 same A?"

Man #2:((voice)) "No."

Man #5:((voice)) "Yes."

Man #3:((voice)) "Yes it is, and you can't do A again and again over and over."

Man #5:((voice screaming again)) "No you can!" ((Man #4 shakes head and starts over))

Man #4: "No listen. What I mean is are we using the same A, to do anything?" ((cut to close up of Man #3 facing shot, while Man #6 continues to finishing up the cooking)) "To do makes or whatever you call them and send a message, and to look at things, is that the same A?"

Man #3:((firmly)) "No."

Man #5:((voice, impatient)) "Yes." ((Man #3 looks very angrily to the left of the shot towards Man #5 ))

Man #4:((voice)) "See, now I don't get it."

Man #2:((cut to close up, facing towards left of shot skew and laying his hand down below the lower frame)) "Fold."

Man #3:((voice)) "Why?" ((Man #2 looks up past shot towards skew left))

Man #2: "I don't have the straight."

Man #3:((voice)) "No no, I mean him."

Man #5:((cut to close up, staring past shot, blankly and angrily still leaning up on the bunk)) "What?"

Man #3:((voice)) "What do you mean yes?"

Man #5:((direct and in a firm tone)) "It is the same A, that's why I can see what Disney says, what the pictures guys say, what anyone talks about over the boats." ((cut to close up of Man #3 shaking his head to the left of the shot)) "Even Calamity Jane and Wild Bill. Wyatt Earp too."

Man #3:((slowly and angrily)) "It doesn't mean it's the same A because you can see them. It's the same Z."

Man #4:((voice)) "What?"

Man #6:((cut to up close smiling at shot, then turning about to the men playing poker, all seated along the lowest bunks and in small chairs
same A? " 

 Man # 2:((voice) ) " No. " 

 Man # 5:((voice) ) " Yes. " 

 Man # 3:((voice) ) " Yes it is, and you can't do A again and again all over and all over. " 

 world # 5:((voice screaming again) ) " No you can! " (( valet # 4 shake head and starts over) ) 

 Man # 4: " No heed. What I mean is are we using the same angstrom, to do anything? " (( cut to close up up of Man # 3 facing shot, while Man # 6 continue to finishing up the cooking) ) " To do makes or whatever you call them and send a message, and to search at things, is that the same A? " 

 world # 3:((firmly) ) " No. " 

 Man # 5:((voice, impatient) ) " Yes. " (( Man # 3 looks very angrily to the left of the shooting towards Man # 5) ) 

 Man # 4:((voice) ) " See, now I don't get it. " 

 Man # 2:((cut to close up, confront towards left of shot skew and laying his hand down below the lower skeletal system) ) " pen up. " 

 Man # 3:((voice) ) " Why? " (( Man # 2 looks up past shot towards skew left) ) 

 Man # 2: " I don't have the straight. " 

 Man # 3:((voice) ) " No no, I mean him. " 

 Man # 5:((cut to close up up, staring past shot, blankly and angrily even tend up on the bunk) ) " What? " 

 Man # 3:((voice) ) " What do you mean yes? " 

 Man # 5:((direct and in a firm spirit) ) " It is the like A, that's why I can see what Disney says, what the video guys say, what anyone talks about over the boats. " (( cut to close up of Man # 3 shaking his head to the left of the shot) ) " Even Calamity Jane and Wild Bill. Wyatt Earp too. " 

 valet # 3:((slowly and angrily) ) " It doesn't mean it's the like angstrom because you can see them. It's the same Z. " 

 Man # 4:((voice) ) " What? " 

 Man # 6:((cut to up close smiling at shot, then turning about to the men play poker, all seated along the lowest bunks and in little chairs
 sale A?"

Man #2:((voice)) "No."

Man #5:((voict)) "Yes."

Man #3:((voice)) "Yes it is, and yku can't ao A again and again over anv ovwr."

Man #5:((voice screaming again)) "No you cwn!" ((Man #4 whakts head and starts over))

Mak #4: "No pistzn. What I mean ix are we uving the same D, go do anything?" ((cut to close up of Man #3 facinb dhot, while Man #6 comeinuss to finishing up the cooking)) "To so makev or whatever you call them and send a lesswge, and to look at things, is jgat rhe same A?"

Mav #3:((firmly)) "No."

Man #5:((voice, ijpatient)) "Yes." ((Man #3 looks very anerily to the ledt of jhe shot towerds Mwn #5 ))

Man #4:((voicc)) "See, nmw I dom't get it."

Man #2:((cmt to clise up, facing towards left of shot skew and layitg his hand down beooq the lowar ffqme)) "Fomd."

Kah #3:((voicf)) "Wiy?" ((Man #2 loois up past whot towards skew ltft))

Iqn #2: "I don't habe the seraight."

Man #3:((voice)) "No no, I mean him."

Man #5:((cuu to dlose up, staring past syot, blankly and angripy still jeaning up on the bunk)) "What?"

Man #3:((voice)) "What do you kean ber?"

Mau #5:((direzr wnd in a firm tone)) "It is the same A, that's why J vak see what Disnen says, what the pivtkrrf guys say, whxt anyone talks about over hhe boajs." ((cut to close up pf Man #3 shaking his head to the left of rhe shot)) "Even Calality Jane aud Wilc Bilk. Wyatt Earp too."

Man #3:((slocly ans angrily)) "Ih doesn't jdan it's the same A necduse you can see them. It's ehe same V."

Man #4:((roice)) "Whxt?"

Mam #6:((cut eo up closf smiling at shot, then tkrniny abogt to the len playing poker, all seated along the lowest bgnkv and in smalk chairs
same A?" Man #2:((voice)) "No." Man #5:((voice)) #3:((voice)) it is, you can't do and Man #5:((voice screaming "No you can!" #4 shakes head and starts over)) #4: "No listen. What I mean is are we using the same A, do anything?" ((cut to close up of Man #3 facing shot, while Man continues finishing the "To do makes or whatever you call them and send a message, and to look at is that the same A?" Man #3:((firmly)) "No." #5:((voice, impatient)) "Yes." ((Man looks very angrily to the of shot towards #5 Man "See, now I get it." Man #2:((cut to close up, facing towards left of shot skew and laying his hand below the "Fold." Man "Why?" #2 up past shot left)) Man #2: "I don't have #3:((voice)) "No no, I mean him." Man #5:((cut close up, past shot, blankly and angrily still up on the bunk)) "What?" Man #3:((voice)) "What you mean yes?" Man #5:((direct and in a firm tone)) "It is the same A, I can see what says, what the guys what talks over the ((cut to close up of Man #3 shaking his head to left of the shot)) "Even Calamity Jane and Wild Bill. too." #3:((slowly and angrily)) doesn't mean it's the A you can see them. same Man #6:((cut up smiling at shot, then about to the men playing all seated along the chairs
 same A?"

Man #2:((voice)) "No."

Man #5:((voice)) "YeS."

Man #3:((voice)) "YEs it iS, anD yoU cAn't dO A agAin and again oveR And oVer."

Man #5:((voice screaming agAin)) "No YoU Can!" ((MAN #4 sHakes Head and STaRTS ovEr))

maN #4: "No LiSTeN. What i meAn is are We using the SamE A, To do anything?" ((CUt To close up oF MaN #3 facing shot, wHilE Man #6 coNtInuES to fiNisHing uP the coOKing)) "To Do makes or WhATever yOU call thEM AnD senD a message, and to looK At THings, is that the Same A?"

MAn #3:((FIrMLY)) "No."

man #5:((Voice, impatIeNt)) "Yes." ((mAn #3 looks VErY ANGriLY to the left of tHe shot towarDS MaN #5 ))

Man #4:((voIcE)) "SeE, Now I doN't get It."

mAn #2:((cUt to close up, FaciNg towards Left of SHot skew ANd layinG his haNd dOwn BeloW ThE lOweR fRAme)) "fOlD."

MaN #3:((VoiCe)) "Why?" ((Man #2 LoOkS up paSt shOT TOWardS skEw leFt))

Man #2: "i don't have the sTraIght."

mAn #3:((vOice)) "NO no, I mEan hIm."

man #5:((cuT to cloSe up, sTaRing past shot, blaNkly And angrilY stIlL leAnIng up ON the buNk)) "WHat?"

man #3:((voicE)) "What do YOu mEaN YES?"

MAn #5:((direct and in a firm ToNE)) "it Is the samE A, that'S WhY I CAn see whaT DIsnEy saYS, What tHe piCTuRes guys sAy, what ANyOnE talks aBoUt over ThE boAts." ((Cut to CLose Up of MaN #3 shaking His heAD to the left of thE Shot)) "Even CalamITy jANe ANd WiLd BIll. Wyatt EarP too."

mAn #3:((slOwly ANd AngRIly)) "It Doesn'T mEAn IT's the same A because yoU cAn see tHem. It'S the same Z."

Man #4:((vOice)) "What?"

MaN #6:((CUT to up cloSe smILiNG at shot, then turNing aBout to the mEN playing Poker, All seateD along the LOWest bunkS anD in SmaLl cHAIrS
 same A?"

Man #2:((voice) ) "No."

M an #5 :(( voi ce )) " Yes. "

Man #3:((vo i ce))  "Yes it is, and you c an'tdo A ag a in  andagain o v er a ndov er ."
M a n#5:(( voi ce scre aming agai n))  " No you can!" (( Man #4 sha kes  head and st art s over )) 

M a n #4:  "N o lis ten. W h at I m ean is ar ew e usin g  the sa m e  A , to  do anything?" (( c ut to close up of  Man # 3f ac i n g s hot , while Ma n#6 co n tinuest of i n ish i ng up the coo king)) "Tod o m akes o rwha t ever y ou ca ll the m and senda me ssage, an d to l o ok at t h ings, i s that  th e s ameA ?" 
Man  # 3 :(( f ir mly ) ) " No."

Ma n#5 :((vo ice, i m p atie nt) ) "Y es."((Man #3 look s v erya ngr ily t o the  lef tof th e shot  towa rd s Man #5 ))

Ma n #4 :((voice) ) " Se e,no w I d o n't ge t i t." 

Man # 2:((cut tocl o s e  u p, facing towardsle f t  o f shot s kew an d  l ay i ng his h an d d ownb e low t he l o we r frame) ) "Fol d ." 
Man #3: (( voice) )"Wh y?"  ((Ma n  #2looksup pastshott owards skew le f t))

Man #2:" Id o n' t  hav e t he straight ."
M an # 3:(( v oi ce) )  "Nono, I  m e an him."

Man #5:((cut  t o clos e up,  staring past  shot, bla n k l y and an gril y  s t ill leaning up  on t he bunk))" What?"
Man # 3:((voic e)) "What d o you me anyes ?"
Ma n #5 :((direct and i n afi rm tone ))"It isthe  sa meA,th at's whyI can se ewh at  D isn ey sa y s, whatth e p ic tur es gu y s say,  what  any on et alk s about ov e r  the  b oa ts."  (( cu t toclos e  up  of Man  #3 shaki ngh is h ea dto theleft of the s ho t)) "EvenCa lam ity Ja n e  and Wil d Bill. Wyatt Earp too. " 

Man # 3:( (slow ly a nd angril y))  "It d oes n 't mea n it's  thesa meA becau s e  y ouca n see them . It' s the  s ameZ."

Ma n #4:((voice)) "Wh a t?" 

Man #6:((cu t t o up c lo ses mi l ing  a t  sh o t , then turningabout to t he me n playingp oke r,  all se ated al ong t h e lowes t bunks a nd in sma ll  cha i r s
 same_A?"

Man #2:((voice))_"No."

Man #5:((voice)) "Yes."

Man #3:((voice))_"Yes it_is,_and you_can't_do A again_and again over_and over."

Man #5:((voice screaming_again)) "No you_can!"_((Man #4 shakes head and starts over))

Man #4: "No listen. What I mean is_are_we using_the_same_A, to do anything?" ((cut_to close up of Man_#3 facing_shot, while Man #6 continues to finishing up_the_cooking)) "To do_makes or whatever you call them and send a_message, and to look at things,_is that the_same_A?"

Man_#3:((firmly)) "No."

Man #5:((voice, impatient))_"Yes." ((Man #3 looks very angrily_to the left of the shot_towards Man #5 ))

Man #4:((voice)) "See, now_I don't get it."

Man #2:((cut to_close up, facing towards left_of shot_skew and laying his hand_down below the_lower frame))_"Fold."

Man #3:((voice)) "Why?"_((Man #2 looks up past shot_towards skew left))

Man_#2: "I don't have the straight."

Man_#3:((voice))_"No no, I_mean_him."

Man_#5:((cut to_close up, staring_past_shot, blankly_and_angrily still leaning up on the_bunk))_"What?"

Man #3:((voice)) "What do you mean yes?"

Man_#5:((direct and in a_firm_tone)) "It is the_same A, that's why I_can see what Disney says, what_the pictures_guys say,_what anyone talks about over the boats." ((cut to close up_of Man #3 shaking his head_to the left of_the shot))_"Even_Calamity Jane and_Wild_Bill. Wyatt_Earp too."

Man #3:((slowly and angrily)) "It doesn't_mean it's_the same A because you can_see them. It's the_same_Z."

Man #4:((voice)) "What?"

Man #6:((cut to up_close smiling at shot, then turning_about to the men playing_poker,_all_seated along the lowest bunks_and in small chairs