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# Joachim Tielke. Kunstvolle Musik - instrumente des Barock

Fontana, Eszter.
Journal of the American Musical Instrument Society ; Middleton Vol. 38,  (2012): 150-153,189.

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Friedemann and Barbara Hellwig. Joachim Tielke. Kunstvolle Musik - instrumente des Barock. Berlin and München: Deutscher Kunstverlag, 2011. 456 pp.: illus. ISBN-13: 978-3-42-2070783. k78.00 (hardbound).

Instruments by Joachim Tielke are highly valued objects in many collections-no wonder, no other maker so consistently applied decorative techniques like marquetry work, appliqués, and carvings and who lavishly used costly materials like extra-European species of wood, ivory, tortoise-shell, and semi-precious stones. It was the luthier, Günther Hellwig, more than three decades ago, who published a monograph on Joachim Tielke (1641-1719) (Joachim Tielke. Ein Hamburger Lauten-und Violen macher der Barockzeit, Frankfurt am Main, 1980). This was a valuable contribution to our knowledge of this German maker who may be called the most important maker of bowed and plucked musical instruments. His publication considerably enhanced Tielke's reputation, but the book has been out of print for many years. This raised the curiosity of experts and laymen as to what new and additional discoveries a new edition would offer. High expectations were caused by a number of articles and lectures on Tielke and his environment by Friedemann Hellwig. Now he and his wife Barbara Hellwig have published their findings in a grand and prestigious volume.

In 1980 Günther Hellwig listed 139 instruments, while the new publication describes 169 surviving instruments and fragments. To this end, Friedemann and Barbara Hellwig re-examined all instruments (except for a few which were not accessible); they deleted three bows and one violin as non authentic; and they added thirty-four new objects which came to their knowledge. All instruments and fragments are given a systematic TieWV number (TieWV = Tielke Werkverzeichnis) in chronological order. All were examined in detail, measured, photographed, and in some cases given different dates from those in the 1980 edition. More recent technology like dendrochronology, computed tomography, and 3D imaging derived from the CT shots were studied for additional information. Chemical analysis of varnish was also completed...

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