世の中は三日見ぬ間の桜かな - How to interpret the かな in this proverb? How to interpret this proverb?


I came across this proverb 世の中は三日見ぬ間の桜かな。 Actually just this part 三日見ぬ間の桜かな。
Now 見ぬ is an ancient form of 見ない。

I found some sides in French, which I don't speak. There is a translation on
languagerealm which just seems wrong, so I won't post it here and I found a
Japanese person trying to translate it into English, but his English was not
up to the task.

The proverb lacks a verb, where a verb should be, somewhere before かな and
after 桜. Now 三日見ぬ間, three days of not looking/ の桜, "at" the cherry blossoms/
かな ???

Now the thing with かな is, it can mean "I wonder", it can mean "is it?", it
could mean "I hope that" but then the sentence needs to be negative. This
brings me back to my problem of the missing verb. I'd like to read it as: 世の中は
"In this world,", 三日見ぬ間の桜かな "I hope we get three days to look at the cherry
blossoms". (as in life is really short, yet wonderful). I wouldn't mind
reading it as: 世の中は "In this world,", 三日見ぬ間の桜 "not looking at the cherry
blossoms for three days", かな "astonishing" (as in, woah the quick change of
the world)

I am open to other interpretations, my Japanese is not good. Please tell me,
how you would read it and explain why. Where is the verb? Are there ancient
grammar rules at work? How am I wrong and how wrong am I?




This "proverb" is actually a haiku by the eighteenth-century poet
[大島{おおしま}蓼太{りょうた}](https://ja.wikipedia.org/wiki/%E5%A4%A7%E5%B3%B6%E8%93%BC%E5%A4%AA).
Like many haiku, it lacks a main verb.

かな does convey the sense that the poet is surprised or impressed – in this
case, by the rapid pace at which the world is changing – but "astonishing"
might be a little strong.

-ぬ is the 連体形 of the negative particle -ず, so 見ぬ is _modifying_ 間. Thus, 三日見ぬ間の桜 isn't "three days of not looking at the cherry blossoms," but "cherry blossoms that one hasn't looked at for three days."

Finally, は marks 世の中 as the "theme" of the poem, and this 世の中 doesn't mean the
natural world, as you seem to have assumed, but the world of human affairs. So
the poet is not talking about what happens "in this [natural] world," but
rather commenting specifically on the state of society, by _comparing_ the
pace of change to the speed with which cherry blossoms come into bloom and
then scatter. (Cherry blossoms are famously short-lived, and it's literally
true that you could look at them one day and see them in full bloom, then come
back after not looking at them for three days and find them gone. By the Edo
period, when this poem was written, Japanese poets had been using cherry
blossoms as a metaphor for impermanence for centuries.)

So the poem is saying that the world (i.e., contemporary Japanese society) is
like cherry blossoms one hasn't looked at for three days – it has undergone
sudden and drastic transformation. And of course, the clear implication is
also that this change is for the worse.




This "proverb" is actually a haiku by the eighteenth-century poet
[大島{おおしま}蓼太{りょうた}](https://ja.wikipedia.org/wiki/%E5%A4%A7%E5%B3%B6%E8%93%BC%E5%A4%AA).
Like many haiku, it lacks a main verb.

かな does convey the sense that the poet is surprised or impressed – in this
case, by the rapid pace at which the world is changing – but "astonishing"
might be a little strong.

-ぬ is the 連体形 of the negative particle -ず, so 見ぬ is _modifying_ 間. Thus, 三日見ぬ間の桜 isn't "three days of not looking at the cherry blossoms," but "cherry blossoms that one hasn't looked at for three days."

Finally, は marks 世の中 as the "theme" of the poem, and this 世の中 doesn't mean the
natural world, as you seem to have assumed, but the world of human affairs. So
the poet is not talking about what happens "in this [natural] world," but
rather commenting specifically on the state of society, by _comparing_ the
pace of change to the speed with which cherry blossoms come into bloom and
then scatter. (Cherry blossoms are famously short-lived, and it's literally
true that you could look at them one day and see them in full bloom, then come
back after not looking at them for three days and find them gone. By the Edo
period, when this poem was written, Japanese poets had been using cherry
blossoms as a metaphor for impermanence for centuries.)

So the poem is saying that the world (i.e., contemporary Japanese society) is
like cherry blossoms one hasn't looked at for three days – it has undergone
sudden and drastic transformation. And of course, the clear implication is
also that this change is for the worse.

