The 5 limit diatonic major scale (Ptolemy's intense diatonic scale) on C is shown in the table below: {| class="wikitable" style="text-align:center;" |+ Diatonic, justly tuned, major scale ! rowspan="4" | Note ! style="width:6em;" | Name ! colspan="2" style="width: 3em" | C ! colspan="2" style="width: 3em" | D ! colspan="2" style="width: 3em" | E ! colspan="2" style="width: 3em" | F ! colspan="2" style="width: 3em" | G ! colspan="2" style="width: 3em" | A ! colspan="2" style="width: 3em" | B ! colspan="2" style="width: 3em" | C |- ! Ratio from C | colspan="2" style="background: #fbb" | 1:1 | colspan="2" style="background: #8f6" | 9:8 | colspan="2" style="background: #aeb" | 5:4 | colspan="2" style="background: #fe8" | 4:3 | colspan="2" style="background: #fc8" | 3:2 | colspan="2" style="background: #fe8" | 5:3 | colspan="2" style="background: #8f6" | 15:8 | colspan="2" style="background: #fe8" | 2:1 |- ! | colspan="2" | 24 | colspan="2" | 27 | colspan="2" | 30 | colspan="2" | 32 | colspan="2" | 36 | colspan="2" | 40 | colspan="2" | 45 | colspan="2" | 48 |- ! Cents | colspan="2" | 0 | colspan="2" | 204 | colspan="2" | 386 | colspan="2" | 498 | colspan="2" | 702 | colspan="2" | 884 | colspan="2" | 1088 | colspan="2" | 1200 |- | colspan="18" | |- ! rowspan="3" | Step ! Symbol | rowspan="3" style="background-color: white; width:1.5em" | | colspan="2" style="width:3em" | | colspan="2" style="width:3em" | | colspan="2" style="width:3em" | | colspan="2" style="width:3em" | | colspan="2" style="width:3em" | | colspan="2" style="width:3em" | | colspan="2" style="width:3em" | | rowspan="3" style="background-color: white; width: 1.5em" | |- ! Ratio | colspan="2" style="background: #8f6" | 9:8 | colspan="2" style="background: #5f3" | 10:9 | colspan="2" style="background: #2b2" | 16:15 | colspan="2" style="background: #8f6" | 9:8 | colspan="2" style="background: #5f3" | 10:9 | colspan="2" style="background: #8f6" | 9:8 | colspan="2" style="background: #2a2" | 16:15 |- ! Cents | colspan="2" | 204 | colspan="2" | 182 | colspan="2" | 112 | colspan="2" | 204 | colspan="2" | 182 | colspan="2" | 204 | colspan="2" | 112 |} thumb|Intervals of the C major scale in just intonation, compared with equal temperament (blue) In this example the interval from D up to A would be a wolf fifth with the ratio , about 680 cents; noticeably smaller than the 702 cents of the pure ratio. This is mentioned by Schenker in reference to the teaching of Bruckner.
the 5 limit diatonic major scale (ptolemy's intense diatonic scale) on c is shown in the table below {| class="wikitable" style="text-aligncenter;" |+ diatonic justly tuned major scale  rowspan="4" | note  style="width6em;" | name  colspan="2" style="width 3em" | c  colspan="2" style="width 3em" | d  colspan="2" style="width 3em" | e  colspan="2" style="width 3em" | f  colspan="2" style="width 3em" | g  colspan="2" style="width 3em" | a  colspan="2" style="width 3em" | b  colspan="2" style="width 3em" | c |-  ratio from c | colspan="2" style="background #fbb" | 11 | colspan="2" style="background #8f6" | 98 | colspan="2" style="background #aeb" | 54 | colspan="2" style="background #fe8" | 43 | colspan="2" style="background #fc8" | 32 | colspan="2" style="background #fe8" | 53 | colspan="2" style="background #8f6" | 158 | colspan="2" style="background #fe8" | 21 |-  | colspan="2" | 24 | colspan="2" | 27 | colspan="2" | 30 | colspan="2" | 32 | colspan="2" | 36 | colspan="2" | 40 | colspan="2" | 45 | colspan="2" | 48 |-  cents | colspan="2" | 0 | colspan="2" | 204 | colspan="2" | 386 | colspan="2" | 498 | colspan="2" | 702 | colspan="2" | 884 | colspan="2" | 1088 | colspan="2" | 1200 |- | colspan="18" | |-  rowspan="3" | step  symbol | rowspan="3" style="background-color white; width15em" | | colspan="2" style="width3em" | | colspan="2" style="width3em" | | colspan="2" style="width3em" | | colspan="2" style="width3em" | | colspan="2" style="width3em" | | colspan="2" style="width3em" | | colspan="2" style="width3em" | | rowspan="3" style="background-color white; width 15em" | |-  ratio | colspan="2" style="background #8f6" | 98 | colspan="2" style="background #5f3" | 109 | colspan="2" style="background #2b2" | 1615 | colspan="2" style="background #8f6" | 98 | colspan="2" style="background #5f3" | 109 | colspan="2" style="background #8f6" | 98 | colspan="2" style="background #2a2" | 1615 |-  cents | colspan="2" | 204 | colspan="2" | 182 | colspan="2" | 112 | colspan="2" | 204 | colspan="2" | 182 | colspan="2" | 204 | colspan="2" | 112 |} thumb|intervals of the c major scale in just intonation compared with equal temperament (blue) in this example the interval from d up to a would be a wolf fifth with the ratio  about 680 cents; noticeably smaller than the 702 cents of the pure ratio this is mentioned by schenker in reference to the teaching of bruckner