<http://schema.org/articleBody>
"China White, RMI-74, Benajmin Moore &amp;quot;It seldom fails me, no matter where in the country I use it. It doesn&amp;#039;t break green or pink.&amp;amp;nbsp;When held up against pure white it has an off-white or greige appearance, but on its own, it holds up as true white\u2014but with a little more body.&amp;quot; -Eric Cohler\u200B  All White, No. 2005, Farrow &amp;amp;amp; Ball &amp;quot;It&amp;#039;s like a good friend. Easy to be around, dependable, and it makes you and all the things around you look terrific. It stays consistent in any light, but in the afternoon, it can really make a room feel like it&amp;#039;s glowing.&amp;quot; -Brad Ford Cotton, C2-320 W, C2 Paint  &amp;quot;White is not a shy color\u2014it makes everything placed in its path come forward. And &amp;quot;Cotton&amp;quot; by C2 is the softest of whites, with a touch of yellow as its undertone. It&amp;#039;s the perfect backdrop to enhance wood and I especially love it in bedrooms: It makes skin sparkle.&amp;quot; -Elizabeth Martin Honeymilk, 7003-4, Valspar &amp;quot;Getting white paint right can be a daunting proposition. Your best bet is a kinder, warmer white that has just a hint of gray or beige in it. Honeymilk is a soft white that&amp;#039;s great for walls. I&amp;#039;ve used it in a gazillion rooms and have never been disappointed.&amp;quot; -Elaine Griffin  Lily of the Vally, 905, Benjamin Moore &amp;quot;I found this color more than 20 years ago when I wanted a really great, warm white for trim, and it has been my standby ever since. It works well in rooms that get a lot of light and also in those that need it.&amp;quot; -Alessandra Branca Great White, No. 2006 Farrow &amp;amp;amp; Ball &amp;quot;It&amp;#039;s a white with character, and it&amp;#039;s anything but sterile. Great White works best in natural light, particularly in the morning when fresh, warm tones peek in. Throughout the day, it changes color ever so slightly\u2014from white to not-quite-gray.&amp;quot; -Kara Mann Decorator&amp;#039;s White, CC-20, Benjamin Moore &amp;quot;I love this white for ceilings and woodwork, or in any room where I want a bright, clean white. It works well in all applications and with every kind of light source. Some whites can be cold and slightly blue, while others can have a creamy, yellow tone, but Decorator&amp;#039;s White is a true white that is both warm and modern.&amp;quot; -Jeff Andrews Paper White, OC-55,&amp;amp;nbsp;Benjamin Moore &amp;quot;I use it in kitchens and bathrooms because it melds the grays of Carrara marble and the stark white of sinks and toilets.&amp;quot; -Katie Ridder  Pointing, No. 2003, Farrow &amp;amp;amp; Ball &amp;quot;It is the perfect ivory for almost every setting\u2014not too bright and not too creamy. We&amp;#039;re all about striking that balance. It&amp;#039;s proven itself in both a sun-drenched farmhouse living room and a one-windowed New York City bedroom.&amp;quot; -Anne Maxwell Foster &amp;amp;amp; Suysel dePedro Cunningham,&amp;amp;nbsp;Tilton Fenwick\u200B White Wisp, OC-054, Benjamin Moore &amp;quot;It&amp;#039;s a tinted white with a hint of gray-green, but it reads as bright white. I like to use it on the trim&amp;amp;nbsp;for cool-colored walls. I use quite a bit of wall coverings in hemp cloth and other natural materials. White Wisp as a trim makes many of these papers look crisp.&amp;quot; -Frank Roop\u200B Huntington White, DC-02, Benjamin Moore&amp;amp;nbsp; &amp;quot;I discovered my favorite, Huntington White, through much trial and error while working on my line of paint for Benjamin Moore. It&amp;#039;s pleasingly chameleon-like. It saturates and radiates consistently, where many whites are inconsistent and change appearance during different times of day.&amp;quot; -Darryl Carter "^^<http://www.w3.org/2001/XMLSchema#string>
<http://www.elledecor.com/design-decorate/color/advice/a3448/the-right-white-a-70889/>