Music Incidental music is used very sparingly. What little original music is used was composed by Johnny Mandel, and primarily features two recurrent piano themes based on "Gnossiennes" No. 4 and No. 5 by Erik Satie. The other major pieces of music used are the Eumir Deodato jazz/funk arrangement of the opening fanfare from Also Sprach Zarathustra and "Basketball Jones" by Cheech and Chong. These pieces respectively accompany the title credits and Chance's first arrival to the Biltmore Estate. Mandel was also assisted by his cousin and fellow composer Miles Goodman with the orchestration of the film.
music incidental music is used very sparingly what little original music is used was composed by johnny mandel and primarily features two recurrent piano themes based on "gnossiennes" no 4 and no 5 by erik satie the other major pieces of music used are the eumir deodato jazz/funk arrangement of the opening fanfare from also sprach zarathustra and "basketball jones" by cheech and chong these pieces respectively accompany the title credits and chance's first arrival to the biltmore estate mandel was also assisted by his cousin and fellow composer miles goodman with the orchestration of the film