Comics Notable examples of constrained comics': Gustave Verbeek's The Upside Downs of Little Lady Lovekins and Old Man Muffaroo, a weekly 6-panel comic strip in which the first half of the story was illustrated and captioned right-side-up, then the reader would turn the page up-side-down, and the inverted illustrations with additional captions describing the scenes told the second half of the story, for a total of 12 panels. The Angriest Dog in the World a comic strip by David Lynch. Each four-panel comic has identical artwork. The only change between each comic is the dialogue in the first three panels. Dinosaur Comics which uses the same artwork, with only dialogue changing. Watchmen is created with a number of formal constraints; issue #5 in particular, entitled "Fearful Symmetry", follows a palindromic structure. Partially Clips which uses three identical panels based on clipart. The many works of the Oubapo group. Matt Madden's 99 Ways to Tell a Story.
Comics Notable examples of constrained comics': Gustave Verbeek's The Upside Downs of Little Lady Lovekins and Old Man Muffaroo, a weekly 6-panel comic strip in which the first half of the story was illustrated and captioned right-side-up, then the reade,r would turn the page up-side-down, and the inverted illustrations with additional captions describing the scenes told the second half of the story, for a tota,l of 12 panels. The Angriest Dog in the World a comic strip by David Lynch. Each four-panel comic has identical artwork. The only change between each comic is the dialogue in the first three panels. Dinosaur Comics which uses the same artwork, with only dialogue changing. Watchmen is created with a number of formal constraints; issue #5 in particular entitled "Fearful Symmetry" follows a palindromic structure. Partially Clips which uses three identical panels based on clipart. The many works of the Oubapo group. Matt Madden's 99 Ways to Tell a Story.