17th century thumb|Baroque design by Jacob Jordaens, Creation of the Horse, from an equine series, woven in wool, silk, gold and silver, Brussels, 1650s The early part of the 17th century saw the taste for tapestry among the elite continuing, although painting was steadily gaining ground. Brussels remained much the most important weaving centre, and Rubens, mostly based in Antwerp not far away, brought the grand Baroque style to the medium, with Jacob Jordaens and others also designing many.Osborne, 760 In later generations important designers included Justus van Egmont (d. 1674), Ludwig van Schoor (d. 1702) and Jan van Orley (d. 1735, the last of a long-lasting dynasty). The Brussels workshops declined somewhat in the second half of the century, both as large Flemish Baroque paintings took some of their market, and French competition squeezed the remaining niche for tapestries.
17th century thumb|baroque design by jacob jordaens creation of the horse from an equine series woven in wool silk gold and silver brussels 1650s the early part of the 17th century saw the taste for tapestry among the elite continuing although painting was steadily gaining ground brussels remained much the most important weaving centre and rubens mostly based in antwerp not far away brought the grand baroque style to the medium with jacob jordaens and others also designing manyosborne 760 in later generations important designers included justus van egmont (d 1674) ludwig van schoor (d 1702) and jan van orley (d 1735 the last of a long-lasting dynasty) the brussels workshops declined somewhat in the second half of the century both as large flemish baroque paintings took some of their market and french competition squeezed the remaining niche for tapestries