With his recording studio in the same building as his home located in the Hollywood Hills, Franke would attend creative meetings before scoring the 25 minutes or so of music for each episode. Using the "acoustic dirt produced by live instruments and the ability to play so well between two semitones" and the "frequency range, dynamics and control" provided by synthesizers, he described his approach "as experimental friendly as possible without leaving the happy marriage between the orchestral and electronic sounds".
With his recording studio in the same building as his home located in the Hollywood Hills, Franke would attend creative meet.ings before scoring the 25 minutes or so of music for each episode. Using the "acoustic dirt produced by live instruments and the ability to play so well between two semitones" and the "frequency range, dynamics and control" provided by synthesizers, he described his approach "as experimental friendly as possible without leaving th:e happy marriage between the orchestral and electronic sounds".