The opera (in the revised version) was first performed in Madrid on 1 February 1855 with Spezia-Aldighieri at Teatro Real, in Vienna on 4 May 1855 in Italian and in Barcelona on 25 October at Gran Teatre del Liceu. It was first performed in England on 24 May 1856 in Italian at Her Majesty's Theatre in London, where it was considered morally questionable, and "the heads of the Church did their best to put an injunction upon performance; the Queen refrained from visiting the theatre during the performances, though the music, words and all, were not unheard at the palace".Leslie's (13 December 1856), p. 18, quoted and cited in . It was first performed in the United States by the Max Maretzek Italian Opera Company on 3 December 1856 in Italian at the Academy of Music in New York. George Templeton Strong noted in his diary: "People say the plot's immoral, but I don't see that it's so much worse than many others, not to speak of Don Giovanni, which as put on the stage is little but rampant lechery", while the Evening Post critic wrote: "Those who have quietly sat through the glaring improprieties of Don Giovanni will hardly blush or frown at anything in La traviata."Evening Post (4 December 1856), p. 18, quoted and cited in .
The opera (in the revised version) was first performed in Madrid on 1 February 1855 with Spezia-Aldighieri at Teatro Real, in Vienna on 4 May 1855 in Italian and in Barcelona on 25 October at Gran Teatre del Liceu. It was first performed in England on 24 May 1856 in Italian at Her Majesty's Theatre in London, where it was considered morally questionable, and "the heads of the Church did their best to put an injunction upon performance; the Queen refrained from visiting the theatre during the performances, though the music, words and all, were not unheard at the palace".Leslie's (13 December 1856), p. 18, quoted and cited in . It was first performed in the United States by the Max Maretzek Italian Opera Company on 3 December 1856 in Italian at the Academy of Music in New York. George Templeton Strong noted in his diary: "People say the plot's immoral, but I don't see that it's so much worse than many others, not to speak of Don Giovanni, which as put on the stage is little but rampant lechery", while the Evening Post critic wrote: "Those who have quietly sat through the glaring improprieties of Don Giovanni will hardly blush or frown at anything in La traviata."Evening Post (4 December 1856), p. 18 quoted and cited in .