<div class="description">
During the 1600s, drawings were indispensible in large studios. In addition to being preparations for paintings, they were used by studio assistants to aid the master and were copied by pupils. Extremely cautious, Rubens guarded his drawings like studio secrets from competitors who could exploit them for their own compositions. Striking in its immediacy, this drawing is a preparatory study for a painting now at the Scottish National Gallery in Edinburgh. Herod, wearing a large cap and wrapped in a mantle, shrinks back in horror as Salome uncovers a charger that holds the head of Saint John the Baptist. In the most chilling detail, Herodias, seated at the far side of the table, gestures toward the charger with a fork in her right hand.</div>
<div class="fn value">
Peter Paul Rubens</div>
1637<div style="display: none;">date QS:P571,+1637-00-00T00:00:00Z/9</div>
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