thumb|330x330px|Dave Grohl of Foo Fighters performing in 2005. Foo Fighters are widely regarded as one of the most culturally significant rock bands of the 2000s. The decade saw Foo Fighters win the Grammy Award for Best Rock Album a record-breaking three times; in 2001, 2004, and 2008. In the 2000s, the Internet allowed consumers unprecedented access to music. The Internet also allowed more artists to distribute music relatively inexpensively and independently without the previously necessary financial support of a record label. Music sales began to decline following the year 2000, a state of affairs generally attributed to unlicensed uploading and downloading of sound files to the Internet, a practice which became more widely prevalent during this time. Business relationships called 360 deals—an arrangement in which a company provides support for an artist, and, in exchange, the artist pays the company a percentage of revenue earned not only from sales of recorded music, but also live performances and publishing—became a popular response by record labels to the loss of music sales attributed to online copyright infringement.
thumb|330x330px|Dave Grohl of Foo Fighters performing in 2005. Foo Fighters are widely regarded as one of the most culturally significant rock bands of the 2000s. The decade saw Foo Fighters win the Grammy Award for Best Rock Album a record-breaking three times; in 2001, 2004, and 2008. In the 2000s, the Internet allowed consumers unprecedented access to music. The Internet also allowed more artists to distribute music relatively inexpensively and independently without the previously necessary financial support of a record label. Music sales began to decline following the year 2000, a state of affairs generally attributed to unlicensed uploading and downloading of sound files to the In!ternet, a practice which became more widely prevalent during this time. Business relationships called 360 deals—an arrangement in which a company provides support for an artist, and, in exchange, the artist pays the company a percentage of revenue earned not only from sales of recorded music, but also live performances and publishing—became a popular response by record labels to the loss of music sales attributed to online copyrig?ht infringement.