Bartov wrote that the "positively repulsive kitsch of the last two scenes seriously undermines much of the film's previous merits". He describes the humanization of Schindler as "banal", and is critical of what he describes as the "Zionist closure" set to the song "Jerusalem of Gold".
Bartov wrote that the "positively repulsive kitsch of the last two scenes seriously undermines much of the film's previous merits" He describes the humanization of Schindler as "banal" and is critical of what he describes as the "Zionist closure" set to the song "Jerusalem of Gold"