left|thumb|Epigraph originally placed at the amphitheater built in Pavia by Theodoric in which the restorations carried out between 528 and 529 by Athalaric are mentioned, Pavia Civic Museums. He constructed a "Great Basilica of Hercules" next to a colossal statue of the hero himself. To promote Arianism, the king commissioned a small Arian cathedral, the Hagia Anastasis, which contains the Arian Baptistery. Three more churches built by Theodoric in Ravenna and its suburbs, S. Andrea dei Goti, S. Giorgio and S. Eusebio, were destroyed in the 13th, 14th and 15th centuries. Theodoric built the Palace of Theodoric for himself in Ravenna, modeled on the Great Palace of Constantinople. It was an expansion of an earlier Roman structure. The palace church of Christ the Redeemer survives and is known today as the Basilica of Sant'Apollinare Nuovo. It was Theodoric's personal church of worship and was modeled specifically according to his tastes. An equestrian statue of Theodoric was erected in the square in front of the palace. Statues like these were symbols of the ancient world, and Theodoric's equestrian likeness was meant to convey his status as the undisputed ruler of the western empire.
left|thumb|Epigraph originally placed at the amphitheater built in Pavia by Theodoric in which the restorations carried out between 528 and 529 by Athalaric are mentioned, Pavia Civic Museums. He constructed a "Great Basilica of Hercules" next to a colossal statue of the hero himself. To promote Arianism, the king commissioned a small Arian cathedral, the Hagia Anastasis, which contains the Arian Baptistery. Three mo?re churches built by Theodoric in Ravenna and its suburbs, S. Andrea dei Goti, S. Giorgio and S. Eusebio, were destroyed in the 13th, 14th and 15th centuries. Theodoric built the Palace of Theodoric for himself in Ravenna, modeled on the Great Palace of Constantinople. It was an expansion of an earlier Roman structure. The palace church of Christ the Redeemer survives and is known today as the Basilica of Sant'Apollinare Nuovo. It was Theodoric's personal church of worship and was modeled specifically according to his tastes. An equestrian statue of Theodoric was erected in the square in front of the palace. Statues like these were symbols of the ancient world, and Theodoric's equestrian likeness was meant to convey his status as the undisputed ruler of the western empire.