From 1512, Maximilian I became Dürer's major patron. He commissioned The Triumphal Arch, a vast work printed from 192 separate blocks, the symbolism of which is partly informed by Pirckheimer's translation of Horapollo's Hieroglyphica. The design program and explanations were devised by Johannes Stabius, the architectural design by the master builder and court-painter Jörg Kölderer and the woodcutting itself by Hieronymous Andreae, with Dürer as designer-in-chief. The Arch was followed by The Triumphal Procession completed c. 1512.
From 1512 Maximilian I became Dürer's major patron He commissioned The Triumphal Arch a vast work printed from 192 separate blocks the symbolism of which is partly informed by Pirckheimer's translation of Horapollo's Hieroglyphica The design program and explanations were devised by Johannes Stabius the architectural design by the master builder and court-painter Jörg Kölderer and the woodcutting itself by Hieronymous Andreae with Dürer as designer-in-chief The Arch was followed by The Triumphal Procession completed c 1512