With the advertisement of film technologies over content, actualities initially began as a "series of views" that often contained shots of beautiful and lively places or performance acts. Following the success of their 1895 screening, The Lumière brothers established a company and sent cameramen across the world to capture new subjects for presentation. After the cinematographer shot scenes, they often exhibited their recordings locally and then sent them back to the company factory in Lyon to make duplicate prints for sale to whoever wanted them. In the process of filming actualities, especially those of real events, filmmakers discovered and experimented with multiple camera techniques to accommodate for their unpredictable nature. Due to the short length (often only one shot) of many actualities, catalogue records indicate that production companies marketed to exhibitors by promoting multiple actualities with related subject matters that could be purchased to complement each other. Exhibitors who bought the films often presented them in a program and would provide spoken accompaniment to explain the action on screen to audiences.
With the advertisement of film technologies over content, actualities initially began as a "series of views" that often contained shots of beautiful and lively places or performance acts. Following the success of their 1895 screening, The Lumière brothers established a company and sent cameramen across the world to capture new subjects for presentation. After the cinematographer shot scenes, they often exhibited their recordings locally and then sent them back to the company factory in Lyon to make duplicate prints for sale to whoever wanted them. In the process of filming actualities, especially those of real events, filmmakers discovered and experimented with multiple camera techniques to accommodate for their unpredictable nature. Due to the short length (often only one shot) of many actualities, catalogue records indicate that production companies marketed to exhibitors by promoting multiple actualities with related subject matters that could be purchased to complement each other. Exhibitors who bought the films often presented them in a program and would provide spoken accompaniment to explain the action on screen to audiences.