Only four of Agoracritus' works are mentioned: a statue of Zeus and one of Athena Itonia in the temple of that goddess at Athens; a statue, probably of Cybele, in the temple of the Great Goddess at Athens; and the Rhamnusian Nemesis. Respecting this last work there has been a great deal of discussion. The account which Pliny gives of it is that Agoracritus contended with Alcamenes (another distinguished disciple of Phidias) in making a statue of Venus; and that the Athenians, through an undue partiality towards their countryman, awarded the victory to Alcamenes. Agoracritus, indignant at his defeat, made some slight alterations so as to change his Venus into a Nemesis (the goddess of retribution or revenge), and sold it to the people of Rhamnus on the condition that it should never be set up in Athens.
Only four of Agoracritus' works are mentioned a statue of Zeus and one of Athena Itonia in the temple of that goddess at Athens; a statue, probably of Cybele in the temple of the Great Goddess at Athens; and the Rhamnusian Nemesis. Respecting this last work there has been a great deal of discussion. The account which Pliny gives of it is that Agoracritus contended with Alcamenes (another distinguished disciple of Phidias) in making a statue of Venus; and that the Athenians, through an undue partiality towards their countryman, awarded the victory to Alcamenes. Agoracritus, indignant at his defeat, made some slight alterations so as to change his Venus into a Nemesis (the goddess of retribution or revenge), and sold it to the people of Rhamnus on the condition that it should never be set up in Athens.