This group of drawings in the Recueil d'Arras may be based on the work of Meynnart Wewyck, an artist at the Tudor court who travelled to Scotland in the years after Perkin Warbeck had left.Charlotte Bolland & Andrew Chen, 'Meynnart Wewyck and the portrait of Lady Margaret Beaufort', Burlington Magazine, 161 (April 2019), 316–318: James Balfour Paul, Accounts of the Treasurer, 1500–1504, vol. 2 (Edinburgh, 1900), p. 405. There he was known as "Mynours the English painter".Susan Hannabus & Michael Apted, Painters in Scotland (Edinburgh: Scottish Record Society, 1978), 68–69. Another painter, Piers, from Antwerp, was his successor at the Scottish court,David Ditchburn, Scotland and Europe, the medieval kingdom and its contacts with Christendom, c. 1214–1545, vol. 1 (Tuckwell, 2001), 119. and he has also been suggested as the source of the Scottish portraits in the Recueil.Andrea Thomas, Princelie Majestie: The Court of James V (Edinburgh: John Donald), 80: Jill Harrison, 'Fresh Perspectives on Hugo van Goes' Portrait of Margaret of Denmark and the Trinity Altarpiece', Court Historian, 24:2 (2019), 128–129.
This group of drawings in the Recueil d'Arras may be based on the work of Meynnart Wewyck, an artist at the Tudor court who travelled to Scotland in the years after Perkin Warbeck had left.Charlotte Bolland & Andrew Chen, 'Meynnart Wewyck and the portrait of Lady Margaret Beaufort', Burlington Magazine, 161 (April 2019), 316–318: James Balfour Paul, Accounts of the Treasurer, 1500–1504, vol 2 (Edinburgh, 1900), p. 405. There he was known as "Mynours the English painter".Susan Hannabus & Michael Apted, Painters in Scotland (Edinburgh: Scottish Record Society, 1978), 68–69. Another painter, .Piers, from Antwerp, was his successor at the Scottish court,David Ditchburn, Scotland and Europe, the medieval kingdom and its contacts with Christendom, c. 1214–1545, vol. 1 (Tuckwell, 2001), 119. and he has also been suggested as the source of the Scottish portraits in the Recueil.Andrea Thomas, Princelie Majestie: The Court of James V (Edinburgh: John Donald), 80: Jill Harrison, 'Fresh Perspectives on Hugo van Goes' Portrait of Margaret of Denmark and the Trinity Altarpiece', Court Historian, 24:2 (2019), 128–129.