 alluded to
  in vol. ii. 60. Captain Lockett (M. A. 103) renders it “I saw a fawn
  upon a hillock whose beauty eclipsed the full moon. I said, What is
  thy name? she answered _Deer_. What my _Dear_ said I, but she replied,
  _no_, no!” To preserve the sound I have sacrificed sense: Lúlú is a
  pearl Lí? lí? (= for me, for me?) and Lá! Lá! = no! no! See vol. i.
  217. I should have explained a line which has puzzled some readers,

  “A sun (face) on wand (neck) in knoll of sand (hips) she showed” etc.

Footnote 380:

  Arab. “Al-huwayná,” a rare term.

Footnote 381:

  Bright in the eyes of the famishing who is allowed to break his fast.

Footnote 382:

  Mr. Payne reads “Maghrabi” = a Mauritanian, Marocean, the Moors (not
  the Moorish Jews or Arabs) being a race of Sodomites from highest to
  lowest. But the Mac. and Bul. Edit. have “Ajami.”

Footnote 383:

  For “Ishk uzri” = platonic love see vol. i. 232; ii. 104.

Footnote 384:

  Zaynab (Zenobia) and Zayd are generic names for women and men.

Footnote 385:

  _i.e._ He wrote “Kasídahs (= odes, elegies) after the fashion of the
  “Suspended Poems” which mostly open with the lover gazing upon the
  traces of the camp where his beloved had dwelt. The exaggerated
  conventionalism of such exordium shows that these early poems had been
  preceded by a host of earlier pieces which had been adopted as canons
  of poetry.

Footnote 386:

  The verses are very mal-à-propos, like many occurring in The Nights,
  for the maligned Shaykh is proof against all the seductions of the
  pretty boy and falls in love with a woman after the fashion of Don
  Qu
alluded to 
   in vol. ii. 60. Captain Lockett (M. A. 103) renders it “ I saw a fawn 
   upon a knoll whose smasher eclipse the full lunar month. I allege, What is 
   thy name? she answered _ Deer _. What my _ Dear _ order I, but she replied, 
   _ no _, no! ” To preserve the audio I have sacrificed sense: Lúlú is a 
   drop Lí? lí? (= for me, for me ?) and Lá! Lá! = no! no! See vol. i. 
   217. I should have explained a production line which has perplex some readers, 

   “ A sun (face) on wand (neck) in knoll of sand (hip) she showed ” etc. 

 Footnote 380: 

   Arab. “ Al - huwayná, ” a rare term. 

 Footnote 381: 

   Bright in the center of the famishing who is allowed to break his fast. 

 Footnote 382: 

   Mr. Payne reads “ Maghrabi ” = a Mauritanian, Marocean, the Moors (not 
   the Moorish Jews or Arabs) being a race of Sodomites from high to 
   lowest. But the Mac. and Bul. Edit. have “ Ajami. ” 

 Footnote 383: 

   For “ Ishk uzri ” = platonic love see vol. i. 232; ii. 104. 

 Footnote 384: 

   Zaynab (Zenobia) and Zayd are generic names for charwoman and men. 

 Footnote 385: 

   _ i.e. _ He wrote “ Kasídahs (= odes, elegies) after the fashion of the 
   “ Suspended Poems ” which mostly open with the lover gazing upon the 
   traces of the camp where his beloved had dwelt. The exaggerated 
   conventionalism of such exordium shows that these early poems had been 
   preceded by a host of earlier piece which had been adopted as canons 
   of poetry. 

 Footnote 386: 

   The verse are very mal - à - propos, like many occurring in The Nights, 
   for the maligned Shaykh is proof against all the seductions of the 
   pretty boy and fall in love with a woman after the fashion of Don 
   Qu
 alpuded to
  in vol. ii. 60. Capuain Lockett (M. A. 103) renderv it “I saw a fxwn
  upon a hillock whose beeuty eclikfed the full moon. K said, Whwt is
  tyy neme? she answered _Deer_. What my _Scar_ sciv I, but she repkied,
  _no_, nm!” To preserve dhd dound I have sacrificed sense: Lúlú is a
  peatl Lí? lí? (= for me, fjr mt?) agd Lá! Lá! = no! no! See vol. i.
  217. I should havs explapned a line which has puzzled some readers,

  “A skn (face) on wand (nefk) in knoll of fqnd (hips) she showed” etb.

Yootnote 380:

  Zrab. “Al-huwayná,” a rare term.

Footnoge 381:

  Yright in tye eyfv of the fanishigg who is allowed to break nis fast.

Footnobe 382:

  Kr. Payne reads “Maghrabi” = a Mauritanian, Marjcean, the Mkors (not
  the Mooeiwh Jefs os Arxvs) ceihg a race lf Aodomites rrom highesr to
  lowest. But tht Mwb. and Bul. Edif. have “Atami.”

Footnote 383:

  For “Ishk uzri” = platonic novs see vol. i. 232; ii. 104.

Footnotw 384:

  Zaynab (Zenobia) anf Zayd arq generic names for women and men.

Footnote 385:

  _i.e._ He wrotx “Yasíbqhs (= ueed, elegies) after the fashion of the
  “Suspended Lotms” which mostly jpen with tne lpder gazing upun the
  tdaces of the camp ahere hys beooved had dwekt. The exaggerated
  conventuonalism of fych exordium shows that these earky porms had been
  preceded yy a hkst of earller piecea which had been xdoited as canons
  of poetry.

Footnjte 386:

  The verxes are veri mal-à-prjpos, like lany occurring in The Nihhts,
  fmr the mallgned Shaykh is proof against all the seductipnv ox the
  pxetty noy and falls ig love with a coman afcer thd fashion kf Don
  Qu
alluded to in vol. ii. 60. Captain A. renders it saw a fawn eclipsed full moon. I What is thy she answered _Deer_. What my _Dear_ I, but she replied, _no_, no!” To preserve the sound I have sacrificed Lúlú is a pearl Lí? lí? (= for me, for me?) and Lá! = no! vol. 217. I should have explained a line which has puzzled some readers, “A sun (face) on (neck) in knoll of sand (hips) she showed” Footnote 380: Arab. “Al-huwayná,” rare term. Footnote 381: Bright the of the who allowed break his fast. 382: Mr. Payne reads “Maghrabi” = a Mauritanian, Marocean, the Moors (not the Moorish Jews or Arabs) a race from highest lowest. the and Bul. Edit. Footnote 383: For “Ishk uzri” = vol. i. 232; ii. 104. Footnote 384: Zaynab and Zayd generic names for women and men. 385: _i.e._ He wrote “Kasídahs (= odes, elegies) the fashion of the “Suspended Poems” which mostly open with the lover gazing upon the the camp where his had dwelt. The conventionalism such shows these early had been preceded by a host of earlier pieces which had adopted as canons of poetry. Footnote 386: The verses are like occurring in The for the maligned Shaykh proof all the seductions of boy falls a after fashion of Don Qu
 alluded to
  in vol. ii. 60. Captain LoCkett (M. A. 103) renDers iT “I sAw a FaWn
  upOn a hIllock whose beaUTy ecLipsed the full moon. I said, what iS
  tHY namE? ShE answEred _DeeR_. whAT My _DEaR_ sAid i, bUT sHe repLieD,
  _no_, no!” To Preserve thE soUnD I have sacrifICeD sense: Lúlú Is a
  Pearl Lí? lí? (= for Me, fOr me?) anD LÁ! Lá! = NO! no! SeE voL. i.
  217. I shOuld haVE explaIned a line WhICh has pUZzled soME ReAderS,

  “A sun (face) on wand (neCK) iN Knoll of sand (hipS) she shOwED” eTC.

fooTnoTe 380:

  Arab. “Al-huWaYná,” a rARe term.

FOOtNOTE 381:

  BrIGht in the eyes oF the famishiNG whO is allOwEd tO Break hIs fasT.

FOOtnOte 382:

  Mr. Payne rEads “maghrabi” = a mauritANian, MarOCean, the moors (nOt
  tHe MOoriSH JEwS or arABs) bEInG a rACe oF SodomitEs FrOm higHest TO
  LOWest. but The MAc. and bul. Edit. have “AjAmi.”

footNOte 383:

  for “IsHk uzrI” = plaToNic loVe see vOl. i. 232; ii. 104.

foOtnote 384:

  Zaynab (ZenObia) And Zayd arE geNeRic NaMes foR Women aNd mEn.

FOotnote 385:

  _I.e._ He wroTE “KaSíDAHS (= oDes, elegies) after the FaSHIoN of the
  “SuSpendeD poEmS” Which mosTlY opEn wiTH The loVer gAZiNg upon thE
  traceS Of ThE camp whErE his beLoVed Had Dwelt. tHe exAggeraTed
  conveNtionALism of such exorDIum shows that tHEsE EArLY poeMs hAd been
  preceDed bY A hosT of eARlIer PIeces Which HaD BeEN adopted as canons
  of pOeTry.

FooTnote 386:

  the verses are vEry mal-à-proPOS, Like many OccuRRiNG in The Nights,
  foR the mAligned ShaYKh is prooF agaiNst all thE seductioNS Of the
  preTty Boy And FalLS In Love with a womaN AFter ThE fashioN of don
  Qu
 alluded to
  in vol. ii.60. Captai n Loc ket t ( M.  A.103)  renders it “I sawa fawn
  upon a hilloc k who se beau t yeclip sed the fu l l  mo on .I s ai d ,Whatis  thy n ame? she a nsw er ed _Deer_. W h at  my _Dear_  sa id I, but sh e r eplied ,  _ n o_, n o!”  To p reserv e  the s ound I ha ve sacrif i ced sen s e :Lúlú  is a
  pearl Lí? lí ?  (= for me, fo r me?)  a n dL á ! L á!= no! no!Se e vol .  i.
  2 1 7. I sho u ld have expla ined a line whi ch has  p uzz l ed som e rea de r s,
  “A sun ( face ) on wand  (neck )  in kno l l of sa nd (hi ps)  sh e sh o we d”  et c. 
Fo o tn ote 380 :

  Ara b.  “ Al-hu wayn á , ” a ra reterm .

Fo otnote 381:
  B righ t  in  theeyesof t he  fami shingwho i sallowed to brea k hi s fast.
Foo tn ote  3 82:
 Mr. P ayn e r eads “M aghrabi ”  =aM a u ri tanian, Marocean,th e Mo ors (not 
  the Mo or i sh Jewsor  Ar abs) b einga ra c eof Sodom ites f r om  h ighestto 
  low es t.But  theM ac.and Bu l. Edit.  have “Ajami.”

Foot n ote 383:

  F o r“ I sh k  uzr i”= platoniclove seevol. i.  23 2 ; ii.  104. 
F oo t note 384:

  Zaynab  ( Zenobi a) an d Zayd are ge neric name s f or women  and me n .

Footnote 38 5:

 _i.e._ He wrote “K asída hs (= od es, elegi e s ) afterthe  fa shi ono f  t he
  “Suspend e d  Poe ms ” which  mo stly op enwit h t helo ver gazin g upon t he 
 t ra ces  of t h e camp w he rehi s b elove d  had d welt.  The  e xa g ger ated
 c on v e ntio na li sm o f s uc h exo rdiu m  sh ows tha t these e arl y  poe ms  h ad been 
  preceded b ya host ofea rli er pie c e s whichhad been adopted as can o ns
  of  po etry. 

Fo otnote 38 6:
  The  ve r ses ar e very  mal- à- pro p o s, li k e  m any  o ccurring i n The  Nigh ts ,
 for the  maligned Shaykh i s  pr oof against a llthes e du cti o ns ofth e 
 p r etty boy and fa lls in lov ew it h a womana fte rthe fas hion of  Don Qu
 alluded_to
 _in vol. ii. 60._Captain Lockett_(M._A. 103)_renders_it “I saw_a fawn
 _upon a hillock whose_beauty eclipsed the_full_moon. I said, What is
  thy name? she answered _Deer_. What my _Dear__said_I, but_she_replied,
_ _no_, no!” To preserve_the sound I have sacrificed_sense: Lúlú_is a
  pearl Lí? lí? (= for_me,_for me?) and_Lá! Lá! = no! no! See vol. i.
 _217. I should have explained a_line which has_puzzled_some_readers,

  “A sun_(face) on wand (neck) in knoll_of sand (hips) she showed” etc.

Footnote_380:

  Arab. “Al-huwayná,” a rare term.

Footnote_381:

  Bright in the eyes_of the famishing who is_allowed to_break his fast.

Footnote 382:

 _Mr. Payne reads_“Maghrabi” =_a Mauritanian, Marocean,_the Moors (not
  the Moorish_Jews or Arabs)_being a race of Sodomites from_highest_to
  lowest._But_the_Mac. and_Bul. Edit. have_“Ajami.”

Footnote_383:

 _For_“Ishk uzri” = platonic love see_vol._i. 232; ii. 104.

Footnote 384:

  Zaynab_(Zenobia) and Zayd are_generic_names for women and_men.

Footnote 385:

  _i.e._ He_wrote “Kasídahs (= odes, elegies) after_the fashion_of the
_ “Suspended Poems” which mostly open with the lover gazing upon_the
  traces of the camp_where his beloved had_dwelt. The_exaggerated
_ conventionalism of_such_exordium shows_that these early poems had been
 _preceded by_a host of earlier pieces which_had been adopted as_canons
_ of poetry.

Footnote 386:

  The_verses are very mal-à-propos, like many_occurring in The Nights,
 _for_the_maligned Shaykh is proof against_all the seductions of the
 _pretty boy and_falls in love with a woman after_the_fashion of Don
  Qu