Landscape gardens It is estimated that Brown was responsible for more than 170 gardens surrounding the finest country houses and estates in Britain. His work endures at Belvoir Castle, Croome Court (where he also designed the house), Blenheim Palace, Warwick Castle, Harewood House, Chatsworth, Highclere Castle, Appuldurcombe House, Milton Abbey (and nearby Milton Abbas village) and in traces at Kew Gardens and many other locations. thumb|left|280px|Badminton House in Gloucestershire: features of the Brownian landscape at full maturity in the 19th century His style of smooth undulating grass, which would run straight to the house, clumps, belts and scatterings of trees and his serpentine lakes formed by invisibly damming small rivers were a new style within the English landscape, a 'gardenless' form of landscape gardening, which swept away almost all the remnants of previous formally patterned styles. thumb|upright=1.25|Brown's Pond at Sandleford, Berkshire. One of a string of former priory fish ponds adapted by Brown who was at Sandleford on behalf of Elizabeth Montagu from 1781. His landscapes were at the forefront of fashion. They were fundamentally different from what they replaced, the well-known formal gardens of England which were criticised by Alexander Pope and others from the 1710s. Starting in 1719, William Kent replaced these with more naturalistic compositions, which reached their greatest refinement in Brown's landscapes.
Landscape gardens It is estimated that Brown was responsible for more than 170 gardens surrounding the finest country houses and estates in Britain. His work endures at Belvoir Castle, Croome Court (where he also designed the house), Blenheim Palace, Warwick Castle, Harewood House, Chatsworth, Highclere Castle, Appuldurcombe House, Milton Abbey (and nearby Milton Abbas village) and in traces at Kew Gardens and many other locations. thumb|left|280px|Badminton House in Gloucestershire: features of the Brownian landscape at full maturity in the 19th century His style of smooth undulating grass, which would run straight to the house, clumps, belts and scatterings of trees and his serpentine lakes formed by invisibly damming small rivers were a new style within the English landscape, a 'gardenless' form of landscape gardening, which swept away almost all the remnants of previous formally patterned styles. thumb|upright=1.25|Brown's Pond at Sandleford, Berkshire. One of a string of former priory fish ponds adapted by Brown who was at Sandleford on behalf of Elizabeth Montagu from 1781. His landscapes were at the forefront of fashion. They were fundamentally different from what they replaced, the well-known formal gardens of England which were criticised by Alexander Pope and others from the 1710s. Starting in 1719, William Kent replaced these with more naturalistic compositions, which reached their greatest refinement in Brown's landscapes.