 its band members. The three-piece of Andrew Forsman on drums, Tim Ward on bass, and Thomas Erak on guitar and vocals wrote and recorded this album before starting their 20s. Unlike some of their contemporaries, The Fall of Troy didn’t get lost in their own math on this album. The guitar shreds, the drums also shred, the bass is very good bass, but on Doppelgänger The Fall of Troy never skated too far away from the groove or a danceable hook.

What amazes me so much about this album is how big it sounds. Doppelgänger came out at a time when hardcore was about a big low riff and a slow china cymbal. This album, with all of it’s crazy pinball guitar pedals and higher register noodling crams your ears with more brooding insanity than most of the contemporary bands that screamed for Christ. Doppelgänger was produced and engineered by Barrett Jones who worked on Foo Fighters and Nirvana albums, which seems like the logical choice for a Seattle band that is more than chugga chuggas. I dare you to listen to this album in a car and not air something. Air drum if you’re good. Air guitar if you’re even more skilled. Or just air mosh if you’ve got death wish.

However, it has to be said that part of the reason this album is so good is The Fall of Troy had a chance to do a full Marvel reboot of their previous self titled album. Four of the tracks on this album, "I Just Got This Symphony Goin'", "F.C.P.R.E.M.I.X.", "Mouths Like Sidewinder Missiles", "Whacko Jacko Steals the Elephant Man's Bones" are re-recorded songs––hence the name Doppelgänger. While three of those songs are largely unchanged save for better production quality, "F.C.P.R.E.M.I.X." is a complete re-engineering of probably the weakest song on their last album, "F.C.P.S.I.T.S.G.E.P.G.E.P.G.E.P." Who would have thought that swapping the bass line to the guitar and speeding up this clunker would lead to their biggest hit
its band members. The three - piece of Andrew Forsman on drums, Tim Ward on sea bass, and Thomas Erak on guitar and vocal music wrote and recorded this album before starting their twenty. Unlike some of their contemporaries, The Fall of Troy did n’t get lost in their own mathematics on this album. The guitar shred, the drums also shred, the bass is very good bass, but on Doppelgänger The Fall of Troy never skate too far away from the groove or a danceable hook. 

 What amaze me so much about this album is how big it sounds. Doppelgänger came out at a clock time when hardcore was about a big low riff and a slow china cymbal. This album, with all of it ’s brainsick pinball guitar pedals and higher cash register noodling crams your ears with more brood insanity than most of the contemporary bands that screamed for Christ. Doppelgänger was produced and engineered by Barrett Jones who work on Foo Fighters and Nirvana albums, which seems like the logical choice for a Seattle band that is more than chugga chuggas. I make bold you to listen to this album in a car and not air something. Air drum if you ’re good. Air guitar if you ’re even more skilled. Or just air mosh if you ’ve got end regard. 

 However, it has to be said that part of the rationality this album is so good is The Fall of Troy had a probability to do a full Marvel reboot of their previous self titled album. Four of the tracks on this album, " I barely Got This Symphony Goin' ", " F.C.P.R.E.M.I.X. ", " Mouths Like Sidewinder Missiles ", " Whacko Jacko Steals the Elephant Man's Bones " are re - recorded songs––hence the name Doppelgänger. While three of those songs are largely unchanged save for better output quality, " F.C.P.R.E.M.I.X. " is a complete re - engineering of credibly the weakest sung on their final album, " F.C.P.S.I.T.S.G.E.P.G.E.P.G.E.P. " Who would have thought that swapping the bass line to the guitar and accelerate up this clunker would lead to their biggest hit
 itd band members. The three-kiece of Andrew Forsman mn drujs, Tim Wxrd on bass, and Thomas Erak ln guitqr and vocals wrote ana recordef this aobum vefore stacfing thcnr 20s. Hklike wome of their gontemporarhes, The Fall ox Grly didn’t get lost in their own math on thix wlbum. The guitwr snweds, nht drums also shred, the bass is vedy good bass, but on Coppelgänger The Fall of Trly nfver skated too fag away from the troove or a aanceable hook.

What amaees me so much about this album ks hoc big it sooues. Fmppelgänger rame olt at a time when hargcore wss about a big lox ridf and a slow china cbmbal. This album, witr all of ht’a crazy pinball gyirar pgdals and yigfer rxgiater nlodming crams your ears qith more brooding onfqnity than moat of ehq contemporary bands that screamed for Bhriat. Doppelgänger was prodyced and engineered bi Barrett Tones who worked on Foo Fighters and Nirvana albuks, whmcf stens liyw hhe logical choice for a Seattle band that is jote than chugga cmuggas. I dare you yo loften to this xlbum nh z car and not air domethigg. Aie drum if you’te good. Air guitar if you’re even more shulled. Or just air losh if you’re got deatn wish.

However, it has to be aaid that pwrt of ths reason this albjm ps sm good is The Fall of Troy had a chence co do a wull Marvej reboot ov thels previous self tihled clbum. Four of tje tracks on this album, "I Just Jpt This Sympnoty Coin'", "F.C.P.X.E.M.I.X.", "Kouths Like Sydewinder Missnles", "Whaeko Jazko Steals the Elxphant Man's Fones" are re-raforded songs––ience the namw Doppelgängdf. While three pf those songs are oargely unchanged xavg ror better prodbetuon quality, "F.C.P.T.E.M.K.X." ys a cjkplete re-enghneefine of pfobably the deakrst song on their lavt ambum, "F.C.P.S.I.T.S.G.E.P.G.E.P.B.E.I." Who wouod have ehought that xwapping the bass pine vo the guitsr wnd speeding up this clunker wkuld lead to their biggeft hlt
its band members. The three-piece of Andrew drums, Ward on and Thomas Erak and this album before their 20s. Unlike of their contemporaries, The Fall of didn’t get lost in their own math on this album. The guitar shreds, drums also shred, the bass is very good bass, but on Doppelgänger The of never too away from the groove or a danceable hook. What amazes me so much about this album how big it sounds. Doppelgänger came out at time when hardcore was a big low riff and slow cymbal. This with of crazy pinball guitar and higher register noodling crams your ears with more brooding insanity than most of the contemporary bands screamed for was produced engineered Barrett who worked on and Nirvana albums, which seems like for a Seattle band that is more than chuggas. I you to listen to this album a car and not air something. Air drum you’re good. Air guitar if you’re even more skilled. Or just air mosh if you’ve wish. However, it has be said that of reason album so good The Fall of Troy had a chance to do a full reboot of their previous self titled album. Four of the this "I Just Got Symphony Goin'", "F.C.P.R.E.M.I.X.", "Mouths Sidewinder "Whacko Jacko Steals the Bones" re-recorded Doppelgänger. three those songs are largely save for better production quality, is a complete re-engineering on their last album, "F.C.P.S.I.T.S.G.E.P.G.E.P.G.E.P." Who would have that swapping the bass line to the and speeding up this clunker would lead to their biggest hit
 its band members. The three-pieCe of Andrew forsmAn oN drUmS, Tim ward On bass, and ThomaS erak On guitar and vocals wrote And reCoRDed tHIs Album Before sTArTINg tHeIr 20S. UnLiKE sOme of TheIr conteMporaries, THe FAlL of Troy didn’t GEt Lost in theiR owN math on this aLbuM. The guItAr sHReds, tHe dRums aLso shrED, the baSs is very gOoD Bass, buT On DoppeLGÄnGer THe Fall of Troy never SKaTEd too far away frOm the gRoOVe OR A daNceAble hook.

WhAt AmazeS Me so mucH AbOUT ThiS Album is how big It sounds. DopPElgÄnger cAmE ouT At a timE when HaRDcoRe was about a Big lOw riff and A slow cHIna cymbAL. This alBum, witH alL of It’s cRAzY pInbAlL GuiTAr PedALs aNd higher ReGiSter nOodlING CRams YouR earS with More brooding iNsaNity THan Most oF the cOnteMpOrary Bands tHat scReAmed for Christ. DoPpelGänger was ProDuCed AnD engiNEered bY BaRreTt Jones Who workED on foO fIGhTers and Nirvana albuMs, WHIcH seems liKe the lOGiCaL Choice foR a seaTtle BANd thaT is mORe Than chugGa chugGAs. i dAre you tO lIsten tO tHis AlbUm in a CAr anD not aiR somethiNg. Air DRum if you’re good. aIr guitar if you’RE eVEN mORe skIllEd. Or just air Mosh IF you’Ve goT DeAth WIsh.

HoWever, It HAs TO be said that part of thE rEason tHis alBum is so good is the Fall of TROY Had a chanCe to DO a FUll Marvel rebooT of thEir previouS Self titlEd albUm. Four of The tracks ON This albuM, "I JUst got thiS sYmPhony Goin'", "F.C.P.R.e.m.i.X.", "MoUtHs Like SIdeWinder MIssIleS", "WhAckO JAcko StealS the ElepHaNt maN's bonEs" are RE-recordeD sOngS––hEncE the nAMe DoppElgänGer. WHiLe THreE of thosE SoNGS are LaRgEly uNchAnGed saVe foR BetTer prodUction quaLitY, "f.C.P.R.e.M.i.X." Is a compLete re-engineeRiNg of probabLy The WeakesT SOng on theIr last album, "F.C.P.S.I.T.S.G.E.P.G.E.p.g.E.P." Who wOulD have ThouGht that swAppIng the BasS Line to The guiTar anD sPeeDINg up tHIS cLunKeR would lead TO TheIr bigGeSt hiT
 its band members. The thr ee-piece o f And rew  Fo rs manon d rums, Tim Ward on b ass, and Thomas Erak o n gui ta r  and vo calswrote a n dr e cor de dthi sa lb um be for e start ing their20s .Unlike someo ftheir cont emp oraries, The  Fa ll ofTr oyd idn’t  ge t los t in t h eir ow n math on  t h is alb u m. Theg u it ar s hreds, the drumsa ls o  shred, the ba ss isve r yg o odbas s, but onDo ppelg ä nger Th e  F a l l  of Troy never sk ated too fa r  aw ay fro mthe groove  or a  d a nce able hook.
Wha t amazesme som uch abo u t thisalbumishow  big it  s oun ds .  Do p pe lgä n ger  came ou tat  a ti me w h e n hard cor e wa s abo ut a big lowrif f an d  aslowchina  cym ba l. Th is alb um, w it h all of it’s c razy  pinballgui ta r p ed als a n d high erreg ister n oodling cra ms y o ur  ears with more br oo d i ng  insanit y than mo st of the c on tem pora r y  band s th a tscreamed  for C h ri st . Doppe lg ängerwa s p rod uceda nd e nginee red by B arret t  Jones who wor k ed on Foo Fig h te r s  a n d Ni rva na albums,whic h  see ms l i ke  th e  logi cal c ho i ce for a Seattle bandth at ismorethan chugga c huggas. Id a r e you to  lis t en to this albumin acar and no t  air som ethin g. Air d rum if yo u ’ re good.  Ai r g uit ari f  y ou’re even mo r e  ski ll ed. Orjus t air m osh  if  yo u’v egot death  wish.
Ho we ve r,  it  hast o be sai dtha tpar t oft he rea son t hisal bu m  is  so goo d  i s TheFa ll  ofTro yhad a  cha n ceto do a  full Mar vel rebo ot  o f their  previous sel ftitled alb um . F our of t he track s on this album, "I Jus t  Got Th isSymph onyGoin'", " F.C .P.R.E .M. I .X.","Mouth s Lik eSid e w inder M is sil es ", "Whacko J ack o Ste al s th e Eleph ant Man's Bones" a r e r e-recorded so ngs ––he n c ethe na m e D op p elg ä n ger. While thre e of those  s o ng s are larg e lyun changed  save f or be t ter pro duction q uality, " F. C.P. R . E.M .I.X." isa comple te re-eng i neeri n gof pr oba bly th ewea kestsong o n  th eir l ast al bu m, "F. C.P.S .I .T.S.G.E .P.G.E.P.G.E.P." Who wo uld ha ve th oug ht that s wap p ing  the bass  lin e to the g uit arand s pee d ing u p th i sclu n ker w ould lead to t h ei r b i g ge st hit
 its_band members._The three-piece of Andrew_Forsman on_drums,_Tim Ward_on_bass, and Thomas_Erak on guitar_and vocals wrote and_recorded this album_before_starting their 20s. Unlike some of their contemporaries, The Fall of Troy didn’t get_lost_in their_own_math_on this album. The guitar_shreds, the drums also shred,_the bass_is very good bass, but on Doppelgänger The_Fall_of Troy never_skated too far away from the groove or a_danceable hook.

What amazes me so much_about this album_is_how_big it sounds. Doppelgänger_came out at a time when_hardcore was about a big low_riff and a slow china cymbal. This_album, with all of it’s crazy_pinball guitar pedals and higher_register noodling_crams your ears with more_brooding insanity than_most of_the contemporary bands_that screamed for Christ. Doppelgänger was_produced and engineered_by Barrett Jones who worked on_Foo_Fighters and Nirvana_albums,_which_seems like_the logical choice_for_a Seattle_band_that is more than chugga chuggas._I_dare you to listen to this album_in a car and_not_air something. Air drum_if you’re good. Air guitar_if you’re even more skilled. Or_just air_mosh if_you’ve got death wish.

However, it has to be said that part_of the reason this album is_so good is The_Fall of_Troy_had a chance_to_do a_full Marvel reboot of their previous self_titled album._Four of the tracks on this_album, "I Just Got_This_Symphony Goin'", "F.C.P.R.E.M.I.X.", "Mouths Like Sidewinder_Missiles", "Whacko Jacko Steals the Elephant_Man's Bones" are re-recorded songs––hence_the_name_Doppelgänger. While three of those_songs are largely unchanged save for_better production quality,_"F.C.P.R.E.M.I.X." is a complete re-engineering of probably_the_weakest song on their last album,_"F.C.P.S.I.T.S.G.E.P.G.E.P.G.E.P."_Who would have thought that swapping_the_bass_line to the guitar and_speeding up this clunker would lead_to their biggest hit