<div class="description">
<p>A. The arrangement of the putto's arm has changed: in the drawing it was originally meant to embrace the woman's torso, in the painting it touches her cheek.<br>
B. In the process of painting, the woman's chest has been enlarged, which gave the figure a muscular appearance. The putto has also been moved.<br>
C. The underdrawing is also visible through the layers of paint. It was executed in a "dry" manner: with black chalk or charcoal.<br>
D. The landscape is indicated in a sketchy manner, but was later painted with considerable attention to detail.<br>
E. The arrangement of the putto has changed: in the drawing it was smaller and had raised left arm.<br>
F. The hand of the sitting woman is longer than initially planned. The bundle of lines suggests that she was meant to hold something elese in her hand.<br></p>
G. The proportion of the leg is different: the outline of the painted body is broader than that planned in the underdrawing.</div>
<div class="fn value">
Unknown<span style="display: none;">Unknown </span> (Monogrammist HP)</div>
<span class="int-own-work" lang="en">Own work</span>