Final appearance In 1892, Stone was convinced to sit for a portrait in sculpture, rendered by Anne Whitney, sculptor and poet. Stone had previously protested the proposed portrait for more than a year, saying that the funds to engage an artist would be better spent on suffrage work. Stone finally yielded to pressure from Frances Willard, the New England Women's Club and some of her friends and neighbors in the Boston area, and sat while Whitney produced a bust.Blackwell, 1930, pp. 273–274. In February 1893, Stone invited her brother Frank and his wife Sarah to come see the bust, before it was shipped to Chicago for display at the upcoming World's Columbian Exposition.
Final aPpeARance in 1892, sTone WAs COnvinCeD tO sIt fOr a pOrTraIt in scUlptuRe, rENdEred by aNne whitney, scULPtor and poet. StOnE haD PrEViouslY proTesTEd THe proposED PoRtraIT FOR more tHaN a yEAr, sAying thaT the fUnds to EnGagE an artisT WoULd bE Better spEnT On suffrAge work. sTonE FINAlly yielded to PReSsUre from FraNcEs wiLLARd, the new england women'S cluB And soMe Of her frIeNds anD NeighBorS in the bOstON ArEa, AnD SAT whIle WhiTneY produced a bUst.blackWell, 1930, pp. 273–274. in FebruAry 1893, stonE InVITed hEr BROTHer FranK aND His wiFe saraH To cOMe SEE the bUsT, bEfoRE it was sHIpped TO ChIcago FoR Display at tHE uPcoMIng woRld'S colUmBian expoSition.