

In the introduction paragraphs of [Visiting Studio Colorido: Up-and-Coming
Digital Animation Studio](http://studiodomo.jp/wordpress/visiting-studio-
colorido-up-and-coming-digital-animation-studio/) by Naoya Koji posted in
October 2015,

> [...]
>
> Today, many of Japanese animation studios rely on “papers and pencils” to
> produce anime. Although some parts have been updated, this is the
> traditional Japanese style of the animation production which has been handed
> down for decades.
>
> The world is now in the age of the internet and the digital tools. The
> animation studios innovate those new cultures, but Japanese studios remain
> in the world of “paper and pencil.” [...]

Even today, Japanese animation studios still use pencil and paper to produce
animation.

Why can't they switch from that method and proceed to digital hand drawing for
animation production since it is much less time-consuming? Why can't anime
studios use graphic tablets (e.g. Wacom) to draw and animate instead of using
pencils, papers, and eraser because it's maybe outdated and obsolete?


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anime-production
Why aren't Japanese animation studios switching to digital art for production instead of pencil and paper?


[Here](https://washiblog.wordpress.com/2011/01/18/anime-production-detailed-
guide-to-how-anime-is-made-and-the-talent-behind-it/) is an interesting
article about how the anime production process works.

Here's an excerpt I found particularly interesting (and relevant!):

> [T]he crucial thing is that the frames are still initially drawn by hand,
> and no in-between animation is simulated by a computer. There are some
> animators who draw 2D animation directly onto computer, but in anime this is
> largely restricted to in solo animation productions rather than commercial
> anime. The industry prefers this because the animators are generally more
> comfortable and able with this method, and it allows easier checking and
> correction of frames under sometimes tight schedules.


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The animation line works require high precision, which in turn means better
drawing tablet/computers are needed.

Much in-betweens are produced overseas. Having been at a small studio in
China, I feel that the studio will not be able to afford such device for every
animator.

Also one need to take into account of how much changes when drawing digitally.
Tablet screens have very low friction compares to pencil on paper, which means
complete relearn how one uses muscle and maintains stability. This is a no-go
for established studios, as they are constantly on time pressure.

Coloring requires less precision, and can be performed by a mouse, so those
are done digitally in the studio.


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I think the overhead of providing computers and licenses to every animator,
along with the cost of hiring additional team members as IT staff to maintain
networks and computers could easily ballon production costs. After that, they
would have to hire animators trained to use the software that the studio uses.

Smaller Studios often outsource parts of their animations to studios to do
computer animation. Also many studios use computers to color artwork, to do
backgrounds, and to composite. Larger studios might have teams in house to do
the computer work.


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