<http://schema.org/reviewBody>
"&lt;wm:embed type=\"related\"&gt;&lt;/wm:embed&gt;&lt;p&gt;The Joy Formidable&amp;apos;s Nineties-loving songs are wickedly bracing and Himalaya-huge. Like the band&amp;apos;s 2011 full-length debut, &lt;em&gt;The Big Roar&lt;/em&gt;, &lt;em&gt;Wolf&amp;apos;s Law&lt;/em&gt; brings howl clouds of guitar attack on songs that can lurch forward or flare up, then push and pull in any direction. The &lt;a href=\"../../music/artists/nirvana\"&gt;Nirvana&lt;/a&gt;-like tension and release are echoed in singer Ritzy Bryan&amp;apos;s subtly cutting PJ Harvey-like lyrics: &amp;quot;Maybe I&amp;apos;m not ready for the &amp;apos;maybe&amp;apos; you were ready for,&amp;quot; she sings, cooling a guy&amp;apos;s jets before they even get a chance to take off\u001D on &amp;quot;Forest Serenade.&amp;quot; At times, it feels like they&amp;apos;re glue-gunning hot ideas rather than writing fully realized songs, but they&amp;apos;ve come up with some fine Frankensteins nonetheless.&lt;/p&gt;"^^<http://www.w3.org/2001/XMLSchema#string>
<http://www.rollingstone.com/music/albumreviews/wolf-s-law-20130122>