The Uffizi version of the lost Agnès Sorel's portrait is considered the best one and the only one directly copied after the original by Jean Fouquet (in the other versions, among other things, the small velvet ribbon on the forehead, typical of 15th century hairstyle, is misunderstood as a pearl-studded diadem).
<bdi>After <a href="https://en.wikipedia.org/wiki/en:Jean_Fouquet" class="extiw" title="w:en:Jean Fouquet"><span title="French painter (c. 1420–1481)">Jean Fouquet</span></a>
</bdi>
between circa 1526 and circa 1550 <div style="display: none;">date QS:P571,+1550-00-00T00:00:00Z/7,P1319,+1526-00-00T00:00:00Z/9,P1326,+1550-00-00T00:00:00Z/9,P1480,Q5727902</div>
Scan from <i>Jean Fouquet - das Diptychon von Melun</i>, <a href="https://en.wikipedia.org/wiki/en:Gem%C3%A4ldegalerie,_Berlin" class="extiw" title="w:en:Gemäldegalerie, Berlin"><span title="art museum in Berlin, Germany">Gemäldegalerie</span></a>, <a href="https://en.wikipedia.org/wiki/en:Berlin" class="extiw" title="w:en:Berlin"><span title="federal state, capital and largest city of Germany">Berlin</span></a>, 15 September 2017–7 January 2018,  <a href="//commons.wikimedia.org/wiki/Special:BookSources/978-3-7319-0565-3" title="Special:BookSources/978-3-7319-0565-3">ISBN 978-3-7319-0565-3</a>,  p. 176-177,  cat. <bdi lang="en">no.  </bdi> 5