 Goll. Goll asks the Baron why the Baron came, and the Baron replies fatherly that "I just wanted to say good-bye, and be the first to congratulate you." Goll is stunned, and turns to see a smiling Lilly behind him. We watch them kiss as the train pulls away. Reason Papers Vol. 38, no. 1 153 The movie ends with Hubermayer returning to his factory-now his again-while the townspeople cheer. He tells them to get back to work making the linen they have produced for 150 years-linen from Bohemia. Let us examine the anti-Semitic messaging in this movie. Again we see Jews depicted as different, disgusting, and dangerous-but with a different emphasis: the danger is more pronounced in this second movie than in the first. It begins with numerous scenes pushing the message that Jews are different, and continues by showing how the difference is for the worse- indeed, for the disgusting. First, the Jewish characters Kuhn and Pollack have a very different conception of business from the non-Jewish businessmen Hubermayer, Kettner, and even the other Libussa board members. They are portrayed as predatory in business, indifferent to the fact that their machinations inflict suffering on the small artisans, as seen in Kuhn's remark that "[t]here is more at stake... than the fate of a few weavers." By contrast, the non-Jewish businessmen have a more cooperative approach to business. They also worry deeply about the workers and small businesses, and want to shield them with protectionist tariffs. Second, the Jewish characters are "cosmopolitan." This standard anti-Semitic accusation is seen in Kuhn's comment to Pollack that he has forgotten his home town and in Pollock's observation that Kuhn is now a "big shot" who has come a long way from his ghetto roots. Kuhn longs to move in the biggest international financial circles: "Berlin, Paris, London, New York-That's my world!" By contrast, the "Aryan" businessmen have a sense of homeland. Hubermayer is proud of his company's roots in Bohemia, going back 150 years, and his ties with its humble, decent linen-makers. Indeed, Kettner explicitly attacks Kuhn for his total lack of patriotism when he says, "Maybe our Fatherland is too small for your urges."
Goll. Goll asks the Baron why the Baron came, and the Baron replies fatherly that " I just want to suppose good - bye, and be the first to congratulate you. " Goll is sandbag, and turns to see a smile Lilly behind him. We determine them kiss as the train pulls away. Reason Papers Vol. 38, no. 1 153 The movie end with Hubermayer returning to his factory - now his again - while the town cheer. He tells them to get back to work making the linen they have produced for 150 years - linen from Bohemia. permit us examine the anti - Semitic messaging in this movie. Again we see Jews portray as different, disgusting, and dangerous - but with a different emphasis: the risk is more pronounced in this second movie than in the beginning. It begins with numerous scenes pushing the message that Jews are unlike, and continues by showing how the difference is for the worse- indeed, for the disgusting. First, the Jewish characters Kuhn and Pollack have a very unlike concept of business from the non - Jewish businessmen Hubermayer, Kettner, and even the other Libussa board members. They are portrayed as predatory in business, indifferent to the fact that their machinations inflict suffer on the small artisans, as interpret in Kuhn's remark that " [ t]here is more at interest... than the fate of a few weavers. " By contrast, the non - Jewish businessman have a more concerted approach to business. They besides worry deeply about the workers and small businesses, and want to shield them with protectionist tariffs. Second, the Jewish characters are " cosmopolitan. " This standard anti - Semitic accusation is seen in Kuhn's comment to Pollack that he has forget his home township and in Pollock's notice that Kuhn is nowadays a " big shot " who has come a retentive way from his ghetto roots. Kuhn longs to move in the big international financial circles: " Berlin, Paris, London, New York - That's my world! " By line, the " Aryan " businessmen have a sense of homeland. Hubermayer is proud of his caller's roots in Bohemia, go back 150 years, and his tie with its humble, becoming linen - makers. Indeed, Kettner explicitly attacks Kuhn for his full lack of patriotism when he says, " possibly our Fatherland is too small for your urges. "
 Gopl. Goll asks the Baron wmy the Baron camg, qnd thx Baron replies fatherly that "I just wanted ti say good-bye, and be the fifst to cojgratulare yiy." Goll is stunned, and tudks to wee a smiling Killy behitd him. We watcv ghzm kiss as the train pulls away. Reasjn Papets Vol. 38, no. 1 153 The movpe enda with Hubermayer returning to his factorj-now his again-whike the townspeople cheer. Hf tepls them to get bafk to work nakigt the linen ghey have krmduced for 150 years-linen from Bohemia. Let ur exakine the abtu-Selhtic messagmng in this movie. Again we see Jees depicted as dihferwnt, disgusting, and daigerous-but with a disferent ekpkasis: the danger is mirw protounwed kb tfis sxcohd movle vhan in the first. It bwgins with numerous ssvmes pushing fhe mefswge that Jews are different, and continuts by showing how the differwnce is for the worse- indeed, fjr the disgusting. First, the Jewish characters Kuht and Ooloagk hxce a very different conception of business from fht npn-Jewish busincssmen Hubermayer, Lehtmgr, and even thg other Ligussa board memberd. They wre pirtrayed ws ptedatory in business, indiffwrent to the dact that their maehinations iuflict suffrring on the small artirans, as seen in Kuhn's rejxrk that "[t]here ir mpra at stake... than the fate os a few wxaverx." By covtraxt, the non-Jewish busikassmen have a more coopgrativa approach to business. They also worry dex'ly about the wmrkvrs and siall nusinesses, and rant to shield them wnth prutectionisn tariffs. Second, the Jewish charawjers are "cosmmpolitan." Thiw stqndard xvti-Semitic accisation is seen in Juhn's comment to Ppllxdk that he has yuttotten his homr tuwn ajd ig Pollock's obvervxtium thag Kuhn is nid a "nig shot" who has coma a mong way from his bhctto rootw. Kuhn ljngs to move on the biggest inttrnatimnau finsncyal circles: "Berlin, Paris, Londoh, New Yorn-Thwt's my world!" By gonttast, the "Arvan" businessmen have a sense of homeland. Hubermayer is proyd of his company's toous in Bohemia, goind back 150 yaars, and his ties wirh its humble, dectnt linen-makers. Indeed, Iettnes exppicitly attacks Kuhn for his total lack of patriotism when he says, "Maybe iur Favhqrland is tko skall xox ypur urdes."
Goll. Goll asks the Baron why the and Baron replies that "I just be first to congratulate Goll is stunned, turns to see a smiling Lilly him. We watch them kiss as the train pulls away. Reason Papers Vol. no. 1 153 The movie ends with Hubermayer returning to his factory-now his the cheer. tells to get back to work making the linen they have produced for 150 years-linen from Bohemia. us examine the anti-Semitic messaging in this movie. we see Jews depicted different, disgusting, and dangerous-but with different the danger more in second movie than the first. It begins with numerous scenes pushing the message that Jews are different, and continues by how the for the indeed, the First, the Jewish and Pollack have a very different from the non-Jewish businessmen Hubermayer, Kettner, and even other Libussa members. They are portrayed as predatory business, indifferent to the fact that their machinations suffering on the small artisans, as seen in Kuhn's remark that "[t]here is more at the fate of a weavers." By contrast, non-Jewish have more approach to They also worry deeply about the workers and small businesses, and to shield them with protectionist tariffs. Second, the Jewish characters This anti-Semitic accusation is in Kuhn's comment to that has forgotten his home in observation now "big who has come a way from his ghetto roots. longs to move in "Berlin, Paris, London, New York-That's my world!" By the "Aryan" businessmen have a sense of Hubermayer is proud of his company's roots in Bohemia, going back 150 and his its humble, decent linen-makers. Indeed, Kettner explicitly attacks for his total lack patriotism when he says, "Maybe our Fatherland is too for urges."
 Goll. Goll asks the Baron why thE Baron came, And thE BaRon RePlieS fatHerly that "I just WAnteD to say good-bye, and be the fIrst tO cONgraTUlAte yoU." Goll is STuNNEd, aNd TuRns To SEe A smilIng lilly beHind him. We wAtcH tHem kiss as the TRaIn pulls awaY. ReAson Papers VoL. 38, no. 1 153 the movIe EndS With HUbeRmayeR returNIng to hIs factory-NoW His agaIN-while tHE ToWnspEople cheer. He tells THeM To get back to worK makinG tHE lINEn tHey Have producEd For 150 yeARs-linen FRoM bOHemIA. Let us examine The anti-SemiTIc mEssagiNg In tHIs moviE. AgaiN wE See jews depicteD as dIfferent, dIsgustINg, and daNGerous-bUt with A diFfeRent EMpHaSis: ThE DanGEr Is mORe pRonounceD iN tHis seCond MOVIE thaN in The fIrst. IT begins with nuMerOus sCEneS pushIng thE mesSaGe thaT Jews aRe difFeRent, and continueS by sHowing how The DiFfeReNce is FOr the wOrsE- inDeed, for The disgUStiNg. fIRSt, The Jewish characterS KUHN aNd PollacK have a VErY dIFferent cOnCepTion OF BusinEss fROm The non-JeWish buSInEsSmen HubErMayer, KEtTneR, anD even THe otHer LibUssa boarD membERs. They are portrAYed as predatorY In BUSiNEss, iNdiFferent to thE facT That TheiR MaChiNAtionS inflIcT SuFFering on the small artIsAns, as sEen in kuhn's remark thAt "[t]here is mORE At stake... tHan tHE fATe of a few weaverS." By coNtrast, the nON-Jewish bUsineSsmen havE a more cooPERative apProAch To bUsiNESs. they also worry DEEply AbOut the wOrkErs and sMalL buSinEssEs, And want to Shield thEm WiTh PrOteCtionISt tariffS. SEcoNd, The jewisH CharacTers aRe "coSmOpOLitAn." This sTAnDARd anTi-seMitiC acCuSatioN is sEEn iN Kuhn's cOmment to POllACk thAt He Has forgOtten his home tOwN and in PollOcK's oBservaTIOn that KuHn is now a "big shot" who has coME a long wAy fRom hiS gheTto roots. KUhn Longs tO moVE in the BiggesT inteRnAtiONAl finANCiAl cIrCles: "Berlin, pARis, londoN, NEw YoRk-That's My world!" By contrast, tHE "ArYan" businessmeN haVe a sENSe Of hOMeLAnd. huBErmAYEr is proud of his cOmpany's rooTs IN BOhemia, goinG BacK 150 yEars, and His ties With iTS humble, Decent linEn-makers. INdEed, KETTneR explicitlY attacks kuhn for hiS Total LAcK of paTriOtism wHeN he Says, "MAybe ouR fatHerlaNd is toO sMall foR your UrGes."
 Goll. Goll asks the Baron  why the B aroncam e,an d th e Ba ron replies fa t herl y that "I just wantedto sa yg ood- b ye , and  be the fi r s t t oco ngr at u la te yo u."  Goll i s stunned,  an dturns to see asmiling Li lly  behind him.  We  watch  t hem kissasthe t rain p u lls aw ay. Reaso nP apersV ol. 38, n o.  1 1 53 The movie ends wi t h Hubermayer r eturni ng to h isfac tory-now h is  agai n -whilet he t o wns p eople cheer.He tells th e m t o getba ckt o work  maki ng the  linen they  hav e produce d for1 50 year s -linenfrom B ohe mia . Le t  u sexa mi n e t h eant i -Se mitic me ss ag ing i n th i s m ovie . A gain  we s ee Jews depic ted  asd iff erent , dis gust in g, an d dang erous -b ut with a diffe rent  emphasis : t he  da ng er is more p ron oun ced inthis se c ond  m o v i ethan in the first.  I t be gins wit h nume r ou ss cenes pu sh ing  the m essag e th a tJews are  diffe r en t,  and co nt inuesby  sh owi ng ho w  the  diffe rence is  fort he worse- inde e d, for the di s gu s t in g . Fi rst , the Jewis h ch a ract ersK uh n a n d Pol lackha v ea  very different con ce ptionof bu siness from t he non-Jew i s h  busines smen Hu b ermayer, Kettn er, a nd even th e  other L ibuss a boardmembers.T h ey are p ort ray edasp r ed atory in busi n e ss,in differe ntto thefac t t hat  th ei r machina tions in fl ic tsu ffe ringo n the sm al l a rt isa ns, a s  seenin Ku hn's  r em a rkthat "[ t ]h e r e is  m or e at  st ak e...than the  fate o f a few w eav e rs."  B ycontras t, the non-Je wi sh busines sm enhave a m ore coop erative approach to bus i ness. T hey  also  wor ry deeply  ab out th e w o rkersand sm all b us ine s s es, a n d  w ant  t o shield t h e m w ith p ro tect ionisttariffs. Second, t h e J ewish charact ers  are " co smo p ol i tan ." Thi s standard anti-S emitic acc us a ti on is seen inKu hn's co mment t o Pol l ack tha t he hasforgotten  h is h o m e t own and in  Pollock 's observ a tiont ha t Kuh n i s nowa"bi g sho t" who has  come  a lon gway fr om hi sghetto r oots. Kuhn longs to mov e in t he bi gge st intern ati o nal  financia l ci rcles: "Be rli n,Paris , L o ndon,  New Yo rk- T hat's  myw orld!" By co ntr a s t,  the "Aryan " b usi nessm enh ave asens e of homeland. Hu b ermayer is pro ud o f his  co m pany 's  roots in Bohe mia ,g o ing back  1 50 years, a nd his t ie s  with  its h umble,  decent l in e n-make rs.Ind eed, Kett ner  e x plicitl yat t acks K uhnfo r histotall acko f  patriotism when  he s a y s, "M a ybe  ourFa therlan d  istoo smallfor your ur ges."
 Goll._Goll asks_the Baron why the_Baron came,_and_the Baron_replies_fatherly that "I_just wanted to_say good-bye, and be_the first to_congratulate_you." Goll is stunned, and turns to see a smiling Lilly behind him. We_watch_them kiss_as_the_train pulls away. Reason Papers_Vol. 38, no. 1 153_The movie_ends with Hubermayer returning to his factory-now his_again-while_the townspeople cheer._He tells them to get back to work making_the linen they have produced for_150 years-linen from_Bohemia._Let_us examine the anti-Semitic_messaging in this movie. Again we_see Jews depicted as different, disgusting,_and dangerous-but with a different emphasis: the_danger is more pronounced in this_second movie than in the_first. It_begins with numerous scenes pushing_the message that_Jews are_different, and continues_by showing how the difference is_for the worse-_indeed, for the disgusting. First, the_Jewish_characters Kuhn and_Pollack_have_a very_different conception of_business_from the_non-Jewish_businessmen Hubermayer, Kettner, and even the_other_Libussa board members. They are portrayed as_predatory in business, indifferent_to_the fact that their_machinations inflict suffering on the_small artisans, as seen in Kuhn's_remark that_"[t]here is_more at stake... than the fate of a few weavers." By_contrast, the non-Jewish businessmen have a_more cooperative approach to_business. They_also_worry deeply about_the_workers and_small businesses, and want to shield them_with protectionist_tariffs. Second, the Jewish characters are_"cosmopolitan." This standard anti-Semitic_accusation_is seen in Kuhn's comment to_Pollack that he has forgotten his_home town and in Pollock's_observation_that_Kuhn is now a "big_shot" who has come a long_way from his_ghetto roots. Kuhn longs to move in_the_biggest international financial circles: "Berlin, Paris,_London,_New York-That's my world!" By contrast,_the_"Aryan"_businessmen have a sense of_homeland. Hubermayer is proud of his_company's roots in Bohemia, going back 150 years, and_his ties with_its humble, decent linen-makers. Indeed,_Kettner_explicitly_attacks Kuhn for his total lack of patriotism when he_says, "Maybe_our Fatherland is_too small for your urges."