As a specific movement in the arts, it is identified with developments in post–World War II Western art, most strongly with American visual arts in the 1960s and early 1970s. Prominent artists associated with this movement include Donald Judd, John McCracken, Agnes Martin, Dan Flavin, Robert Morris, Ronald Bladen, Anne Truitt, and Frank Stella.Christopher Want, "Minimalism" in Grove Art Online. Oxford University Press, 2009. It derives from the reductive aspects of modernism and is often interpreted as a reaction against Abstract Expressionism and a bridge to Post minimal art practices. By the early 1960s, minimalism emerged as an abstract movement in art (with roots in the geometric abstraction of Kazimir Malevich, the Bauhaus and Piet Mondrian) that rejected the idea of relational and subjective painting, the complexity of Abstract Expressionist surfaces, and the emotional zeitgeist and polemics present in the arena of action painting. Minimalism argued that extreme simplicity could capture all of the sublime representation needed in art. Minimalism is variously construed either as a precursor to postmodernism, or as a postmodern movement itself. In the latter perspective, early Minimalism yielded advanced modernist works, but the movement partially abandoned this direction when some artists like Robert Morris changed direction in favor of the anti-form movement.
As a specific movement in the arts, it is identified with developments in post–World War II Western art, most strongly with American visual arts in the 1960s and early 1970s. Prominent artists associated with this movement include Donald Judd, John McCracken, Agnes Martin, Dan Flavin, Robert Morris, Ronald Bladen, Anne Truitt, and Frank Stella.Christopher Want, "Minimalism" in Grove Art Online. Oxford University Press, 2009. It derives from the reductive aspects of modernism and is often interpreted as a reaction against Abstract Expressionism and a bridge to Post minimal art practices. By the early 1960s, minimalism emerged as an abstract movement in art (with roots in the geometric abstraction of Kazimir Malevich, the Bauhaus and Piet Mondrian) that rejected the idea of relational and subjective painting, the complexity of Abstract Expressionist surfaces, and the emotional zeitgeist and polemics present in the arena of action painting. Minimalism argued that extreme simplicity could capture all of the sublime representation needed in art. Minimalism is variously construed either as a precursor to postmodernism, or as a postmodern movement itself. In the latter perspective, early Minimalism yielded advanced modernist works, but the movement partially abandoned this direction when some artists like Robert Morris changed direction in favor of the anti-form movement.