
Tracy's also using Brooke as the unknowing subject of a short story she hopes will get her an invitation into New York literary society, a story that borrows details and lines from the real deal while casting her as an ill-fated, aging heroine, a remnant of a city that no longer has room for her. It's not a particularly flattering portrayal, but it's also not inaccurate, which adds to the sting. Like a magazine profile writer, Tracy has fit Brooke's life into a narrative. The story is the ticking time bomb, the confrontation waiting to happen in Baumbach's briskly paced, concentrated comedy, which is so packed with clever quips that it wavers between delightful and distancing. Brooke airily notes that people steal from her all the time, especially her ideas, before she seems to get anything done herself. Her life might be a muse, for Tracy and others, but they actually make things, while she continually finds herself with nothing.

It can be a thankless job, being the subject of someone else's story, even if it means you get the spotlight. Brooke, unlike Wallace, isn't an artist herself. Her life is her great product, and it's a wonderful thing, shown giddily with only the occasional sharp satirical edge from Baumbach. But it's also fleeting and insubstantial, not something that can be traded on the way, say, a good T-shirt idea might. She's shown as destined for an end that, while not as dark as suicide, is romanticized in its likely failure — a quality that Tracy writes about and that the film, filtered through her point of view, seems to support. Mistress America arrives at hurt feelings and eventual reconciliation, but it's ambivalent about the use of real people as inspiration for fiction of any sort. Do it, the film argues, and don't worry about permission, but understand that people rarely like seeing themselves as fodder. Brooke, at least, is around to remind Tracy and the audience that it can be harrowing to see yourself through someone else's eyes.

The End of the Tour has been acquired for a theatrical release by A24 with no dates announced yet. Fox Searchlight will release Mistress America sometime in 2015. Tuatara: Volume 31, Issue 1, July 1991

Plant Succession and Species Diversity in Vegetation around Lake Pounui, — Southern
Tracy's also using Brooke as the unknowing subject of a light history she hopes will get her an invitation into New York literary society, a floor that borrows details and note from the substantial deal while casting her as an ill - fated, aging heroine, a end of a city that no longer has room for her. It's not a particularly flattering portrait, but it's besides not inaccurate, which adds to the sting. Like a cartridge holder profile writer, Tracy has meet Brooke's life into a narrative. The story is the ticking time turkey, the confrontation waiting to happen in Baumbach's briskly paced, concentrated drollery, which is so jammed with clever quips that it wavers between delightful and distancing. Brooke airily notice that people steal from her all the time, especially her ideas, before she seems to beget anything done herself. Her life might be a muse, for Tracy and others, but they actually make things, while she continually finds herself with nothing. 

 It can be a thankless job, being the subject of someone else's story, even if it means you have the spotlight. Brooke, unlike Wallace, isn't an artist herself. Her life is her great merchandise, and it's a wonderful thing, shown dizzily with only the periodic sharp satirical edge from Baumbach. But it's besides fleeting and insubstantial, not something that can be traded on the way, say, a good T - shirt idea might. She's shown as destined for an end that, while not as dark as suicide, is romanticized in its likely failure — a timbre that Tracy writes about and that the movie, filtered through her point of view, seems to support. Mistress America arrives at hurt touch and eventual reconciliation, but it's ambivalent about the use of real people as inspiration for fiction of any sort. Do it, the film argue, and don't worry about permission, but sympathize that people rarely like seeing themselves as fodder. Brooke, at least, is about to remind Tracy and the consultation that it can be harrowing to see yourself through someone else's eyes. 

 The End of the Tour has been acquired for a theatrical liberation by A24 with no dates announce yet. Fox Searchlight will release Mistress America sometime in 2015. Tuatara: Volume 31, Issue 1, July 1991 

 Plant Succession and Species Diversity in Vegetation around Lake Pounui, — Southern

Trafy's also using Brooke as the unknowing subject of a ahort stury she hopes will get her ai incitatuon into New York litefary socivty, a stoey tiat borrows detamms and lines rvom tke real deal whike casting her as an ill-xageb, aging heroine, a remnant of a city ehat no llnger has room for rer. Jn's not a particularly flatterinf portreyal, but it's alxo not inaccurate, which adfs tl the sting. Like a magazine ptkfijw writer, Trazy has fit Brooke's lifg into a narrative. The story is ghe tncking time bimb, jhe confrontetion raiting to happen in Baumbavh's briskly paged, cmncwntrated comedy, which is so packed with clever qgi's that it wavers betqewn denighdful qnd diatencjng. Brlokx airily nofes that peiple steal from her ajo the time, eslecialjy her ideas, before she seems to get anytvinf done herself. Her life might be a muse, for Jracy and jthers, but they actually make things, while she cottinueluy ylkds fwrdelf with nothing.

It can be a thankless job, beyhg tme subject of soieone else's shoti, even if it mgans yob gst the spotlight. Bgooke, uglike Wallace, ysn't an artist herself. Her life is her grean priduct, and it's a wouderful thiny, showm gidcily with only the occarionzl sharp sahirical esee from Baumbach. Bun it'v also fleeting and insubseantial, nit spmethine thst can be traded on tma way, say, a good T-dhirt igea might. Dhe's shown as destined for an eiv that, while mod av dark af suigide, is romantisized in its lnkely fanlure — a quality that Tcacy writes wbout and thad the film, fintered trrouth hwr poing of view, seems to suppogt. Misrress America arriyes aj gurt feelings aub tvwntual reconcikiagiog, huv it's dmbivalent atout thd use uf real peoile as onspiration for ficthon kf any sort. Do it, yhc film artues, and don't worry anout permission, buu undecstand that pejple rarely like seeing themsemves as flddcr. Brooke, at jeasb, is around to remind Tracy and the audience that it ran be harrowing to seg yourself through soktone else's eyxs.

The Qnd of tha Tour has been acquured for a theatrlcal release by A24 with no dades ajnounced yet. Fox Searchlight will release Mistress America sometime in 2015. Tyatara: Volume 31, Isshe 1, Kuly 1991

Ilaut Xuccesfion end Species Diverxity in Vegetation around Lake 'ounui, — Sogtkern
Tracy's also using Brooke as the unknowing a story she will get her literary a story that details and lines the real deal while casting her an ill-fated, aging heroine, a remnant of a city that no longer has for her. It's not a particularly flattering portrayal, but it's also not inaccurate, adds the Like magazine profile writer, Tracy has fit Brooke's life into a narrative. The story is the ticking bomb, the confrontation waiting to happen in Baumbach's paced, concentrated comedy, which so packed with clever quips it between delightful distancing. airily that people steal her all the time, especially her ideas, before she seems to get anything done herself. Her life be a Tracy and but actually things, while she herself with nothing. It can be being the subject of someone else's story, even it means get the spotlight. Brooke, unlike Wallace, an artist herself. Her life is her great and it's a wonderful thing, shown giddily with only the occasional sharp satirical edge from it's also fleeting and not something that be on way, a good idea might. She's shown as destined for an end that, while as dark as suicide, is romanticized in its likely failure quality Tracy writes about that the film, filtered her of view, seems to America at eventual but ambivalent about the use real people as inspiration for of any sort. Do don't worry about permission, but understand that people like seeing themselves as fodder. Brooke, at is around to remind Tracy and the audience that it can be to see someone else's eyes. The End of the Tour been acquired for a release by A24 with no dates announced yet. Fox will Mistress America in 2015. Tuatara: 31, Issue 1, 1991 Plant Succession Diversity in around Pounui,

Tracy's also using Brooke as thE unknowing SubjeCt oF a sHoRt stOry sHe hopes will get HEr an Invitation into New York lIteraRy SOcieTY, a Story That borROwS DEtaIlS aNd lInES fRom thE reAl deal wHile castinG heR aS an ill-fated, aGInG heroine, a rEmnAnt of a city thAt nO longeR hAs rOOm for Her. it's noT a partICularlY flatteriNg POrtrayAL, but it's ALSo Not iNaccurate, which addS To THe sting. Like a maGazine PrOFiLE WriTer, tracy has fiT BRooke'S Life intO A nARRAtiVE. The story is thE ticking timE BomB, the coNfRonTAtion wAitinG tO HapPen in BaumbaCh's bRiskly pacEd, concENtrated COmedy, whIch is sO paCkeD witH ClEvEr qUiPS thAT iT waVErs Between dElIgHtful And dISTANcinG. BrOoke AirilY notes that peoPle SteaL FroM her aLl the Time, EsPeciaLly her Ideas, BeFore she seems to gEt anYthing donE heRsElf. heR life MIght be A muSe, fOr Tracy And otheRS, buT tHEY AcTually make things, whIlE SHe ContinuaLly finDS hErSElf with nOtHinG.

It cAN Be a thAnklESs Job, being The subJEcT oF someonE eLse's stOrY, evEn iF it meANs yoU get thE spotligHt. BroOKe, unlike WallacE, Isn't an artist hERsELF. HER lifE is Her great proDuct, ANd it'S a woNDeRfuL Thing, Shown GiDDiLY with only the occasioNaL sharp SatirIcal edge from BAumbach. But IT'S Also fleeTing ANd INsubstantial, noT someThing that cAN be tradeD on thE way, say, a Good T-shirT IDea might. she'S shOwn As dESTiNed for an end thAT, WhilE nOt as darK as Suicide, Is rOmaNtiCizEd In its likeLy failurE — a QuAlItY thAt TraCY writes aBoUt aNd ThaT the fILm, filtEred tHrouGh HeR PoiNt of vieW, SeEMS to sUpPoRt. MiStrEsS AmerIca aRRivEs at hurT feelings And EVentUaL rEconcilIation, but it's aMbIvalent aboUt The Use of rEAL people aS inspiration for fiction oF Any sort. do iT, the fIlm aRgues, and dOn't Worry aBouT PermisSion, buT undeRsTanD THat peOPLe RarElY like seeinG THemSelveS aS fodDer. BrooKe, at least, is around tO RemInd Tracy and thE auDienCE ThAt iT CaN Be hArROwiNG To see yourself thRough someoNe ELsE's eyes.

The END of ThE Tour haS been acQuireD For a theAtrical reLease by A24 wItH no dATEs aNnounced yeT. Fox SearChlight wiLL releASe mistrEss americA sOmeTime iN 2015. TuataRA: VoLume 31, ISsue 1, JuLy 1991

plant SUccesSiOn and SpeCies Diversity in VegetatiOn arouNd LakE PoUnui, — SouthErn

Tracy's also using Brooke  as the un knowi ngsub je ct o f ashort story sh e  hop es will get her an inv itati on into Ne w Yor k liter a ry s oci et y,  ast o ry  that  bo rrows d etails and  li ne s from the r e al  deal whil e c asting her a s a n ill- fa ted ,  agin g h eroin e, a r e mnantof a city  t h at nol onger h a s  r oomfor her. It's not ap articularly fl atteri ng po r t ray al,  but it'sal so no t  inaccu r at e , whi c h adds to the  sting. Lik e  amagazi ne  pr o file w riter ,T rac y has fit B rook e's lifeinto a narrati v e. Thestoryisthe  tic k in gtim eb omb ,  t hec onf rontatio nwa iting  toh a p p en i n B aumb ach's  briskly pace d,conc e ntr atedcomed y, w hi ch is  so pa ckedwi th clever quips  tha t it wave rsbe twe en  deli g htfuland  di stancin g. Broo k e a ir i l y  n otes that people s te a l  f rom herall th e  t im e , especi al lyheri d eas,befo r eshe seem s to g e tan ythingdo ne her se lf.  He r lif e  mig ht bea muse,for T r acy and others ,  but they act u al l y  m a ke t hin gs, while s he c o ntin uall y  f ind s  hers elf w it h  n o thing.

It can be a  t hankle ss jo b, being thesubject of s o meone el se's st o ry, even if it  mean s you gett he spotl ight.  Brooke,  unlike W a l lace, is n't  an  ar tis t he rself. Her li f e  ishe r great  pr oduct,and  it 'sa w on derful th ing, sho wn  g id di lywitho nly theoc cas io nal  shar p  satir icaledge  f ro m  Ba umbach. Bu t it's  a ls o fl eet in g and  ins u bst antial,  not some thi n g th at  c an be t raded on thewa y, say, ago odT-shir t idea mig ht. She's shown as dest i ned for  an  endthat , while n otas dar k a s  suici de, is  roma nt ici z e d ini t slik el y failure— a q ualit ythat  Tracywrites about and t h atthe film, fil ter ed t h r ou ghh er poi nt ofv i ew, seems to su pport. Mis tr e ss  America a r riv es  at hur t feeli ngs a n d event ual recon ciliation ,buti t 'sambivalent  about t he use of realp eo ple a s i nspira ti onfor f iction ofany s ort. D oit, th e fil margues,and don't worry about p ermiss ion,but  understa ndt hat  people r arel y like see ing  th emsel ves as fo dder .  B roo k e, at  lea s t, is aro u nd  to r em ind Tracy a n d the  audi enc e  thatit c an be harrowing t o  see yourselfthro u g h s ome o ne e ls e's eyes.

The  En do f  the Tou rhas been ac quired f or a the atrica l rele ase byA 2 4w ith no  dat esannounced  ye t. Fox Sea rc hl i ght wi ll r el ease M istres s  Ame r i ca sometime in 2 015.T u atara :  Vo lume31 , Issue 1, J uly 1991
Plant Succe ssionandSpeci es Dive rs ity in  Ve ge tation aro u nd Lake P ounui , — Sou th ern

Tracy's also_using Brooke_as the unknowing subject_of a_short_story she_hopes_will get her_an invitation into_New York literary society,_a story that_borrows_details and lines from the real deal while casting her as an ill-fated, aging_heroine,_a remnant_of_a_city that no longer has_room for her. It's not_a particularly_flattering portrayal, but it's also not inaccurate, which_adds_to the sting._Like a magazine profile writer, Tracy has fit Brooke's_life into a narrative. The story_is the ticking_time_bomb,_the confrontation waiting to_happen in Baumbach's briskly paced, concentrated_comedy, which is so packed with_clever quips that it wavers between delightful_and distancing. Brooke airily notes that_people steal from her all_the time,_especially her ideas, before she_seems to get_anything done_herself. Her life_might be a muse, for Tracy_and others, but_they actually make things, while she_continually_finds herself with_nothing.

It_can_be a_thankless job, being_the_subject of_someone_else's story, even if it means_you_get the spotlight. Brooke, unlike Wallace, isn't_an artist herself. Her_life_is her great product,_and it's a wonderful thing,_shown giddily with only the occasional_sharp satirical_edge from_Baumbach. But it's also fleeting and insubstantial, not something that can_be traded on the way, say,_a good T-shirt idea_might. She's_shown_as destined for_an_end that,_while not as dark as suicide, is_romanticized in_its likely failure — a quality_that Tracy writes about_and_that the film, filtered through her_point of view, seems to support._Mistress America arrives at hurt_feelings_and_eventual reconciliation, but it's ambivalent_about the use of real people_as inspiration for_fiction of any sort. Do it, the_film_argues, and don't worry about permission,_but_understand that people rarely like seeing_themselves_as_fodder. Brooke, at least, is_around to remind Tracy and the_audience that it can be harrowing to see yourself_through someone else's_eyes.

The End of the Tour_has_been_acquired for a theatrical release by A24 with no dates_announced yet._Fox Searchlight will_release Mistress America sometime in 2015. Tuatara: Volume 31, Issue_1, July 1991

Plant Succession and Species Diversity_in Vegetation around Lake Pounui, — Southern