This view remained general until the 19th century, when artistic movements began to struggle against the establishment institutions of academic art, which continued to adhere to it. At the same time, there was from the latter part of the 18th century an increased interest in depicting in the form of history painting moments of drama from recent or contemporary history, which had long largely been confined to battle-scenes and scenes of formal surrenders and the like. Scenes from ancient history had been popular in the early Renaissance, and once again became common in the Baroque and Rococo periods, and still more so with the rise of Neoclassicism. In some 19th or 20th century contexts, the term may refer specifically to paintings of scenes from secular history, rather than those from religious narratives, literature or mythology.
This view remained general until the 19th century when artistic movements began to struggle against the establishment institutions of academic art, which contin.ued to adhere to it. At the same time, there was from the latter part of the 18th century an increased interest ,in depicting in the form of history painting moments, of drama from recent or contemporary history, which had long largely been confined to battle-scenes and scenes of formal surrenders and the like. Scenes from ancient history had been popular in the early Renaissance and once again became common in the Baroque and Rococo periods, and still more so with the rise of Neoclassicism In some 19th or 20th century contexts, the term may refer specifically to paintings of scenes from secular history, rather than those from religious narratives, literature or mythology.