Medieval interpretations of Aeneas were greatly influenced by both Virgil and other Latin sources. Specifically, the accounts by Dares and Dictys, which were reworked by the 13th-century Italian writer Guido delle Colonne (in Historia destructionis Troiae), colored many later readings. From Guido, for instance, the Pearl Poet and other English writers get the suggestion that Aeneas's safe departure from Troy with his possessions and family was a reward for treason, for which he was chastised by Hecuba. In Sir Gawain and the Green Knight (late 14th century) the Pearl Poet, like many other English writers, employed Aeneas to establish a genealogy for the foundation of Britain, and explains that Aeneas was "impeached for his perfidy, proven most true" (line 4). In Marie Boroff's translation, edited by Laura Howes, the treacherous knight of line 3 is identified as Antenor, incorrectly, as Tolkien argues.
Medieval interpretations of Aeneas were greatly influenced by both Virgil and other Latin sources. Specifically, the accounts by Dares and Dictys, which were reworked by the 13th-century Italian writer Guido delle Colonne (in Historia destructionis Troiae), colored many later readings. From Guido, for instance, the Pearl Poet and other English writers get the suggestion that Aeneas's safe departure from Troy with his possessions and family was a reward for treason, for which he was chastised by Hecuba. In Sir Gawain and the Green Knight (late 14th century) the Pearl Poet, like many other English writers, employed Aeneas to establish a genealogy for the foundation of Britain, and explains that Aeneas was "impeached for his perfidy, proven most true" (line 4) In Marie Boroff's translation, edited by Laura Howes, the treacherous knight of line 3 is identified as Antenor, incorrectly, as Tolkien argues.