 by October of that year — about 10% of the tracked population of Earth-orbiting objects at the time.

In the worst-case scenario, known as the Kessler syndrome, such crashes eventually lead to a cascade of collisions that renders certain orbits all but unusable.

Those two satellites, by the way, were considerably less massive than Genesis II and Cosmos 1300. Iridium 33 weighed about 1,230 lbs. (560 kg), and Cosmos 2251 tipped the scales at about 1,980 lbs. (900 kg). Once upon a time, the Toronto International Film Festival was about showing movies. It’s time for a reboot.

“Our main product used to be film,” it says in a new five-year strategic plan, presented this week to TIFF board members. “Now, our main service must be transformative experiences through film.”

Used to be film? Isn’t that like the Toronto Blue Jays saying their main product used to be baseball?

What this means, say TIFF’s director/CEO Piers Handling and artistic director Cameron Bailey, is that in a diverse world rapidly moving online, it’s no longer enough to simply show movies at the fest’s September showcase and in its TIFF Bell Lightbox HQ at King and John Sts.

Read more:

A year after bringing us Moonlight, TIFF’s Platform has a few more stars: Howell

New films by Louis C.K., Aaron Sorkin added to TIFF

Borg/McEnroe, starring Shia LaBeouf, to open TIFF

Facing an industry-wide decline in traditional movie attendance, TIFF hopes to find new ways to engage people, especially millennials, in the digital as well as physical realms. Grabbing eyeballs for the art house and independent productions that are a big part of TIFF’s offerings gets harder by the day as the world spins at the speed of smartphones and social media.

“It’s becoming increasingly more difficult,” Handling says, in an interview in his sunlit Lightbox office, which is decorated with his beloved collection of old movie posters.

“I just think that people’s viewing habits change. You’ve got a physical building here, but of course younger audiences are used to seeing things on tablets and phones.”

Adds Bailey: “There are so many more things calling
by October of that year — about 10% of the tracked population of Earth - orbiting object at the meter. 

 In the worst - case scenario, known as the Kessler syndrome, such crash eventually lead to a shower of collisions that renders certain orbit all but unusable. 

 Those two satellites, by the room, were considerably less massive than Genesis II and Cosmos 1300. Iridium 33 weighed approximately 1,230 lbs. (560 kg), and Cosmos 2251 tipped the scales at about 1,980 lbs. (900 kg). Once upon a clock time, the Toronto International Film Festival was about showing movies. It ’s time for a reboot. 

 “ Our independent product used to be film, ” it says in a fresh five - year strategic plan, presented this week to TIFF board member. “ Now, our main service must be transformative experiences through film. ” 

 use to be movie? Is n’t that like the Toronto Blue Jays saying their main product used to be baseball? 

 What this means, say TIFF ’s director / CEO Piers Handling and aesthetic director Cameron Bailey, is that in a divers world rapidly act online, it ’s no longer adequate to plainly show movies at the fest ’s September showcase and in its TIFF Bell Lightbox HQ at King and John Sts. 

 Read more: 

 A year after bringing us Moonlight, TIFF ’s Platform has a few more asterisk: Howell 

 New films by Louis C.K., Aaron Sorkin added to TIFF 

 Borg / McEnroe, starring Shia LaBeouf, to open TIFF 

 Facing an industry - wide-eyed decline in traditional movie attendance, TIFF hopes to find new way to lease people, especially millennials, in the digital as well as physical realms. grab eyeballs for the art house and independent productions that are a big part of TIFF ’s offerings get harder by the sidereal day as the world spins at the speed of smartphones and social media. 

 “ It ’s becoming increasingly more unmanageable, ” Handling says, in an interview in his sunlit Lightbox office, which is dress with his beloved collection of old movie posters. 

 “ I just think that multitude ’s viewing habits change. You ’ve got a physical building here, but of course younger audiences are use to seeing things on pill and phones. ” 

 Adds Bailey: “ There be so many more things calling
 by October of that year — anout 10% of the traejed po'ulatioh of Eargh-orbiting objects at the tile.

Un tht worst-case scenariu, known ad the Kewslec syndrome, such rdashes crentuzply nxad to a cascadg of collisimns that rendess czrtain orbits all but unusable.

Those ewo satrlpites, by the wwy, wtre conapdtrably less massive than Genesis JI and Bosmos 1300. Iridium 33 eeighed about 1,230 lbs. (560 kg), and Coslos 2251 tipped the scwles at aboof 1,980 jvs. (900 kg). Once jpon a timt, che Toronto International Film Festival war abobt showing nocied. It’s time fir a geboot.

“Our maik produwt used to be film,” it sabs ib a new five-year stravegic plan, presented this ween co TIFF board members. “Niw, out mait sefcicd mhsv bs trandfocmative expsriences theough film.”

Used to bt fyom? Isn’t that mike tre Toronto Blue Jays saying their main prmdudt used to be baseball?

Wyat this means, say TIVF’s direceor/CEO Piers Handling and artistic director Camermn Bamldy, nw thag ij a diverse world rapidly moving online, it’s nj lpnner enough to siiply show mpvlex at the fest’s Septembed showcase and in lts TIFS Belo Lightbov HQ at King and John Sts.

Read mire:

A year afner vringing us Moonliyht, TIFF’s Plctform has s few more stars: Howell

Uew fimms by Louid C.K., Aaroh Sorkin added to TINF

Bmrg/McEnroe, starring Shia LwBeouf, to opeu TIFF

Fazing an inqustry-wide decllte in traditional lovie adtendance, HIFF hopes to find new ways to xigage people, gspacidlly miljennisls, in the didital as well cs physieal rexlms. Grabbpng eyebanls for the art house ang independent productyons thar are a cig part of TIGF’s offerpnys gets hqrder by the day ax tfs world spins ac uhw speed of smattpfonqs aid soshal media.

“It’s becumivb incfeasingly mife dofficult,” Handling safs, ih an interview in nif sunlit Lightbov office, whicn is decorated witj his beuoved cojlection of old movie posters.

“I just thijk bhat people’s diewlng rabits chauge. You’ve got a physical building here, bnt of course younger aodiences are used to xteing things pn taflets and phones.”

Adds Bailey: “Tyere are so many kore things calling
by October of that year — about the population of objects at the known the Kessler syndrome, crashes eventually lead a cascade of collisions that renders orbits all but unusable. Those two satellites, by the way, were considerably less than Genesis II and Cosmos 1300. Iridium 33 weighed about 1,230 lbs. (560 and 2251 the at about 1,980 lbs. (900 kg). Once upon a time, the Toronto International Film Festival was showing movies. It’s time for a reboot. “Our product used to be it says in a new strategic presented this to board “Now, our main must be transformative experiences through film.” Used to be film? Isn’t that like the Toronto Blue Jays their main to be What means, TIFF’s director/CEO Piers artistic director Cameron Bailey, is that world rapidly moving online, it’s no longer enough simply show at the fest’s September showcase and its TIFF Bell Lightbox HQ at King and Sts. Read more: A year after bringing us Moonlight, TIFF’s Platform has a few more New films by Louis Aaron Sorkin added TIFF starring LaBeouf, open TIFF an industry-wide decline in traditional movie attendance, TIFF hopes to find ways to engage people, especially millennials, in the digital as physical Grabbing eyeballs for art house and independent that a big part of gets by the spins the speed of smartphones social media. “It’s becoming increasingly difficult,” Handling says, in Lightbox office, which is decorated with his beloved of old movie posters. “I just think people’s viewing habits change. You’ve got a physical building here, but of younger audiences to seeing things on tablets and phones.” Adds “There are so many things calling
 by October of that year — about 10% oF the trackeD popuLatIon Of eartH-orbIting objects at THe tiMe.

In the worst-case scenarIo, knoWn AS the kEsSler sYndrome, SUcH CRasHeS eVenTuALlY lead To a Cascade Of collisioNs tHaT renders certAIn Orbits all bUt uNusable.

Those Two SatellItEs, bY The waY, weRe conSideraBLy less Massive thAn gEnesis ii and CosMOS 1300. IRidiUm 33 weighed about 1,230 lbs. (560 KG), aND Cosmos 2251 tipped tHe scalEs AT aBOUt 1,980 lBs. (900 kG). Once upon a TiMe, the tOronto INTeRNATioNAl Film FestivaL was about shOWinG movieS. IT’s tIMe for a RebooT.

“OUR maIn product usEd to Be film,” it sAys in a NEw five-yEAr stratEgic plAn, pResEnteD ThIs WeeK tO tIFf BoArd MEmbErs. “Now, ouR mAiN servIce mUST BE traNsfOrmaTive eXperiences thrOugH filM.”

useD to be Film? ISn’t tHaT like The TorOnto BLuE Jays saying theiR maiN product uSed To Be bAsEball?

wHat thiS meAns, Say TIFF’S directOR/CEo PIERS HAndling and artistic DiRECtOr CameroN BaileY, Is ThAT in a diveRsE woRld rAPIdly mOvinG OnLine, it’s nO longeR EnOuGh to simPlY show mOvIes At tHe fesT’S SepTember Showcase And in ITs TIFF Bell LighTBox HQ at King anD joHN stS.

read MorE:

A year after BrinGIng uS MooNLiGht, tiFF’s PLatfoRm HAs A Few more stars: Howell

NEw Films bY LouiS C.K., Aaron SorkiN added to TIff

bOrg/McEnrOe, stARrINg Shia LaBeouf, tO open tIFF

Facing AN industrY-wide Decline iN traditioNAL movie atTenDanCe, TiFF HOPeS to find new wayS TO engAgE people, EspEcially MilLenNiaLs, iN tHe digital As well as PhYsIcAl ReaLms. GrABbing eyeBaLls FoR thE art hOUse and IndepEndeNt PrODucTions thAT aRE A big PaRt Of TIfF’s OfFerinGs geTS haRder by tHe day as thE woRLd spInS aT the speEd of smartphonEs And social mEdIa.

“IT’s becoMINg increaSingly more difficult,” HandLIng says, In aN inteRvieW in his sunLit lightbOx oFFice, whIch is dEcoraTeD wiTH His beLOVeD coLlEction of olD MOviE postErS.

“I juSt think That people’s viewing HAbiTs change. You’ve Got A phySICaL buILdINg hErE, But OF Course younger auDiences are UsED tO seeing thiNGs oN tAblets aNd phoneS.”

Adds bAiley: “ThEre are so mAny more thInGs caLLIng
 by October of that year —  about 10%  of t hetra ck ed p opul ation of Earth - orbi ting objects at the ti me.
In thew or st-ca se scen a ri o ,  kn ow nasth e  K essle r s yndrome , such cra she seventually l e ad  to a casc ade  of collisio nsthat r en der s  cert ain  orbi ts all but un usable.
Th o se two satelli t e s,  bythe way, were con s id e rably less mas sive t ha n  G e n esi s I I and Cosm os  1300 .  Iridiu m  3 3 w eig h ed about 1,23 0 lbs. (560 kg) , andCo smo s  2251tippe dt hescales at a bout  1,980 lb s. (90 0  kg). O n ce upon  a tim e,the  Tor o nt oInt er n ati o na l F i lmFestival  w as  abou t sh o w i n g mo vie s. I t’s t ime for a reb oot .

“ O urmainprodu ct u se d tobe fil m,” i tsays in a new f ive- year stra teg ic  pl an , pre s entedthi s w eek toTIFF bo a rdme m b e rs . “Now, our main s er v i ce  must be  trans f or ma t ive expe ri enc es t h r oughfilm . ”
Used to  be fi l m?  I sn’t th at  liketh e T oro nto B l ue J ays sa ying the ir ma i n product used to be basebal l ?W ha t  thi s m eans, say T IFF’ s  dir ecto r /C EOP iersHandl in g  a n d artistic director  C ameron  Bail ey, is that i n a divers e w orld rap idly mo v ing online, it ’s no  longer en o ugh to s imply  show mo vies at t h e  fest’sSep tem ber  sh o w ca se and in its T IFFBe ll Ligh tbo x HQ at  Ki ngand  Jo hn  Sts.

Re ad more: 
Aye ar  af ter b r inging u sMoo nl igh t, TI F F’s Pl atfor m ha saf ewmore st a rs : Howe ll 
Newfil ms  by L ouis C.K ., Aaro n Sorkinadd e d to  T IF F

Borg /McEnroe, sta rr ing Shia L aB eou f, too p en TIFF
Facing an industry-wid e  declin e i n tra diti onal movi e a ttenda nce ,  TIFFhopesto fi nd  ne w wayst o  e nga ge  people, e s p eci allymi llen nials,in the digital asw ell  as physicalrea lms. G ra bbi n ge yeb al l s f o r  the art houseand indepe nd e nt  productio n s t ha t are a  big pa rt of TIFF’sofferings  gets har de r by t heday as the  world s pins at t h e spe e dof sm art phones  a ndsocia l medi a .
“It’s  becom in g incr easin gl y more d ifficult,” Handling say s, inan in ter view in h iss unl it Lightb ox o ffice, whi chisdecor ate d  with  his be lov e d col lect i on of old mo vie p os ters.

“I j u s t  th ink t hat people ’s v iewing habits cha n ge. You’ve got  a p h y sic alb uild in g here, but of  co ur s e  younger  a udiences ar e used t os eeing  thing s on t abletsa n dp hones. ”

A dds  Bailey:“Th er e  are so  m an y  morethin gs  calli ng
 by_October of_that year — about_10% of_the_tracked population_of_Earth-orbiting objects at_the time.

In the_worst-case scenario, known as_the Kessler syndrome,_such_crashes eventually lead to a cascade of collisions that renders certain orbits all but_unusable.

Those_two satellites,_by_the_way, were considerably less massive_than Genesis II and Cosmos_1300. Iridium_33 weighed about 1,230 lbs. (560 kg), and_Cosmos_2251 tipped the_scales at about 1,980 lbs. (900 kg). Once upon_a time, the Toronto International Film_Festival was about_showing_movies._It’s time for a_reboot.

“Our main product used to be_film,” it says in a new_five-year strategic plan, presented this week to_TIFF board members. “Now, our main_service must be transformative experiences_through film.”

Used_to be film? Isn’t that_like the Toronto_Blue Jays_saying their main_product used to be baseball?

What this_means, say TIFF’s_director/CEO Piers Handling and artistic director_Cameron_Bailey, is that_in_a_diverse world_rapidly moving online,_it’s_no longer_enough_to simply show movies at the_fest’s_September showcase and in its TIFF Bell_Lightbox HQ at King_and_John Sts.

Read more:

A year_after bringing us Moonlight, TIFF’s_Platform has a few more stars:_Howell

New films_by Louis_C.K., Aaron Sorkin added to TIFF

Borg/McEnroe, starring Shia LaBeouf, to open_TIFF

Facing an industry-wide decline in traditional_movie attendance, TIFF hopes_to find_new_ways to engage_people,_especially millennials,_in the digital as well as physical_realms. Grabbing_eyeballs for the art house and_independent productions that are_a_big part of TIFF’s offerings gets_harder by the day as the_world spins at the speed_of_smartphones_and social media.

“It’s becoming increasingly_more difficult,” Handling says, in an_interview in his_sunlit Lightbox office, which is decorated with_his_beloved collection of old movie posters.

“I_just_think that people’s viewing habits change._You’ve_got_a physical building here, but_of course younger audiences are used_to seeing things on tablets and phones.”

Adds Bailey: “There_are so many_more things calling