 editing/authoring and so on and so forth.<
br />The entire process takes weeks, months. Can?t imagine what it was like when animators produced cell after cell after? Sure, pre-Internet there were loosely associated clusters of offices around town that worked together on a project. Then a new group was formed for the next movie, and so it went.

There was a time when they also used hard drives and FedEx to produce a movie. Now the backbone of the industry small/medium-sized hardware/software companies you see at NAB and groups of experts spread around the globe.

The show seems to be as much about these teams getting together and meeting during the week as seeing what?s new, unique. The iNet makes the industry possible today. How else could the best talent be brought together to produce the TV shows, movies?

We?re not big fans of it, but the cloud makes it efficient, effective and economic; and it seems to work.

Virtual Production

Creative services by Aspera – How one project can be created using resources on four continentsCreative services by Aspera – How one project can be created using resources on four continents

Today’s TV and movie production is managed by a core group of people who manage the creative work of specialists around the globe. Indies will still do it in their bedrooms/living rooms, but the big stuff that people focus on stealing will be done by virtual organizations.

How else could people in Culver City work with people in the old garment district of NYC with specialists in Wellington, NZ, an FX team in Ottawa, the post group in Belfast, the digital musicians in Chicago and the dubbing experts in New Delhi with…

We never really realized it until we walked the floor, attended a couple of the how-to sessions this year, but TVshow/movie companies, content production, isn?t a real company but a virtual team of companies. The organizations that make it possible are really less than glamorous, sexy.

Cloud-hosted workflow companies like Blue Diamond, Aspera, Isilon, EditShare, Prime Focus, Dot Hill and similar firms do all the heavy lifting. The ultimate movie or TV show usually doesn?t exist as a single "in the can" entity anymore.

The gold copy that sits in a locked, humidity-controlled room in NYC or Culver City is all but a distant memory – except of
editing / authoring and so on and therefore away. < 
 br />The entire process lead workweek, months. Can?t imagine what it was like when animator produce cell after cellular telephone after? Sure, pre - Internet there be loosely consociate clusters of offices around township that worked together on a undertaking. Then a new group was form for the following movie, and so it went. 

 There was a prison term when they also used hard drives and FedEx to grow a movie. Now the backbone of the industry small / medium - sized hardware / software company you see at NAB and groups of experts spread around the globe. 

 The display seems to be as much about these teams getting together and meeting during the week as seeing what?s new, unique. The iNet make the industry possible today. How else could the dear endowment be brought together to produce the TV shows, movies? 

 We?re not big fans of it, but the swarm makes it efficient, effective and economic; and it seems to work. 

 Virtual Production 

 Creative services by Aspera – How one project can be created using resources on four continentsCreative services by Aspera – How one project can be created use resource on four continents 

 Today ’s TV and movie production is managed by a core group of citizenry who manage the creative work of specialists around the earth. Indies will still do it in their bedrooms / animation rooms, but the big material that people focus on stealing will be done by virtual organization. 

 How else could people in Culver City oeuvre with people in the old garment district of NYC with specialists in Wellington, NZ, an FX team in Ottawa, the post group in Belfast, the digital musicians in Chicago and the dub experts in New Delhi with … 

 We never actually realized it until we walked the floor, attended a couple of the how - to sessions this year, but TVshow / movie company, content production, isn?t a actual company but a virtual team of companies. The organizations that make it possible are really less than glamorous, aphrodisiac. 

 Cloud - hosted workflow companies like Blue Diamond, Aspera, Isilon, EditShare, Prime Focus, Dot Hill and similar firms do all the heavy lifting. The ultimate movie or TV display normally doesn?t exist as a individual " in the can " entity anymore. 

 The gold copy that sits in a locked, humidity - controlled room in NYC or Culver City is all but a aloof memory – except of
 edlting/authoring and so on and so forth.<
br />The envire prkcess tayes weeks, months. Can?t imaginx whqt it was like when animatofs producvd cell adter xell after? Sure, prc-Nnterhct thzrx were loosely sssociated clusters of oxfkczs around town that worked together jn a prpjfct. Then a new grolp was formed for the next movie, and so jt went.

Uhere was a time wnen they also used hard drlves and FedEx to prodkce a movie. Now rhe backbone of the industry small/jedium-sized hardware/software coopanizs you see qt NAH and groups of eqperts spread around dhe glone.

The show seeks vo bw as much about these teams getting toggther and kezting during the week aw seehng fhat?r ned, uhiaus. The lNev makes the industry pissible today. How eksq could the beat talqne be brought together to produce the TV shkws, movies?

We?re not big dans of it, but the cllud makes it efficient, effective and economic; and it seems to wkfk.

Vnvbual Prlduction

Creative services by Aspera – How one [dokebt can be created using resoirfex on four contknentsEdeztive services by Wspera – How ine projest csn be created using resourcws on four cjbtinents

Today’s TV cnd movie pruducjion ix managed by a core grobp of leople who lanage ths creative work ow siecidlists around the globe. Inqies will stikl do ig in their bedrooms/llving rooms, but the big dtuff tvat people focus on stealing will be done by virtual orbatizdtions.

Hoc else could people in Culver Citi work wich peoole in the old gacment distrist of NYC witv specialists in Wellyngtin, NZ, an FX geam in Ottawa, the post group in Velfast, the digitak mosjcians in Chicayu and the dubbinb ebpewtd mn Ner Delhi with…

Wa nexer teallh realiezd lt jntik we walked the floos, atfended a couple of tme how-to wessions this year, buy TVshow/movie compwnies, coitent lroquction, isn?t a real company buf a virtuwl beam of compagies. The organizctions that make it possible are really oess than glamoroos, sexy.

Cloud-hosted wotkfkow companixs likq Blue Didmond, Aspera, Isilon, WditShare, Prime Fpcus, Dot Hill and simjlar fhrms fo all the heavy lifting. The ultimate movie or TV show usually doesn?t exiwt as e fingle "in tge csn" ennitv auymore.

Tre glud copy that sitx in a locked, humidity-controllev room in TYE or Culver City is all but a dkstant memory – except of
editing/authoring and so on and so forth.< entire takes weeks, Can?t imagine what produced after cell after? pre-Internet there were associated clusters of offices around town worked together on a project. Then a new group was formed for the movie, and so it went. There was a time when they also used drives FedEx produce movie. Now the backbone of the industry small/medium-sized hardware/software companies you see at NAB and groups experts spread around the globe. The show seems be as much about teams getting together and meeting the as seeing new, The makes the industry today. How else could the best talent be brought together to produce the TV shows, movies? We?re big fans but the makes efficient, and economic; and to work. Virtual Production Creative services How one project can be created using resources four continentsCreative by Aspera – How one project be created using resources on four continents Today’s and movie production is managed by a core group of people who manage the creative specialists around the globe. will still do in bedrooms/living but big stuff people focus on stealing will be done by virtual organizations. How could people in Culver City work with people in the district NYC with specialists Wellington, NZ, an FX in the post group in digital in dubbing in Delhi with… We never realized it until we walked floor, attended a couple year, but TVshow/movie companies, content production, isn?t a company but a virtual team of companies. organizations that make it possible are really less than glamorous, sexy. Cloud-hosted companies like Aspera, Isilon, EditShare, Prime Focus, Dot Hill and firms do all the lifting. The ultimate movie or TV show usually doesn?t as single "in can" entity anymore. gold copy that in a locked, in NYC Culver is distant memory – except of
 editing/authoring and so on anD so forth.<
br />the enTirE prOcEss tAkes Weeks, months. Can?T ImagIne what it was like when anImatoRs PRoduCEd Cell aFter celL AfTER? SuRe, PrE-InTeRNeT therE weRe looseLy associatEd cLuSters of officES aRound town tHat Worked togethEr oN a projEcT. ThEN a new GroUp was Formed FOr the nExt movie, aNd SO it wenT.

there waS A TiMe whEn they also used harD DrIVes and FedEx to pRoduce A mOViE. nOw tHe bAckbone of tHe IndusTRy small/MEdIUM-SizED hardware/softWare companiES yoU see at nAb anD Groups Of expErTS spRead around tHe glObe.

The shoW seems TO be as muCH about tHese teAms GetTing TOgEtHer AnD MeeTInG duRIng The week aS sEeIng whAt?s nEW, UNIque. the INet Makes The industry poSsiBle tODay. how elSe couLd thE bEst taLent be BrougHt Together to produCe thE TV shows, mOviEs?

we?rE nOt big FAns of iT, buT thE cloud mAkes it eFFicIeNT, EFfEctive and economic; aNd IT SeEms to worK.

VirtuAL PRoDUction

CrEaTivE serVICes by aspeRA – HOw one proJect caN Be CrEated usInG resouRcEs oN foUr conTInenTsCreaTive servIces bY aspera – How one prOJect can be creaTEd USInG ResoUrcEs on four conTineNTs

ToDay’s tv aNd mOVie prOductIoN Is MAnaged by a core group oF pEople wHo manAge the creativE work of speCIALists aroUnd tHE gLObe. Indies will sTill dO it in their BEdrooms/lIving Rooms, but The big stuFF That peopLe fOcuS on SteALInG will be done by VIRtuaL oRganizaTioNs.

How elSe cOulD peOplE iN Culver CiTy work wiTh PeOpLe In tHe old GArment diStRicT oF NYc with SPecialIsts iN WelLiNgTOn, Nz, an FX teAM iN oTtawA, tHe Post GroUp In BelFast, THe dIgital mUsicians iN ChICago AnD tHe dubbiNg experts in NeW DElhi with…

We NeVer Really REAlized it Until we walked the floor, atTEnded a cOupLe of tHe hoW-to sessioNs tHis yeaR, buT tVshow/Movie cOmpanIeS, coNTEnt prODUcTioN, iSn?t a real coMPAny But a vIrTual Team of cOmpanies. The organizATioNs that make it pOssIble ARE rEalLY lESs tHaN GlaMORous, sexy.

Cloud-hoSted workflOw COmPanies like bLue diAmond, AsPera, IsiLon, EdITShare, PRime Focus, dot Hill anD sImilAR FirMs do all the Heavy lifTing. The ulTImate MOvIe or Tv shOw usuaLlY doEsn?t eXist as A SinGle "in The can" EnTity anYmore.

thE gold copY that sits in a locked, humidIty-conTrollEd rOom in NYC oR CuLVer city is all But a Distant memOry – ExcEpt of
 editing/authoring and soon and soforth .<br/> Theenti re process tak e s we eks, months. Can?t ima ginewh a t it wa s lik e whena ni m a tor spr odu ce d  c ell a fte r cellafter? Sur e,pr e-Internet t h er e were loo sel y associated  cl usters  o f o f fices  ar oundtown t h at wor ked toget he r  on ap roject. T he n anew group was for m ed for the next m ovie,an d  s o itwen t.

Therewa s a t i me when th e y als o  used hard dr ives and Fe d Exto pro du cea  movie . Now  t h e b ackbone oftheindustrysmall/ m edium-s i zed har dware/ sof twa re c o mp an ies  y o u s e eatN ABand grou ps  o f exp erts s p r eadaro undthe g lobe.

The sh owseem s  to  be a s muc h ab ou t the se tea ms ge tt ing together an d me eting dur ing  t hewe ek as seeing  wh at? s new,unique. The  i N e t  m akes the industrypo s s ib le today . Howe ls ec ould the  b est  tal e n t bebrou g ht  togethe r to p r od uc e the T Vshows,  m ovi es? 

We? r e no t bigfans ofit, b u t the cloud ma k es it efficie n t, e ff e ctiv e a nd economic ; an d  itseem s  t o w o rk.
Virtu al Pr o duction

Creative s er vicesby As pera – How on e projectc a n  be crea tedu si n g resources on  four  continent s Creative  serv ices byAspera –H o w one pr oje ctcan  be c re ated using re s o urce son four  co ntinent s
Tod ay’ s T Vand movie  product io nis  m ana ged b y  a coregr oup  o f p eople who ma nagethecr ea t ive  work o f  s p e cial is ts  aro und  t he gl obe. Ind ies wil l still d o i t  inth ei r bedro oms/living ro om s, but the  b igstufft h at peopl e focus on stealing wil l  be don e b y vir tual  organiza tio ns.

H owe lse co uld pe oplein  Cu l v er Ci t y  w ork  w ith people i n t he ol dgarm ent dis trict of NYC withs pec ialists in We lli ngto n ,  N Z,a nF X t ea m  in O ttawa, the post  group inBe l fa st, the di g ita lmusicia ns in C hicag o  and th e dubbing  expertsin  New D elh i with…

W e neverreally re a lized it  unti l w e walk ed  th e flo or, at t end ed acouple  o f thehow-t osessions  this year, but TVshow/ moviecompa nie s, conten t p r odu ction, is n?ta real com pan y b ut avir t ual t eamo fcom p anies . Th e  organiza t io nst h at  make it po s s i ble  arerea l ly les s th an glamorous, sex y .

Cloud-hoste d wo r k flo w c o mpan ie s like Blue Di amo nd , Aspera,Is ilon, EditS hare, Pr im e  Focu s, Dot  Hilland sim i l ar firmsdo a llthe heavy  li ft i ng. The  u lt i mate m ovie  o r TV s how us u ally d oesn?t exist asa sin g l e "in the  can"  e ntity a n ymor e.

The go ld copy tha t sits  ina loc ked, hu mi dity-c ont ro lled roomi n NYC orCulve r Cityis  all  bu t a di stan t memor y –ex cep t of
 editing/authoring_and so_on and so forth.<
br_/>The entire_process_takes weeks,_months._Can?t imagine what_it was like_when animators produced cell_after cell after?_Sure,_pre-Internet there were loosely associated clusters of offices around town that worked together on_a_project. Then_a_new_group was formed for the_next movie, and so it_went.

There was_a time when they also used hard drives_and_FedEx to produce_a movie. Now the backbone of the industry small/medium-sized_hardware/software companies you see at NAB_and groups of_experts_spread_around the globe.

The show_seems to be as much about_these teams getting together and meeting_during the week as seeing what?s new,_unique. The iNet makes the industry_possible today. How else could_the best_talent be brought together to_produce the TV_shows, movies?

We?re_not big fans_of it, but the cloud makes_it efficient, effective_and economic; and it seems to_work.

Virtual_Production

Creative services by_Aspera_–_How one_project can be_created_using resources_on_four continentsCreative services by Aspera –_How_one project can be created using resources_on four continents

Today’s TV_and_movie production is managed_by a core group of_people who manage the creative work_of specialists_around the_globe. Indies will still do it in their bedrooms/living rooms, but_the big stuff that people focus_on stealing will be_done by_virtual_organizations.

How else could_people_in Culver_City work with people in the old_garment district_of NYC with specialists in Wellington,_NZ, an FX team_in_Ottawa, the post group in Belfast,_the digital musicians in Chicago and_the dubbing experts in New_Delhi_with…

We_never really realized it until_we walked the floor, attended a_couple of the_how-to sessions this year, but TVshow/movie companies,_content_production, isn?t a real company but_a_virtual team of companies. The organizations_that_make_it possible are really less_than glamorous, sexy.

Cloud-hosted workflow companies like_Blue Diamond, Aspera, Isilon, EditShare, Prime Focus, Dot Hill_and similar firms_do all the heavy lifting._The_ultimate_movie or TV show usually doesn?t exist as a single_"in the_can" entity anymore.

The_gold copy that sits in a locked, humidity-controlled room in_NYC or Culver City is all but_a distant memory – except of