Claudine Cohen, in her 2002 book The Fate of the Mammoth, argued that the history of human interaction with fossil bones of prehistoric megafauna was heavily influenced by giant lore. Per Cohen, the proto-scientific study of giants appears in several phases of human history: Herodotus reported that the remains of Orestes were found in Tegea; Pliny described a giant's skeleton found in Crete after an earthquake, and seemed to refer to evolution as the process by which giants become human-size over time; and Saint Augustine mentions what is believed to have been the fossilized molar of an ancient Elephantidae in his City of God, in a passage reflecting on the nature and meaning of the Noahacian deluge. The academic consideration of giants continued through the Middle Ages, Renaissance, and even the early modern period. Boccaccio devoted a passage of his Genealogies of the Pagan Gods to purported archeological discoveries in Sicily that he thought might be evidence of the historicity of The Odyssey's Polyphemus. Rabelais created a wholly "fabricated giantology" for his 16th-century Gargantua and Pantagruel.Smith, P. J. (2019). Parody and Appropriation of the Past in the Grandes Chroniques Gargantuines and in Rabelais’s Pantagruel (1532). In K. A. E. Enenkel & K. A. Ottenheym (Eds.), The Quest for an Appropriate Past in Literature, Art and Architecture (Vol. 60, pp. 167–186). Brill. http://www.jstor.org/stable/10.1163/j.ctvbqs5nk.14 Massive bones found in 1613 in France were initially assigned to Teutobochus but the examinations of them by various physicians and their publication of diverging conclusions about the bones kicked off a "pamphlet war" between anatomists and surgeons of the day. The discovery of the so-called Claverack Giant in colonial New York triggered giantological investigations by two important early American intellectuals, Cotton Mather and Edward Taylor.
Claudine Cohen, in her 2002 book The Fate of the Mammoth, argued that the history of human interaction with fossil bones of prehistoric megafauna was heavily influenced by giant lore. Per Cohen, the proto-scientific study of giants appears in several phases of human history: Herodotus reported that the remains of Orestes were found in Tegea; Pliny described a giant's skeleton found in Crete after an earthquake, and seemed to refer to evolution as the process by which giants become human-size over time; and Saint Augustine mentions what is believed to have been the fossilized molar of an ancient Elephantidae in his City of God, in a passage reflecting on the nature and meaning of the Noahacian deluge. The academic consideration of giants continued through the Middle Ages, Renaissance, and even the early modern period. Boccaccio devoted a passage of his Genealogies of the Pagan Gods to purported archeological discoveries in Sicily that he thought might be evidence of the historicity of The Odyssey's Polyphemus. Rabelais created a wholly "fabricated giantology" for his 16th-century Gargantua and Pantagruel.Smith, P. J. (2019). Parody and Appropriation of the Past in the Grandes Chroniques Gargantuines and in Rabelais’s Pantagruel (1532). In K. A. E. Enenkel & K A. Ottenheym (Eds.), The Quest for an Appropriate Past in Literature, Art and Architecture (Vol. 60, pp. 167–186). Brill. http://www.jstor.org/stable/10.1163/j.ctvbqs5nk.14 Massive bones found in 1613 in France were initially assigned to Teutobochus but the examinations of them by various physicians and their publication of diverging conclusions about the bones kicked off a "pamphlet war" between anatomists and surgeons of the day. The discovery of the so-called Claverack Giant in colonial New York triggered giantological investigations by two important early American intellectuals, Cotton Mather and Edward Taylor.