The song is also an early example of Dead Kennedys' style, with heavy surf rock and militaristic overtones. It begins with sinister military-style drums, joined by an ominous bass riff. Biafra paints the scene in low, sneering tones before bursting into the manic chanted chorus; after two verses and choruses, the song shifts into a slower middle eight section set to a martial drumbeat over which Jello Biafra imagines the nightmarish actions of Brown's SS-styled secret police ("Come quietly to the camp; you'd look nice as a drawstring lamp," a reference to the allegation that lampshades were made from human skin during the Holocaust). The pace speeds up as it approaches the last iteration of the chorus, closing with a repeated chord sequence accompanied by a final burst of explosive drums.
The song is also an early example of Dead Kennedys' style, with heavy surf rock and militaristic overtones. It begins with sinister military-style drums, joined by an ominous bass riff. Biafra paints the scene in low, sneering tones before bursting into the manic chanted chorus; after two verses and choruses, the song shifts into a slower middle eight section set to a martial drumbeat over which Jello Biafra imagines the nightmarish actions of Brown's SS-styled secret police ("Come quietly to the camp; you'd look nice as a drawstring lamp," a reference to the allegation that lampshades were made from human skin during the Holocaust). The pace speeds up as it approaches the last iteration of the chorus, closing with a repeated chord sequence accompanied by a final burst of explosive drums