Given the fact that it was commissioned by Walters over a year before the publication of the Doré <a href="https://en.wikipedia.org/wiki/Gustave_Dor%C3%A9%27s_illustrations_for_La_Grande_Bible_de_Tours" class="extiw" title="w:Gustave Doré's illustrations for La Grande Bible de Tours">Bible</a>, this drawing illustrating the story of <a href="https://en.wikipedia.org/wiki/Jacob%27s_Ladder" class="extiw" title="w:Jacob's Ladder">Jacob's dream</a> as told in Genesis 28:11-13 is probably a preliminary study or a variation of the composition found on the full-page, wood-engraved illustration first published in "La Sainte Bible: Traduction nouvelle selon la <a href="https://en.wikipedia.org/wiki/Vulgate" class="extiw" title="w:Vulgate">Vulgate</a> par Mm. <a href="https://en.wikipedia.org/wiki/Jean-Jacques_Bourasse" class="extiw" title="w:Jean-Jacques Bourasse">J. -J. Bourasse</a> et P. Janvier" (Tours, Alfred Mame et Fils, 1866, I:facing page 34). So popular was the Doré Bible that it was also issued in English that year and later appeared in German; it has since been printed in numerous editions in various languages. 
The Walters' drawing is smaller in format than the engraved illustration and differs in that it shows fewer angels, has palm trees rather than olive trees, and has less steeply inclined steps. To distinguish the heavenly specters from the earthly setting, these ethereal forms are rendered in white, while the landscape elements are in ink and wash. Given Doré's occasional practice of painting directly on the wood block, thereby eliminating the preparatory study on paper, a final drawing for the composition might never have existed.
<bdi><a href="https://en.wikipedia.org/wiki/en:Gustave_Dor%C3%A9" class="extiw" title="w:en:Gustave Doré"><span title="French illustrator best known for wood-engraving, 1832-1883">Gustave Doré</span></a>
</bdi>
1865<div style="display: none;">date QS:P571,+1865-00-00T00:00:00Z/9</div>
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