In his later years Satie became known for his prose. He was in demand as a journalist, making contributions to the Revue musicale, Action, L'Esprit nouveau, the Paris-JournalGillmor, p. xxv and other publications from the Dadaist 391"Documents of Dada and Surrealism: Dada and Surrealist Journals in the Mary Reynolds Collection" , Artic.edu. Retrieved 17 September 2021 to the English-language magazines Vanity Fair and The Transatlantic Review.Orledge, p. xxxviii As he contributed anonymously or under pen names to some publications it is not certain how many titles he wrote for, but Grove's Dictionary of Music and Musicians lists 25. Satie's habit of embellishing the scores of his compositions with all kinds of written remarks became so established that he had to insist that they must not be read out during performances.
in his later years satie became known for his prose he was in demand as a journalist making contributions to the revue musicale action l'esprit nouveau the paris-journalgillmor p xxv and other publications from the dadaist 391"documents of dada and surrealism dada and surrealist journals in the mary reynolds collection"  articedu retrieved 17 september 2021 to the english-language magazines vanity fair and the transatlantic revieworledge p xxxviii as he contributed anonymously or under pen names to some publications it is not certain how many titles he wrote for but grove's dictionary of music and musicians lists 25 satie's habit of embellishing the scores of his compositions with all kinds of written remarks became so established that he had to insist that they must not be read out during performances