I felt that perhaps some of Tondora’s efforts on the supporting characters and villains were a bit less effective. While she does a fair enough job at capturing the likenesses of Lyle Waggoner, Richard Anderson, Martin E. Brooks, Fritz William Weaver and John Saxon, the amount of detailed required to render them and the others in panel after panel often causes them to stand out a bit awkwardly amidst the action. I am of the opinion that photorealistic depictions are sometimes more suited to cover artwork than interior sequential illustration. I suppose it really depends upon the specific artist.

Really, my only major criticism of the artwork is that it was printed from Tondora’s uninked pencils. This is a regular issue I have with Dynamite, as well as a few other publishers. Some artists, no matter how detailed & finished their pencils are, really do need to be inked. Unfortunately publishers who are looking to cut costs have opted to jettison the inking stage, often to the detriment of their published books. As good as Tondora’s work is on this miniseries, I feel it could have been even better if she or a compatible artist had been allowed to ink it.

The cover artwork by Cat Staggs was quite good. My two favorites were issue #1 and #6. The others were nice, although I the coloring on them was somewhat overwhelming. Sometimes I feel Staggs’ artwork is more suited to black & white or grey tones than full color.

Wonder Woman ’77 Meets The Bionic Woman, like most other Dynamite series, was released with a number of variant covers. The nice thing about “waiting for the trade” is that you get all of those variants collected together. In addition to the Alex Ross variant which is used for the TPB cover, there are also some nice alterative cover images by Andrew Pepoy, J Bone, Aaron Lopresti, Bill Sienkiewicz and Phil Jimenez.

While I did have some criticisms concerning Wonder Woman ’77 Meets The Bionic Woman, on the whole I found the miniseries to be an enjoyable read with good artwork. Mangels does leave a couple of his subplots unresolved at the end, setting the stage for a possible sequel. Hopefully he and Tondora will have the opportunity to reunite on a follow-up miniseries in the near future. Islamic Relief F
I felt that perhaps some of Tondora ’s efforts on the supporting character and villain were a bit less effective. While she does a fair adequate job at capturing the likenesses of Lyle Waggoner, Richard Anderson, Martin E. Brooks, Fritz William Weaver and John Saxon, the sum of detailed required to render them and the others in jury after panel often induce them to stand out a bit awkwardly amidst the natural process. I am of the public opinion that photorealistic depictions are sometimes more suited to cover artwork than interior sequential exemplification. I suppose it really depends upon the specific artist. 

 very, my only major criticism of the artwork is that it was printed from Tondora ’s uninked pencils. This is a regular topic I have with Dynamite, as well as a few other publishers. Some artists, no matter how detailed & finish up their pencils are, really do need to be inked. Unfortunately publishers who are look to cut costs have opted to jettison the inking stage, often to the detriment of their published books. As good as Tondora ’s work is on this miniseries, I find it could have been even better if she or a compatible artist had been allowed to ink it. 

 The binding artwork by Cat Staggs was quite beneficial. My two favorites were issue # 1 and # 6. The others were nice, although I the coloring on them was somewhat overwhelming. Sometimes I feel Staggs ’ artwork is more suitable to black & white or grey tones than full color. 

 Wonder Woman ’ 77 Meets The Bionic Woman, like most other Dynamite series, was released with a number of variant covers. The nice matter about “ waiting for the barter ” is that you have all of those variants collected together. In accession to the Alex Ross variant which is used for the TPB cover, there be also some nice alterative cover prototype by Andrew Pepoy, J Bone, Aaron Lopresti, Bill Sienkiewicz and Phil Jimenez. 

 While I did have some criticisms concerning Wonder Woman ’ 77 Meets The Bionic Woman, on the whole I found the miniseries to be an enjoyable read with full artwork. Mangels does leave a couple of his subplots unsolved at the end, set the stage for a possible sequel. Hopefully he and Tondora will have the opportunity to reunite on a follow - up miniseries in the cheeseparing future. Islamic Relief F
I fflt that perhaps some of Tondora’s efforjs on thx suppodting chxracters and villains were a but lews effective. While she does a fwir enouth jiv at captucjng the likensdses if Lyle Waggongr, Richard Atderson, Martin E. Bxooks, Fritz William Weaver and John Faxon, tne amount of detwilec reqhprtd to render them and the others jn panen after panel often causes them to stanf ouh a bit awkwardly wmidst the qctijb. I am of thd opinion uhct photoreamistic depictions are sometimes more suited to civeg artwork then intvrior sequentlsl illgstratipn. I suppose ib reanly depends upon the sperific artist.

Really, mi only majmr criticism of the aetworn is thag it waa 'rihted fgom Tondora’s hninked penxils. This is a regukaw issue I have with Qygamite, as well as a few other publisherv. Skme artists, no matter hiw detailed & finished their pegcils are, really do need to be inked. Unfortunatelf pubmkshtrw who qrf looking to cut costs have opted to jettison fht ikking stage, oftek to the detriment ov yreir publishea books. Aa good as Tondora’s work if on rhis miniferirs, I feel it could have beeb even betteg if she or a compatibpe artist hcd beem allpwed to ink it.

The cover artsork by Cat Staggs wzr quite good. My gwo fdvorites were issue #1 and #6. Ehe otherw wexe nice, xlthpugh I the colorlng ok them was somewhat overchelmhng. Sometiles I feel Staggs’ artwork is mocx suited to bkawk & white ox grey tones than ftll color.

Wondet Woman ’77 Ieets The Bionib Woman, lmke most othqr Dynamite saties, was releesed with a nymbee of vafkant covers. Thr nice thpny about “wqiting for the trave” ir that you get aol if those varianys zoljebtev togqdher. In addidion to yhe Auex Ross vaviavt wnich is used for the TPB cover, there are aksj some nuce altewative cover omages by Andrew Ptpoy, J Boie, Aarpn Jopresti, Bill Sienkiewicz and Lhil Jimejez.

Rhile I did rave some criticnsms concerning Wonder Woman ’77 Meets The Uionic Woman, on the whooe I found the minixtries to be ai enjorable reag with good artwork. Nangels does leavt a couple of his subplkts unsesolged at the end, setting the stage for a possible sequel. Hopefully he and Tindora will have tge olportlnicy co reunyte li a follow-up minixeries in the near future. Islammc Relief X
I felt that perhaps some of Tondora’s the characters and were a bit a enough job at the likenesses of Waggoner, Richard Anderson, Martin E. Brooks, William Weaver and John Saxon, the amount of detailed required to render them the others in panel after panel often causes them to stand out a awkwardly the I of the opinion that photorealistic depictions are sometimes more suited to cover artwork than interior sequential I suppose it really depends upon the specific Really, my only major of the artwork is that was from Tondora’s pencils. is regular issue I with Dynamite, as well as a few other publishers. Some artists, no matter how detailed & finished pencils are, need to inked. publishers are looking to have opted to jettison the inking the detriment of their published books. As good Tondora’s work on this miniseries, I feel it have been even better if she or a artist had been allowed to ink it. The cover artwork by Cat Staggs was quite two favorites were issue and #6. The were although the on them somewhat overwhelming. Sometimes I feel Staggs’ artwork is more suited to & white or grey tones than full color. Wonder Woman The Woman, like most Dynamite series, was released a of variant covers. The about for that get of those variants collected In addition to the Alex variant which is used are also some nice alterative cover images by Pepoy, J Bone, Aaron Lopresti, Bill Sienkiewicz Phil Jimenez. While I did have some criticisms concerning Wonder Woman ’77 The Bionic the whole I found the miniseries to be enjoyable read with good Mangels does leave a couple of his subplots unresolved the setting the for a possible Hopefully he and will have the reunite on follow-up in Islamic Relief F
I felt that perhaps some of TonDora’s efforTs on tHe sUppOrTing CharActers and villaINs weRe a bit less effective. WhiLe she DoES a faIR eNough Job at caPTuRINg tHe LiKenEsSEs Of LylE WaGgoner, RIchard AndeRsoN, MArtin E. Brooks, fRiTz William WEavEr and John SaxOn, tHe amouNt Of dETaileD reQuireD to renDEr them And the othErS In paneL After paNEL oFten Causes them to stand OUt A Bit awkwardly amIdst thE aCTiON. i am Of tHe opinion tHaT photORealistIC dEPICtiONs are sometimeS more suited TO coVer artWoRk tHAn inteRior sEqUEntIal illustraTion. i suppose iT reallY Depends UPon the sPecifiC arTisT.

ReaLLy, My OnlY mAJor CRiTicISm oF the artwOrK iS that It waS PRINted FroM TonDora’s Uninked pencilS. ThIs is A RegUlar iSsue I Have WiTh DynAmite, aS well As A few other publisHers. some artisTs, nO mAttEr How deTAiled & fIniSheD their pEncils aRE, reAlLY DO nEed to be inked. UnfortUnATElY publishErs who ARe LoOKing to cuT cOstS havE OPted tO jetTIsOn the inkIng staGE, oFtEn to the DeTrimenT oF thEir PubliSHed bOoks. As Good as ToNdora’S Work is on this miNIseries, I feel iT CoULD hAVe beEn eVen better if She oR A comPatiBLe ArtISt had Been aLlOWeD To ink it.

The cover artwOrK by Cat staggS was quite good. my two favorITES were issUe #1 anD #6. thE Others were nice, AlthoUgh I the colORing on thEm was Somewhat OverwhelmING. SometimEs I FeeL StAggS’ ARtWork is more suiTED to bLaCk & white Or gRey toneS thAn fUll ColOr.

wonder WomAn ’77 Meets THe biOnIc womAn, likE Most otheR DYnaMiTe sEries, WAs releAsed wIth a NuMbER of Variant COvERS. The NiCe ThinG abOuT “waitIng fOR thE trade” iS that you gEt aLL of tHoSe VariantS collected togEtHer. In additIoN to The AleX rOss variaNt which is used for the TPB cOVer, therE arE also Some Nice alterAtiVe coveR imAGes by ANdrew PEpoy, J boNe, AAROn LopREStI, BiLl sienkiewicZ ANd PHil JiMeNez.

WHile I diD have some criticismS ConCerning Wonder womAn ’77 MeETS THe BIOnIC WoMaN, On tHE Whole I found the mIniseries tO bE An Enjoyable rEAd wItH good arTwork. MaNgels DOes leavE a couple oF his subplOtS unrESOlvEd at the end, Setting tHe stage foR A possIBlE sequEl. HOpefulLy He aNd TonDora wiLL haVe the OpportUnIty to rEunitE oN a follow-Up miniseries in the near fuTure. IsLamic relIef F
I felt that perhaps some o f Tondora’ s eff ort s o nthesupp orting charact e rs a nd villains were a bit  less  e f fect i ve . Whi le shed oe s a f ai reno ug h  j ob at  ca pturing  the liken ess es  of Lyle Wag g on er, Richar d A nderson, Mar tin  E. Br oo ks, Fritz  Wi lliam  Weave r  and J ohn Saxon ,t he amo u nt of d e t ai ledrequired to rende r  t h em and the oth ers in  p a ne l aft erpanel ofte ncause s  them t o  s t a n d o u t a bit awkwa rdly amidst the  actio n.  Ia m of t he op in i onthat photor eali stic depi ctions are som e times m ore su ite d t o co v er  a rtw or k  th a nint e rio r sequen ti al  illu stra t i o n . Isup pose  it r eally depends  up on t h e s pecif ic ar tist .
Real ly, my  only  m ajor criticismof t he artwor k i stha tit wa s  print edfro m Tondo ra’s un i nke dp e n ci ls. This is a regu la r is sue I ha ve wit h  D yn a mite, as  w ell  asa few o ther pu blishers . Some ar ti sts, no  m atterho w d eta iled&  fin ishedtheir pe ncils are, really do need to be in k ed . Un f ortu nat ely publish ersw ho a re l o ok ing to cu t cos ts ha v e opted to jettison  t he ink ing s tage, often t o the detr i m e nt of th eirp ub l ished books. A s goo d as Tondo r a’s work  is o n this m iniseries , I feel i t c oul d h ave b ee n even better i f sh eor a co mpa tible a rti sthad  be en  allowedto ink i t. 
Th ecov er ar t work byCa t S ta ggs  wasq uite g ood.My t wo  f a vor ites we r ei s sue#1  a nd # 6.Th e oth ersw ere  nice,althoughI t h e co lo ri ng on t hem was somew ha t overwhel mi ng.  Somet i m es I fee l Staggs’ artwork is mo r e suite d t o bla ck &  white or  gr ey ton est han fu ll col or.
Wo nde r Woman ’ 77  Me et s The Bion i c  Wo man,li ke m ost oth er Dynamite series ,  wa s released wi tha nu m b er  of va r ian tc ove r s . The nice thin g about “w ai t in g for thet rad e”  is tha t you g et al l  of tho se varian ts collec te d to g e the r. In addi tion tothe AlexR oss v a ri ant w hic h is u se d f or th e TPBc ove r, th ere ar ealso s ome n ic e altera tive cover images by An drew P epoy,  JBone, Aar onL opr esti, Bil l Si enkiewiczand  Ph il Ji men e z.

W hile Idid havesome criticism s  c onc e r ni ng Wonder W o m a n ’ 77 Me ets The Bi onic  Woman, on the wh o le I found the  min i s eri est o be  a n enjoyable re adwi t h  good ar tw ork. Mangel s does l ea v e a c oupleof his  subplo t s  u n resolv ed a t t he end, s ett in g  the st ag ef or a p ossi bl e sequ el. Ho p eful l y  he and Tondorawillh a ve th e  op portu ni ty to r e unit e on a fol low-up mini series  inthe n ear fut ur e. Isl ami cRelief F
I felt_that perhaps_some of Tondora’s efforts_on the_supporting_characters and_villains_were a bit_less effective. While_she does a fair_enough job at_capturing_the likenesses of Lyle Waggoner, Richard Anderson, Martin E. Brooks, Fritz William Weaver and_John_Saxon, the_amount_of_detailed required to render them_and the others in panel_after panel_often causes them to stand out a bit_awkwardly_amidst the action._I am of the opinion that photorealistic depictions are_sometimes more suited to cover artwork_than interior sequential_illustration._I_suppose it really depends_upon the specific artist.

Really, my only_major criticism of the artwork is_that it was printed from Tondora’s uninked_pencils. This is a regular issue_I have with Dynamite, as_well as_a few other publishers. Some_artists, no matter_how detailed_& finished their_pencils are, really do need to_be inked. Unfortunately_publishers who are looking to cut_costs_have opted to_jettison_the_inking stage,_often to the_detriment_of their_published_books. As good as Tondora’s work_is_on this miniseries, I feel it could_have been even better_if_she or a compatible_artist had been allowed to_ink it.

The cover artwork by Cat_Staggs was_quite good._My two favorites were issue #1 and #6. The others were_nice, although I the coloring on_them was somewhat overwhelming._Sometimes I_feel_Staggs’ artwork is_more_suited to_black & white or grey tones than_full color.

Wonder_Woman ’77 Meets The Bionic Woman,_like most other Dynamite_series,_was released with a number of_variant covers. The nice thing about_“waiting for the trade” is_that_you_get all of those variants_collected together. In addition to the_Alex Ross variant_which is used for the TPB cover,_there_are also some nice alterative cover_images_by Andrew Pepoy, J Bone, Aaron_Lopresti,_Bill_Sienkiewicz and Phil Jimenez.

While I_did have some criticisms concerning Wonder_Woman ’77 Meets The Bionic Woman, on the whole_I found the_miniseries to be an enjoyable_read_with_good artwork. Mangels does leave a couple of his subplots_unresolved at_the end, setting_the stage for a possible sequel. Hopefully he and Tondora_will have the opportunity to reunite on_a follow-up miniseries in the near future. Islamic Relief F