For the samba more linked to the traditions of Estácio and the hills, the 1950s was characterized by the vitalizing presence of old and new composers who led the renewal of the genre for the next years. This renewal was present in the sambas of well-known authors from the general public, such as Geraldo Pereira and , of lesser-known sambistas but active in their communities, such as and Nelson Cavaquinho – a composer who would establish a great partnership with Guilherme de Brito – and also of new composers, such as Monsueto. The samba de breque by also stood out and, in São Paulo, the Demônios da Garoa enshrined the sambas by Adoniran Barbosa. Missing for many years, samba composer Cartola was found washing cars in Ipanema by journalist Sérgio Porto, who took him to sing on Rádio Mayrink Veiga and got him a job at a newspaper. As part of the celebrations of the Fourth Centenary of the city of São Paulo, the composer Almirante organized the "Festival da Velha Guarda" ("Old Guard Festival"), which brought together great names of Brazilian popular music then forgotten, such as Donga, Ismael Silva, and Pixinguinha.
For the samba more linked to the traditions of Estácio a.nd the hills, the 1950s was characterized by the vitalizing presence of old and new composers who led the renewal of the genre for the next years. This renewal was present in the sambas of well-known authors from the general public, such as Geraldo Pereira and , of lesser-known sambistas but active in their communities, such as and Nelson Cavaquinho – a composer who would establish a great partnership with Guilherme de Brito – and also of new composers, such as Monsueto. The samba de breque by also stood out and, in São Paulo, the Demônios da Garoa enshrined the sambas by Adoniran Barbosa Missing for many years, samba composer Cartola was found washing cars in Ipanema by journalist Sérgio Porto, who took him to sing on Rádio Mayrink Veiga and got him a job at a newspaper. As part of the celebrations of the Fourth Centenary of the city of São Paulo, the composer Almirante organized the "Festival da Velha Guarda" ("Old Guard Festival"), which brought together great names of Brazilian popular music then forgotten, such as Donga, Ismael Silva, and Pixinguinha.