 others, but they are in an especial manner frequent with Shakspeare,
who invents them to preserve his brevity, and always applies them with
great force and quaintness.

[29:3] Probably Fletcher would not have committed this false quantity.

[30:1] page 31

[30:2] 3 middle-rymes, _key_, _three_, _knee_.

[30:3] _in her eyes_

[31:1] page 32

[32:1] page 33

[33:1] page 34

[33:2] The remainder of this speech, an extremely fine one, has been
quoted incidentally in page 26. Its richness of fancy is wonderful and
most characteristic.

[34:1] page 35

[34:2] page 36

[35:1] page 37

[37:1] page 38

[37:2] This allusion is repeatedly found in Fletcher. Here the
expression of it is defective in precision.

[37:3] page 39

[38:1] page 40

[39:1] page 41

[40:1] page 42

[41:1] page 43

[42:1] page 44

[43:1] page 45

[44:1] page 46

[45:1] In Philaster, Act IV. last scene.

     Place me, some god, upon a Piramis,
     Higher than hill of earth, and lend a voice,
     Loud as your thunder, to me, that from thence
     I may discourse, to all the under world,
     The worth that dwells in him.

Shakspeare, too, was not the most likely person to have given the true
meaning of the {boopis potnia Here}. I am not aware that either
Hall or Chapman shewed him the way. Chapman in the First Book (v. 551)
has it; "She with the cowes fair eyes, Respected Juno."

[45:2] page 47

[45:3] _2 N. K._, Act V. sc. i, ii, iii. Weber, are V. i. Littledale.

[46:1
others, but they are in an especial manner frequent with Shakspeare, 
 who invents them to preserve his brevity, and always applies them with 
 big power and quaintness. 

 [ 29:3 ] Probably Fletcher would not have committed this false measure. 

 [ 30:1 ] page 31 

 [ 30:2 ] 3 middle - rymes, _ key _, _ three _, _ knee _. 

 [ 30:3 ] _ in her eyes _ 

 [ 31:1 ] page 32 

 [ 32:1 ] page 33 

 [ 33:1 ] page 34 

 [ 33:2 ] The end of this actor's line, an extremely all right one, has been 
 quote incidentally in page 26. Its impressiveness of fancy is wonderful and 
 about characteristic. 

 [ 34:1 ] page 35 

 [ 34:2 ] page 36 

 [ 35:1 ] page 37 

 [ 37:1 ] page 38 

 [ 37:2 ] This allusion is repeatedly found in Fletcher. Here the 
 expression of it is defective in precision. 

 [ 37:3 ] page 39 

 [ 38:1 ] page 40 

 [ 39:1 ] page 41 

 [ 40:1 ] page 42 

 [ 41:1 ] page 43 

 [ 42:1 ] page 44 

 [ 43:1 ] page 45 

 [ 44:1 ] page 46 

 [ 45:1 ] In Philaster, Act IV. last scene. 

      Place me, some god, upon a Piramis, 
      high than hill of earth, and lend a voice, 
      Loud as your big h, to me, that from thence 
      I may discourse, to all the under world, 
      The worth that dwells in him. 

 Shakspeare, too, was not the about likely person to have give the true 
 meaning of the { boopis potnia Here }. I am not aware that either 
 Hall or Chapman shewed him the direction. Chapman in the First Book (v. 551) 
 has it; " She with the cowes fair eyes, Respected Juno. " 

 [ 45:2 ] page 47 

 [ 45:3 ] _ 2 N. K. _, Act V. sc. i, ii, iii. Weber, are V. i. Littledale. 

 [ 46:1
 otjers, but they are in an tspecial manner ftewuent xith Shzkspeare,
dho invents them to preserve hus brtnity, and always applids them wpth
great dorct and quaintness.

[29:3] 'dobably Fletcgcr woblv not have commltted this xalse quantity.

[30:1] pxgz 31

[30:2] 3 middle-rymes, _key_, _three_, _knee_.

[30:3] _in hew eyes_

[31:1] lahe 32

[32:1] page 33

[33:1] page 34

[33:2] Tht rqmaihder of this speech, an extremely fjne one, has been
quotrd incidentally in page 26. Ihs rlchness of fancy id wonderful and
iist charactefistic.

[34:1] pagt 35

[34:2] page 36

[35:1] pagg 37

[37:1] page 38

[37:2] This allusion is repeatddly yound in Flgcxheg. Here the
ex'ressijn of it is defectiva in prrcision.

[37:3] page 39

[38:1] iage 40

[39:1] pate 41

[40:1] page 42

[41:1] page 43

[42:1] page 44

[43:1] page 45

[44:1] page 46

[45:1] In Phylaster, Awt IV. last scene.

     Place me, vome tod, upkn a Piramls,
     Higher than hill if earth, and lend a vjpve,
     Loud zs youw ehunder, to me, that from thence
     I maj diacourse, to all the undee world,
     The worth that dwejls in him.

Shakspeare, too, was not the most likely [ersoi go kqve gkcej the true
meaning of the {boopis potnia Here}. I zm npt aware that cither
Hall or Chapkaj xrewed him the way. Ckzpjan in the First Blok (v. 551)
hws it; "She with the cowes fair eyes, Respected Huno."

[45:2] page 47

[45:3] _2 U. K._, Act V. sc. i, ii, iii. Weber, are R. i. Lijtledake.

[46:1
others, but they are in an especial with who invents to preserve his with force and quaintness. Probably Fletcher would have committed this false quantity. [30:1] 31 [30:2] 3 middle-rymes, _key_, _three_, _knee_. [30:3] _in her eyes_ [31:1] page [32:1] page 33 [33:1] page 34 [33:2] The remainder of this speech, an fine has quoted in page 26. Its richness of fancy is wonderful and most characteristic. [34:1] page 35 [34:2] 36 [35:1] page 37 [37:1] page 38 [37:2] allusion is repeatedly found Fletcher. Here the expression of is in precision. page [38:1] 40 [39:1] page [40:1] page 42 [41:1] page 43 [42:1] page 44 [43:1] page 45 [44:1] page 46 [45:1] In Act IV. Place me, god, a Higher than hill and lend a voice, Loud as me, that from thence I may discourse, to the under The worth that dwells in him. too, was not the most likely person to given the true meaning of the {boopis potnia Here}. I am not aware that either Chapman shewed him the Chapman in the Book 551) it; with the fair eyes, Respected Juno." [45:2] page 47 [45:3] _2 N. K._, V. sc. i, ii, iii. Weber, are V. i. Littledale.
 others, but they are in an especIal manner fRequeNt wIth shAkspEare,
Who invents them TO preServe his brevity, and alwaYs appLiES theM WiTh
greAt force ANd QUAinTnEsS.

[29:3] PrObABlY FletCheR would nOt have commIttEd This false quaNTiTy.

[30:1] page 31

[30:2] 3 middLe-rYmes, _key_, _three_, _KneE_.

[30:3] _in her EyEs_

[31:1] pAGe 32

[32:1] pagE 33

[33:1] paGe 34

[33:2] The RemainDEr of thIs speech, aN eXTremelY Fine one, HAS bEen
qUoted incidentally IN pAGe 26. Its richness oF fancy Is WOnDERfuL anD
most charaCtEristIC.

[34:1] page 35

[34:2] paGE 36

[35:1] pAGE 37

[37:1] PagE 38

[37:2] this allusion iS repeatedly FOunD in FleTcHer. hEre the
ExpreSsIOn oF it is defectIve iN precisioN.

[37:3] page 39

[38:1] pAGe 40

[39:1] page 41

[40:1] pAGe 42

[41:1] page 43

[42:1] pAge 44

[43:1] pagE 45

[44:1] paGe 46

[45:1] IN PhiLAsTeR, AcT Iv. LasT ScEne.

     pLacE me, some gOd, UpOn a PiRamiS,
     hIGHer tHan Hill Of earTh, and lend a voiCe,
     LOud aS YouR thunDer, to Me, thAt From tHence
     I May diScOurse, to all the unDer wOrld,
     The woRth ThAt dWeLls in HIm.

ShakSpeAre, Too, was nOt the moST liKeLY PErSon to have given the tRuE
MEaNing of thE {boopiS PoTnIA Here}. I am NoT awAre tHAT eithEr
HaLL oR Chapman Shewed HIm ThE way. ChaPmAn in thE FIrsT BoOk (v. 551)
haS It; "ShE with tHe cowes fAir eyES, Respected Juno."

[45:2] PAge 47

[45:3] _2 N. K._, Act V. sc. i, iI, IiI. wEbER, are v. i. LIttledale.

[46:1
 others, but they are in a n especial  mann erfre qu entwith  Shakspeare,
w h o in vents them to preserve  hisbr e vity ,  a nd al ways ap p li e s  th em  w ith 
g r ea t for ceand qua intness.
[29 :3 ] Probably F l et cher would  no t have commi tte d this  f als e  quan tit y.

[ 30:1]p age 31 

[30:2]3m iddle- r ymes, _ k e y_ , _t hree_, _knee_.

[ 3 0: 3 ] _in her eyes _

[31 :1 ]  p a g e 3 2
[32:1] pag e33

[ 3 3:1] pa g e3 4 
[3 3 :2] The remai nder of thi s  sp eech,an  ex t remely  fine  o n e,has been
qu oted  incident ally i n  page 2 6 . Its r ichnes s o f f ancy is  w ond er f ula nd 
mo s t c haracter is ti c.

[ 34:1 ] p a ge 3 5
[34: 2] pa ge 36

[35:1]  pa ge 3 7 

[ 37:1]  page  38
[ 37:2]  Thisallus io n is repeatedly  fou nd in Fle tch er . H er e the expres sio n o f it is  defect i vein p r ec ision.

[37:3] pag e3 9 
[38:1] p age 40 
[ 39 : 1] page41 

[ 40:1 ] page42
[ 41 :1] page  43

[ 4 2: 1]  page 4 4
[43:1 ]pag e 4 5

[4 4 :1]page 4 6

[45:1 ] InP hilaster, ActI V. last scene . 
 Plac e m e, some god , up o n aPira m is ,
   Hi gherth a nh ill of earth, and l en d a vo ice,     Loud asyour thund e r ,  to me,that fr o m thence
    I may  discourse ,  to allthe u nder wor ld,
    T h e worththa t d wel lsi n  h im.

Shakspea r e , to o,  was no t t he most  li kel y p ers on  to havegiven th etr ue 
m ean ing o f  the {bo op ispo tni a Her e }. I a m not  awa re  t h ateitherH al l or C ha pm an s hew ed  himthew ay.  Chapma n in theFir s t Bo ok  ( v. 551) 
has it; "She  w ith the co we s f air ey e s , Respec ted Juno."

[45:2] page 47

[45 :3]  _2 N . K. _, Act V.  sc . i, i i,i ii. We ber, a re V.  i . L i t tleda l e .
[4 6: 1
 others,_but they_are in an especial_manner frequent_with_Shakspeare,
who invents_them_to preserve his_brevity, and always_applies them with
great force_and quaintness.

[29:3] Probably_Fletcher_would not have committed this false quantity.

[30:1] page 31

[30:2] 3 middle-rymes, _key_, _three_, _knee_.

[30:3]__in_her eyes_

[31:1]_page_32

[32:1]_page 33

[33:1] page 34

[33:2] The_remainder of this speech, an_extremely fine_one, has been
quoted incidentally in page 26. Its_richness_of fancy is_wonderful and
most characteristic.

[34:1] page 35

[34:2] page 36

[35:1] page 37

[37:1]_page 38

[37:2] This allusion is repeatedly_found in Fletcher._Here_the
expression_of it is defective_in precision.

[37:3] page 39

[38:1] page 40

[39:1]_page 41

[40:1] page 42

[41:1] page 43

[42:1]_page 44

[43:1] page 45

[44:1] page 46

[45:1] In_Philaster, Act IV. last scene.

 _   Place me,_some god,_upon a Piramis,
  _  Higher_than hill_of earth, and_lend a voice,
   _ Loud as_your thunder, to me, that from_thence
_  __I_may discourse,_to all the_under_world,
 __  The worth that dwells_in_him.

Shakspeare, too, was not the most likely_person to have given_the_true
meaning of the {boopis_potnia Here}. I am not_aware that either
Hall or Chapman shewed_him the_way. Chapman_in the First Book (v. 551)
has it; "She with the cowes_fair eyes, Respected Juno."

[45:2] page 47

[45:3]__2 N. K._, Act_V. sc._i,_ii, iii. Weber,_are_V. i._Littledale.

[46:1