:((faint)) "Like - like a fuckin' bomb?" ((there are other hushes voices from around the bay, as Jason's eyes veer in their direction))

Philadelphia Man:((voice)) "Keep it down there! Keep it down!"

Alfred:((voice))((continuing)) "You have to stay here, and make sure this doesn't happen. " ((Jason looks back towards upper right of frame)) "Our lives depend on it as well as the crew's." ((cut to Philadelphia Man tense)) "You are not allowed to leave this room for the duration of all of the experiment. No talking, no leaving, you are not allowed to do anything else but this. Is that clear?" ((cut to Jason, nodding to upper right of frame without speaking, though there are many voices that respond verbally))

Voices:((in near unison)) "Yes." ((some grumbling))

Sailor:((voice)) "Yes." ((Jason's eyes turn off camera nervously in the direction of Sailor))

Alfred:((voice)) "That's good." ((cut to Alfred looking towards the right of the shot, scanning across the bay off camera)) "I will be on the upper deck, then the bridge to observe. I am going to say this one time." ((cut to shot closer up, stern and resolute, though not cruel)) "Don't mess up today." ((cut to over the right shoulder Alfred, showing the entire bay and the long vertical tube barely visible to the right of the shot, various men all standing in either coveralls or white and blue sailor uniforms, some on the main deck of the bay, others on the gang plank above leaning over and witnessing. Philadelphia Man stands to the left of Alfred, looking towards him, then across the bay as well)) "We're all counting on you. Good luck." ((he turns about face and walks past the shot, and can be heard exiting the oval door hatch, and ascending the flight of metal stairs, the entire bay of sailors and crewmen hushed and fixed upon his departure. As his steps become faint, Jason, now revealed after being obscured by Alfred, breaks the ice))

Jason: "Ok, well - " ((the entire bay now his audience))((cut to Philadelphia Man, close up looking down to lower right)) "Anyone know how to make this work without blowing it up?" ((chuckles, though
:(( faint) ) " Like - like a fuckin' bomb? " (( there are other hushes voice from around the true laurel, as Jason's eyes veer in their direction) ) 

 Philadelphia Man:((voice) ) " Keep it down there! prevent it down! " 

 Alfred:((voice))((continuing) ) " You have to stay here, and induce sure this doesn't happen. " (( Jason looks back towards upper right of frame) ) " Our biography depend on it as well as the crowd's. " (( ignore to Philadelphia Man tense) ) " You are not allowed to leave this room for the duration of all of the experiment. No talking, no leaving, you are not allowed to make anything else but this. Is that clear? " (( cut to Jason, nodding to upper right field of frame without speaking, though there cost many voices that react verbally) ) 

 Voices:((in near unison) ) " Yes. " (( some grumbling) ) 

 Sailor:((voice) ) " Yes. " (( Jason's eyes turn off camera nervously in the direction of Sailor) ) 

 Alfred:((voice) ) " That's effective. " (( cut to Alfred looking towards the right of the shot, scanning across the bay off camera) ) " I will be on the upper deck, then the bridge to observe. I am going to say this one time. " (( cut to shot closer up, stern and resolute, though not barbarous) ) " Don't mess up today. " (( dilute to over the right shoulder Alfred, show the integral alcove and the long vertical pipe barely visible to the right of the shot, various man all standing in either coveralls or white and blue sailor uniforms, some on the independent deck of the bay, others on the gang plank above lean over and witness. Philadelphia Man stands to the left of Alfred, looking towards him, then across the bay as well) ) " We're all count on you. Good luck. " (( he turns about grimace and walks past the shot, and can be heard exiting the ellipse door hatch, and ascending the flight of metal stairs, the integral bay of sailors and crewmen hushed and sterilize upon his departure. As his step become faint, Jason, now reveal after being obscure by Alfred, breaks the methamphetamine) ) 

 Jason: " Ok, well - " (( the entire bay now his audience))((cut to Philadelphia Man, close up looking down to turn down right) ) " Anyone know how to induce this work without blowing it up? " (( chuckles, though
:((faijt)) "Like - like a fuckin' bumb?" ((there are ojhwr husies voides from around the bay, as Jason's eyxs vwer ib their direction))

Philaaelphia Mwn:((voice)) "Jeep ut down thxde! Keep it dosk!"

Alfrzd:((toice))((continuing)) "You have do stay here, atd mcke sure this doesn't happen. " ((Jason ljoks bavk towards upper rigne of frame)) "Our lives depend on it as wsll as uhe crew's." ((cut to Pniladelphia Man tense)) "You wre jot allowed to leage this roon fow the duratiov of all of the experijent. No talking, no leaving, you xre npt allowed ti dl anything eose blt this. Is that clear?" ((cut to Jason, nodding to upper right of frame wivhout speaking, thougr there ase many voices that rwspong vesbalut))

Vokcea:((ii nsar unlsoi)) "Yes." ((some frumbling))

Saulor:((voice)) "Yes." ((Jason'x qjrs turn off damera nqrvously in the direction of Sailor))

Alfrtd:((voide)) "That's good." ((cut to Aldred looking towards jhe right jf the shot, scanning across the bay off camera)) "I fill ue on tme uopeg deck, then the bridge to observe. I am going ek xaj this one time." ((cmt to shot closer ip, sygrn and resoluje, thouyg hot cruel)) "Don't mesd up toqay." ((cyt to ovew thr right shoulder Alfred, shoqing the entpre vay and the long vzrtical tube bargly vixible to the right of tke shof, various mfn all stzvding in either zovvralns or white and blue sailow uniformw, soke on tfe msin desk of the hay, obvers on the gang ppank cbove leaning oger and witnessing. Philadelphia Man stands to tve neft of Clfred, looking towawds him, then aeross thz bay xs well)) "We'ge all connting on yot. Good luck." ((ha turns about face anq waoks past thd shot, and can ne heard vxnting the oval door hatch, akd aszsnding the fligku od metal stairs, yhe eneige uay os sailors and credmev hushdd and fixeb jpon his departure. As hiv stsps become faint, Jssjn, now rgvealed aster being obxcured by Alfred, bgeaks thx ice))

Jssog: "Ok, well - " ((the entire bay now his audifncc))((cut to Philaqelpmia Ian, close bp looking down to lower right)) "Anyone kniw how to make thiw work without blownnn it up?" ((chuclles, ehough
:((faint)) "Like - like a fuckin' bomb?" other voices from the bay, as direction)) Man:((voice)) "Keep it there! Keep it Alfred:((voice))((continuing)) "You have to stay here, make sure this doesn't happen. " ((Jason looks back towards upper right of "Our lives depend on it as well as the crew's." ((cut to Philadelphia tense)) are allowed leave this room for the duration of all of the experiment. No talking, no leaving, you not allowed to do anything else but this. that clear?" ((cut to nodding to upper right of without though there many that verbally)) Voices:((in near "Yes." ((some grumbling)) Sailor:((voice)) "Yes." ((Jason's eyes turn off camera nervously in the direction of Sailor)) Alfred:((voice)) good." ((cut looking towards right the scanning across the camera)) "I will be on the the bridge to observe. I am going to this one ((cut to shot closer up, stern resolute, though not cruel)) "Don't mess up today." to over the right shoulder Alfred, showing the entire bay and the long vertical tube to the right of shot, various men standing either or and blue uniforms, some on the main deck of the bay, others on gang plank above leaning over and witnessing. Philadelphia Man stands left Alfred, looking towards then across the bay well)) all counting on you. ((he about past shot, can be heard exiting oval door hatch, and ascending flight of metal stairs, and crewmen hushed and fixed upon his departure. his steps become faint, Jason, now revealed being obscured by Alfred, breaks the ice)) Jason: "Ok, well - " entire bay audience))((cut to Philadelphia Man, close up looking down lower right)) "Anyone know to make this work without blowing it up?" ((chuckles,
:((faint)) "Like - like a fuckin' bomb?" ((tHere are othEr husHes VoiCeS froM aroUnd the bay, as JasON's eyEs veer in their direction))

philaDeLPhia mAn:((Voice)) "keep it dOWn THEre! keEp It dOwN!"

alFred:((vOicE))((continUing)) "You havE to StAy here, and makE SuRe this doesN't hAppen. " ((Jason loOks Back toWaRds UPper rIghT of frAme)) "Our LIves dePend on it aS wELl as thE Crew's." ((cuT TO PHilaDelphia Man tense)) "YoU ArE Not allowed to leAve thiS rOOm FOR thE duRation of alL oF the eXPerimenT. no TALKinG, No leaving, you aRe not alloweD To dO anythInG elSE but thIs. Is tHaT CleAr?" ((cut to JasoN, nodDing to uppEr righT Of frame WIthout sPeakinG, thOugH theRE aRe ManY vOIceS ThAt rESpoNd verbalLy))

voIces:((iN neaR UNISon)) "YEs." ((sOme gRumblIng))

Sailor:((voicE)) "YeS." ((JasON's eYes tuRn off CameRa NervoUsly in The diReCtion of Sailor))

AlFred:((Voice)) "That'S goOd." ((Cut To alfreD LookinG toWarDs the riGht of thE ShoT, sCANNiNg across the bay off cAmERA)) "I Will be on The uppER dEcK, Then the bRiDge To obSERve. I aM goiNG tO say this One timE." ((CuT tO shot clOsEr up, stErN anD reSolutE, ThouGh not cRuel)) "Don't Mess uP Today." ((cut to over THe right shouldER ALFReD, ShowIng The entire baY and THe loNg veRTiCal TUbe baRely vIsIBlE To the right of the shot, VaRious mEn all Standing in eitHer coveralLS OR white anD bluE SaILor uniforms, somE on thE main deck oF The bay, otHers oN the gang Plank abovE LEaning ovEr aNd wItnEssING. PHiladelphia MaN STandS tO the lefT of alfred, lOokIng TowArdS hIm, then acrOss the baY aS wElL)) "WE're All coUNting on yOu. gooD lUck." ((He turNS about Face aNd waLkS pASt tHe shot, aND cAN Be heArD eXitiNg tHe Oval dOor hATch, And asceNding the fLigHT of mEtAl Stairs, tHe entire bay of SaIlors and crEwMen Hushed AND fixed upOn his departure. As his stepS Become fAinT, JasoN, now Revealed aFteR being ObsCUred by alfred, BreakS tHe iCE))

jason: "oK, WeLl - " ((tHe Entire bay nOW His AudieNcE))((cut To PhilaDelphia Man, close up lOOkiNg down to lower RigHt)) "AnYONe KnoW HoW To mAkE ThiS WOrk without blowiNg it up?" ((chucKlES, tHough
:((faint)) "Like - like afuckin' bo mb?"((t her eareothe r hushes voice s  fro m around the bay, as J ason' se yesv ee r intheir d i re c t ion )) 
Phi la d el phiaMan :((voic e)) "Keepitdo wn there! Ke e pit down!"
Al fred:((voice ))( (conti nu ing ) ) "Yo u h ave t o stay here,and makesu r e this doesn't h ap pen.  " ((Jason looksb ac k  towards upper  right  o f  f r a me) ) " Our livesde pendo n it as we l l ast he crew's." ( (cut to Phi l ade lphiaMa n t e nse))"Youar e  no t allowed t o le ave thisroom f o r the d u rationof all  of  th e ex p er im ent .N o t a lk ing ,  no  leaving ,yo u are  not a l l owed  to  doanyth ing else butthi s. I s  th at cl ear?"  ((c ut  to J ason,noddi ng  to upper right  offrame wit hou tspe ak ing,t houghthe reare man y voice s  th at r e sp ond verbally))

Vo ic e s :( (in near  uniso n ))  " Y es." ((s om e g rumb l i ng))
Sai l or :((voice )) "Ye s ."  ( (Jason' seyes t ur n o ffcamer a  ner vously  in thedirec t ion of Sailor) ) 

Alfred:((vo i ce ) )  " T hat' s g ood." ((cut  toA lfre d lo o ki ngt oward s the  r i gh t  of the shot, scann in g acro ss th e bay off cam era)) "I w i l l  be on t he u p pe r  deck, then th e bri dge to obs e rve. I a m goi ng to sa y this on e time." ( (cu t t o s hot c lo ser up, stern a nd r es olute,tho ugh not  cr uel ))"Do n' t mess up  today."  ( (c ut  t o o ver t h e rightsh oul de r A lfred ,  showi ng th e en ti re bay  and th e  l o n g ve rt ic al t ube  b arely  vis i ble  to the  right of  th e  sho t,  v ariousmen all stand in g in eithe rcov eralls o r whiteand blue sailor uniform s , someonthe m aindeck of t hebay, o the r s on t he gan g pla nk  ab o v e lea n i ng  ov er  and witne s s ing . Phi la delp hia Man  stands to the lef t  of  Alfred, look ing  tow a r ds  hi m ,t hen  a c ros s the bay as well )) "We'real l  c ounting on you .Good lu ck." (( he tu r ns abou t face an d walks p as t th e sho t, and can  be hear d exiting the o v al  door  ha tch, a nd  as cendi ng the fli ght o f meta lstairs , the  e ntire ba y of sailors and crewme n hush ed an d f ixed upon  hi s  de parture.As h is steps b eco mefaint , J a son,nowr ev eal e d aft er b e ing obscu r ed  by A lf red, breaks t h e i ce))
Ja s on: "O k, w ell - " ((the ent i re bay now his  aud i e nce ))( ( cutto  PhiladelphiaMan ,c l ose up l oo king down t o lowerri g ht))"Anyon e know  how to m ak e  thiswork  wi thout blo win gi t up?"(( ch u ckles,  tho ug h
:((faint)) "Like_- like_a fuckin' bomb?" ((there_are other_hushes_voices from_around_the bay, as_Jason's eyes veer_in their direction))

Philadelphia Man:((voice))_"Keep it down_there!_Keep it down!"

Alfred:((voice))((continuing)) "You have to stay here, and make sure this doesn't happen._"_((Jason looks_back_towards_upper right of frame)) "Our_lives depend on it as_well as_the crew's." ((cut to Philadelphia Man tense)) "You_are_not allowed to_leave this room for the duration of all of_the experiment. No talking, no leaving,_you are not_allowed_to_do anything else but_this. Is that clear?" ((cut to_Jason, nodding to upper right of_frame without speaking, though there are many_voices that respond verbally))

Voices:((in near unison))_"Yes." ((some grumbling))

Sailor:((voice)) "Yes." ((Jason's_eyes turn_off camera nervously in the_direction of Sailor))

Alfred:((voice))_"That's good."_((cut to Alfred_looking towards the right of the_shot, scanning across_the bay off camera)) "I will_be_on the upper_deck,_then_the bridge_to observe. I_am_going to_say_this one time." ((cut to shot_closer_up, stern and resolute, though not cruel))_"Don't mess up today."_((cut_to over the right_shoulder Alfred, showing the entire_bay and the long vertical tube_barely visible_to the_right of the shot, various men all standing in either coveralls_or white and blue sailor uniforms,_some on the main_deck of_the_bay, others on_the_gang plank_above leaning over and witnessing. Philadelphia Man_stands to_the left of Alfred, looking towards_him, then across the_bay_as well)) "We're all counting on_you. Good luck." ((he turns about_face and walks past the_shot,_and_can be heard exiting the_oval door hatch, and ascending the_flight of metal_stairs, the entire bay of sailors and_crewmen_hushed and fixed upon his departure._As_his steps become faint, Jason, now_revealed_after_being obscured by Alfred, breaks_the ice))

Jason: "Ok, well - "_((the entire bay now his audience))((cut to Philadelphia Man,_close up looking_down to lower right)) "Anyone_know_how_to make this work without blowing it up?" ((chuckles, though