<br><p><b>Identifier</b>: catalogueofpictu00nati (<a class="external text" href="https://commons.wikimedia.org/w/index.php?title=Special%3ASearch&amp;profile=default&amp;fulltext=Search&amp;search=insource%3A%2Fcatalogueofpictu00nati%2F">find matches</a>)<br><b>Title</b>: <a rel="nofollow" class="external text" href="https://www.flickr.com/photos/internetarchivebookimages/tags/bookidcatalogueofpictu00nati">A catalogue of the pictures and drawings in the National loan exhibition, in aid of National gallery funds, held in the Grafton Galleries, London (1909-1910)</a><br><b>Year</b>: <a rel="nofollow" class="external text" href="https://www.flickr.com/photos/internetarchivebookimages/tags/bookyear1909">1909</a> (<a rel="nofollow" class="external text" href="https://www.flickr.com/photos/internetarchivebookimages/tags/bookdecade1900">1900s</a>)<br><b>Authors</b>:  <a rel="nofollow" class="external text" href="https://www.flickr.com/photos/internetarchivebookimages/tags/bookauthorNational_Loan_Exhibition__1909_1910___London__England_">National Loan Exhibition (1909-1910 : London, England)</a> <a rel="nofollow" class="external text" href="https://www.flickr.com/photos/internetarchivebookimages/tags/bookauthorCook__Herbert_Frederick__Sir__1868_1939">Cook, Herbert Frederick, Sir, 1868-1939</a> <a rel="nofollow" class="external text" href="https://www.flickr.com/photos/internetarchivebookimages/tags/bookauthorBrockwell__Maurice_Walter__1869_1958">Brockwell, Maurice Walter, 1869-1958</a> <a rel="nofollow" class="external text" href="https://www.flickr.com/photos/internetarchivebookimages/tags/bookauthorGrafton_Galleries__London__England_">Grafton Galleries (London, England)</a><br><b>Subjects</b>:  <a rel="nofollow" class="external text" href="https://www.flickr.com/photos/internetarchivebookimages/tags/booksubjectArt">Art</a><br><b>Publisher</b>:  <a rel="nofollow" class="external text" href="https://www.flickr.com/photos/internetarchivebookimages/tags/bookpublisherLondon___W__Heinemann">London : W. Heinemann</a><br><b>Contributing Library</b>:  <a rel="nofollow" class="external text" href="https://www.flickr.com/photos/internetarchivebookimages/tags/bookcontributorUniversity_of_California_Libraries">University of California Libraries</a><br><b>Digitizing Sponsor</b>:  <a rel="nofollow" class="external text" href="https://www.flickr.com/photos/internetarchivebookimages/tags/booksponsorInternet_Archive">Internet Archive</a><br><br><b>View Book Page</b>: <a rel="nofollow" class="external text" href="https://archive.org/stream/catalogueofpictu00nati/catalogueofpictu00nati#page/n270/mode/1up">Book Viewer</a><br><b>About This Book</b>: <a rel="nofollow" class="external text" href="https://archive.org/details/catalogueofpictu00nati">Catalog Entry</a><br><b>View All Images</b>: <a rel="nofollow" class="external text" href="https://www.flickr.com/photos/internetarchivebookimages/tags/bookidcatalogueofpictu00nati">All Images From Book</a><br>
Click here to <a rel="nofollow" class="external text" href="https://archive.org/stream/catalogueofpictu00nati/catalogueofpictu00nati#page/n270/mode/1up"><b>view book online</b></a> to see this illustration in context in a browseable online version of this book.<br><br><b>Text Appearing Before Image:</b><br><i>cause he never draws so badly, or uses so fluid a vehicle. In all these pointsthis Concert is thoroughly characteristic of Carianis manner at a time when heappears to have been absorbed in studying Giorgione, while changing over fromthe style of Lotto and his flowing medium to that of Palma and his slow thickmedium. As to the spirit of the picture, we have Cariani in precisely thisphase in a canvas at Bergamo, A Woman playing and a Shepherd asleep (Lochis No. 146, photographed by U. Lotzc, Verona). Even the forms andfolds are thoroughly characteristic of Cariani, and peculiar to him are the shortnoses and the way the faces are modelled, especially the youths face, whosemodelling is identical with that in the Vienna Bravo (No. 240).—B. Beren-son : Ienetian Painting at the New Caller), 1895, p. 37 ; and reproduced in thesame authors Study and Criticism of Italian Art, ist Series, 1901, pp. 139-40. Exhibited at the New Gallery, 1894, No. 110. Lent by the Marquess of Lansdowne, K.G. 141</i><br><b>Text Appearing After Image:</b><br><i>93THOMAS GAINSBOROUGH, R.A.: 1727-1788 English SchoolEVENING A WOODLAND scene, illumined with the glow of evening sunlight.A tree bends over the road on the right. Two cart-horsesare moving slowly homeward from the wood to the right, and alad is riding one of them. On the left of the picture a woodman,going towards his home, is seen in the shadow of the trees. Inthe middle distance is a village church. Canvas. 39 in. x 49 in. (0.99 x 1.244). Formerly in the Collection of Mr. William Benoni White, May 24, 1879,No. 208. Said to have been painted at Bath in 1760 for Mr. Samuel Kilderbee, anintimate friend of the painter, who lived at Ipswich. A carefully finished drawing in water-colour, measuring 184 in. x 24) in.,executed by Gainsborough, apparently some years later, is in the Collectionof Mr. H. J. Pfungst, F.S.A. It answers in subject and description to thisoil painting, after which, no doubt, Gainsborough copied it. As the backof the drawing is pasted all over, apparently to strengt</i><br><br><b>Note About Images</b><br></p>
<i>Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original work.</i>
<bdi><a href="https://en.wikipedia.org/wiki/en:Giorgione" class="extiw" title="w:en:Giorgione"><span title="Venetian Renaissance painter (1478-1510)">Giorgione</span></a>
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1909<div style="display: none;">date QS:P571,+1909-00-00T00:00:00Z/9</div>
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<ul><li>Source book page: <a rel="nofollow" class="external free" href="https://archive.org/stream/catalogueofpictu00nati/catalogueofpictu00nati#page/n270/mode/1up">https://archive.org/stream/catalogueofpictu00nati/catalogueofpictu00nati#page/n270/mode/1up</a></li></ul>