「娘と祖父の記憶とを連れて」の「とを」はどう言う意味


「とを」はどういう意味でしょうか。タイポですか？

In this short story, the narrator is describing the moment he first fell in
love, and how it helped him remember why he has the habit of staring at
people’s faces (the reason being he developed that habit while living with his
blind grandfather, hence the reference to 祖父の記憶). The phrase comes from the
last sentence of the story.

Context: 私は笑った。娘に親しみが急に加わったような気がした。娘と祖父の記憶とを連れて、砂浜の日向へ出てみたくなった。  
Source: 「日向」（p26; 川端康成の掌の小説；新潮文庫）




As Jimmy Yang commented, the second と can be omitted (and is usually omitted),
and the phrase can be written as

> .. 娘と祖父の記憶を連れて、..

However, in this particular case, there is a slight chance that a reader would
parse the sentence without the second と,

> 娘と祖父の記憶を連れて、砂浜の日向へ出てみたくなった。

down to the structure

  * 娘と（いっしょに、）A してみたくなった。 
    * where A is 祖父の記憶を連れて、砂浜の日向へ出る。

which could be interpreted as

> 娘と私がともに祖父の記憶を思い返している状態で、いっしょに砂浜の日向へ出てみたくなった。

I guess that the preceding context would exclude this possibility (e.g., the
daughter and the narrator must share the same memory of the grand father for
this interpretation to be valid), but in any way the original text clearly
expresses that 娘 and 祖父の記憶 are two parallel objects that the narrator wants to
bring with him or her to the sunny beach.

I haven't read the source text.




As Jimmy Yang commented, the second と can be omitted (and is usually omitted),
and the phrase can be written as

> .. 娘と祖父の記憶を連れて、..

However, in this particular case, there is a slight chance that a reader would
parse the sentence without the second と,

> 娘と祖父の記憶を連れて、砂浜の日向へ出てみたくなった。

down to the structure

  * 娘と（いっしょに、）A してみたくなった。 
    * where A is 祖父の記憶を連れて、砂浜の日向へ出る。

which could be interpreted as

> 娘と私がともに祖父の記憶を思い返している状態で、いっしょに砂浜の日向へ出てみたくなった。

I guess that the preceding context would exclude this possibility (e.g., the
daughter and the narrator must share the same memory of the grand father for
this interpretation to be valid), but in any way the original text clearly
expresses that 娘 and 祖父の記憶 are two parallel objects that the narrator wants to
bring with him or her to the sunny beach.

I haven't read the source text.

