ence than the youthful and fit Hermes, as eloquence is mightier than muscular force, moving its objects to comply willingly and represented by an old man, as age increases persuasive prowess where it withers other youthful capacities.23  Johann Wolfgang von Goethe, Faust, Volume 1 and 2, p. 19. See further, Babich, "Heidegger and Hölderlin on Aether and Life," p. 116.  Babich, "Nietzsche's Zarathustra and Parodic Style: On Lucian's Hyperanthropos and Nietzsche's Übermensch," pp. 58–74 and via Empedocles (and Hölderlin's recognition of political modernity and the still present dangers of tyranny), "Nietzsche's Zarathustra, Nietzsche's Empedocles: The Time of Kings" pp. 157– 174.  Lucian, "Heracles," Volume 1, p. 63.  Lucian, "Heracles," Volume 1, p. 65.  Instructively this is a syncretistic – very fitting in the case of Lucian – representation of Hermes as Ogmios in Lucian's dialogue: Hercules. See for a summary of Lucian's description in addition to further references of which there are many, even beyond the listing provided here, and including patent connections with Hume, Jaś Elsner's chapter "Discourses of Style: 8 Babette Babich Dürer's allegory of rhetoric depicts Lucian's Hermes not only as leading his captives by the ear, chained with amber and gold chains piercing his own tongue, but as psychogogue: leading or guiding souls on their journey in this world and beyond it.24 It is as pychopompos, that Hermes appears in several of Figure 1: Albrecht Dürer, Allegorie auf die Beredsamkeit (Hermes mit vier irdischen Gestalten: Frau, Krieger, Gelehrter und Bürger) [Allegory of Eloquence (Hermes with four earthly figures: woman, knight, scholar, citizen)]. (1514) Wien Kunsthistorisches Museum. Color version courtesy of the British Museum. Public domain. Pausanias and Lucian," in his Roman Eyes: Visuality &
ence than the youthful and fit Hermes, as eloquence is mightier than muscular force, moving its object to comply willingly and stage by an old man, as age increase persuasive prowess where it withers early youthful capacities.23  Johann Wolfgang von Goethe, Faust, Volume 1 and 2, p. 19. See further, Babich, " Heidegger and Hölderlin on Aether and Life, " p. 116.  Babich, " Nietzsche's Zarathustra and Parodic Style: On Lucian's Hyperanthropos and Nietzsche's Übermensch, " pp. 58–74 and via Empedocles (and Hölderlin's realization of political modernity and the however present dangers of absolutism), " Nietzsche's Zarathustra, Nietzsche's Empedocles: The Time of Kings " pp. 157 – 174.  Lucian, " Heracles, " book 1, p. 63.  Lucian, " hercules, " Volume 1, p. 65.  Instructively this is a syncretistic – very fitting in the subject of Lucian – representation of Hermes as Ogmios in Lucian's dialogue: Hercules. attend for a summary of Lucian's description in addition to further references of which there are many, even beyond the list provided here, and including patent connection with Hume, Jaś Elsner's chapter " sermon of Style: 8 Babette Babich Dürer's allegory of palaver depicts Lucian's Hermes not only as leading his captive by the ear, chained with amber and gold chains piercing his own tongue, but as psychogogue: leading or guiding souls on their journey in this world and beyond it.24 It is as pychopompos, that Hermes appears in several of Figure 1: Albrecht Dürer, Allegorie auf die Beredsamkeit (Hermes mit vier irdischen Gestalten: Frau, Krieger, Gelehrter und Bürger) [ Allegory of Eloquence (Hermes with four earthly figures: woman, knight, learner, citizen) ]. (1514) Wien Kunsthistorisches Museum. Color adaptation courtesy of the British Museum. Public domain. Pausanias and Lucian, " in his Roman eye: Visuality &
encf than the youthful and nit Hermes, as eloquence is mifhtier tfan muscular force, moving itd ibjecuf to comply willinely and rvpresentee by qn old man, as age lucreaacs pexsnasive prowess ehere it whthers other ymughyul capacities.23  Johann Wolfgang von Doethe, Gakst, Volume 1 anq 2, p. 19. See further, Babich, "Heidegger and Höldedlin on Aether and Lofe," p. 116.  Babich, "Nietzsche's Xarahhustra and Parodif Style: On Ouciwb's Hyperanthfopos and Nietzsche's Übgrmensch," pp. 58–74 and via Empedocles (xnd Hökderlin's rgeignljion of polivical iodernity and the sthll prexent dangers on tyrenny), "Nietzsche's Zarathustca, Nietzsche's Empedosles: The Dije of Kings" pp. 157– 174.  Lycian, "Herdcler," Vouumt 1, '. 63.  Luciaj, "Hxracles," Volhme 1, p. 65.  Inwtructively this is a wyncretistic – very sieting in the case of Lucian – representauion kf Hermes as Ogmios in Oucian's dialogue: Hercoles. See fjr a summary of Lucian's description in addition tm furvhdr xcnerevxed of which there are many, even beyond the lisejnb irovided here, and including lahemj connections dith Hbje, Jaś Elsner's chapteg "Discoorses if Style: 8 Babrtte Babich Dürer's allegory if rhetoric bepucts Lucian's Hermed not only cs leacing nis captives by the ear, chajned with alber and fuld chains pierckng hhs own tongue, but as psychjgogue: leeding or guiaing souls on their uourncf in this world anf beylng it.24 It is as pychopompos, that Hermes appxers in severak mf Xigure 1: Clbrecmt Dürer, Allegorye auf die Bergdsamkeit (Hermds mit vieg irdischxn Gestalten: Frau, Krieger, Helehrter unv Bürger) [Ajlegiry if Eloqjdnce (Hermes wiyh four ecxthly figyres: woman, knight, xchumar, citizen)]. (1514) Wizu Junsthistorischrs Ousqul. Rolor eersion courdesy of yhe Bfitish Musemm. Oubloc domain. Pausanias dnd Mucian," in his Romam Cyes: Visuqlity &
ence than the youthful and fit Hermes, is than muscular moving its objects by old man, as increases persuasive prowess it withers other youthful capacities.23  Wolfgang von Goethe, Faust, Volume 1 and 2, p. 19. See further, Babich, and Hölderlin on Aether and Life," p. 116.  Babich, "Nietzsche's Zarathustra and Style: Lucian's and Übermensch," pp. 58–74 and via Empedocles (and Hölderlin's recognition of political modernity and the still present of tyranny), "Nietzsche's Zarathustra, Nietzsche's Empedocles: The Time Kings" pp. 157– 174. Lucian, "Heracles," Volume 1, p.  "Heracles," Volume p.  this is a – very fitting in the case of Lucian – representation of Hermes as Ogmios in Lucian's dialogue: See for of Lucian's in to references of which many, even beyond the listing provided patent connections with Hume, Jaś Elsner's chapter "Discourses Style: 8 Babich Dürer's allegory of rhetoric depicts Hermes not only as leading his captives by ear, chained with amber and gold chains piercing his own tongue, but as psychogogue: leading souls on their journey this world and it.24 is pychopompos, Hermes appears several of Figure 1: Albrecht Dürer, Allegorie auf die Beredsamkeit (Hermes vier irdischen Gestalten: Frau, Krieger, Gelehrter und Bürger) [Allegory of with earthly figures: woman, scholar, citizen)]. (1514) Wien Museum. version courtesy of the Public Pausanias his Eyes: &
ence than the youthful and fit hermes, as elOquenCe iS miGhTier Than Muscular force, mOVing Its objects to comply willIngly AnD ReprESeNted bY an old mAN, aS AGe iNcReAseS pERsUasivE prOwess whEre it witheRs oThEr youthful caPAcIties.23  JohanN WoLfgang von GoeThe, faust, VOlUme 1 ANd 2, p. 19. SeE fuRther, babich, "hEideggEr and HöldErLIn on AeTHer and LIFE," p. 116.  babiCh, "Nietzsche's ZaratHUsTRa and Parodic StYle: On LUcIAn'S hYpeRanThropos and niEtzscHE's ÜbermENsCH," PP. 58–74 anD Via Empedocles (And HölderliN'S reCognitIoN of POliticAl modErNIty And the still PresEnt dangerS of tyrANny), "NietZSche's ZaRathusTra, nieTzscHE's emPedOcLEs: THE TIme OF KiNgs" pp. 157– 174.  LucIaN, "HEraclEs," VoLUME 1, P. 63.  LucIan, "heraCles," VOlume 1, p. 65.  InstrucTivEly tHIs iS a synCretiStic – VeRy fitTing in The caSe Of Lucian – represeNtatIon of HermEs aS OGmiOs In LucIAn's diaLogUe: HErcules. see for a SUmmArY OF luCian's description in AdDITiOn to furtHer refEReNcES of which ThEre Are mANY, even BeyoND tHe listinG proviDEd HeRe, and inClUding pAtEnt ConNectiONs wiTh Hume, jaś ElsneR's chaPTer "Discourses oF style: 8 Babette BABiCH düREr's aLleGory of rhetoRic dEPictS LucIAn'S HeRMes noT only As LEaDIng his captives by the EaR, chainEd witH amber and gold Chains pierCING his own tOnguE, BuT As psychogogue: lEadinG or guiding SOuls on thEir joUrney in tHis world aND Beyond it.24 it iS as PycHopOMPoS, that Hermes apPEArs iN sEveral oF FiGure 1: AlbRecHt DÜreR, AlLeGorie auf dIe BeredsAmKeIt (heRmeS mit vIEr irdiscHeN GeStAltEn: FraU, kriegeR, GeleHrteR uNd bÜrgEr) [AllegORy OF eloqUeNcE (HerMes WiTh fouR earTHly Figures: Woman, knigHt, sCHolaR, cItIzen)]. (1514) WieN KunsthistoriScHes Museum. COlOr vErsion COUrtesy of The British Museum. Public dOMain. PauSanIas anD LucIan," in his ROmaN Eyes: VIsuALity &
ence than the youthful and  fit Herme s, as  el oqu en ce i s mi ghtier than mu s cula r force, moving its ob jects  t o  com p ly  will ingly a n dr e pre se nt edby an  oldman , as ag e increase s p er suasive prow e ss  where itwit hers other y out hful c ap aci t ies.2 3   Joh ann Wo l fgangvon Goeth e, Faust, Volume1 an d 2,  p. 19. See furth e r, Babich, "Heide gger a nd Hö l d erl inon Aetheran d Lif e ," p. 1 1 6.    Ba b ich, "Nietzsc he's Zarath u str a andPa rod i c Styl e: On  L u cia n's Hyperan thro pos and N ietzsc h e's Übe r mensch, " pp.58– 74andv ia  E mpe do c les (a ndH öld erlin'sre co gniti on o f p o liti cal  mod ernit y and the sti llpres e ntdange rs of  tyr an ny),"Nietz sche' sZarathustra, Ni etzs che's Emp edo cl es:  T he Ti m e of K ing s"pp. 157 – 174.  L uc i a n ,"Heracles," Volume  1 , p.  63. Lucian ,  " He r acles,"Vo lum e 1, p . 65.  I ns tructive ly thi s  i sa syncr et istic–ver y f ittin g  inthe ca se of Lu cian–  representatio n  of Hermes as Og m i os in L uci an's dialog ue:H ercu les. Se e f o r a s ummar yo fL ucian's description  i n addi tionto further re ferences o f w hich the re a r em any, even beyo nd th e listingp rovidedhere,  and inc luding pa t e nt conne cti ons  wi thH u me , Jaś Elsner' s chap te r "Disc our ses ofSty le:  8Bab et te Babich  Dürer's  a ll eg or y o f rhe t oric dep ic tsLu cia n's H e rmes n ot on ly a sle a din g his c a pt i v es b yth e ea r,ch ained  wit h  am ber and  gold cha ins pier ci ng  his ow n tongue, but  a s psychogo gu e:leadin g or guidi ng souls on their journ e y in th isworld  and  beyond i t.2 4 It i s a s  pycho pompos , tha tHer m e s app e a rs  in  s everal ofF i gur e 1:Al brec ht Düre r, Allegorie auf d i e B eredsamkeit ( Her mesm i tvie r  i r dis ch e n G e s talten: Frau, K rieger, Ge le h rt er und Bür g er)  [ Allegor y of El oquen c e (Herm es with f our earth ly  fig u r es:  woman, kn ight, sc holar, ci t izen) ] .(1514 ) W ien Ku ns thi stori schesM use um. C olor v er sion c ourte sy  of theBritish Museum. Publicdomain . Pau san ias and L uci a n,"  in his R oman  Eyes: Vis ual ity  &
ence than_the youthful_and fit Hermes, as_eloquence is_mightier_than muscular_force,_moving its objects_to comply willingly_and represented by an_old man, as_age_increases persuasive prowess where it withers other youthful capacities.23  Johann Wolfgang von Goethe,_Faust,_Volume 1_and_2,_p. 19. See further, Babich,_"Heidegger and Hölderlin on Aether_and Life,"_p. 116.  Babich, "Nietzsche's Zarathustra and Parodic_Style:_On Lucian's Hyperanthropos_and Nietzsche's Übermensch," pp. 58–74 and via Empedocles (and_Hölderlin's recognition of political modernity and_the still present_dangers_of_tyranny), "Nietzsche's Zarathustra, Nietzsche's_Empedocles: The Time of Kings" pp._157– 174.  Lucian, "Heracles," Volume_1, p. 63.  Lucian, "Heracles," Volume_1, p. 65.  Instructively this_is a syncretistic – very_fitting in_the case of Lucian –_representation of Hermes_as Ogmios_in Lucian's dialogue:_Hercules. See for a summary of_Lucian's description in_addition to further references of which_there_are many, even_beyond_the_listing provided_here, and including_patent_connections with_Hume,_Jaś Elsner's chapter "Discourses of Style:_8_Babette Babich Dürer's allegory of rhetoric depicts_Lucian's Hermes not only_as_leading his captives by_the ear, chained with amber_and gold chains piercing his own_tongue, but_as psychogogue:_leading or guiding souls on their journey in this world and_beyond it.24 It is as pychopompos,_that Hermes appears in_several of_Figure_1: Albrecht Dürer,_Allegorie_auf die_Beredsamkeit (Hermes mit vier irdischen Gestalten: Frau,_Krieger, Gelehrter_und Bürger) [Allegory of Eloquence (Hermes_with four earthly figures:_woman,_knight, scholar, citizen)]. (1514) Wien Kunsthistorisches_Museum. Color version courtesy of the_British Museum. Public domain. Pausanias_and_Lucian,"_in his Roman Eyes: Visuality_&