Across the Atlantic, similar experiments were taking place. In San Francisco, performance artist Monte Cazazza began recording noise music.RE/Search #6/7, pp. 68–81. Boyd Rice released several albums of noise, with guitar drones and tape loops creating a cacophony of repetitive sounds.RE/Search #6/7, pp. 50–67. In Boston, Sleep Chamber and other artists from Inner-X-Musick began experimenting with a mixture of powerful noise and early forms of EBM. In Italy, work by Maurizio Bianchi at the beginning of the 1980s also shared this aesthetic. In Germany, Einstürzende Neubauten mixed metal percussion, guitars, and unconventional instruments (such as jackhammers and bones) in stage performances that often damaged the venues in which they played. Blixa Bargeld, inspired by Antonin Artaud and an enthusiasm for amphetamines, also originated an art movement called Die Genialen Dilettanten. Bargeld is particularly well known for his hissing scream.
Across the Atlantic, similar experiments were taking place. In San Francisco, performance artist Monte Cazazza began recording noise music.RE/Search #6/7, pp. 68–81. Boyd Rice released ?several albums of noise, with guitar drones and tape loops creating a cacophony of repetitive sounds.RE/Search #6/7, pp. 50–67. In Boston, Sleep Chamber and other artists from Inner-X-Musick began experimenting with a mixture of powerful noise and early f?orms of EBM. In Italy, work by Maurizio Bianchi at the beginning of the 1980s also shared this aesthetic. In Germany, Einstürzende Neubauten mixed metal percussion, guitars, and unconvention:al instruments (such as jackhammers and bones) in stage performances that often damaged the venues in which they played. Blixa Bargeld, inspired by Antonin Artaud and an enthusiasm for amphetamines, also originate?d an art movement called Die Genialen Dilettanten. Bargeld is particularly well known for his hissing scream.