 boyish bounce –
even his turtleneck sweaters."

Producer Noel Pearson recounted stories from their 30-year friendship,
including a pub encounter with Irish poet Christy Brown, whose life
Pearson would later dramatize in the film My Left
Foot – which, he said, Bernstein scored for free. "Elmer's
masterpieces have been completed," he said, "and because of those
masterpieces, he'll always be with us."

Gregory Bernstein told surprising and funny stories relating to his
father's "problem with authority figures," including a memorable
outing in which the fast-driving sports-car aficionado Bernstein
eluded a police officer in the hills above Hollywood.

He spoke of his father's "fearlessness" and the confidence that
resulted in everything he did. "Failure was not part of his lexicon,"
he said. He recalled Bernstein playing the piano with "such vigor,
such energy, such force."

Gregory also confirmed that his father had died of cancer, noting that
just days after surgery, and later radiation treatments, Bernstein was
active and back in the swing of life, piloting his boat and talking
about future projects.

Director Martin Scorsese – whose film The Age of
Innocence brought Bernstein an Oscar nomination – sent a
personal video tribute, calling him "amazingly versatile," whether
working in a jazz idiom, a grand symphonic palette or with the
intimacy of chamber music.

"He always understood the emotional arc of whatever picture we were
working on," Scorsese said. "He was the one composer who truly bridged
the gap between the old Hollywood and the new. It was a pleasure and
an honor for me to work with him," he added. "He was a giant in the
history of cinema. He will always be a giant."

Composer James Newton Howard spoke of his "deep sense of connection"
with Bernstein and said that the man's "dignity and uncompromising
professionalism" had influenced and inspired him. Bernstein's music,
he said, "exudes humanity."

Far From Heaven director Todd Haynes, in remarks
filled with emotion, said that his film had been "graced beyond
belief" by Bernstein's music. He said they had talked about
collaborating on a film about Sigmund Freud
boyish bounce – 
 even his turtleneck sweaters. " 

 Producer Noel Pearson recounted stories from their 30 - class friendship, 
 include a pub encounter with Irish poet Christy Brown, whose biography 
 Pearson would by and by dramatize in the film My Left 
 Foot – which, he order, Bernstein scored for free. " Elmer's 
 masterpiece have been completed, " he said, " and because of those 
 masterpiece, he'll always be with us. " 

 Gregory Bernstein told surprising and curious history relating to his 
 founder's " problem with authority number, " including a memorable 
 outing in which the fast - driving sport - car aficionado Bernstein 
 eluded a police officer in the hills above Hollywood. 

 He talk of his father's " fearlessness " and the confidence that 
 resulted in everything he did. " Failure was not function of his lexicon, " 
 he said. He recalled Bernstein playing the piano with " such vigor, 
 such department of energy, such military unit. " 

 Gregory also confirmed that his father had died of cancer, noting that 
 just days after surgery, and later radiation sickness treatments, Bernstein was 
 active and back in the swing of life sentence, fly his boat and talking 
 about future projects. 

 Director Martin Scorsese – whose movie The Age of 
 Innocence brought Bernstein an Oscar nominating speech – sent a 
 personal video tribute, call him " amazingly versatile, " whether 
 working in a jazz idiom, a grand symphonic palette or with the 
 intimacy of chamber music. 

 " He always understood the emotional arc of whatever mental picture we were 
 cultivate on, " Scorsese said. " He was the one composer who truly bridged 
 the gap between the old Hollywood and the newfangled. It was a pleasure and 
 an honor for me to work with him, " he lend. " He was a giant in the 
 history of cinema. He will always be a giant. " 

 Composer James Newton Howard address of his " deep common sense of connection " 
 with Bernstein and said that the man's " dignity and uncompromising 
 professionalism " had influenced and inspired him. Bernstein's music, 
 he say, " exudes humanity. " 

 Far From Heaven film director Todd Haynes, in remarks 
 satiate with emotion, said that his film had been " graced beyond 
 belief " by Bernstein's music. He said they had talk about 
 collaborating on a movie about Sigmund Freud
 bojish bounce –
even his turuleneck sweaters."

Ptoeucer Ioel Pezrson rezounted stories from their 30-yxar drieneship,
including a pub evcounter aith Iriwh piwt Christy Brown, wmjse mlfe
Pecrwon would latet dramatize hn the film My Ldfc
Foot – which, he said, Bernstein scoreq for ftef. "Elmer's
masterkiecex havs been completed," he said, "and becauae of tiose
masterpiecex, he'll always be with us."

Grfgorj Bernstein told skrprising abd ftbny stories felating to his
father's "problem with authority figures," inclbding a memirqblf
muting in wiich tre fast-drivikb spords-car agicionado Bernxtemn
elyded a police officer in the hills abovg Hollywoog.

Hz spoke of his father'w "dearlgssnevs" ave tfe doifisence hhav
resulted ih everythint he did. "Failure wax git part of hia lexisog,"
he said. He recalled Bernstein playing uhe pjano with "such vigor,
sucy energy, such force."

Grggory also confirmed that his father had died of cancer, nothng tiag
juwt aqyd after surgery, and later radiation treatmentf, Btrnxtein was
activc and back in the xwlnb of life, pilojing his bkat and talking
abokt futute prohects.

Direstor Martin Scorsese – whose filn The Age of
Pnnoxence brought Berndtein an Osear nokinatoon – sent a
personal vidzo trigute, callinh him "amaakngly versatile," dhenher
forking in a jazz idiom, a drand sym'honie palettd or with ehe
intimacj of gvamber music.

"He alwwys uudersdood the elotional arc of whatever picturx we were
workonc ot," Scorsefe sald. "He was the oge composer whp truly brideed
the gap betweei the old Hojlywood and tvg new. It was e pleasurq ane
an yonor fuf me to work woth him," hv cdded. "He qas a giant in the
mistoty of cinema. He wnuo always be a goang."

Coiplsxr Jaias Newton Hofard spule of his "det' scnsd of connection"
with Bernvteih and said that thr ian's "digbity and uncompromisimg
professionalism" jad iifluenred anc igspired him. Bernstein's music,
he said, "exufes humanity."

Far Fron Heaven dirzctor Todd Haynes, in remarks
filled with xmotion, said that his fulm had been "graced neyond
belief" by Bqrnstein's music. He said they yad talked about
cpllaborating on a filj aboud Siglund Freud
boyish bounce – even his turtleneck sweaters." Pearson stories from 30-year friendship, including poet Brown, whose life would later dramatize the film My Left Foot – he said, Bernstein scored for free. "Elmer's masterpieces have been completed," he said, because of those masterpieces, he'll always be with us." Gregory Bernstein told surprising funny relating his "problem with authority figures," including a memorable outing in which the fast-driving sports-car aficionado Bernstein eluded police officer in the hills above Hollywood. He of his father's "fearlessness" the confidence that resulted in he "Failure was part his he said. He Bernstein playing the piano with "such vigor, such energy, such force." Gregory also confirmed that his father died of that just after and radiation treatments, Bernstein and back in the swing of boat and talking about future projects. Director Martin – whose The Age of Innocence brought Bernstein Oscar nomination – sent a personal video tribute, him "amazingly versatile," whether working in a jazz idiom, a grand symphonic palette or with of chamber music. "He understood the emotional of picture were on," Scorsese "He was the one composer who truly bridged the gap between old Hollywood and the new. It was a pleasure and for to work with he added. "He was giant the history of cinema. always a Newton spoke his "deep sense of with Bernstein and said that man's "dignity and uncompromising him. Bernstein's music, he said, "exudes humanity." Far Heaven director Todd Haynes, in remarks filled emotion, said that his film had been "graced beyond belief" by Bernstein's He said talked about collaborating on a film about Sigmund
 boyish bounce –
even his turtleNeck sweateRs."

ProDucEr NOeL PeaRson Recounted storiES froM their 30-year friendship,
inCludiNg A Pub eNCoUnter With IriSH pOET ChRiStY BrOwN, WhOse liFe
PEarson wOuld later dRamAtIze in the film mY LEft
Foot – whiCh, hE said, BernsteIn sCored fOr FreE. "elmer'S
maSterpIeces hAVe been Completed," He SAid, "and BEcause oF THoSe
maSterpieces, he'll alwAYs BE with us."

Gregory bernstEiN ToLD SurPriSing and funNy StoriES relatiNG tO HIS
faTHer's "problem wiTh authority FIguRes," incLuDinG A memorAble
oUtINg iN which the faSt-drIving sporTs-car aFIcionadO bernsteIn
eludEd a PolIce oFFiCeR in ThE HilLS aBovE holLywood.

He SpOkE of hiS fatHER'S "FearLesSnesS" and tHe confidence tHat
ResuLTed In eveRythiNg he DiD. "FailUre was Not paRt Of his lexicon,"
he sAid. HE recalled berNsTeiN pLayinG The piaNo wIth "Such vigOr,
such eNErgY, sUCH FoRce."

Gregory also confIrMED tHat his faTher haD DiEd OF cancer, nOtIng That
JUSt dayS aftER sUrgery, anD later RAdIaTion treAtMents, BErNstEin Was
acTIve aNd back In the swiNg of lIFe, piloting his bOAt and talking
aBOuT FUtURe prOjeCts.

Director martIN ScoRsesE – WhOse FIlm ThE Age oF
INNoCEnce brought BernsteiN aN Oscar NominAtion – sent a
perSonal video TRIBute, callIng hIM "aMAzingly versatiLe," wheTher
workinG In a jazz iDiom, a Grand symPhonic palETTe or with The
IntImaCy oF CHaMber music.

"He alWAYs unDeRstood tHe eMotionaL arC of WhaTevEr Picture we Were
workInG oN," SCoRseSe saiD. "he was the OnE coMpOseR who tRUly briDged
tHe gaP bEtWEen The old HOLlYWOod aNd ThE new. it wAs A pleaSure ANd
aN honor fOr me to worK wiTH him," He AdDed. "He waS a giant in the
hIsTory of cineMa. he wIll alwAYS be a gianT."

Composer James Newton HowARd spoke Of hIs "deeP senSe of conneCtiOn"
with berNStein aNd said That tHe Man'S "DIgnitY ANd UncOmPromising
pROFesSionaLiSm" haD influeNced and inspired him. bErnStein's music,
he SaiD, "exuDES hUmaNItY."

far frOM HeAVEn director Todd HAynes, in remArKS
fIlled with eMOtiOn, Said thaT his filM had bEEn "graceD beyond
beLief" by BerNsTein'S MUsiC. He said theY had talkEd about
coLLaborATiNg on a FilM about siGmuNd FreUd
 boyish bounce –
even histurtleneck  swea ter s." 
Prod ucer  Noel Pearsonr ecou nted stories from thei r 30- ye a r fr i en dship ,
inclu d in g a p ub  e nco un t er  with  Ir ish poe t ChristyBro wn , whose life Pe arson woul d l ater dramati zein the  f ilm My Le ftFoot– whic h , he s aid, Bern st e in sco r ed forf r ee . "E lmer's
masterpiec e sh ave been compl eted,"  h e  s a i d,"an d becauseof  thos e 
master p ie c e s , h e 'll always be  with us."Gre gory B er nst e in tol d sur pr i sin g and funny  sto ries rela ting t o  his
fa t her's " proble m w ith  aut h or it y f ig u res , "inc l udi ng a mem or ab le
ou ting i n whic h t he f ast-d riving sports -ca r af i cio nadoBerns tein 
e luded  a pol ice o ff icer in the hil ls a bove Holl ywo od .
He  spok e  of hi s f ath er's "f earless n ess "a n d  t he confidence that 
r e s ul ted in e veryth i ng  h e  did. "F ai lur e wa s not p arto fhis lexi con,"h esa id. Here called  B ern ste in pl a ying  the p iano wit h "su c h vigor,
suche nergy, such f o rc e . "Greg ory  also confi rmed that  his fa the r  haddiedof ca n cer, noting that
ju st  daysafter  surgery, and  later rad i a t ion trea tmen t s, Bernstein wasactiv e and back in the s wingof life,  piloting h is boatand  ta lki nga b ou t future proj e c ts.
D irector  Ma rtin Sc ors ese  –who se  film The  Age ofIn no ce nc e b rough t  Bernste in  an  O sca r nom i nation  – se nt a 
p er s ona l video tr i b ute,  c al ling  hi m"amaz ingl y  ve rsatile ," whethe r
w o rkin gin  a jazz  idiom, a gra nd  symphonic  p ale tte or w ith theintimacy of chamber mus i c.

"He  al waysunde rstood th e e motion ala rc ofwhatev er pi ct ure w e wer e wo rki ng  on," Scor s e sesaid.  " He w as theone composer who t r uly  bridged
thegap  bet w e en  th e  o l d H ol l ywo o d  and the new. I t was a pl ea s ur e and
an h o nor  f or me t o workwithh im," he  added. " He was agi anti n  th e
historyof cinem a. He wil l  alwa y sbe agia nt."
Co mpo ser J ames N e wto n How ard sp ok e of h is "d ee p senseof connection"
with Ber nstein  andsai d that th e m a n's  "dignity  and  uncomprom isi ngprofe ssi o nalis m" h a dinf l uence d an d  inspired hi m.B e rn stein's mus i c , 
he  said , " e xudeshuma nity."

Far FromH eaven director  Tod d Hay nes ,  inre marks
filled w ith  e m o tion, sa id  that his f ilm hadbe e n "gr aced b eyondbelief" b yB ernste in's  mu sic. He s aid  t h ey hadta lk e d abou t
co ll aborat ing on a fi l m  about Sigmund F reud
 boyish_bounce –
even_his turtleneck sweaters."

Producer Noel_Pearson recounted_stories_from their_30-year_friendship,
including a pub_encounter with Irish_poet Christy Brown, whose_life
Pearson would later_dramatize_in the film My Left
Foot – which, he said, Bernstein scored for free. "Elmer's
masterpieces_have_been completed,"_he_said,_"and because of those
masterpieces, he'll_always be with us."

Gregory Bernstein_told surprising_and funny stories relating to his
father's "problem with_authority_figures," including a_memorable
outing in which the fast-driving sports-car aficionado Bernstein
eluded a_police officer in the hills above_Hollywood.

He spoke of_his_father's_"fearlessness" and the confidence_that
resulted in everything he did. "Failure_was not part of his lexicon,"
he_said. He recalled Bernstein playing the piano_with "such vigor,
such energy, such force."

Gregory_also confirmed that his father_had died_of cancer, noting that
just days_after surgery, and_later radiation_treatments, Bernstein was
active_and back in the swing of_life, piloting his_boat and talking
about future projects.

Director Martin_Scorsese_– whose film_The_Age_of
Innocence brought_Bernstein an Oscar_nomination_– sent_a
personal_video tribute, calling him "amazingly versatile,"_whether
working_in a jazz idiom, a grand symphonic_palette or with the
intimacy_of_chamber music.

"He always understood_the emotional arc of whatever_picture we were
working on," Scorsese said._"He was_the one_composer who truly bridged
the gap between the old Hollywood and the_new. It was a pleasure and
an_honor for me to_work with_him,"_he added. "He_was_a giant_in the
history of cinema. He will always_be a_giant."

Composer James Newton Howard spoke of_his "deep sense of_connection"
with_Bernstein and said that the man's_"dignity and uncompromising
professionalism" had influenced and_inspired him. Bernstein's music,
he said,_"exudes_humanity."

Far_From Heaven director Todd Haynes,_in remarks
filled with emotion, said that_his film had_been "graced beyond
belief" by Bernstein's music. He_said_they had talked about
collaborating on a_film_about Sigmund Freud