Reviewing it for its 30th anniversary, film critic Roger Ebert regarded it as "an example of superb old-style craftsmanship at the service of a soppy romantic vision", and wrote that "the story, especially as it has been simplified by Lean and his screenwriter, Robert Bolt, seems political in the same sense Gone with the Wind is political, as spectacle and backdrop, without ideology", concluding that the political content is treated mostly as a "sideshow". Geoffrey Macnab of The Independent reviewed the film for its 50th anniversary and noted director David Lean's "extraordinary artistry" but found the film bordering on "kitsch". Macnab also felt that the musical score by Maurice Jarre still stood up but criticised the English accents.
Reviewing it for its 30th anniversary, film critic Roger Ebert regarded it as "an example of superb old-style craftsmanship at the service of a soppy romantic vision", and wrote that "the story, especially as it has been simplified by Lean and his screenwriter Robert Bolt, seems political in the same sense Gone with the Wind is political, as spectacle and backdrop, without ideology", concluding that the political content is treated mostly as a "sideshow". Geoffrey Macnab of The Independent reviewed the film for its 50th anniversary and noted director David Lean's "extraordinary artistry" but found the film bordering on "kitsch". Macnab also felt that the musical score by Maurice Jarre still stood up but criticised the English accents.