<br><p><b>Identifier</b>: antonioallegrida00ricc (<a class="external text" href="https://commons.wikimedia.org/w/index.php?title=Special%3ASearch&amp;profile=default&amp;fulltext=Search&amp;search=insource%3A%2Fantonioallegrida00ricc%2F">find matches</a>)<br><b>Title</b>: <a rel="nofollow" class="external text" href="https://www.flickr.com/photos/internetarchivebookimages/tags/bookidantonioallegrida00ricc">Antonio Allegri da Correggio, his life, his friends, and his time</a><br><b>Year</b>: <a rel="nofollow" class="external text" href="https://www.flickr.com/photos/internetarchivebookimages/tags/bookyear1896">1896</a> (<a rel="nofollow" class="external text" href="https://www.flickr.com/photos/internetarchivebookimages/tags/bookdecade1890">1890s</a>)<br><b>Authors</b>:  <a rel="nofollow" class="external text" href="https://www.flickr.com/photos/internetarchivebookimages/tags/bookauthorRicci__Corrado__1858_1934">Ricci, Corrado, 1858-1934</a><br><b>Subjects</b>:  <a rel="nofollow" class="external text" href="https://www.flickr.com/photos/internetarchivebookimages/tags/booksubjectCorreggio__1489__1534">Correggio, 1489?-1534</a><br><b>Publisher</b>:  <a rel="nofollow" class="external text" href="https://www.flickr.com/photos/internetarchivebookimages/tags/bookpublisherNew_York___C__Scribner_s_Sons">New York : C. Scribner's Sons</a><br><b>Contributing Library</b>:  <a rel="nofollow" class="external text" href="https://www.flickr.com/photos/internetarchivebookimages/tags/bookcontributorHarold_B__Lee_Library">Harold B. Lee Library</a><br><b>Digitizing Sponsor</b>:  <a rel="nofollow" class="external text" href="https://www.flickr.com/photos/internetarchivebookimages/tags/booksponsorBrigham_Young_University">Brigham Young University</a><br><br><b>View Book Page</b>: <a rel="nofollow" class="external text" href="https://archive.org/stream/antonioallegrida00ricc/antonioallegrida00ricc#page/n268/mode/1up">Book Viewer</a><br><b>About This Book</b>: <a rel="nofollow" class="external text" href="https://archive.org/details/antonioallegrida00ricc">Catalog Entry</a><br><b>View All Images</b>: <a rel="nofollow" class="external text" href="https://www.flickr.com/photos/internetarchivebookimages/tags/bookidantonioallegrida00ricc">All Images From Book</a><br>
Click here to <a rel="nofollow" class="external text" href="https://archive.org/stream/antonioallegrida00ricc/antonioallegrida00ricc#page/n268/mode/1up"><b>view book online</b></a> to see this illustration in context in a browseable online version of this book.<br><br><b>Text Appearing Before Image:</b><br><i>tonio d Agrate continued to carve the more delicate ornamenthimself, at the same time directing a troop of craftsmen, whose noisyhammers scaled and chipped the rough stone into the form of hugecolumns, cornices, pilasters, and altars within the church, and well-heads and fountains in the cloisters. The intense anxiety of the Benedictines to see the work completedshowed itself in the rapidity with which the various operations werecarried out. While as yet the interior of the church was a perfect i88 ANTONIO DA CORREGGIO forest of beams, scaffoldings, and cords, the decorators began theirwork. Cesare da Reggio commenced, perhaps, on the frieze of the transept, Pietro Ilario and Michele Mazzola frescoed the chapel of the Zangrandi with compositions which have now disappeared, and finally Marc Antonio Zucchi, master of perspective, carved and in laid thechoir stalls.1 The monastery has been turned into a barrack, and presentsa melancholy spectacle ! Rain, hail, and wind have worked their will</i><br><b>Text Appearing After Image:</b><br><i>INTERIOR OF SAN GIOVANNI EVANGELISTA, PARMA. on the phantom remnants of painting and sculpture, hardly sparingeven the marble reliefs of the door and windows of the chapter-house,carved with all the delicacy of antique cameos. The crumbling wellis overgrown with moss ; a feeble thread of water ■ trickles from the 1 We have carefully examined the books and papers of the archives of San GiovanniEvangelista, now in the Palatine Library at Parma. Many of the artists mentioned inthese are also spoken of in Angelo Pezzanas Storia di Parma. Parma, 1837-1839. THE CHURCH OF SAN GIOVANNI EVANGELISTA 189 Time has fountain ; the ruined arches are propped here and there with roughwooden piles. The harsh sound of the bugle, and the loud voicesof soldiers ring through the vaulted cloisters which once echoedto the chant of orisons, and the swell of an organ touched byPolidoro or Domenico della Musa. The frescoes of the corridors,cells, and great halls are hidden under a lavish coat of whitewash,and</i><br><br><b>Note About Images</b><br></p>
<i>Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original work.</i>
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1896
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<ul><li>Source book page: <a rel="nofollow" class="external free" href="https://archive.org/stream/antonioallegrida00ricc/antonioallegrida00ricc#page/n268/mode/1up">https://archive.org/stream/antonioallegrida00ricc/antonioallegrida00ricc#page/n268/mode/1up</a></li></ul>