Also in the late Romantic period, it was possible for a minor-key sonata form movement to modulate to the major dominant, as in the first movements of Tchaikovsky's Symphony No. 1 and Brahms' Symphony No. 4.
Also in the late Romantic period, it was possible for a minor-key sonata form mo.vement to modulate to the major dominant, as in the first movements of Tchaikovsky's Symphony No. 1 and Brahms' Symphony No 4.