For Whom the Bell Tolls had its New York premiere on 14 July 1943. With "Selznick's steady boosting", she played the part of Maria, it was also her first color film. For the role, she received her first Academy Award nomination for Best Actress. The film was adapted from Ernest Hemingway's novel of the same title and co-starred Gary Cooper. When the book was sold to Paramount Pictures, Hemingway stated that "Miss Bergman, and no one else, should play the part". His opinion came from seeing her in her first American role, Intermezzo. They met a few weeks later, and after studying her, he declared, "You are Maria!".Carlile, Thomas, and Speiser, Jean. Life, 26 July 1943, pp. 98–104. James Agee, writing in The Nation, said Bergman "bears a startling resemblance to an imaginable human being; she really knows how to act, in a blend of poetic grace with quiet realism, which almost never appears in American pictures." He speaks movingly of her character's confession of her rape, and her scene of farewell, "which is shattering to watch". Agee believed that Bergman has truly studied what Maria might feel and look like in real life, and not in a Hollywood film. Her performance is both "devastating and wonderful to see".
For Whom the Bell Tolls had its New York premiere on 14 July 1943. With "Selznick's steady boosting", she played the part of Maria, it was also her first color film. For the role, she received her first Academy Award nomination for Best Actress. The film was adapted from Ernest Hemingway's novel of the same title and co-starred Gary Cooper. When the book was sold to Paramount Pictures, Hemingway stated that "Miss Bergman, and no one else, should play the part". His opinion came from seeing her in her first American role, Intermezzo. They met a few weeks later, and after studying her, he declared, "You are Maria!".Carlile, Thomas, and Speiser, Jean. Life, 26 July 1943, pp. 98–104. James Agee, writing in The Nation, said Bergman "bears a startling resemblance to an imagin.able human being; she really knows how to act, in a blend of poetic grace with quiet realism, which almost never appears in American pictures" He speaks movingly of her character's confession of her rape, and her scene of farewell, "which is shattering to watch". Agee believed that Bergman has truly studied what Maria might feel and look like in real life and not in a Hollywood film Her performance is both "devastating and wonderful to see".