The following year, the composer Hermínio Bello de Carvalho produced Rosa de Ouro, a musical that launched the sixty-year-old Clementina de Jesus to the general public. It was the birth of the professional artistic career of one of the most expressive voices in the samba history, characterized by a repertoire aimed at the African music matrixes, such as jongos, curimbas, lundus and sambas of the rural tradition. The music ensemble to accompany Clementina in this show was composed by Paulinho da Viola, Elton Medeiros, , Jair do Cavaquinho and Nelson Sargento. Known at the time as "regional", these musical ensemble based on classical guitar, cavaquinho and pandeiro, and occasionally some wind instrument, were revalued and became associated with the idea of a more authentic and genuine samba. From then on, the idea of forming samba vocal-instrumental groups for professional presentations matured and, with the success obtained by groups such as and , boosted the creation of other groups composed only by sambistas with direct or indirect ties with the samba schools in the following years, such as the groups Os Originais do Samba, Nosso Samba, Brazil Ritmo 67, Os Batuqueiros, Exporta-samba, among others. Two other significant performances from this moment of aesthetic revaluation of traditional urban samba were "Telecoteco opus N ° 1", with Cyro Monteiro and Dilermando Pinheiro, which was shown at Teatro Opinião, and "O samba pede passagem", which brought together veterans Ismael Silva and Aracy de Almeida with the young artists Baden Powell, and MPB4, among others.
The following year the composer Hermínio Bello de Carvalho produced Rosa de Ouro a musical that launched the sixty-year-old Clementina de Jesus to the general public It was the birth of the professional artistic career of one of the most expressive voices in the samba history characterized by a repertoire aimed at the African music matrixes such as jongos curimbas lundus and sambas of the rural tradition The music ensemble to accompany Clementina in this show was composed by Paulinho da Viola Elton Medeiros  Jair do Cavaquinho and Nelson Sargento Known at the time as "regional" these musical ensemble based on classical guitar cavaquinho and pandeiro and occasionally some wind instrument were revalued and became associated with the idea of a more authentic and genuine samba From then on the idea of forming samba vocal-instrumental groups for professional presentations matured and with the success obtained by groups such as and  boosted the creation of other groups composed only by sambistas with direct or indirect ties with the samba schools in the following years such as the groups Os Originais do Samba Nosso Samba Brazil Ritmo 67 Os Batuqueiros Exporta-samba among others Two other significant performances from this moment of aesthetic revaluation of traditional urban samba were "Telecoteco opus N ° 1" with Cyro Monteiro and Dilermando Pinheiro which was shown at Teatro Opinião and "O samba pede passagem" which brought together veterans Ismael Silva and Aracy de Almeida with the young artists Baden Powell and MPB4 among others