Other relevant features of the piece include the groups of three notes taken from the whole-half diminished scale in mm. 12–18. In these measures, the right hand features D, E, and G, the tetrachord without the 3rd (F). The left hand has the same tetrachord transposed down a tritone (G, A, C). In mm. 16, both hands transpose down three semitones to B, C, E and E, G, A respectively. Later on, in mm. 20, the right hand moves on to A− and the left back to E−. After repeating the structure of mm. 12–19 in mm. 29–34 the piece ends with the treble part returning to A− and the bass part returning to E.
Other relevant features of the piece include the groups of three notes taken from the whole-half diminished scale in mm. 12–18. In these measures, the right hand features D, E, and G, the tetrachord without the 3rd (F). The left hand has the same tetrachord transposed down a tritone (G, A, C). In mm. 16, both hands transpose down three semitones to B, C, E and E, G, A respectively. Later on, in mm. 20, the right hand moves on to A− and the left back to E−. After repeating the structure of mm. 12–19 in mm. 29–34 the piece ends with the treble part returning to A− and the bass part returning to E.