Enthroned as Queen of Heaven, Mary holds her son, who turns with an affectionate gesture to embrace Saint Joseph while angels play music. Mary's husband is pictured as an old man who needs to use glasses to read. The inscription on the scroll below tells us that Mary was both mother and virgin, and Joseph's old age testifies to the Christian miracle of the virgin birth. The painting was probably the central part of a polyptych (an altarpiece consisting of several panels).
Rather than looking to ancient art as a model as so many of his Italian contemporaries did, Defendente Ferrari considered northern European painting with its close attention to naturalistic detail to be a proper source for an engaging  religious art.
<bdi><a href="https://en.wikipedia.org/wiki/en:Defendente_Ferrari" class="extiw" title="w:en:Defendente Ferrari"><span title="Italian painter (1490-1540)">Defendente Ferrari</span></a>
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circa 1520 <div style="display: none;">date QS:P571,+1520-00-00T00:00:00Z/9,P1480,Q5727902</div> (<a href="https://en.wikipedia.org/wiki/en:Renaissance" class="extiw" title="w:en:Renaissance"><span title="cultural movement that spanned the period roughly from the 14th to the 17th century">Renaissance</span></a><div style="display: none;">era QS:P2348,Q4692</div>)
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