The author Mike Cormack wrote that Gilmour's playing from The Dark Side of the Moon onwards "defines the sound of Pink Floyd". He cited Gilmour's third solo in "Dogs" as "perhaps the finest in his entire career, a masterpiece of phrasing, spacing, tone and articulation", and said the second solo in "Comfortably Numb" was "an utter master at work, leaving space, repeating and building on licks to give a sense of structure, not overplaying, building to a shrieking climax, and then fading out while leaving the listener wanting more".
The author Mike Cormack wrote that Gilmour's playing from The Dark Side of the Moon onwards "defines the sound of Pink Floyd". He cited Gilmour's third solo in "Dogs" as "perhaps the finest in his entire career, a masterpie.ce of phrasing, spacing, tone and articulation", and said the second solo in "Comfortably Numb" was "an utter master at work, leaving space, repeating and building on licks to give a sense of structure, not overplaying, building to a shrieking climax, and then fading out while leaving the listener wanting more"