In the script, he experimented with "reflections of life – as if a ghost were drifting in the rain". These "reflections" of sidewalks, bridges, glass, and neon make the film a visual prototype of the nineteen-forties film noir.
in the script he experimented with "reflections of life – as if a ghost were drifting in the rain" these "reflections" of sidewalks bridges glass and neon make the film a visual prototype of the nineteen-forties film noir