<br><p><b>Identifier</b>: uncivilizedraces02wood (<a class="external text" href="https://commons.wikimedia.org/w/index.php?title=Special%3ASearch&amp;profile=default&amp;fulltext=Search&amp;search=insource%3A%2Funcivilizedraces02wood%2F">find matches</a>)<br><b>Title</b>: <a rel="nofollow" class="external text" href="https://www.flickr.com/photos/internetarchivebookimages/tags/bookiduncivilizedraces02wood">The uncivilized races of men in all countries of the world; being a comprehensive account of their manners and customs, and of their physical, social, mental, moral and religious characteristics. By Rev. J. G. Wood... With new designs by Angas, Danby, Wolf, Zwecker... 1871</a><br><b>Year</b>: <a rel="nofollow" class="external text" href="https://www.flickr.com/photos/internetarchivebookimages/tags/bookyear1871">1871</a> (<a rel="nofollow" class="external text" href="https://www.flickr.com/photos/internetarchivebookimages/tags/bookdecade1870">1870s</a>)<br><b>Authors</b>:  <a rel="nofollow" class="external text" href="https://www.flickr.com/photos/internetarchivebookimages/tags/bookauthorWood__John_George__1827_1889">Wood, John George, 1827-1889</a><br><b>Subjects</b>:  <a rel="nofollow" class="external text" href="https://www.flickr.com/photos/internetarchivebookimages/tags/booksubjectEthnology__Manners_and_customs__Savages">Ethnology. Manners and customs. Savages</a><br><b>Publisher</b>:  <a rel="nofollow" class="external text" href="https://www.flickr.com/photos/internetarchivebookimages/tags/bookpublisherJ__B__Burr_and_company">J. B. Burr and company</a><br><b>Contributing Library</b>:  <a rel="nofollow" class="external text" href="https://www.flickr.com/photos/internetarchivebookimages/tags/bookcontributorBrigham_Young_University_Idaho__David_O__McKay_Library">Brigham Young University-Idaho, David O. McKay Library</a><br><b>Digitizing Sponsor</b>:  <a rel="nofollow" class="external text" href="https://www.flickr.com/photos/internetarchivebookimages/tags/booksponsorBrigham_Young_University_Idaho">Brigham Young University-Idaho</a><br><br><b>View Book Page</b>: <a rel="nofollow" class="external text" href="https://archive.org/stream/uncivilizedraces02wood/uncivilizedraces02wood#page/n713/mode/1up">Book Viewer</a><br><b>About This Book</b>: <a rel="nofollow" class="external text" href="https://archive.org/details/uncivilizedraces02wood">Catalog Entry</a><br><b>View All Images</b>: <a rel="nofollow" class="external text" href="https://www.flickr.com/photos/internetarchivebookimages/tags/bookiduncivilizedraces02wood">All Images From Book</a><br>
Click here to <a rel="nofollow" class="external text" href="https://archive.org/stream/uncivilizedraces02wood/uncivilizedraces02wood#page/n713/mode/1up"><b>view book online</b></a> to see this illustration in context in a browseable online version of this book.<br><br><b>Text Appearing Before Image:</b><br><i>he effect. a square bowl closed by a lid. The bowl con-tains India ink, and into the hollow stemthe pen is passed. When not in use the penis slipped into the stem, and the lid is closedand kept down by twisting over it the stringwhich hangs from the end of the case,and which is decorated with a ball ofagate. One reason for the excellence of Jap-anese art is, that the artists, instead of copy-ing from each other, invariably go to naturefor their models. They have teachers justas we do, but the great object of these pro-fessors is to teach their pupils how to pro-duce the greatest effect with the fewest lines.Book after book may be seen entirely filledwith studies for the guidance of the youngartists, in which the master has depictedvarious scenes with as few lines as possible.One of these books is entirely filled withstudies of falling rain, and, monotonous asthe subject may seem, no two drawings arein the least alike, and a separate and forci-ble character is given to each sketch. An-</i><br><b>Text Appearing After Image:</b><br><i>CAPTURE OF THE TRUANTS. We cannot take leave of this remarkablepeople without a few remarks upon thestate of art among them. The Japanese areevidently an art-loving people. Fond asthey are of the grotesque in art, they arecapable of appreciating its highest quali-ties; and, indeed, a Japanese workman canscarcely make any article of ordinary usewithout producing some agreeable combina-tion of lines in color. Even the pen, or rather the brush, withwhich they write is enclosed in an ingeniousand decidedly artistic case. The case is madeof bronze, and consists of a hollow stem and other book has nothing but outlines oflandscape scenery, while some are entirelyfilled with grass-blades, some bending in thewind, others beaten down by rain, and othersflourishing boldly upright. The bamboo isanother favorite subject; and so highly dothe Japanese prize the skill displayed by amaster, that they will often purchase at ahigh price a piece of paper with nothing onit but a few strokes of the brush,</i><br><br><b>Note About Images</b><br></p>
<i>Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original work.</i>
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Wood, John George, 1768-1838</div>
1871<div style="display: none;">date QS:P571,+1871-00-00T00:00:00Z/9</div>
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<ul><li>Source book page: <a rel="nofollow" class="external free" href="https://archive.org/stream/uncivilizedraces02wood/uncivilizedraces02wood#page/n713/mode/1up">https://archive.org/stream/uncivilizedraces02wood/uncivilizedraces02wood#page/n713/mode/1up</a></li></ul>