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"Thad Hayes Combines Two Historic Boston Houses Into One Grand Family Home\nThe interior designer collaborates with architect Dell Mitchell to recast a pair of townhouses as an extraordinary dwelling where Victorian grandeur meets easy modern elegance\nAn Eduard Wimmer-Wisgrill cabinet from Todd Merrill Antiques anchors the formal living room of a Boston residence renovated by architect Dell Mitchell and decorated by Thad Hayes, who also designed the settees and cocktail tables; the wall color is a custom-blended Donald Kaufman white. For details see October Sources.\nA 1960s Italian chandelier from Galerie Van den Akker presides over an entrance hall.\nThe main entry is illuminated by a 1960s Italian chandelier from Galerie Van den Akker; the Herve\u0301 Van der Straeten table is from Ralph Pucci International. For details see Sources.\nAnother Von Hellermann painting overlooks Wormley chairs in an entrance hall.\nIn the living room, a 1950s Bj\u00F8rn Wiinblad chandelier hangs above a Philip and Kelvin LaVerne cocktail table from Donzella 20th Century Gallery and bespoke club chairs by Hayes clad in a Clarence House linen; the mirror over the fireplace is \u201960s Danish, the oak-and-tapestry armchairs by the window are \u201930s Jacques Adnet designs, and the table lamp is by Deborah Czeresko. A pair of T. H. Robsjohn-Gibbings chairs stand in the foreground, the cloisonne\u0301 tray tables are from H. M. Luther, and the sisal was custom made by Beauvais Carpets.\nA Sophie von Hellermann painting faces a Chesney\u2019s mantel in the parlor; the custom-made sofa is joined by \u201950s Stilnovo table lamps and \u201940s wing chairs.\nA sitting room features a Dan Rees artwork (left) as well as a Hayes-designed cocktail table, club chairs (in a Classic Cloth textile), and sofas (in a Great Plains fabric); in the background, curtains of a Cowtan &amp;amp; Tout fabric complement vintage Wormley chairs upholstered in a Clarence House silk.\nGeorge III chairs clad in a Larsen silk surround the custom-made table in the formal dining room; the sideboard is by Jean Roye\u0300re, the chandelier, sconces, and candlesticks are by Wiinblad, and the Art Nouveau vases are from Bernd Goeckler Antiques.\nCurtains of a Great Plains fabric frame the windows in the kitchen\u2019s dining area; the dining table is by Knoll, and the midcentury lounge chairs are Swedish.\nThe kitchen is outfitted with Bulthaup cabinetry.\nAnother view of the kitchen and its plasterwork ceiling.\nA 1950s French train-station clock from Bourgeois Bohe\u0300me stands beneath the original 1880s staircase in the central atrium. The table and chairs at left are vintage James Mont, the Hayes-designed sofa is upholstered in a Great Plains fabric, the vintage cocktail table is from Jean de Merry, and the sisal is by Beauvais.\nOn a landing, a 1970s Charles Paris light fixture is suspended above a table by Hayes and Aesthetic Movement chairs; the large bronze water bowl is Japanese.\nIn the library, Andre\u0301 Dubreuil lanterns top the mantel; the ceiling fixtures are 1960s Seguso, the Edward Wormley sofas are covered in a Larsen fabric, and the pillows are made of a Donghia textile.\nIn the master bedroom, a 1950s Austrian pendant light from Eric Appel is juxtaposed with late-19th-century Moorish chairs and a 1920s armchair attributed to Paul Poiret\u2019s Atelier Martine from Bernd Goeckler Antiques; the carpeting was custom made by Tai Ping.\nThe master sitting area includes a 1950s cocktail table attributed to Jules Leleu from Maison Gerard.\nCurtains fashioned of a Brunschwig &amp;amp; Fils satin grace a master bath; the mirror is vintage FontanaArte, and the sculptural lamps are 1960s Venini from Dana John.\nAn 18th-century mirror is mounted above the Waterworks tub in one of the master suite\u2019s baths; the cube table is vintage Paul Evans.\nSwedish sconces from the 1970s sparkle against the powder room\u2019s paneled walls; the \u201940s mirror is attributed to Gio Ponti."^^<http://www.w3.org/2001/XMLSchema#string>
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