Led Zeppelin have been widely viewed as a hard rock band, although Christgau regarded them as art rock as well. According to popular music scholar Reebee Garofalo, "because hip critics could not find a constructive way of positioning themselves in relation to Led Zeppelin's ultra-macho presentation, they were excluded from the art rock category despite their broad range of influences." Christgau wrote in 1972, the band could be considered art rock because they "relate to rock and roll not organically but intellectually", idealising the "amplified beat" as "a kind of formal challenge". Unlike their contemporaries in Jethro Tull and Yes, who use "the physical compulsion of beat and volume to involve the mind", Led Zeppelin "make body music of an oddly cerebral cast, arousing aggression rather than sexuality." As such, along with other second-generation English hard rock bands like Black Sabbath and Mott the Hoople, they can attract both intellectuals and working-class youths in "a strange potential double audience." Years later, In Through the Out Doors "tuneful synthesizer pomp" further confirmed for Christgau they were an art rock band.
Led Zeppelin have been widely viewed as a hard rock band, although Christgau regarded them as art rock as well. According to popular music scholar Reebee Garofalo, "because hip critics could not find a constructive way of positioning themselves in relation to Led Zeppelin's ultra-macho presentation, they were excluded from the art rock category despite their broad range of influences." Christgau wrote in 1972, the band could be considered art rock because they "relate to rock and roll not organically but intellectually", idealising the "amplified beat" as "a kind of formal challenge". Unlike their contemporaries in Jethro Tull and Yes, who use "the physical compulsion of beat and volume to involve the mind", Led Zeppelin "make body music of an oddly cerebral cast, arousing aggression rather than sexuality" As such, along with other second-generation English hard rock bands like Black Sabbath and Mott the Hoople, they can attract both intellectuals and working-class youths in "a strange potential double audience." Years later, In Through the Out Doors "tuneful synthesizer pomp" further confirmed for Christgau they were an art rock band.