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"Jennifer Garner: Her Style Timeline\\nThe actress reveals the celebrity friend she goes to for parenting advice, which actor she considers to be the ultimate leading man, and just how exactly she wound up joining Ben Affleck in that Saturday Night Live opening monologue.\\n\\\"Aww, look! And yep, I still look like that. My hair\u2014I would sleep in pink sponge rollers every other night. Or curl the bangs with hot rollers.\\\"\\n\\\"Oh, he's a great guy. We were full-on grown-ups, but looking back I'm aware we did not know what hit us. We didn't have a shot. He's a really good guy, and we just imploded.\\\"\\n\\\"I still love all these people. I keep in touch with Marla, and I still love Ashton. I've worked with him since.\\\"\\n\\\"Laura Goldsmith did the clothes. She had specific looks for my casual look, my work look, and then I did a fancy wigged-out look every episode. And look at Bradley Cooper. Have you ever seen anyone cuter? They made him dye his hair blond.\\\"\\n\\\"This is the last episode of season one. I love Michael Vartan. They loved the nightclub scenes in that show. I was always saying to them, 'Guys, when I'm dressed up in a different outfit, make me a man. Make me a fat janitor or something.'\\\"\\n\\\"I was in really good shape here! I shot this for almost 20 hours. I had these weapons I had to hold between my knuckles. And from the impact of hitting them over and over, my hands were so swollen that for three days I couldn't touch the tops of my fingers together.\\\"\\n\\\"Oh, I don't really want to talk about that.... What is there to say? This is from *Daredevil*, and we shot all night. We shot all night and kept going. It was a 20-hour day. We shot until 2 the next afternoon. They had to block the sun out to keep the room dark.\\\"\\n\\\"Reese is one of my go-to mamas. She has such a big heart and a good head on her shoulders. She's one of the people I go to and say, 'Hey, what do you do about X, Y, Z?' and she always has an answer.\\\"\\n\\\"Part of the reason Jason [Reitman] is such a good director is that he knows when less works better than more. I remember him telling me, 'You can get this emotional, and no more,' like, 'Don't let anything spill over, stop here.'\\\"\\n\\\"Two lovely ladies\u2014ooh, look what I'm wearing! I don't know where that came from, but va-va-voom! I wish I could wear that now.\\\"\\n\\\"Oh, this was so much fun. I knew I was going to have to ride a horse, so I practiced, but on a horse that you had to light a fire under. And then we got there, with this movie horse who was galloping and poor Russell was sitting bareback on it, holding on to me. And I am not an experienced rider, and it was not like anyone said, 'Oh, take it easy.'\\\"\\n\\\"Matthew's the ultimate leading man.... He should have gotten more attention for this one. I'd just had a new baby here\u2014a three-month-old.\\\"\\n\\\"This was fun because Victor [Garber] was there\u2014and because they won. And I was 100 percent sure they weren't gonna win. And they did! And [Affleck] was so thrilled out of his mind.\\\"\\n\\\"This just happened. I didn't know I was doing the show that night. Ben was like, 'Can you come here a little early? We have an idea for something.' And I said, 'Well, I was gonna put the kids to bed and catch the last flight....' But I got there and there was costume and hair and makeup and I realized, Oh, no, this is happening.\\\""^^<http://www.w3.org/2001/XMLSchema#string>
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