The first years of matrimony brought on in him a new fervour for his studies and writings: his encounters with his friends and the discussions on art continued, more vivacious and stimulating than ever, while his family life, despite the complete incomprehension of his wife with respect to the artistic vocation of her husband, proceeded relatively tranquilly with the birth of two sons (Stefano and Fausto) and a daughter (Rosalia "Lietta"). In the meantime, Pirandello intensified his collaborations with newspaper editors and other journalists in magazines such as La Critica and La Tavola Rotonda in which he published, in 1895, the first part of the Dialoghi tra Il Gran Me e Il Piccolo Me.
The first years of matrimony brought on in him a new fervour for his studies and writings: his encounters with his friends and the discussions on art continued, more vivacious and stimulating than ever while his family life, despite the complete incomprehension of his wife with respect to the artistic vocation of her husband, proceeded relatively tranquilly with the birth of two sons (Stefano and Fausto) and a daughter (Rosalia "Lietta"). In the meantime, Pirandello intensified his collaborations with newspaper editors and other journalists in magazines such as La Critica and La Tavola Rotonda in which he published, in 1895 the first part of the Dialoghi tra Il Gran Me e Il Piccolo Me.