Renaissance sculpture appeared during the early 16th century, primarily by the Italian sculptors Bernardinus Zanobi da Gianotti, Giovani Cini, and Giovanni Maria Padovano. During the Renaissance, portrait tombstones and medals were valued; examples are the marble tombs of Albertas Goštautas (1548) and Paweł Holszański (1555) by Bernardino de Gianotis in Vilnius Cathedral. Italian sculpture is characterized by its naturalistic treatment of forms and precise proportions. Local sculptors adopted the iconographic scheme of Renaissance tombs; their works, such the tomb of Lew Sapieha () in the Church of St. Michael, are stylized. During this period, local and Western European painters created religious and mythological compositions and portraits with late Gothic and Baroque features; illustrated prayerbooks, illustrations, and miniatures have survived.
Renaissance sculpture appeared during the early 16th centu.ry, primarily by the Italian sculptors Bernardinus Zanobi da Gianotti, Giovani Cini, and Giovanni Maria Padovano. During the Renaissance, portrait tombstones and medals were valued; examples are the marble tombs of Albertas Goštautas (1548) and Paweł Holszański (1555) by Bernardino de Gianotis in Vilnius Cathedral. Italian sculpture is characterized by its naturalistic treatment of forms and precise proportions. Local sculptors adopted the iconographic scheme of Renaissance tombs; their works, such the tomb of Lew Sapieha () in the Church of St. Michael, are stylized. During this period, local and Western European painters created religious and mythological compositions and portraits with late Gothic and Baroque features; illustrated prayerbooks, illustrations, and miniatures have survived