The scherzo remained a standard movement in the symphony and related forms through the 19th century and beyond. Composers also began to write scherzi as pieces in themselves, stretching the boundaries of the form. The first three of Frédéric Chopin's four well-known scherzos for the piano are especially dark, with an intense energy, and hardly come off as jokes. Robert Schumann remarked of them, "How is 'gravity' to clothe itself if 'jest' goes about in dark veils?" Chopin's four scherzos are written as single movements, on an unprecedented large scale going beyond the previous Beethovenian model of classical multi-movement works. In a letter, Brahms referred to the scherzo from his Second Piano Concerto as a "little wisp of a scherzo", in one of his typically sarcastic remarks, as it is a heavyweight movement. Other examples; the second movement of Shostakovich's Symphony No. 10, the second (sometimes third) movement of Mahler's Symphony No. 6, Felix Mendelssohn's composition for A Midsummer Night's Dream between act 1 and 2, and in several of Bruckner's symphonies. In present-day compositions, the scherzo has also made appearances. Australian composer Julian Cochran wrote extensively for the form, with four scherzi for piano and two grand scherzi for symphony orchestra. The soundtrack release of John Williams' film score for Star Wars: The Force Awakens (2015) includes a track titled "Scherzo for X-Wings""Listening to Star Wars" by Alex Ross, The New Yorker, 1 January 2016 which follows the typical scherzo rounded binary form and presents itself in a time. Williams had previously composed "Scherzo for Motorcycle and Orchestra" for the film score of Indiana Jones and the Last Crusade (1989) and in 1985 the Scherzo for Today for NBC's The Today Show.
the scherzo remained a standard movement in the symphony and related forms through the 19th century and beyond composers also began to write scherzi as pieces in themselves stretching the boundaries of the form the first three of frédéric chopin's four well-known scherzos for the piano are especially dark with an intense energy and hardly come off as jokes robert schumann remarked of them "how is 'gravity' to clothe itself if 'jest' goes about in dark veils" chopin's four scherzos are written as single movements on an unprecedented large scale going beyond the previous beethovenian model of classical multi-movement works in a letter brahms referred to the scherzo from his second piano concerto as a "little wisp of a scherzo" in one of his typically sarcastic remarks as it is a heavyweight movement other examples; the second movement of shostakovich's symphony no 10 the second (sometimes third) movement of mahler's symphony no 6 felix mendelssohn's composition for a midsummer night's dream between act 1 and 2 and in several of bruckner's symphonies in present-day compositions the scherzo has also made appearances australian composer julian cochran wrote extensively for the form with four scherzi for piano and two grand scherzi for symphony orchestra the soundtrack release of john williams' film score for star wars the force awakens (2015) includes a track titled "scherzo for x-wings""listening to star wars" by alex ross the new yorker 1 january 2016 which follows the typical scherzo rounded binary form and presents itself in a time williams had previously composed "scherzo for motorcycle and orchestra" for the film score of indiana jones and the last crusade (1989) and in 1985 the scherzo for today for nbc's the today show