The show was an instant hit, and a second series twice as long as the first was commissioned the next year, closely followed by a third the year after that. By the time this third series finished, Child felt the dungeon format was getting too restrictive, and he needed something new. Because of this, the fourth series saw the introduction of many 'outdoor' scenes, filmed around places such as medieval castles across the UK, and composited into the blue room using the usual chromakey technique. This series also saw the introduction of the "Eye Shield", which acted as an 'eye' for the dungeoneer. Using pre-recorded footage filmed on location, it followed the progress of the dungeoneers as they explored the dungeon. A new onscreen status bar was also introduced, generated by a Commodore Amiga 2000 computer.
The show was an instant hit, and a second series twice as long as the first was commissioned the next year, closely followed by a third the year after that. By the time this third series finished, Child felt the dungeon format was getting too restrictive, and he needed something new. Because of this, the fourth series saw the introduction of many 'outdoor' scenes filmed around places such as medieval castles across the UK, and composited into the blue room using the usual chromakey technique. This series also saw the introduction of the "Eye Shield", which acted as an 'eye' for the dungeoneer. Using pre-recorded footage filmed on location, it followed the progress of the dungeoneers as they explored the dungeon. A new onscreen status bar was also introduced generated by a Commodore Amiga 2000 computer.