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"Look Now: High-Shine Lips and Lids\\nMakeup artists glossed over a lot this season&amp;#8212;namely, superlustrous eyes and lips that glistened on the fall runways. Here are some of our favorite ways to shine.\\nFor the lacquered eyes on the Donna Karan runway, makeup artist Charlotte Tilbury spread a sepia-colored cream shadow all over the lids and above the creases, topping them off with a clear gloss and brown mascara. At home, try [Rimmel London Eyeful Eye Glistener in Flaunt,](http://www.allure.com/beauty-products/makeup/2011/rimmel-eye-glistener-flaunt) an eye pencil so shiny, you can skip the clear topcoat. Tilbury balanced the models' wet-look lids with a lipstick that wasn't too glossy or too matte. The Pepto pink shade was perfect for the runway, but rose or mauve are more wearable in real life.\\nAt Rochas, makeup artist Lucia Pieroni went for a more natural effect, layering the models' lids with clear gloss over a taupe cream shadow. When an eye shadow is so close to your skin color, it's a good idea to define your features by darkening your brows and adding a hint of color on your cheeks and lips. Pieroni chose a peachy hue that's universally flattering. If you're looking for a similar look, we love [Tarte Amazonian Clay 12-Hour Blush in Blissful,](http://www.allure.com/beauty-products/makeup/2011/tarte-amazonian-clay-blush-blissful) a warm peach color, and [Dior Addict Ultra-Gloss in Satin Peach.](http://www.allure.com/beauty-products/makeup/2012/dior-addict-ultra-gloss-glow-236)\\nThe aqua green pencil makeup artist Peter Philips used backstage at Jil Sander (__Chanel Stylo Yeux Waterproof Long-Lasting Eyeliner in Jade__), \\\"has a sheen to it that makes it feel a bit retro,\\\" he said. Starting at the inner corners, he traced a very thin line, thickening it toward the outer corners, where he flicked it up into a wing. He curled models' lashes, swiped on black mascara, filled in their brows, and painted lips a hot shade of orange-red, a color inspired by Technicolor photos from the 1950s. ([Giorgio Armani Rouge d'Armani Lasting Satin Lip Color in 401](http://www.allure.com/beauty-products/makeup/2011/giorgio-armani-rouge-lipstick-red-401) hit the mark).\\n\\\"There's a luxurious, sensual feeling to this look,\\\" said makeup artist Pat McGrath of the makeup at Gucci, \\\"and the lips only add to the sexiness.\\\" After mixing together three different red lipsticks to get the deep red shade, she applied a clear gloss on top just before the models walked down the runway. Try [Make Up For Ever Rouge Artist Intense Lipstick in 41](http://www.allure.com/beauty-products/makeup/2011/make-up-for-ever-lipstick-41) and [CoverGirl ShineBlast Lipgloss in Glow](http://www.allure.com/beauty-products/makeup/2011/covergirl-shineblast-lip-gloss-glow) to re-create the look. Line the top lids close to the lash line with black pencil and layer on mascara for flirty, feathery lashes.\\nDark brown lipstick and heavy liner scream '90s grunge, but once you add a slick of gloss and a little highlighter, it becomes a gorgeous evening makeup look. Makeup artist Luca Pica mixed together several liners, lipsticks, and glosses to come up with the chocolate brown shade on the models' lips at Nanette Lepore, but you can get a similar look using [Shiseido Makeup Luminizing Lip Gloss in BR302](http://www.allure.com/beauty-products/makeup/2011/shiseido-lip-gloss-br302) over [M.A.C. Lipstick in Film Noir.](http://www.allure.com/beauty-products/makeup/2010/mac-satin-lipstick-film-noir) The key thing to remember: Keep the edges precise and the color opaque. Use a clay brown shadow on the lids and up to the brow bone (Pica used [M.A.C. Eyeshadow in Cork](http://www.allure.com/beauty-products/makeup/2011/mac-eye-shadow-cork)) and thinly draw black gel liner over the top and bottom lash lines. Brighten up the eye area with a champagne-colored highlighter at the inner corners.\\nFor fall, fuchsia lips got a juicy twist courtesy of makeup artist Lisa Butler at Emilio Pucci. Swipe on a creamy, fuchsia lipstick (We like [Revlon Colorburst Lipstick in Fuchsia](http://www.allure.com/beauty-products/makeup/2011/revlon-lipstick-fuchsia)), then pat on a clear lip balm, like [M.A.C. Lip Conditioner,](http://www.allure.com/beauty-products/skin/2010/mac-lip-conditioner) with your finger. Amp it up even more with a blackened green shadow, like [The Balm Shady Lady Shadow in Jealous Jordana](http://www.allure.com/beauty-products/makeup/2011/the-balm-eye-shadow-jealous-jordana) or [Milani Marbleized Baked Eyeshadow in Mix It Up](http://www.allure.com/beauty-products/makeup/2011/milani-eye-shadow-mix-it-up) brushed over your lids, under your lower lash line, and extended out into smoldering cat-eyes.\\nEven smoky eyes and nude lips have gone glossy. \\\"The lips are naked in color, but they're superglossy,\\\" said McGrath backstage at Roberto Cavalli, \\\"and with black eyes, the look is tough and confident.\\\" If your lips are naturally very pink, dab a bit of concealer on them first, then finish with a clear gloss like [Elizabeth Arden Crystal Clear Lip Gloss.](http://www.allure.com/beauty-products/makeup/2011/elizabeth-arden-crystal-clear-lip-gloss) McGrath used black shadow and liner and blended with a bit of copper and gold pigments on the eyes, but you can use whatever dark shade suits your fancy.\\nAn allover sheen can look pretty\u2014but only if it's subtle enough that you don't look like you just came from Spin class. The dewy makeup at Balmain is the perfect example. \\\"Using natural colors on the eyes, lips, and cheeks, I tried to capture that glow from within,\\\" said makeup artist Tom Pecheux. Start with well-moisturized skin and foundation or concealer only where you really need it. With your fingers, blend a taupe cream shadow without any shimmer on the lids and under the bottom lash line. Follow with a few coats of brown mascara (try [Clinique Touch Base for Eyes in Buff Lighting](http://www.allure.com/beauty-products/makeup/2011/clinique-touch-base-for-eyes-buff-lighting) and [Benefit BadGal Brown Mascara)](http://www.allure.com/beauty-products/makeup/2011/benefit-badgal-brown-mascara). Use a foundation brush to paint a soft pink highlighter along the top of the cheekbones. Finish with a peach gloss that has a lot of pigment, but \\\"dab it on with your fingers so it's not too shiny,\\\" said Pecheux.\\nA luminizer applied on the top of the cheekbones is an easy way to give skin a high-shine finish\u2014just be sure it's not too metallic or glittery. McGrath used a beige color at Dolce &amp; Gabbana, applying it in a \\\"C\\\" shape around the outer corners of the eyes and down along the cheekbone. Our favorite subtle highlighter? [Giorgio Armani Fluid Sheer in 2\u2014](http://www.allure.com/beauty-products/makeup/2011/giorgio-armani-fluid-sheer-2)it imparts a healthy glow that's more dewy than twinkly.\\nAt Sonia Rykiel, makeup artist Dick Page struck the perfect balance, adding gloss to both lids and lips\u2014without it looking greasy. First, he filled in any sparse spots in the brows to give them strength and definition. Next, he dabbed a sheer gold shade, like __Shiseido Hydro-Powder Eye Shadow in Goldlights,__ just on the lids, topping it with a clear glaze all the way to the brows ([Illamasqua Sheer Lipgloss in Brilliant](http://www.allure.com/beauty-products/makeup/2011/illamasqua-lip-gloss-brilliant) will do the trick). Each model wore one of six flowery lip shades under shiny gloss (use the same one you slicked on your lids)."^^<http://www.w3.org/2001/XMLSchema#string>
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