<br><p><b>Identifier</b>: catalogueofpictu00nati (<a class="external text" href="https://commons.wikimedia.org/w/index.php?title=Special%3ASearch&amp;profile=default&amp;fulltext=Search&amp;search=insource%3A%2Fcatalogueofpictu00nati%2F">find matches</a>)<br><b>Title</b>: <a rel="nofollow" class="external text" href="https://www.flickr.com/photos/internetarchivebookimages/tags/bookidcatalogueofpictu00nati">A catalogue of the pictures and drawings in the National loan exhibition, in aid of National gallery funds, held in the Grafton Galleries, London (1909-1910)</a><br><b>Year</b>: <a rel="nofollow" class="external text" href="https://www.flickr.com/photos/internetarchivebookimages/tags/bookyear1909">1909</a> (<a rel="nofollow" class="external text" href="https://www.flickr.com/photos/internetarchivebookimages/tags/bookdecade1900">1900s</a>)<br><b>Authors</b>:  <a rel="nofollow" class="external text" href="https://www.flickr.com/photos/internetarchivebookimages/tags/bookauthorNational_Loan_Exhibition__1909_1910___London__England_">National Loan Exhibition (1909-1910 : London, England)</a> <a rel="nofollow" class="external text" href="https://www.flickr.com/photos/internetarchivebookimages/tags/bookauthorCook__Herbert_Frederick__Sir__1868_1939">Cook, Herbert Frederick, Sir, 1868-1939</a> <a rel="nofollow" class="external text" href="https://www.flickr.com/photos/internetarchivebookimages/tags/bookauthorBrockwell__Maurice_Walter__1869_1958">Brockwell, Maurice Walter, 1869-1958</a> <a rel="nofollow" class="external text" href="https://www.flickr.com/photos/internetarchivebookimages/tags/bookauthorGrafton_Galleries__London__England_">Grafton Galleries (London, England)</a><br><b>Subjects</b>:  <a rel="nofollow" class="external text" href="https://www.flickr.com/photos/internetarchivebookimages/tags/booksubjectArt">Art</a><br><b>Publisher</b>:  <a rel="nofollow" class="external text" href="https://www.flickr.com/photos/internetarchivebookimages/tags/bookpublisherLondon___W__Heinemann">London : W. Heinemann</a><br><b>Contributing Library</b>:  <a rel="nofollow" class="external text" href="https://www.flickr.com/photos/internetarchivebookimages/tags/bookcontributorUniversity_of_California_Libraries">University of California Libraries</a><br><b>Digitizing Sponsor</b>:  <a rel="nofollow" class="external text" href="https://www.flickr.com/photos/internetarchivebookimages/tags/booksponsorInternet_Archive">Internet Archive</a><br><br><b>View Book Page</b>: <a rel="nofollow" class="external text" href="https://archive.org/stream/catalogueofpictu00nati/catalogueofpictu00nati#page/n166/mode/1up">Book Viewer</a><br><b>About This Book</b>: <a rel="nofollow" class="external text" href="https://archive.org/details/catalogueofpictu00nati">Catalog Entry</a><br><b>View All Images</b>: <a rel="nofollow" class="external text" href="https://www.flickr.com/photos/internetarchivebookimages/tags/bookidcatalogueofpictu00nati">All Images From Book</a><br>
Click here to <a rel="nofollow" class="external text" href="https://archive.org/stream/catalogueofpictu00nati/catalogueofpictu00nati#page/n166/mode/1up"><b>view book online</b></a> to see this illustration in context in a browseable online version of this book.<br><br><b>Text Appearing Before Image:</b><br><i>the state portrait. And, then, there is the winning charm, acertain wistfulness in the face, which the Hampden Houjc version lacks. Thelatter is, on the (ither hand, infinitely superior to the Genoese picture inpreservation, as in the transparency and sovereign beauty of the colour.— 85 Claude Phillips in an article on Van Dyck at Burlington House, in the yirtJournal, March 1900, p. 68. Canvas. 90 in. X 60^ in. (2.286 X 1.535). She was the wife of Antonio Giulio, Marchese di Brignole-Sala, son of aDoge of Genoa and Ambassador to Philip IV of Spain. Lionel Cust: Van Dyck, 1900, p. 40. Mario Menotti : Van Dyck aGenova, in Archivio Storico deW Arte, serie seconda, 1897, p. 451. Exhibited at Burlington House, Old Masters, 1896, No. 113; also atAntwerp, Van Dyck Exhibition, 1899, No. 44; also at Burlington House,1900, No. 62. A variant of this picture is in the Palazzo Rosso, Genoa. For anotherportrait of the Marchesa, see No. 55 in this Exhibition. Lent by the Duke of Abercorn, K.G. S6</i><br><b>Text Appearing After Image:</b><br><i>59TITIAN: 1489(?).1576 Venetian SchoolPORTRAIT OF GIACOMO DORIA HE has a long black, beard ; he is standing almost in full-face, andis dressed in black. His left thumb is thrust into his girdle,and he holds his robe with his right. Three-quarter length. Thebase of a column in the ritj;ht background. A hitherto unknown portrait from the brush of the great Venetian, andone moreover which for essential dignity bears comparison with more famouscreations of its author. ... It is a manly rendering of a manly figure,straightforward, impressive and dignified, a typical Titian. The great Venetiancould paint a gentleman as no one else.—Burlington Ma^azine, vol. i. 1903,p. 185, Mr. Herbert Cook on Three Unpublished Italian Portraits. It cannot have been painted earlier than 1550, but very likely it is about1560, as there is a strong likeness in style to the portrait of a man in Dresden,dated 1561. Furthermore we know that Titian presented in 1561 AgostinoDoria (the son of the person thus repre</i><br><br><b>Note About Images</b><br></p>
<i>Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original work.</i>
<bdi><a href="https://en.wikipedia.org/wiki/en:Anthony_van_Dyck" class="extiw" title="w:en:Anthony van Dyck"><span title="Flemish Baroque artist (1599-1641)">Anthony van Dyck</span></a>
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1909<div style="display: none;">date QS:P571,+1909-00-00T00:00:00Z/9</div>
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<ul><li>Source book page: <a rel="nofollow" class="external free" href="https://archive.org/stream/catalogueofpictu00nati/catalogueofpictu00nati#page/n166/mode/1up">https://archive.org/stream/catalogueofpictu00nati/catalogueofpictu00nati#page/n166/mode/1up</a></li></ul>