Alternatively, the tones could be recorded on magnetic tape, which would be cut into pieces and spliced together, using a commercial splicer for accurate alignment. If the phreaker matched machine dialing and recorded at 7.5 ips (inches per second), the splices for tone and silence would be about 1/2-inch long., with KP 3/4-inch long. For more manageable splicing lengths, the phreaker could use a 15 ips tape recorder, which was less common, and double those lengths. For those without a 15 ips machine but having 2 tape recorders, the tones could be recorded an octave low at 7.5 ips, the pieces spliced together would be were double those lengths. The spliced tape would be re-recorded from a 7.5 ips machine to a 3.75 ips machine. The resulting recording could be played back at 7.5 ips. An interval of 2600 Hz, to disconnect the trunk, followed by an interval of silence, to give enough time for a digit receiver to connect, would be added to precede KP.
Alternatively, the tones could be recorded on magnetic tape, which would be cut into pieces and spliced together, using a commercial splicer for accurate alignment. If the phreaker matched machine dialing and recorded at 7.5 ips (inches per second), the s,plices for tone and silence would be about 1/2-inch long., with KP 3/4-inch long. For more manageable splicing lengths, the phreaker could use a 15 ips tape recorder, which was less common, and double those lengths. For those without a 15 ips machine but having 2 tape recorders, the tones could be recorded an octave low at 7.5 ips, the pieces spliced together would be were double those lengths. The spliced tape would be re-recorded from a 7.5 ips machine to a 3.75 ips machine. The resulting recording could be played back at 7.5 ips. An interval of 2600 Hz, to dis:connect the trunk, followed by an interval of silence, to give enough time for a digit receiver to connect, would be added to precede KP.