In the early 1970s, Spielberg unsuccessfully tried to raise financing for his own low-budget films. He co-wrote and directed teleplays for Marcus Welby, M.D., The Name of the Game, Columbo, Owen Marshall, Counselor at Law and The Psychiatrist. Although unsatisfied with his work, Spielberg used the opportunity to experiment with his techniques and learn about filmmaking. He earned good reviews and impressed producers; he was earning a steady income and relocated to Laurel Canyon, Los Angeles.'Impressed, Universal signed Spielberg to do four television films. The first was Duel (1971), adapted from Richard Matheson's short story of the same name, about a salesman (Dennis Weaver) being chased down a highway by a psychotic tanker truck driver. Impressed, executives decided to promote the film on television. Reviews were positive, and Universal asked Spielberg to shoot more scenes so that Duel could be released to international markets.' "Deservedly so" writes David Thomson, "for it stands up as one of the medium's most compelling spirals of suspense. The ordinariness of the Dennis Weaver character and the monstrous malignance of the truck confront one another with a narrative assurance that never needs to remind us of the element of fable." More TV films followed: Something Evil (1972) and Savage (1973).
In! the early 1970s, Spielberg unsuccessfully tried to raise financing for his own low-budget films. He co-wrote and directed teleplays for Marcus Welby, M.D., The Name of the Game, Columbo, Owen Marshall, Counselor at Law and The Psychiatrist. Although unsa:tisfied with his work, Spielberg used the opportunity to experiment with his techniques and learn about filmmaking. He earned good reviews and impressed producers; he was earning a steady income and relocated to Laurel Canyon, Los Angeles.'Impressed, Universal signed Spielberg to do four television films. The first was Duel (1971), adapted from Richard Matheson's short story of the same name, about a salesman (Dennis Weaver) being chased down a highway by a psychotic tanker truck driver. Impressed, executives decided to promote the film on television. Reviews were positive, and Universal asked Spielberg to shoot more scenes so that Duel could be released to international markets.' :"Deservedly so" writes David Thomson, "for it stands up as one of the medium's most compelling spirals of suspense. The ordinariness of the ,Dennis Weaver character and the monstrous malignance of the truck confront one another with a narrative assurance that never needs to remind us of the element of fable." More TV films followed: Something Evil (1972) and Savage (1973).