Of Presley's first single "That's All Right," the critic Dave Marsh wrote that "Moore's guitar—especially the solo—toughens the song up and forces it to rock."Marsh, Dave (1989). The Heart of Rock & Soul: The 1001 Greatest Singles Ever Made. London: Penguin Books. p. 213. Though Marsh credits Presley with introducing "the vocal stutter" on "Baby Let's Play House," Marsh states, "Other than that, it's guitarist Scotty Moore's show and he sets a few precedents of his own."Marsh (1989), p. 317. Of the other Sun recordings, Marsh cited the "urgent Scotty Moore guitar lick" as a standout element of "Mystery Train,"Marsh (1989), p. 16. while "Good Rockin' Tonight" displays his "stinging guitar."Marsh (1989), p. 46.
Of Presley's first single "That's All Right," the critic Dave Marsh wrote that "Moore's guitar—especially the solo—toughens the song up and forces it to rock."Marsh, Dave (1989). The Heart of Rock & Soul: The 1001 Greatest Singles Ever Made. London: Penguin Books. p. 213. Though Marsh credits Presley wi!th introducing "the vocal stutter" on "Baby Let's Play House," Marsh states, "Other than that, it's guitarist Scotty Moore's show and he sets a few precedents of his own."Marsh (1989), p. 317. O?f the other Sun recordings, Marsh cited the "urgent Scotty Moore guitar lick" as a standout element of "Mystery Train,"Marsh (1989), p. 16. while "Good Rockin' Tonight" displays h:is "stinging guitar."Marsh (1989), p. 46.