Also of note is the Renaissance c.1520 terracotta sedilia, once thought to be a memorial to Abbot Loye Ferrers. This is Italian work from the same workshop as tombs at Oxborough, Norfolk and Layer Marney, Essex. Note also the 1712 Georgian candelabrum (now in the Lady Chapel) and Royal Arms of George II (south aisle), the carved octagonal 15th Century font with modern gilded font cover by Cecil Upcher, the Arts and Crafts Triptych by E P Warren and Robert Anning Bell in the Lady Chapel and many smaller features such as angels, musicians and figures carved on the roof timbers and corbels.
Also of note is the Renaissance c.1520 terracotta sedilia, once thought to be a memorial to Abbot Loye Ferrers. This is Italian work from the same workshop as tombs at Oxborough, Norfolk and Layer Marney, Essex. Note also the 1712 Georgian candelabrum (now in the Lady Chapel) and Royal Arms of George II (south aisle), the carved octagonal 15th Century font with modern gilded font cover by Cecil Upcher, the Arts and Crafts Triptych by E P Warren and Robert Anning Bell in the Lady Chapel and many smaller features such as angels, musicians and figures carved on the roof timbers and corbels.