According to Ruben van Luijk, this cannot be seen as a "coherent movement with a single voice, but rather as a post factum identified group of sometimes widely divergent authors among whom a similar theme is found". For the literary Satanists, Satan was depicted as a benevolent and sometimes heroic figure, with these more sympathetic portrayals proliferating in the art and poetry of many romanticist and decadent figures. For these individuals, Satanism was not a religious belief or ritual activity, but rather a "strategic use of a symbol and a character as part of artistic and political expression".
According to Ruben van Luijk, this cannot be seen as a "coherent movement with a single voice, but rather as a post factum identified group of sometimes widely divergent authors among whom a similar theme is found". For the literary Satanists, Satan was depicted as a benevolent and sometimes heroic figure, with these more sympathetic portrayals proliferating in the art and poetry of many romanticist and decadent figures. For these individuals, Satanism was not a religious belief or ritual activity, but rather a "strategic use of a symbol and a character as part of artistic and political expression".