 night before on 16th Street coming home from Maxs.

2:30 pm

Valerie Solanas goes to the Factory (33 Union Square West) and is told Warhol is out. She thinks that he is conspiring against her with Maurice Girodias, publisher of Olympia Press. (UV170/171). She leaves and waits outside near 16th Street. (L&D296/7) She had once brought a script to the Factory for Andy to read called 'Up Your Ass'. Warhol looked through it briefly and it was so dirty, he. thought she might be working for the police department and that this was some kind of entrapment. When Warhol admitted to losing the script, Solanas started asking for money.

Andy Warhol (via Pat Hackett in POPism): One afternoon when she [Valerie Solanas] called, we were in the middle of shooting a sequence for 'I, A Man, so I said why didnt she come over and be in the movie and earn twenty-five dollars instead of asking for a handout. She came right over and we filmed her in a short scene on a staircase and she was actually funny and that was that. (POP271)

4:15 pm

Warhol arrives at the Factory in a cab, wearing a brown leather jacket over a black t-shirt, black jeans and black Beatle (Chelsea) boots. (L&D296) Previously, he had picked up a prescription for Obetrol, then browsed at Bloomingdales, and had also rung the bell of Miles White, the costume designer, who lived on East 55th Street, but he wasnt home. (POP270/DD71) When Andy arrives outside the Factory, his boyfriend Jed Johnson approaches from 17th and Broadway carrying some fluorescent lights. Valerie Solanas joins them and all three enter the building. While waiting for the elevator, Warhol notices that Valerie is wearing a thick turtleneck sweater underneath a trenchcoat on a hot summer day. Even stranger, she has on mascara and lipstick even though as a die-hard feminist she never wears make-up. Warhol also notices that she is bouncing slightly on the balls of her feet, twisting a brown paper bag in her hands."

Upstairs, Fred Hughes is sitting at his desk writing a memo, Paul Morris
night before on 16th Street coming home from Maxs. 

 2:30 prime minister 

 Valerie Solanas sound to the Factory (33 Union Square West) and is told Warhol is out. She thinks that he is conspire against her with Maurice Girodias, publisher of Olympia Press. (UV170/171). She leaves and waits outside near sixteenth Street. (L&D296/7) She had once brought a script to the Factory for Andy to read call' Up Your Ass'. Warhol looked through it briefly and it was so dirty, he. thought she might be work for the police department and that this was some kind of entrapment. When Warhol admitted to lose the script, Solanas started asking for money. 

 Andy Warhol (via Pat Hackett in POPism ): One afternoon when she [ Valerie Solanas ] called, we were in the middle of shoot a sequence for' I, A Man, so I read why didnt she come over and be in the movie and earn twenty - five dollars alternatively of asking for a handout. She came right over and we filmed her in a light scene on a staircase and she was actually funny and that was that. (POP271) 

 4:15 pm 

 Warhol arrives at the Factory in a cab, wearing a brown leather jacket over a black t - shirt, black jeans and black Beatle (Chelsea) boots. (L&D296) Previously, he had picked up a prescription for Obetrol, then browsed at Bloomingdales, and had also ring the bell of Miles White, the costume designer, who live on East 55th Street, but he wasnt home. (POP270 / DD71) When Andy arrives outside the Factory, his boyfriend Jed Johnson approaches from 17th and Broadway carrying some fluorescent lights. Valerie Solanas join them and all three enroll the building. While waiting for the elevator, Warhol comment that Valerie is wearing a thick turtleneck sweater underneath a trenchcoat on a hot summer day. Even stranger, she has on mascara and lipstick even though as a die - hard feminist she never wears make - up. Warhol also comment that she is bouncing slightly on the ball of her foot, twisting a brown paper bag in her hand. " 

 Upstairs, Fred Hughes is sitting at his desk writing a memo, Paul Morris
 nihht before on 16th Street goming home from Maxs.

2:30 pk

Valerje Solanxs goes to the Factory (33 Unioi Sqyare Qest) and is told Warhou is out. Dhe thinjs tiat he is conspicjng agalust hsv witk Naurice Girodiss, publishar of Olympia [rdsd. (UV170/171). She leaves and waits outside nqar 16th Xtgeet. (L&D296/7) She haq onbe brohght a script to the Factory for Ahdy to gead called 'Up Yoir Ass'. Warhol looked throuhh ih briefly and it wws so dirty, he. eyought she mkght be wogning for tge police department and that tfis wcs some kine if fttrapment. Wien Waghol admitted to lositg the xcript, Solanas stertee asking for money.

Andb Warhol (via Pat Hachett in PMPnsm): One afternoon wheb whe [Vdlerhe Suoanxs] daklsd, we aerx in the misdle of shoiting a sequence fot 'Y, A Man, so I szid whr qidnt she come over and be in the movie ans earn twenty-five dollaes instead of asking vor a hanqout. She came right over and we filmed her in a svort azent in a rralrcase and she was actually funny and that waf tnan. (POP271)

4:15 pm

Warhol arvives at the Factoty im a cab, wearine a brown leather jacket ovfr a blwck t-whirt, blask jrans and black Beatle (Chelswa) boots. (L&D296) Irevuously, he had pickzd up a preseriptipn fot Obetrol, then browsed ct Blokmingdales, wnd had amro rung the bell of Mhles Whiud, the costume desygner, who livzd on Eart 55tn Streqt, but he aasnt home. (POP270/DD71) When Anfy artives mutside thf Factory, his boyfriend Jed Johixon approachgs xrok 17th and Broacway carrying some fluorescgnt lightf. Valdrie Solanzs joinv them and wll three entat the buildinj. While wwitibg fir the duevator, Warhol notices nhct Valeriw is wearing a thigk tuttmeneck sweater budtrbeath a trenchvoag og w iot stkmer day. Evet stfanerr, shd has on mawzara and lipstick even tvougg as a die-hard femonlst she ngver wearf make-up. Warhpl also notices thwt shx is buuncimg flightly on the balls of her fset, twistlng a brown papqr bqg in her hauds."

Upstairs, Fred Hughes is sitting at hiw desk writing a mwmo, Paul Morris
night before on 16th Street coming home 2:30 Valerie Solanas to the Factory is Warhol is out. thinks that he conspiring against her with Maurice Girodias, of Olympia Press. (UV170/171). She leaves and waits outside near 16th Street. (L&D296/7) had once brought a script to the Factory for Andy to read called Your Warhol through briefly and it was so dirty, he. thought she might be working for the police department that this was some kind of entrapment. When admitted to losing the Solanas started asking for money. Warhol Pat Hackett POPism): afternoon she [Valerie Solanas] we were in the middle of shooting a sequence for 'I, A Man, so I said why she come be in movie earn dollars instead of a handout. She came right over her in a short scene on a staircase she was funny and that was that. (POP271) pm Warhol arrives at the Factory in a wearing a brown leather jacket over a black t-shirt, black jeans and black Beatle (Chelsea) Previously, he had picked a prescription for then at and also rung bell of Miles White, the costume designer, who lived on East Street, but he wasnt home. (POP270/DD71) When Andy arrives outside his Jed Johnson approaches 17th and Broadway carrying fluorescent Valerie Solanas joins them three the for elevator, notices that Valerie is a thick turtleneck sweater underneath trenchcoat on a hot has on mascara and lipstick even though as die-hard feminist she never wears make-up. Warhol notices that she is bouncing slightly on the balls of her feet, a brown in her hands." Upstairs, Fred Hughes is sitting his desk writing a Paul Morris
 night before on 16th Street comiNg home from maxs.

2:30 pM

VaLerIe solaNas gOes to the FactorY (33 unioN Square West) and is told WaRhol iS oUT. She THiNks thAt he is cONsPIRinG aGaInsT hER wIth MaUriCe GirodIas, publishEr oF OLympia Press. (Uv170/171). shE leaves and WaiTs outside neaR 16th street. (l&D296/7) she HAd oncE brOught A scripT To the FActory for anDY to reaD Called 'UP yOuR Ass'. warhol looked throuGH iT Briefly and it waS so dirTy, HE. tHOUghT shE might be woRkIng foR The poliCE dEPARtmENt and that this Was some kind OF enTrapmeNt. wheN warhol AdmitTeD To lOsing the scrIpt, SOlanas staRted asKIng for mONey.

Andy warhol (Via pat hackETt In pOPIsM): one AFtErnOOn wHen she [VaLeRiE SolaNas] cALLED, we wEre In thE middLe of shooting a SeqUencE For 'i, A Man, So I saId whY dIdnt sHe come Over aNd Be in the movie and Earn Twenty-fivE doLlArs InStead OF askinG foR a hAndout. SHe came rIGht OvER ANd We filmed her in a shorT sCENe On a stairCase anD ShE wAS actuallY fUnnY and THAt was That. (poP271)

4:15 Pm

Warhol ArriveS At ThE FactorY iN a cab, wEaRinG a bRown lEAtheR jackeT over a blAck t-sHIrt, black jeans aND black Beatle (CHElSEA) bOOts. (L&d296) PrEviously, he hAd piCKed uP a prEScRipTIon foR ObetRoL, ThEN browsed at BloomingdAlEs, and hAd alsO rung the bell oF Miles WhitE, THE costume DesiGNeR, Who lived on East 55Th StrEet, but he waSNt home. (POp270/DD71) WhEn Andy arRives outsIDE the FactOry, His BoyFriEND JEd Johnson apprOAChes FrOm 17th and broAdway caRryIng SomE flUoRescent liGhts. ValeRiE SOlAnAs jOins tHEm and all ThRee EnTer The buILding. WHile wAitiNg FoR The ElevatoR, waRHOl noTiCeS thaT VaLeRie is WearINg a Thick tuRtleneck sWeaTEr unDeRnEath a trEnchcoat on a hoT sUmmer day. EvEn StrAnger, sHE Has on masCara and lipstick even thouGH as a die-HarD femiNist She never wEarS make-uP. WaRHol alsO noticEs thaT sHe iS BOunciNG SlIghTlY on the ballS OF heR feet, TwIstiNg a browN paper bag in her handS."

upsTairs, Fred HughEs iS sitTINg At hIS dESk wRiTIng A MEmo, Paul Morris
 night before on 16th Stre et cominghomefro m M ax s.
2:3 0 pm

ValerieS olan as goes to the Factory  (33Un i on S q ua re We st) and is t old  W ar hol  i s  o ut. S hethinksthat he is  co ns piring again s ther with M aur ice Girodias , p ublish er  of Olymp iaPress . (UV1 7 0/171) . She lea ve s  and w a its out s i de  nea r 16th Street. (L & D2 9 6/7) She had o nce br ou g ht a  sc rip t to the F ac toryf or Andy to r e adc alled 'Up You r Ass'. War h ollooke dthr o ugh it  brie fl y  an d it was so  dir ty, he.thoug h t she m i ght beworkin g f orthep ol ic e d ep a rtm e nt  an d  th at thiswa ssomekind o f entr apm ent.  Whe n Warhol admi tte d to los ing t he sc ript ,Solan as sta rtedas king for money. 

An dy Warhol  (v ia  Pa tHacke t t in P OPi sm) : Oneafterno o n w he n s he  [Valerie Solanas]  c a l le d, we we re int he  m i ddle ofsh oot inga seque ncef or  'I, A M an, so Isa id whydi dnt s he  co meovera nd b e in t he movie  ande arn twenty-fiv e  dollars inst e ad o fa skin g f or a handou t. S h e ca me r i gh t o v er an d wefi l me d  her in a short sce ne  on astair case and shewas actual l y funny an d th a tw as that. (POP 271)
4:15 pm
W arhol ar rives  at theFactory i n a cab, w ear ing  abro w n  l eather jacket o verablack t -sh irt, bl ack  je ans  an dblack Bea tle (Che ls ea )bo ots . (L& D 296) Pre vi ous ly , h e had picked  up a  pre sc ri p tio n for O b et r o l, t he nbrow sed  a t Blo omin g dal es, and  had also  ru n g th ebe ll of M iles White, t he  costume d es ign er, wh o lived on  East 55th Street, buth e wasn t h ome.(POP 270/DD71)  Wh en And y a r rivesoutsid e the  F act o r y, hi s bo yfr ie nd Jed Joh n s onappro ac hesfrom 17 th and Broadway ca r ryi ng some fluor esc entl i gh ts. Va l eri eS ola n a s joins them an d all thre ee nt er the bui l din g.  Whilewaiting  fort he elev ator, War hol notic es  tha t Val erie is we aring athick tur t lenec k  s weate r u nderne at h a  tren chcoat ona hot  summe rday. E ven s tr anger, s he has on mascara and l ipstic k eve n t hough asa d i e-h ard femin istshe neverwea rsmake- up. Warho l al s onot i ces t hats he is bo u nc ing s li ghtly on th e b all s ofher feet,twis ting a brown pape r  bag in her ha nds. " 
Up sta i rs,Fr ed Hughes is s itt in g at his d es k writing a  memo, P au l  Morr is
 night_before on_16th Street coming home_from Maxs.

2:30_pm

Valerie_Solanas goes_to_the Factory (33_Union Square West)_and is told Warhol_is out. She_thinks_that he is conspiring against her with Maurice Girodias, publisher of Olympia Press. (UV170/171)._She_leaves and_waits_outside_near 16th Street. (L&D296/7) She_had once brought a script_to the_Factory for Andy to read called 'Up Your_Ass'._Warhol looked through_it briefly and it was so dirty, he. thought_she might be working for the_police department and_that_this_was some kind of_entrapment. When Warhol admitted to losing_the script, Solanas started asking for_money.

Andy Warhol (via Pat Hackett in POPism):_One afternoon when she [Valerie Solanas]_called, we were in the_middle of_shooting a sequence for 'I,_A Man, so_I said_why didnt she_come over and be in the_movie and earn_twenty-five dollars instead of asking for_a_handout. She came_right_over_and we_filmed her in_a_short scene_on_a staircase and she was actually_funny_and that was that. (POP271)

4:15 pm

Warhol arrives_at the Factory in_a_cab, wearing a brown_leather jacket over a black_t-shirt, black jeans and black Beatle_(Chelsea) boots._(L&D296) Previously,_he had picked up a prescription for Obetrol, then browsed at_Bloomingdales, and had also rung the_bell of Miles White,_the costume_designer,_who lived on_East_55th Street,_but he wasnt home. (POP270/DD71) When Andy_arrives outside_the Factory, his boyfriend Jed Johnson_approaches from 17th and_Broadway_carrying some fluorescent lights. Valerie Solanas_joins them and all three enter_the building. While waiting for_the_elevator,_Warhol notices that Valerie is_wearing a thick turtleneck sweater underneath_a trenchcoat on_a hot summer day. Even stranger, she_has_on mascara and lipstick even though_as_a die-hard feminist she never wears_make-up._Warhol_also notices that she is_bouncing slightly on the balls of_her feet, twisting a brown paper bag in her_hands."

Upstairs, Fred Hughes_is sitting at his desk_writing_a_memo, Paul Morris