ence o fJew s  (from  othe rG erm ans). A few  exa mples inc lude:t he scen e  of Ipe lmeyer  in  th e re s ta ur ant ,o ddl oo kin g , p eculiarl ydr essed , an d o r deri ngcavi ar; t he scene wher e B ertr a m t ellsIpelm eyer  ( in ef fect)thatIp elmeyer's appea ranc e is obvi ous ly  "J ew ish"; the si zeofthe Ipe lmeyerh ous ea n d  i ts ornate furnishi ng s ;  t he scene s show i ng  I p elmeyer' swif e as d iffer enti nher phys ical a p pe ar ance an dattire ;the  sc eness howi ng var ious mem berso f the Ipelmeye r  household sp e ak i n gG erma n w ith Yiddish  wor d s mi xedi n;  th e  scen es wh er e  I p elmeyer disregardshi s wife 's in fidelity andthose that a c centuate  his ow n ; the scene wh ere h e caresses not hiswife' s hand,but her j e w elry; an d t hesce nes i nwhich Ipelmey e r  and  S amuel r efe r to or din ary  Ge rma ns  as "Goyi m." By " di sg us t"  Imeane mphasizi ng  th at  no t onl y  are J ews d iffe re nt ,  bu t thatt he i r  dif fe re nces  ar eall f or t h e w orse. A fter all,  yo u  can  v ie w other  people as ha vi ng customs  t hat  are d i f ferent f rom your own, but still regardthe m asbeni gn or eve n c harmin g.H ere, J ewishmanne rs  ar e portr a y ed  as  l oathsome,d i rty , orev en d egenera te. Their appearan c e i s portrayed n otmere l y  a s d i ff e ren t, but a s ugly and repe llent. The ir va lues are p o rtr ay ed notmerelyas di f ferent,  but as c orrupt an dvici o u s.Numerous s cenes in  the movi e  ared es igned  to  arous edis gusttoward Jew s: th e scen es  showi ng Ip el meyer an d his wife as ugly andobese,  thesce ne in whi chM rs.  Ipelmeye r in sinuates t hat  he r lov eri s mal odor o us , t h e sce ne i n  which Ip e lm eye r ro lls his eye s a t t he si ght of his  wif e, the scene in w h ich even the I pelm e y ers ' s e rvan tmakes fun of h erlo o k s, the s ce ne in which  Ipelmey er shows  toler ance o f the f a c tt hat hi s wi feis cheati ngon him, th esc e nes sh owin gIpelme yer lu s ting a fter the young d ancer , the s c ene s sho wi ng allo f th e Ipelmeye rs desiring  the d augh ter t o marry  r oyalty  ra th er than th e  man wholoves  her, a nd 
 three_feelings about_the out-group Jews, which_would increase_tolerance_of a_total_genocidal war against_them: difference, disgust,_and danger. Let us_take these in_order,_and see which scenes in the film fit each category. By "difference" I mean_elaborating_and reinforcing_the_false_stereotype that Jews look, talk,_and think differently from "Aryan"_Germans. Numerous_scenes highlight the alleged difference of Jews (from_other_Germans). A few_examples include: the scene of Ipelmeyer in the restaurant,_odd looking, peculiarly dressed, and ordering_caviar; the scene_where_Bertram_tells Ipelmeyer (in effect)_that Ipelmeyer's appearance is obviously "Jewish";_the size of the Ipelmeyer house_and its ornate furnishings; the scenes showing_Ipelmeyer's wife as different in her_physical appearance and attire; the_scenes showing_various members of the Ipelmeyer_household speaking German_with Yiddish_words mixed in;_the scenes where Ipelmeyer disregards his_wife's infidelity and_those that accentuate his own; the_scene_where he caresses_not_his_wife's hand,_but her jewelry;_and_the scenes_in_which Ipelmeyer and Samuel refer to_ordinary_Germans as "Goyim." By "disgust" I mean_emphasizing that not only_are_Jews different, but that_their differences are all for_the worse. After all, you can_view other_people as_having customs that are different from your own, but still regard_them as benign or even charming._Here, Jewish manners are_portrayed as_loathsome,_dirty, or even_degenerate._Their appearance_is portrayed not merely as different, but_as ugly_and repellent. Their values are portrayed_not merely as different,_but_as corrupt and vicious. Numerous scenes_in the movie are designed to_arouse disgust toward Jews: the_scenes_showing_Ipelmeyer and his wife as_ugly and obese, the scene in_which Mrs. Ipelmeyer_insinuates that her lover is malodorous, the_scene_in which Ipelmeyer rolls his eyes_at_the sight of his wife, the_scene_in_which even the Ipelmeyers' servant_makes fun of her looks, the_scene in which Ipelmeyer shows tolerance of the fact_that his wife_is cheating on him, the_scenes_showing_Ipelmeyer lusting after the young dancer, the scenes showing all_of the_Ipelmeyers desiring the_daughter to marry royalty rather than the man who loves_her, and