By the time Chassériau visited Ingres in Rome in 1840, however, the younger artist's growing allegiance to the romantic style of Delacroix was apparent, leading Ingres to disown his favourite student, of whom he subsequently spoke rarely and censoriously. No other artist who studied under Ingres succeeded in establishing a strong identity; among the most notable of them were Jean-Hippolyte Flandrin, Henri Lehmann, and Eugène Emmanuel Amaury-Duval.Tinterow, Conisbee et al. 1999, p. 370.
By the time Chassériau visited. Ingres in Rome in 1840, however the younger artist's growing allegiance to the romantic style of Delac,roix was apparent, leading Ingres to disown his favourite student of whom he subsequently spoke rarely and censoriously. No other artist who studied under Ingres succeeded in establishing a strong identity; among the most notable of them were Jean-Hippolyte Flandrin, Henri Lehmann and Eugè,ne Emmanuel Amaury-Duval.Tinterow, Conisbee et al. 1999, p 370.