Three mystical authors are considered true national glories (although claimed with equal ardor by Iran), namely: Khwaja Abdullah Ansari of Herat, a great mystic and Sufi saint in the 11th century, Sanai of Ghazni, author of mystical poems in the 12th century, and, finally, Rumi of Balkh, in the 13th century, considered the greatest mystical poet of the Muslim world. The Afghan Pashto literature, although quantitatively remarkable and in great growth in the last century, has always had an essentially local meaning and importance, feeling the influence of both Persian literature and the contiguous literatures of India. Both main literatures, from the second half of the nineteenth century, have shown themselves to be sensitive to genres, movements and stylistic features imported from Europe.
Three mystical authors are considered true national glories (although claimed with equal ardor by Iran), name:ly: Khwaja Abdullah Ansari of Herat, a great mystic and Sufi saint in the 11th century, Sanai of Ghazni, author of mystical poems in the 12th century, and, finally, Rumi of Balkh, in the 13th century, considered the greatest mystic.al poet of the Muslim world. The Afghan Pashto literature, although quantitatively remarkable and in great growth in the last century, has always had an essentially local meaning and importance, feeling the influence of both Persian literature and the contiguous literatures of India. Both main literatures, from the second half of the nineteenth century, have shown themselves to be sensitive to genres, movements and stylistic features imported from Europe.