

I have so many questions: why is the fridge there? Why didn’t they put it in the kitchen? Why do two girls who are never seen eating, let alone cooking, need all that refrigerated space? The mind boggles, and the fridge/freezer dominates every scene it’s in. It’s surely the show’s most talked about character.

Walking and holding a hand bag in the crook of your arm at the same time took a lot of concentration, but Louise knew it’d be worth it in the end.

2. “Act” “natural”

Overly-groomed American twenty-somethings have an innate ability to act natural despite being surrounded by a camera crew and producers, and there being a guy holding a large furry microphone over their heads. And we Irish are good at a great many things, but we are no good whatsoever at that.

Fade Street is a bit like The Hills: The Pantomime. Being angry is conveyed by deeply furrowing your brow; contemplating something is conveyed by deeply furrowing your brow and looking upwards; being annoyed by someone or something is conveyed by deeply furrowing your brow, looking upwards and frowning. (For maximum dramatic effect scroll through your iPhone at the same time, or look down so we can admire your dark brown eyeshadow.) All speech is over-pronounced and stilted, but I guess it’s hard to sound natural when you’ve already rehearsed it so many times, isn’t it?

In one of my favorite Fade Street scenes in the three episodes I’ve watched so far, the One Who Isn’t From Dublin walks into the kitchen of her family home and informs her mother and sister that she’s moving to the bright lights of the big city. Mother and Sister are sitting side by side at the island with cups of tea in front of them (which is of course the way you sit when you’re talking to someone – right next to them, facing the same way) and mother is wearing a sparkly top, too much fake tan and a full face of make-up (as you do, for afternoon tea drinking). Her objections to her daughter’s decision make Keanu Reeves look like Robert DiNiro.

Bonus: people in the background wearing tracksuits and carrying Tescos bag, waving shamelessly at the camera. BRILLIANT
I have so many questions: why is the fridge there? Why did n’t they place it in the kitchen? Why do two daughter who are never seen eating, let entirely cooking, need all that refrigerated space? The judgment boggles, and the fridge / deep-freeze dominate every scene it ’s in. It ’s surely the appearance ’s most talked about quality. 

 walk and holding a hand bag in the crook of your arm at the like time took a lot of assiduity, but Louise knew it ’d be worth it in the end. 

 2. “ Act ” “ natural ” 

 Overly - prepare American twenty - somethings have an innate ability to act natural despite being surrounded by a television camera crew and producers, and there being a guy holding a large furry microphone over their heads. And we Irish are effective at a great many things, but we are no good whatsoever at that. 

 Fade Street is a bit like The Hills: The Pantomime. Being angry is conveyed by deeply furrowing your brow; contemplating something is convey by deeply furrowing your hilltop and look upwards; being annoyed by someone or something is conveyed by profoundly furrowing your eyebrow, looking upwards and frown. (For maximum dramatic effect scroll through your iPhone at the same time, or look down so we can admire your dark brown eyeshadow .) All speech is over - pronounced and stilted, but I guess it ’s hard to sound lifelike when you ’ve already rehearsed it indeed many time, is n’t it? 

 In one of my favorite Fade Street scenes in the three episodes I ’ve determine so far, the One Who Is n’t From Dublin walks into the kitchen of her family base and informs her mother and sister that she ’s moving to the bright light of the big city. Mother and Sister are sit slope by side at the island with cup of tea in front of them (which is of path the way you ride when you ’re talking to someone – right next to them, face the same way) and mother is wearing a sparkly top, too much fake tan and a full face of brand - up (as you do, for afternoon tea drink). Her objections to her daughter ’s decision make Keanu Reeves look like Robert DiNiro. 

 Bonus: people in the background wearing tracksuits and carry Tescos bag, waving shamelessly at the camera. BRILLIANT


I hwve so many questions: whn is the fridge jhwre? Whb didn’t they pug it in the kitchen? Why do txo gurls qho are never seen eatkng, let apone coojing, beed all tizt refrlyeratsf spccx? The mind boggkes, and tha fridge/freezes aolinates every scene it’s in. It’s surejy the xhlw’s most talkeq abptt cgaracter.

Walking and holding a hand bag in the crook of your arm at the same time toon a lot of concentgation, but Oouifw knew it’d bd worth it in the end.

2. “Zct” “natural”

Overly-groomed Americxn twznty-somethibgw hwee an innatx abilpty to act nablral devpite bring surroundec bb a xamera crew and produrers, and there being a guy hondnng a large furry miceophone oves thdur feass. Ahd we Lriah are goos at a grear many things, but wt awv no good whafsoevew wt that.

Fade Street is a bit like The Hinls: The Pantomime. Being antry is conveyed by degply furroring your brow; contemplating something is conveyeg by vedplv furruqijg your brow and looking upwards; being annoyeq bu xomeone or somcthing is conveyed bj cgeply furrowine your brkw, looking upwards and frjwnint. (For maxymum dramatic effect scroll thriugh your iPkonw at the same time, or look docn so ee cam admire your dark browu eyesgadow.) All soeech is kxer-pronounced ana sniltad, but I guess it’s hard to sound navural when yuu’ve alreaqy rehearsfd it so many times, isn’t it?

In ote of my fwvorite Fade Street scenes in tix three episocev I’ne watcheb so fsr, the One Whj Isn’t From Duylin walhs ingo the kitbhen of hxr family hoie and informv her mother end sistew thqt sye’s movkvg to the brignt lights of the bit city. Mother and Xisjed are sitting snbe by side at the isuanq aivh cu[v of tea in xrong ow them (which is on cuursr the way you sit whan yku’re talking to sokejne – rigyt next eo them, facinb the same way) and mothxr is xearinb a sparkly top, too much fake tan and a fupl nace of make-u[ (as you do, for cfternoon tea drinking). Her objections to her daughter’s decusion make Keanu Regvex look like Robewt DiNiro.

Tonus: people in the vackground wearinn tracksuits and carryjng Tevcos hag, waving shamelessly at the camera. BRILLIANT
I have so many questions: why is there? didn’t they it in the who never seen eating, alone cooking, need that refrigerated space? The mind boggles, the fridge/freezer dominates every scene it’s in. It’s surely the show’s most talked character. Walking and holding a hand bag in the crook of your arm the time a of concentration, but Louise knew it’d be worth it in the end. 2. “Act” “natural” Overly-groomed twenty-somethings have an innate ability to act natural being surrounded by a crew and producers, and there a holding a furry over heads. And we are good at a great many things, but we are no good whatsoever at that. Fade Street a bit Hills: The Being is by deeply furrowing contemplating something is conveyed by deeply and looking upwards; being annoyed by someone or is conveyed deeply furrowing your brow, looking upwards frowning. (For maximum dramatic effect scroll through your at the same time, or look down so we can admire your dark brown eyeshadow.) is over-pronounced and stilted, I guess it’s to natural you’ve rehearsed it many times, isn’t it? In one of my favorite Fade Street in the three episodes I’ve watched so far, the One From walks into the of her family home informs mother and sister that to bright big Mother Sister are sitting side side at the island with of tea in front course the way you sit when you’re talking someone – right next to them, facing same way) and mother is wearing a sparkly top, too much fake and a of make-up (as you do, for afternoon tea Her objections to her decision make Keanu Reeves look like Robert DiNiro. Bonus: in background wearing and carrying Tescos waving shamelessly at camera. BRILLIANT


I have so many questions: why is The fridge tHere? WHy dIdn’T tHey pUt it In the kitchen? WhY Do twO girls who are never seen eAting, LeT AlonE CoOking, Need all THaT REfrIgErAteD sPAcE? The mInd Boggles, And the fridGe/fReEzer dominateS EvEry scene it’S in. it’s surely the ShoW’s most TaLkeD About ChaRacteR.

WalkiNG and hoLding a hanD bAG in the CRook of yOUR aRm at The same time took a lOT oF Concentration, bUt LouiSe KNeW IT’d bE woRth it in the EnD.

2. “Act” “nATural”

OvERlY-GROomED American twenTy-somethingS HavE an innAtE abILity to Act naTuRAl dEspite being SurrOunded by a Camera CRew and pROducers, And theRe bEinG a guY HoLdIng A lARge FUrRy mICroPhone oveR tHeIr heaDs. AnD WE iRish Are Good At a grEat many things, But We arE No gOod whAtsoeVer aT tHat.

FaDe StreEt is a BiT like The Hills: ThE PanTomime. BeiNg aNgRy iS cOnveyED by deePly FurRowing yOur brow; COntEmPLATiNg something is conveYeD BY dEeply furRowing YOuR bROw and looKiNg uPwarDS; Being AnnoYEd By someonE or somEThInG is convEyEd by deEpLy fUrrOwing YOur bRow, looKing upwaRds anD Frowning. (For maxIMum dramatic efFEcT SCrOLl thRouGh your iPhonE at tHE samE timE, Or LooK Down sO we caN aDMiRE your dark brown eyeshAdOw.) All sPeech Is over-pronounCed and stilTED, But I guesS it’s HArD To sound natural When yOu’ve alreadY RehearseD it so Many timeS, isn’t it?

In ONE of my favOriTe FAde strEET sCenes in the thrEE EpisOdEs I’ve waTchEd so far, The one who isn’T FRom Dublin Walks intO tHe KiTcHen Of her FAmily homE aNd iNfOrmS her mOTher anD sistEr thAt ShE’S moVing to tHE bRIGht lIgHtS of tHe bIg City. MOtheR And sister aRe sitting SidE By siDe At The islaNd with cups of tEa In front of tHeM (whIch is oF COurse the Way you sit when you’re talkiNG to someOne – Right Next To them, facIng The samE waY) And motHer is wEarinG a SpaRKLy top, TOO mUch FaKe tan and a fULL faCe of mAkE-up (aS you do, fOr afternoon tea drinKIng). her objections To hEr daUGHtEr’s DEcISioN mAKe KEANu Reeves look likE Robert DiNIrO.

boNus: people iN The BaCkgrounD wearinG tracKSuits anD carrying tescos bag, WaVing SHAmeLessly at thE camera. BrILLIANT


I have so many questions : why is t he fr idg e t he re?Whydidn’t they pu t  itin the kitchen? Why do  twogi r ls w h oare n ever se e ne a tin g,  l etal o ne  cook ing , needall that r efr ig erated space ?  T he mind bo ggl es, and thefri dge/fr ee zer domin ate s eve ry sce n e it’s  in. It’s  s u rely t h e show’ s mo st t alked about chara c te r .

Walking and  holdi ng ah a ndbag  in the cr oo k ofy our arm at t h e s a me time tooka lot of co n cen tratio n,  bu t  Louis e kne wi t’d  be worth i t in  the end. 

2. “ A ct” “na t ural”
Overly -gr oom ed A m er ic antw e nty - so met h ing s have a nin nateabil i t y to a ctnatu ral d espite beingsur roun d edby acamer a cr ew  andproduc ers,an d there being a  guy  holdinga l ar gefu rry m i cropho neove r their  heads. And  w e I ri sh are good at a g re a t  m any thin gs, bu t  w ea re no go od  wh atso e v er at  tha t .
Fade St reet i s  a  b it like  T he Hil ls : T hePanto m ime.  Being  angry i s con v eyed by deeply furrowing you r  b r o w; cont emp lating some thin g  isconv e ye d b y  deep ly fu rr o wi n g your brow and loo ki ng upw ards;  being annoye d by someo n e or somet hing is conveyed by de eplyfurrowingy our brow , loo king upw ards andf r owning.(Fo r m axi mum d ra matic effects c roll  t hroughyou r iPhon e a t t hesam etime, orlook dow nso  w ecan  admi r e your d ar k b ro wneyesh a dow.)All s peec his ove r-prono u nc e d  and  s ti lted , b ut  I gu essi t’s  hard t o sound n atu r al w he nyou’vealready rehea rs ed it so m an y t imes,i s n’t it?
In one of my favoriteF ade Str eet  scen es i n the thr eeepisod esI ’ve wa tchedso fa r,  th e One W h o  I sn’ tFrom Dubli n wal ks in to  the  kitche n of her family ho m e a nd informs he r m othe r an d s i st e r t ha t  sh e ’ s moving to the  bright li gh t sof the big cit y.  Mother  and Si stera re sitt ing sideby side a tthei s lan d with cup s of tea  in front of th e m(whic h i s of c ou rse  theway yo u  si t whe n you’ re  talki ng to  s omeone –  right next to them, fa cing t he sa meway) andmot h eris wearin g asparkly to p,too  much  fa k e tan  and aful l  face  ofm ake-up (a s  y oud o ,for afterno o n tea  drin kin g ). Her  obj ections to her da u ghter’s decisi on m a k e K ean u  Ree ve s look like Ro ber tD i Niro.

B on us: peoplein the b ac k groun d wear ing tr acksuit s an d  carry ingTes cos bag,wav in g  shamel es sl y  at th e ca me ra. BR ILLIAN T 


I have_so many_questions: why is the_fridge there?_Why_didn’t they_put_it in the_kitchen? Why do_two girls who are_never seen eating,_let_alone cooking, need all that refrigerated space? The mind boggles, and the fridge/freezer dominates_every_scene it’s_in._It’s_surely the show’s most talked_about character.

Walking and holding a_hand bag_in the crook of your arm at the_same_time took a_lot of concentration, but Louise knew it’d be worth_it in the end.

2. “Act” “natural”

Overly-groomed_American twenty-somethings have_an_innate_ability to act natural_despite being surrounded by a camera_crew and producers, and there being_a guy holding a large furry microphone_over their heads. And we Irish_are good at a great_many things,_but we are no good_whatsoever at that.

Fade_Street is_a bit like_The Hills: The Pantomime. Being angry_is conveyed by_deeply furrowing your brow; contemplating something_is_conveyed by deeply_furrowing_your_brow and_looking upwards; being_annoyed_by someone_or_something is conveyed by deeply furrowing_your_brow, looking upwards and frowning. (For maximum_dramatic effect scroll through_your_iPhone at the same_time, or look down so_we can admire your dark brown_eyeshadow.) All_speech is_over-pronounced and stilted, but I guess it’s hard to sound natural_when you’ve already rehearsed it so_many times, isn’t it?

In_one of_my_favorite Fade Street_scenes_in the_three episodes I’ve watched so far, the_One Who_Isn’t From Dublin walks into the_kitchen of her family_home_and informs her mother and sister_that she’s moving to the bright_lights of the big city._Mother_and_Sister are sitting side by_side at the island with cups_of tea in_front of them (which is of course_the_way you sit when you’re talking_to_someone – right next to them,_facing_the_same way) and mother is_wearing a sparkly top, too much_fake tan and a full face of make-up (as_you do, for_afternoon tea drinking). Her objections_to_her_daughter’s decision make Keanu Reeves look like Robert DiNiro.

Bonus: people_in the_background wearing tracksuits_and carrying Tescos bag, waving shamelessly at the camera. BRILLIANT