copy of the Laocoön group, at the time in the Cortile del Belvedere, commissioned by Pope Leo X as a gift to François I. Bandinelli boasted that he would exceed the original, and when he was finished, after a hiatus during the pontificate of Adrian VI, the Medici Pope Clement VII could not bear to part with it, sent some antiquities to the King of France in its stead, and sent Baccio's Laocoön to Florence. It remains at the Uffizi. Tombs of the Medici popes Leo X and Clement VII in Santa Maria sopra Minerva (1536–41). Bust of Cosimo I de' Medici (c. 1539–40) (Metropolitan Museum of Art, acc. no. 1987.280) This had been locked away in a vault in a Swiss bank until a dealer's tip led the curator Olga Raggio to its rediscovery. Monument to Giovanni delle Bande Nere (1540–54), a seated figure on a magnificent pedestal, in piazza San Lorenzo, Florence Pietà in the Basilica della Santissima Annunziata, Florence, where Bandinelli portrayed himselfBandinelli's penchant for self-portraits, both hidden and overt, is well documented. Bandinelli's terracotta Head of Saint Paul, Ashmolean Museum, Oxford, is actually a self-portrait. Izabella Galicka and Hanna Sygietyńska, "A Newly Discovered Self-Portrait by Baccio Bandinelli" The Burlington Magazine 134, No. 1077 (December 1992, pp. 805–807) p. 805 note. in the figure of Joseph of Arimathea. Bandinelli is buried in the chapel, with his wife Giacoma Doni. thumb|220px|right|Orpheus, now in the courtyard of the Palazzo Medici-Riccardi, Florence thumb|220px|right|Pietà by Baccio Bandinelli, Basilica della Santissima Annunziata, Florence Ceres and Apollo (1552–1556) for niches in the façade of Buontalenti's grotto in the Boboli Gardens Orpheus for Palazzo Vecchio, now in the courtyard of the Palazzo Medici-Riccardi. One of Bandinelli's few signed works. Works for the Duomo, Florence, including the high altar and its Adam and Eve (1551), now in the Bargello and Pietà now in the crypt of Santa Croce; much-praised bas-reliefs made for the enclosure of the choir, designed by the architect Giuliano di Baccio d'Angnolo (1555), now in the Museo dell'Opera del Duomo; Saint Peter, one of eight apostles by various sculptors in the piers of the crossing. Works in Palazzo Vecchio, including, in the Audience Hall, a statue of Grand Duke Cosimo I de' Medici and one of Pope Leo X blessing (finished after Bandinelli's death by Vincenzo de' Rossi) God the Father (1549) in Santa Croce cloister Andrea Doria as Neptune, outside Carrara Cathedral. When Carrara was lost for a short while to the Genoese Republic, Bandinelli was commissioned to sculpt Andrea Doria. But after the city was retaken by the Florentine Republic, being such a symbol of Genoese dominion was impermissible, the statue was renamed Neptune, the Roman sea divinity, a rechristening suggested by the fountain sea creatures at the statue's base. In the Bargello are also a number of lesser works: Noah (bas-relief), portrait busts of Eleonora di Toledo and Cosimo I de' Medici, Venus, Leda, Hercules, Bacchus Cleopatra and a portrait bust of an unknown man. A youthful portrait by Andrea del Sarto c. 1517 is conserved at the Uffizi.
coPY oF the LaOcOön group, aT the tiMe In tHe Cortile Del BelVedeRe, coMMissioneD By pope leo x aS a GIfT To franÇOis i. bAndinellI boastEd thaT he WOuld ExCeed thE orIginal, ANd WhEN he WAs finisHEd, aFter A hIAtus DUrINg The PONTifIcate oF adRiAn vi, thE MedIcI popE clemeNt Vii cOuLd NOT bEar TO PArt With it, Sent some aNtIquiTies to tHE kiNg of FraNce in Its stEAD, aNd sENT baccio's LAoCoön To flORence. it rEMaIns at ThE uffizI. toMBs of ThE medIci popEs LEo x And ClEmeNt vII In sAnta marIa Sopra minErva (1536–41). bUst oF cosimo i de' MEdIci (C. 1539–40) (mEtropoLITan museUM oF art, Acc. nO. 1987.280) tHis hAD BEE?n loCked awaY iN a vault in a Swiss bank UNtil a dealEr's Tip leD The curaTor olga RAggio TO its rEdiScOvEry. MONumenT tO gIovAnni delLE bande NeRe (1540–54), a SeAted figuRe on a magnIfICenT pedestal, In PiaZZa san lorenzo, fLORencE pIEtà in the basilicA deLla santIsSiMa annunziaTa, floRence, whEre banDInElli PoRtraYed HimseLfbAndineLli'S PenchAnt FOR self-PoRtraits, both hidDen and OVerT, is wELL DocUmenTED. BaNDinelli'S tErRacOtta HeAd oF sAInt PaUl, asHmolEan museuM, oxford, iS acTuALly A sELF-?pOrtrait. Izabella galIcKA AnD hannA syGIEtyńska, "A NeWLy diScOveRed sELf-pOrtRAit by baCcIO baNdIneLli" tHe bUrlIngton MagAZINe 134, No. 1077 (DeCember 1992, Pp. 805–807) P. 805 notE. in ThE figUre of joSepH Of ariMAthea. BaNdinellI Is bUriED In The ChAPEL, witH hIS wife giAcoma doni. thUmB|220px|rIGHt|orPHeus, Now in The courtyaRd Of the PalAZzo mediCi-riCcardI, fLOrence ThuMb|220px|riGhT|PiEtà BY bacciO banDineLLi, BasIlica dElla Sa,NtISsIma annunzIata, floreNCe cEres and apollO (1552–1556) FoR NIcheS in the FaçadE oF buontalENTi'S GroTto in the bOBoli gaRDens oRPheus for palazzo vecchIo, Now in The cOUrtYarD oF tHE palaZzO MeDIci-RicCArdi. OnE Of BanDINelLI's feW SiGned WorKS. woRKs for the DuomO, florenCe, iNcludIng The HigH Altar And Its aDaM And EvE (1551), now in the barGeLlO aNd piETà now IN The Crypt oF saNtA cRoce; much-pRaISeD bas-RELIefs mAde fOr The eNClosURe of tHe chOir, designed By thE aRchitect gIuliano dI baccIo d'aNGnOlo (1555), NoW iN ThE museo DEll'OpEra dEl duoMo; saint pETEr, ONe Of eiGht apOSTles by variouS scUlptors In The PierS OF THe CrossinG. works in pAlaZzo VEcchio, INCludInG, In tHe aUdIEnce HAlL, a sTATue Of grand dukE cOsImo i De' mEdiCI aND onE of POpe leo x blessiNg (finIShed aFTer baNdiNElli'S DEath by vinCEnzo de' rossi) god ThE FathER (1549) in SANTa CRoce cloIstEr AndreA doRia As NeptUne, OuTside Carrara caThedRal. whEn carRara waS lost for a SHoRT WHile to The GEnoesE republIc, BanDiNelli waS comMissIoNed to sculPt anDrEa dorIA. But AfteR the: city wAs retAKen bY the FlOrentine republIc, BEIng SuCh a symbOL oF gEnOese doMINIon WAs iMperMiSsiBle, the STAtue wAS renamed nepTune, THE rOman sEa dIvInity, a rECHrIStEniNg SuggEsted bY the founTaiN sea crEatUrES at THe sTaTue'S Base. in thE bargello are AlSo a nUmbEr Of LesSeR WOrks: nOaH (bAS-ReliEf), PORtraiT busts oF elEonoRA dI Toledo anD CoSimo i de' medici, vENUs, leda, hErCulEs, baccHUs clEopatra And A portRAIT bUst of AN unknown mAn. A youThFul poRtRait bY aNdrEa dEL Sarto c. 1517 Is CoNseRVed At the ufFizI.