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I am not removing legitimate sources, I am removing information that has no relevance to the article. One could say the statement - House music started in Chicago. Then give a viable source. This is true yes, but it is not relevant to the article, that is what I'm getting at. Your reference to a couple of records that provided some 'missing link' may be more relevant on a page on disco. Carl Craigs opinions on the word progressive are relevant and should be included, but this page is really about Progressive House, I think you would agree...that's why I removed the statements about Techno. If you don't understand what I'm referring to, then I don't think you are qualified to be hacking away at other peoples work that isn't incorrect in the first place. I also find it strange that you keep monitoring this page. Every edit I do, it's like your watching my every move. Do you think this is healthy? I've gone away for a month. Let's see how long it takes for you to come back.

Since I suspect you weren't part of the original Progressive movement, I think you should leave the edits standing to give people a chance to comment, instead of hacking away at whatever I write. Another question I have, were you at the Renaissance events at the time the Sasha & Digweed mix CD was released? The word Progressive has everything to do with House music that was played at events such as Renaissance.

Your reference to the gap being filled by MBO & Capricorn, then the beginning of Techno, is false. Chicago House was the big scene in the midwest and this is the influence (and the gap) that the Detroit guys were using to design their version of House music. Larry Heard had everything to do with what Detroit was up to. Experimental type Techno obviously deserves a place in the history, but as far as dance records, It was modelled hugely after what Ron Hardy was playing in the Music Box. The output of labels such as Trax, DJ International, and Jack Trax was monstrous in comparison to the small industrial wasteland scene of Detroit at the time, along with it the labels that were releasing ""Techno"" - Metroplex, KMS etc. This large volume of output in Chicago is what was filling the gap.  "