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"Soderbergh has no interest in sentimentality, or back story, or even really in Guevara's philosophy, except as a rigorously footnoted onscreen reflection. Practically rejecting outright the concept of poetic license, Che is radical as a biopic."^^<http://www.w3.org/2001/XMLSchema#string>
<https://www.rottentomatoes.com/m/che_part_two/>