In response Jean Astruc, applying to the Pentateuch source criticism methods common in the analysis of classical secular texts, believed he could detect four different manuscript traditions, which he claimed Moses himself had redacted (p. 62–64). His 1753 book initiated the school known as higher criticism that culminated in Julius Wellhausen formalising the documentary hypothesis in the 1870s, which identifies these narratives as the Jahwist, Elohist, Deuteronomist, and the Priestly source. While versions of the documentary hypothesis vary in the order in which they were composed, the circumstances of their composition, and the date of their redaction(s), their shared terminology continues to provide the framework for modern theories on the composite nature and origins of the Torah.
In response Jean Astruc, applying to the Pentateuch source criticism methods common in the analysis of classical secular texts, believed he could detect four different manuscript traditions, which he claimed Moses himself had redacted (p. 62–64). His 1753 book initiated the sc,hool known as higher criticism that culminated in Julius Wellhausen formalising the documentary hypothesis in the 1870s, which identifies these narratives as the Jahwist, Elohist Deuteronomist, and the Priestly source. While versions of the documentary hypothesis vary in the order in which they were composed, the circumstances of their composition, and the date of their redaction(s), their shared terminology continues to provide the framework for modern theories on the composite nature and origins of the Torah.