 documentary covers Miller’s distant relationship with his alcoholic father and his vagabond days touring the few ski resorts that existed in the 1940s. It delves into how he accused his mother and sister, who ran Miller’s film production company in the early days, of embezzling some $100,000 from him. It details how life on the road, making movies, led to the end of his second marriage and left him estranged from his three children for years.

“The most challenging thing with this film was not so much talking about the professional side of his life. It was talking about the personal side,” Creadon said. “He made a lot of sacrifices to have the career that he had, and his children really paid a high price for that.”

Miller, Creadon said, “wasn’t a bad guy. He was kind and warm, and he loved to do fun things with his family. The source of some of the pain within his own family comes solely from the fact that they wanted to be with him more.”

Besides interviewing Miller, Creadon gathers a Who’s Who of the skiing world, including extreme skiers Scot Schmidt and brothers Dan and John Egan, Olympic skier Jonny Moseley, and Miller’s collaborators, such as the ski cameraman Greg Stump.

Wimmer — who worked at Robert Redford’s Sundance resort as a kid “so I could get lift tickets” — falls into that category. As an actor (best known for the TV series “China Beach”) and filmmaker, Wimmer used his Hollywood connections to help launch X-Dance, a film festival highlighting extreme sports. X-Dance started in Park City in 2001, one of the alternative festivals that used to crowd Main Street in the shadow of Sundance and Slamdance. It moved to Salt Lake City in 2008 and disbanded after the 2012 event.

Miller was an enthusiastic backer of X-Dance, Wimmer said. “He was one of our guest judges. He was so energetic about it. He would watch these films and give his critique. … He was kind of a coach to us.”

Creadon was determined to make a movie that would have appeal beyond the ski fans who flock to Warren Miller movies every fall. “I think there’s a bigger audience for this film,” Creadon said, calling Miller “an American filmmaker and an American
documentary covers Miller ’s distant relationship with his alcoholic father and his vagrant sidereal day touring the few ski recourse that exist in the 1940s. It delves into how he charge his mother and baby, who ran Miller ’s film production company in the early days, of embezzle some $ 100,000 from him. It details how life on the road, making movies, head to the end of his second marriage and left him estranged from his three children for years. 

 “ The about challenging thing with this film was not then much talking about the professional side of his animation. It was talking about the personal slope, ” Creadon said. “ He made a lot of sacrifices to have the career that he give birth, and his children really paid a high price for that. ” 

 Miller, Creadon say, “ was n’t a bad guy. He was kind and warm, and he loved to do fun things with his family. The source of some of the pain within his own family issue forth solely from the fact that they wanted to be with him more. ” 

 Besides interviewing Miller, Creadon accumulate a Who ’s Who of the skiing world, including extreme skiers Scot Schmidt and brother Dan and John Egan, olympian skier Jonny Moseley, and Miller ’s collaborators, such as the ski cameraman Greg Stump. 

 Wimmer — who worked at Robert Redford ’s Sundance resort as a child “ so I could get lift tickets ” — falls into that category. As an actor (best known for the TV series “ China Beach ”) and filmmaker, Wimmer use his Hollywood connection to avail launch X - Dance, a film festival highlighting extreme fun. X - Dance started in Park City in 2001, one of the alternative festival that used to crowd Main Street in the shadow of Sundance and Slamdance. It moved to Salt Lake City in 2008 and disband after the 2012 event. 

 Miller was an enthusiastic angel of X - Dance, Wimmer said. “ He was one of our guest judges. He was so energetic about it. He would watch these movie and give his review. … He was kind of a coach to us. ” 

 Creadon was compulsive to make a movie that would have appeal beyond the ski fan who cluster to Warren Miller movies every fall. “ I think there ’s a big audience for this film, ” Creadon said, calling Miller “ an American filmmaker and an American
 dofumentary covers Miller’s distant relationship xith hia alcohouic father and his vagabond vays tourung the few ski resortr that expsted in rhe 1940w. It delves into how he adgused iis mother and xister, who ran Miller’s fhlo 'roduction company in the early days, of embrzxling some $100,000 frjm hpm. It svtcils how life on the road, makinf moviev, led to the rnd of his second marriage and left him estrangef from his jgreq children fof years.

“The most challehging thing with this film was vot sp much taljibg wtout the prifessponal side of his lifa. It wax talking aboub the peesonal side,” Creadon seid. “He made a lot of sacrificas to have the carewr that he vad, xbd fis ciilsren rfalmy paid a gigh price dor that.”

Miller, Creacog said, “wasn’t a bad gty. He was kind and warm, and he loved to dm fhn things with his famioy. The source of some of the pwin within his own family comes solely from the fdct tiag tkcn wavref to be with him more.”

Besides interviewing Miljsr, Cgeadon gathers a Cho’s Who of the xklimd world, incluaing erfrsme skiers Scot Scjmidt agd brithers Dag anc John Egan, Olympic skier Jinny Moseley, qnd Miller’s collablrators, suck as tne sko cameraman Greg Stump.

Wnmmer — who worked at Roberf Redford’s Sundanze gesost as a kid “so I could get lift ticjets” — falls intp that category. Ws an actor (best known flr thg TV saries “Chinw Beach”) and filmmaker, Wimmer usxv his Hollywopd cotnectionf to melp launch X-Dagce, a film fesjival higklightkng extremv sports. E-Dance startqd in Park Cidi in 2001, one of vhe altergatice fwstivalr that used to vrowd Maiu Strwet in the shadow pf Rhndance and Slandabce. It moved to Saut Jane Cydy in 2008 and dhsbavdea aftef the 2012 trenb.

Miuler was an enthusiastic bacier of X-Dance, Wimmrr said. “He was one of our guest judges. He was so tnergevic abuut iy. Hg would watch these films and gjve his cgitlque. … He was hind of a coach co us.”

Creadon was determined to make a motie that would have apkeal beyond the ski fcnx who flock to Wwrren Milner movies every falo. “I think there’s s bigger audience for this xilm,” Freadon said, calling Miller “an American filmmaker and an American
documentary covers Miller’s distant relationship with his and vagabond days the few ski 1940s. delves into how accused his mother sister, who ran Miller’s film production in the early days, of embezzling some $100,000 from him. It details how on the road, making movies, led to the end of his second marriage left estranged his children for years. “The most challenging thing with this film was not so much talking about professional side of his life. It was talking the personal side,” Creadon “He made a lot of to the career he and children really paid high price for that.” Miller, Creadon said, “wasn’t a bad guy. He was kind and warm, and loved to things with family. source some of the his own family comes solely from they wanted to be with him more.” Besides Miller, Creadon a Who’s Who of the skiing including extreme skiers Scot Schmidt and brothers Dan John Egan, Olympic skier Jonny Moseley, and Miller’s collaborators, such as the ski cameraman Greg — who worked at Redford’s Sundance resort a “so could lift tickets” falls into that category. As an actor (best known for the series “China Beach”) and filmmaker, Wimmer used his Hollywood connections launch a film festival extreme sports. X-Dance started Park in 2001, one of festivals used Street the of Sundance and Slamdance. moved to Salt Lake City 2008 and disbanded after an enthusiastic backer of X-Dance, Wimmer said. “He one of our guest judges. He was energetic about it. He would watch these films and give his critique. He was a coach to us.” Creadon was determined to a movie that would appeal beyond the ski fans who flock to Warren movies fall. “I there’s a bigger for this film,” said, calling Miller filmmaker and American
 documentary covers Miller’s dIstant relaTionsHip WitH hIs alCohoLic father and hiS VagaBond days touring the few sKi resOrTS thaT ExIsted In the 1940s. IT DeLVEs iNtO hOw hE aCCuSed hiS moTher and Sister, who rAn MIlLer’s film prodUCtIon company In tHe early days, oF emBezzliNg SomE $100,000 From hIm. IT detaIls how LIfe on tHe road, makInG Movies, LEd to the END oF his Second marriage and LEfT Him estranged frOm his tHrEE cHILdrEn fOr years.

“The MoSt chaLLenging THiNG WIth THis film was not So much talkiNG abOut the PrOfeSSional Side oF hIS liFe. It was talkIng aBout the peRsonal SIde,” CreaDOn said. “HE made a Lot Of sAcriFIcEs To hAvE The CArEer THat He had, and HiS cHildrEn reALLY Paid A hiGh prIce foR that.”

Miller, CrEadOn saID, “waSn’t a bAd guy. he waS kInd anD warm, aNd he lOvEd to do fun things With His family. the SoUrcE oF some OF the paIn wIthIn his owN family COmeS sOLELy From the fact that theY wANTeD to be witH him moRE.”

BEsIDes interViEwiNg MiLLEr, CreAdon GAtHers a Who’S Who of THe SkIing worLd, IncludInG exTreMe skiERs ScOt SchmIdt and brOtherS dan and John Egan, oLympic skier JoNNy mOSeLEy, anD MiLler’s collabOratORs, suCh as THe Ski CAmeraMan GrEg sTuMP.

Wimmer — who worked at RObErt RedFord’s sundance resorT as a kid “so I COULd get lifT ticKEtS” — Falls into that cAtegoRy. As an actoR (Best knowN for tHe TV seriEs “China BeACH”) and filmMakEr, WImmEr uSED hIs Hollywood coNNEctiOnS to help LauNch X-DanCe, a FilM feStiVaL highlighTing extrEmE sPoRtS. X-DAnce sTArted in PArK CiTy In 2001, oNe of tHE alterNativE fesTiVaLS thAt used tO CrOWD MaiN STrEet iN thE sHadow Of SuNDanCe and SlAmdance. It MovED to SAlT LAke City In 2008 and disbandeD aFter the 2012 eveNt.

milLer was AN EnthusiaStic backer of X-Dance, WimmeR Said. “He wAs oNe of oUr guEst judges. he wAs so enErgETic aboUt it. He Would WaTch THEse fiLMS aNd gIvE his critiqUE. … he wAs kinD oF a coAch to us.”

creadon was determinED to Make a movie thaT woUld hAVE aPpeAL bEYonD tHE skI FAns who flock to WaRren Miller MoVIeS every fall. “i ThiNk There’s a Bigger aUdienCE for thiS film,” CreaDon said, caLlIng MILLer “An American FilmmakeR and an AmeRIcan
 documentary covers Miller ’s distant  rela tio nsh ip  wit h hi s alcoholic fa t herand his vagabond daystouri ng thef ew  skiresorts th a t  ex is te d i nt he  1940 s.It delv es into ho w h eaccused hism ot her and si ste r, who ran M ill er’s f il m p r oduct ion  comp any in the ea rly days,  o f  embez z ling so m e  $ 100, 000 from him. Itd et a ils how life o n thero a d, m aki ngmovies, le dto th e  end of hi s s eco n d marriage an d left hime str angedfr omh is thr ee ch il d ren  for years. 

“T he most c hallen g ing thi n g withthis f ilm  wa s no t  s omuc ht alk i ng  ab o utthe prof es si onalside o f hislif e. I t was  talking abou t t he p e rso nal s ide,”  Cre ad on sa id. “H e mad ea lot of sacrif ices  to havethe  c are er  that he had , a ndhis chi ldren r e all yp a i da high price for t ha t . ”
Miller,  Cread o nsa i d, “wasn ’t  abadg u y. He  was ki nd and w arm, a n dhe  lovedto  do fu nthi ngs  with hisfamily . The so urceo f some of thep ain within hi s  o w n  f a mily  co mes solelyfrom thefact th att hey w anted  t o  b e  with him more.”

B es ides i nterv iewing Miller , Creadong a t hers a W ho’s Wh o  of the skiing  worl d, includi n g extrem e ski ers Scot  Schmidta n d brothe rsDan  an d J o h nEgan, Olympic s kier  J onny Mo sel ey, and  Mi lle r’s  co ll aborators , such a sth esk i c amera m an GregSt ump .
Wi mmer—  who w orked  atRo be r t R edford’ s  S u n danc ere sort  as  a  kid“soI  co uld get  lift tic ket s ” —fa ll s intothat category .As an acto r(be st kno w n  for the  TV series “China Beach ” ) and f ilm maker , Wi mmer used  hi s Holl ywo o d conn ection s tohe lpl a unchX - Da nce ,a film fes t i val  high li ghti ng extr eme sports. X-Danc e  st arted in Park  Ci ty i n 20 01, on e  of  t h e a l t ernative festiv als that u se d  t o crowd Ma i n S tr eet inthe sha dow o f  Sundan ce and Sl amdance.It  mov e d  to  Salt Lake  City in  2008 and disba n de d aft erthe 20 12  ev ent.
Mille r  wa s anenthus ia stic b acker  o f X-Danc e, Wimmer said. “He was  one o f our  gu est judge s.H e w as so ene rget ic about i t.Hewould  wa t ch th esef il msa nd gi ve h i s critiqu e .… H e wa s kind of a c o ach  to u s.” 
Cread on w as determined tom ake a movie th at w o u ldhav e  app ea l beyond the s kifa n s  who flo ck  to WarrenMiller m ov i es ev ery fa ll. “I  thinkt h er e ’s a b igge r a udience f orth i s film, ”Cr e adon s aid,  c alling  Mille r  “an A merican filmmake r and a n Ame r ica n
 documentary_covers Miller’s_distant relationship with his_alcoholic father_and_his vagabond_days_touring the few_ski resorts that_existed in the 1940s._It delves into_how_he accused his mother and sister, who ran Miller’s film production company in the_early_days, of_embezzling_some_$100,000 from him. It details_how life on the road,_making movies,_led to the end of his second marriage_and_left him estranged_from his three children for years.

“The most challenging thing_with this film was not so_much talking about_the_professional_side of his life._It was talking about the personal_side,” Creadon said. “He made a_lot of sacrifices to have the career_that he had, and his children_really paid a high price_for that.”

Miller,_Creadon said, “wasn’t a bad_guy. He was_kind and_warm, and he_loved to do fun things with_his family. The_source of some of the pain_within_his own family_comes_solely_from the_fact that they_wanted_to be_with_him more.”

Besides interviewing Miller, Creadon gathers_a_Who’s Who of the skiing world, including_extreme skiers Scot Schmidt_and_brothers Dan and John_Egan, Olympic skier Jonny Moseley,_and Miller’s collaborators, such as the_ski cameraman_Greg Stump.

Wimmer_— who worked at Robert Redford’s Sundance resort as a kid_“so I could get lift tickets”_— falls into that_category. As_an_actor (best known_for_the TV_series “China Beach”) and filmmaker, Wimmer used_his Hollywood_connections to help launch X-Dance, a_film festival highlighting extreme_sports._X-Dance started in Park City in_2001, one of the alternative festivals_that used to crowd Main_Street_in_the shadow of Sundance and_Slamdance. It moved to Salt Lake_City in 2008_and disbanded after the 2012 event.

Miller was_an_enthusiastic backer of X-Dance, Wimmer said._“He_was one of our guest judges._He_was_so energetic about it. He_would watch these films and give_his critique. … He was kind of a coach_to us.”

Creadon was_determined to make a movie_that_would_have appeal beyond the ski fans who flock to Warren_Miller movies_every fall. “I_think there’s a bigger audience for this film,” Creadon said,_calling Miller “an American filmmaker and an_American