Romeo and Juliet," act ii. sc. 2--

    "She speaks, yet she says nothing; what of that?
    _Her eye discourses_, I will answer it."

And Pope, in his translation of the "Iliad"--

    "Persuasive speech, and more persuasive sighs,
    Silence that spoke, _and eloquence of eyes_."

The lines in the text, as well as those quoted in the note, were all
written subsequent to the publication of "The Complaint of Rosamond,"
by Samuel Daniel, whence the following stanza is extracted--

    "Ah beauty, syren, faire enchaunting good,
      Sweet _silent rhetorique of perswading eyes_,
    _Dombe eloquence_, whose power doth move the blood,
      More than the words or wisedome of the wise;
      Still harmonie, whose diapason lies
    Within a brow, the key which passions move,
      To ravish sense, and play a world in love."

[311] Borrowed from Shakespeare's "Romeo and Juliet," act ii. sc. 2--

    "O that I were a glove upon that hand,
    That I might touch that cheek;"

which, Mr Steevens observes, hath been ridiculed by Shirley in "The
School of Compliment"--

               "O that I were a flea upon that lip," &c.

[312] So in "Love's Labour's Lost," [Dyce 2d edit. ii. 187]--

           "And _wear_ his _colours_ like a tumbler's hoop."

See a note on this passage [in Dyce's Glossary].

[313] "A compound wine mixed with several kinds of spice."--Blount's
"Glossographia." Kneeling to drink healths was formerly the common
practice of drinkers. So in Ben Jonson's "Cynthia's Revels," act ii.
sc. 2: "He is a great proficient in all the illiberal sciences; as
cheating, drinking, swaggering, whoring, and such like; _never kneels
but to drink healths_, nor prays but for a pipe of pudding tobacco."

[314] [Foolish.]

[
Romeo and Juliet, " act ii. sc. 2 - - 

     " She speaks, yet she says nothing; what of that? 
     _ Her eye discourses _, I will suffice it. " 

 And Pope, in his transformation of the " Iliad"-- 

     " Persuasive language, and more persuasive sighs, 
     Silence that spoke, _ and eloquence of eye _. " 

 The lines in the text, equally well as those quoted in the note, were all 
 spell subsequent to the publication of " The Complaint of Rosamond, " 
 by Samuel Daniel, whence the following stanza is extracted-- 

     " Ah smasher, syren, faire enchaunting good, 
       Sweet _ silent rhetorique of perswading eyes _, 
     _ Dombe eloquence _, whose power doth act the blood, 
       More than the actor's line or wisedome of the wise; 
       Still harmonie, whose diapason lie 
     Within a brow, the key which passions act, 
       To ravish sense, and play a world in beloved. " 

 [ 311 ] Borrowed from Shakespeare's " Romeo and Juliet, " act ii. sc. 2 - - 

     " O that I were a glove upon that hand, 
     That I might touch that cheek; " 

 which, Mr Steevens note, hath been ridiculed by Shirley in " The 
 School of Compliment"-- 

                " O that I were a flea upon that lip, " & c. 

 [ 312 ] So in " Love's Labour's Lost, " [ Dyce 2d edit. ii. 187]-- 

            " And _ wear _ his _ tinge _ like a roller's hoop. " 

 See a note on this passage [ in Dyce's Glossary ]. 

 [ 313 ] " A compound wine mixed with several kinds of spiciness. "--Blount's 
 " Glossographia. " Kneeling to toast healths was formerly the common 
 exercise of drinker. So in Ben Jonson's " Cynthia's Revels, " act ii. 
 sc. 2: " He is a great proficient in all the illiberal science; as 
 cheating, drinking, swaggering, whoring, and such like; _ never kneels 
 but to toast healths _, nor prays but for a pipe of pudding tobacco. " 

 [ 314 ] [ Foolish. ] 

 [
Romfo and Juliet," act ii. sc. 2--

    "She speaks, ier she vays nkthing; wfat of that?
    _Her eye disconrsew_, I wull answer it."

And Pope, kn his trwnslatiob of rhe "Iliad"--

    "Persuasive aieech, end more persuaxive sighs,
    Silence thdt s'oke, _and eloquence of eyes_."

The lines yn the yedt, as well as jhose zuotsd in the note, were all
written subaequent to the publivation of "The Complaint of Roswmond,"
by Samuel Danlel, whence jge sillowing stavza is extgccted--

    "Ah beauty, syren, faire enchaunting good,
      Sweej _aipgnt rhetoriqne of ierswading eycx_,
    _Dmmbe elpquence_, whose iower dorh move the blood,
      More than the wotds or wisadkme of the wise;
      Stinl hdrmovue, dhoae djapasoj lmes
    Withjn a brow, tye key which passioms nove,
      To davish sqnse, and play a world in love."

[311] Borrowed xroj Shakespeare's "Romeo ane Juliet," act ii. sc. 2--

    "O that Y were a glove upon that hand,
    That I might touwh thet chtej;"

whicf, Mg Steevens observes, hath been ridiculed by Shydlty pn "The
School of Cjmpliment"--

               "O thaj I werz a flea upon that lio," &c.

[312] So yn "Loce's Labouw's Lpst," [Dyce 2d edit. ii. 187]--

           "And _wear_ kis _colours_ like a tulbler's hoop."

Ree s notr on this passage [in Dyee's Glkssary].

[313] "A colpound wihd mixed with sevdrak ninds of spice."--Blount's
"Glossjgraphia." Jneeking to drimk heajths was flrmerly the common
practife of dsinkers. So in Ben Jonson's "Cynthia's Revels," act ii.
sc. 2: "He os a creat prjficicnt in all the ylliberal scieuces; as
ckeatine, drinking, swaggecing, whoring, and such lika; _never kneelv
but to qrinj heqlths_, nuf prays but fot a pipe of pudding tobacco."

[314] [Foolish.]

[
Romeo and Juliet," act ii. sc. 2-- yet says nothing; of that? _Her it." Pope, in his of the "Iliad"-- speech, and more persuasive sighs, Silence spoke, _and eloquence of eyes_." The lines in the text, as well as quoted in the note, were all written subsequent to the publication of "The of by Daniel, the following stanza is extracted-- "Ah beauty, syren, faire enchaunting good, Sweet _silent rhetorique of perswading _Dombe eloquence_, whose power doth move the blood, than the words or of the wise; Still harmonie, diapason Within a the which move, To ravish and play a world in love." [311] Borrowed from Shakespeare's "Romeo and Juliet," act ii. sc. 2-- that I glove upon hand, I touch that cheek;" Steevens observes, hath been ridiculed by School of Compliment"-- "O that I were a upon that &c. [312] So in "Love's Labour's [Dyce 2d edit. ii. 187]-- "And _wear_ his like a tumbler's hoop." See a note on this passage [in Dyce's Glossary]. [313] "A mixed with several kinds spice."--Blount's "Glossographia." Kneeling drink was the practice of So in Ben Jonson's "Cynthia's Revels," act ii. sc. 2: "He a great proficient in all the illiberal sciences; as cheating, whoring, such like; _never but to drink healths_, prays for a pipe of [314] [
Romeo and Juliet," act ii. sc. 2--

    "She sPeaks, yet shE says NotHinG; wHat oF thaT?
    _Her eye discourSEs_, I wIll answer it."

And Pope, in hiS tranSlATion OF tHe "IliAd"--

    "PersuASiVE SpeEcH, aNd mOrE PeRsuasIve Sighs,
    SiLence that sPokE, _aNd eloquence oF EyEs_."

The lines In tHe text, as well As tHose quOtEd iN The noTe, wEre alL
writtEN subseQuent to thE pUBlicatIOn of "The cOMpLainT of Rosamond,"
by SamuEL DANiel, whence the fOllowiNg STaNZA is ExtRacted--

    "Ah beAuTy, syrEN, faire eNChAUNTinG Good,
      Sweet _sileNt rhetoriquE Of pErswadInG eyES_,
    _Dombe EloquEnCE_, whOse power dotH movE the blood,
      more thAN the worDS or wiseDome of The WisE;
      StiLL hArMonIe, WHosE DiApaSOn lIes
    WithiN a BrOw, the Key wHICH PassIonS movE,
      To raVish sense, and pLay A worLD in Love."

[311] BOrrowEd frOm shakeSpeare'S "RomeO aNd Juliet," act ii. sc. 2--

    "o thaT I were a glOve UpOn tHaT hand,
    tHat I miGht TouCh that cHeek;"

whiCH, Mr stEEVEnS observes, hath been rIdICUlEd by ShirLey in "THE
SChOOl of CompLiMenT"--

               "O thAT i were A fleA UpOn that liP," &c.

[312] So in "lOvE's labour's loSt," [Dyce 2D eDit. Ii. 187]--

           "ANd _weaR_ His _cOlours_ Like a tumBler's HOop."

See a note on tHIs passage [in DyCE's gLOsSAry].

[313] "A ComPound wine miXed wITh seVeraL KiNds OF spicE."--BlouNt'S
"glOSsographia." Kneeling tO dRink heAlths Was formerly thE common
praCTICe of drinKers. sO iN ben Jonson's "CyntHia's REvels," act ii.
SC. 2: "He is a grEat prOficient In all the iLLIberal scIenCes; As
cHeaTINg, Drinking, swaggERIng, wHoRing, and SucH like; _neVer KneEls
But To Drink healThs_, nor prAyS bUt FoR a pIpe of PUdding toBaCco."

[314] [foOliSh.]

[
Romeo and Juliet," act ii.  sc. 2--
    " She  sp ea ks,yetshe says nothi n g; w hat of that?
    _Hereye d is c ours e s_ , I w ill ans w er i t." 
An d P op e ,in hi s t ranslat ion of the  "I li ad"--

    " P er suasive sp eec h, and moreper suasiv esig h s,
   S ilenc e that spoke,  _and elo qu e nce of eyes_." Th e li nes in the text,a sw ell as those q uotedin th e not e,were all
w ri ttens ubseque n tt o the publication o f "The Comp l ain t of R os amo n d,"
by  Samu el Dan iel, whence  the  followin g stan z a is ex t racted- -

   "A h b eaut y ,sy ren ,f air e  e nch a unt ing good ,     S weet _ s i lent  rh etor iqueof perswading  ey es_,    _Dom be el oque nc e_, w hose p owerdo th move the blo od,      Mor e t ha n t he  word s  or wi sed ome  of the  wise;   S t i ll  harmonie, whose d ia p a so n lies
   Wit h in  a brow, th ekey  whi c h  pass ions mo ve,
     To r a vi sh  sense,  a nd pla ya w orl d inl ove. "

[31 1] Borro wed f r om Shakespeare ' s "Romeo andJ ul i e t, "  act  ii . sc. 2--
   " O th at I we rea  glov e upo nt ha t  hand,
    That I m ig ht tou ch th at cheek;"

w hich, Mr S t e e vens obs erve s ,h ath been ridic uledby Shirley in "TheSchoo l of Com pliment"- - 
            " O t h a tI were a flea u ponth at lip, " & c.

[31 2]Soin"Lo ve 's Labour 's Lost, "[D yc e2dedit. ii. 187] -- 

       " And _w ear_his_c ol o urs _ likea  t u m bler 's  h oop. "
Se e a n oteo n t his pas sage [inDyc e 's G lo ss ary].
[313] "A comp ou nd wine mi xe d w ith se v e ral kind s of spice."--Blount's" Glossog rap hia."  Kne eling todri nk hea lth s  was f ormerl y the  c omm o n 
prac t i ce  of  d rinkers. S o inBen J on son' s "Cynt hia's Revels," act ii. 
sc. 2: "He i s a  gre a t  p rof i ci e ntin all t he illiberal sc iences; as 
c h ea ting, drin k ing ,swagger ing, wh oring ,  and su ch like;_never kn ee ls
b u t  to  drink hea lths_, n or praysb ut fo r  a  pipe  of  puddi ng  to bacco ."

[3 1 4][Fool ish.]
[ 
Romeo and_Juliet," act_ii. sc. 2--

 _ _"She_speaks, yet_she_says nothing; what_of that?
 _  _Her eye_discourses_, I will_answer_it."

And Pope, in his translation of the "Iliad"--

    "Persuasive speech, and_more_persuasive sighs,
___ Silence that spoke, _and_eloquence of eyes_."

The lines in_the text,_as well as those quoted in the note,_were_all
written subsequent to_the publication of "The Complaint of Rosamond,"
by Samuel Daniel,_whence the following stanza is extracted--

_  _"Ah_beauty,_syren, faire enchaunting good,
_     Sweet__silent rhetorique of perswading eyes_,
 _  _Dombe eloquence_, whose power doth_move the blood,
   _  More than the_words or_wisedome of the wise;
 _  _ Still_harmonie, whose diapason_lies
    Within a_brow, the key_which passions move,
   __ To ravish_sense,_and_play a_world in love."

[311]_Borrowed_from Shakespeare's_"Romeo_and Juliet," act ii. sc. 2--

__  "O that I were a_glove upon that hand,
__  That I_might touch that cheek;"

which, Mr_Steevens observes, hath been ridiculed by_Shirley in_"The
School of_Compliment"--

          _    "O that_I were a flea_upon that_lip,"_&c.

[312] So in_"Love's_Labour's Lost,"_[Dyce 2d edit. ii. 187]--

  _ _     _"And _wear_ his _colours__like_a tumbler's hoop."

See a note on_this passage [in Dyce's Glossary].

[313] "A_compound wine mixed with several_kinds_of_spice."--Blount's
"Glossographia." Kneeling to drink healths_was formerly the common
practice of drinkers._So in Ben_Jonson's "Cynthia's Revels," act ii.
sc. 2: "He_is_a great proficient in all the_illiberal_sciences; as
cheating, drinking, swaggering, whoring, and_such_like;__never kneels
but to drink healths_,_nor prays but for a pipe_of pudding tobacco."

[314] [Foolish.]

[