Restaging In 1989, film and stage director Ingmar Bergman staged and published a shortened reworking of the play, now entitled Nora, which entirely omitted the characters of the servants and the children, focusing more on the power struggle between Nora and Torvald. It was widely viewed as downplaying the feminist themes of Ibsen's original. The first staging of it in New York City was reviewed by The New York Times as heightening the play's melodramatic aspects. The Los Angeles Times stated that "Nora shores up A Doll's House in some areas but weakens it in others." Lucas Hnath wrote A Doll's House, Part 2 in 2017, as a followup about Nora returning. In 2017, performance artist Cherdonna Shinatra wrote and starred in a reworking of the play titled "Cherdonna's Doll House" under the direction of Ali Mohamed el-Gasseir. The production was staged at 12th Avenue Arts through Washington Ensemble Theatre. Brendan Kiley of The Seattle Times described it as a "triple-decker satire" in which "Cherdonna’s version of Ibsen’s play about femininity turns into a kind of memoir about Kuehner’s neither-here-nor-there career identity." In 2019, the Citizens Theatre in Glasgow performed Nora: A Doll's House by Stef Smith, a radical reworking of the play, with three actors playing Nora, simultaneously taking place in 1918, 1968, and 2018. The production later transferred to the Young Vic in London. In 2019, Samuel Adamson's reworking of the play, titled Wife, was staged at the Kiln Theatre in Kilburn, London. It sets the play in different versions covering 80 years, between 1959 and 2042. In 2022, Indian theatre director Amitesh Grover staged the play at the National School of Drama (India), expanding on the role of the female servants and designing an expressionistic set which collapsed on Nora's husband, Torvald Helmer, at the end of the play.
Restaging In 1989 film and stage director Ingmar Bergman staged and published a shortened reworking of the play now entitled Nora which entirely omitted the characters of the servants and the children focusing more on the power struggle between Nora and Torvald It was widely viewed as downplaying the feminist themes of Ibsen's original The first staging of it in New York City was reviewed by The New York Times as heightening the play's melodramatic aspects The Los Angeles Times stated that "Nora shores up A Doll's House in some areas but weakens it in others" Lucas Hnath wrote A Doll's House Part 2 in 2017 as a followup about Nora returning In 2017 performance artist Cherdonna Shinatra wrote and starred in a reworking of the play titled "Cherdonna's Doll House" under the direction of Ali Mohamed el-Gasseir The production was staged at 12th Avenue Arts through Washington Ensemble Theatre Brendan Kiley of The Seattle Times described it as a "triple-decker satire" in which "Cherdonna’s version of Ibsen’s play about femininity turns into a kind of memoir about Kuehner’s neither-here-nor-there career identity" In 2019 the Citizens Theatre in Glasgow performed Nora A Doll's House by Stef Smith a radical reworking of the play with three actors playing Nora simultaneously taking place in 1918 1968 and 2018 The production later transferred to the Young Vic in London In 2019 Samuel Adamson's reworking of the play titled Wife was staged at the Kiln Theatre in Kilburn London It sets the play in different versions covering 80 years between 1959 and 2042 In 2022 Indian theatre director Amitesh Grover staged the play at the National School of Drama (India) expanding on the role of the female servants and designing an expressionistic set which collapsed on Nora's husband Torvald Helmer at the end of the play