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"Japanese director Hayao Miyazaki's animation style is famously delicate and inventive (see also Spirited Away, 1999's Princess Mononoke, and 1984's Nausicaa of the Valley of the Wind). These jittery-edged images conjure lovely rhythms and children's perspectives (lots of low angles and dreamlike movements), while also investigating, carefully rather than loudly and aggressively, what worries kids: Why do adults fight and go to war? How is love scary as well as thrilling and encouraging? The film's answers are complicated and incomplete, but more importantly, its questions are provocative.\nWhile keeping track of who's cursed whom and who is disguised as what can be confusing, &amp;quot;Howl's Moving Castle&amp;quot; -- based on a book by Diana Wynne Jones -- pits two major forces against one another: the war-making king, aided by royal sorceress Madame Suliman (Blythe Danner), and the well-meaning but childishly petulant Howl. Sophie helps to sort out his bad behavior, in part by forgiving and looking after everyone, including the conniving Witch of the Waste. Sophie's wisdom is a function of her kindness, but her unbidden transformation is also unnerving."^^<http://www.w3.org/2001/XMLSchema#string>
<https://www.commonsensemedia.org/movie-reviews/howls-moving-castle>