While this demand for housing was mostly dealt with by private entrepreneurs who built on pure speculation, street width and building heights were strictly regulated by the new city plans which ensured the city that evolved was given a uniform design. A trend initiated by the Bünsow House at Strandvägen, the 1880s saw many monumental brick buildings evolve, including Gamla Riksarkivet and the Norstedt Building on Riddarholmen. Before the end of the decade, most new buildings were equipped with electricity and telephones were increasingly common. During the 1890s, the Neo-Renaissance plaster architecture was replaced by structures in brick and natural stone, largely inspired by French Renaissance architecture. Around what still was factories outside the customs of Stockholm, shacks whose sanitary conditions defied all description evolved. Before the end of the century, however, these were transformed into municipal societies, which facilitated regulation of health and construction, and by the turn of the century, the expansion had continued far beyond the city limits, with villa suburbs initiated by individuals adding a mix of purely speculative structures and more qualitative ambitions. The new century saw the introduction of Art Nouveau with the Central Post Office Building by Boberg (1898–1904) and Neo-Baroque with the Riksdag (1894–1906). Throughout the 1910s, trams were electrified and cars were rolling on the streets of Stockholm.
While this demand for housing was mostly dealt with by private entrepreneurs who built on pure speculation street width and building heights were strictly regulated by the new city plans which ensured the city that evolved was given a uniform design A trend initiated by the Bünsow House at Strandvägen the 1880s saw many monumental brick buildings evolve including Gamla Riksarkivet and the Norstedt Building on Riddarholmen Before the end of the decade most new buildings were equipped with electricity and telephones were increasingly common During the 1890s the Neo-Renaissance plaster architecture was replaced by structures in brick and natural stone largely inspired by French Renaissance architecture Around what still was factories outside the customs of Stockholm shacks whose sanitary conditions defied all description evolved Before the end of the century however these were transformed into municipal societies which facilitated regulation of health and construction and by the turn of the century the expansion had continued far beyond the city limits with villa suburbs initiated by individuals adding a mix of purely speculative structures and more qualitative ambitions The new century saw the introduction of Art Nouveau with the Central Post Office Building by Boberg (1898–1904) and Neo-Baroque with the Riksdag (1894–1906) Throughout the 1910s trams were electrified and cars were rolling on the streets of Stockholm