<div class="description">
<dl><dd>Woodcut t.p. vignette. 124 emblems, each with full-page ill. within an oval on right-hand page of opening, text on facing left-hand page. They are by Vaenius, except for the 1st which is signed by Cornelius Bol; see Landwehr</dd>
<dd>Imprint in colophon: Typis Henrici Swingenij</dd>
<dd>Signatures: pi (:) A-2H</dd>
<dd>Landwehr, J. Emblem and fable books (3rd ed.)</dd>
<dd>Recto of last leaf of c. 1 numbered 747 rather than 247</dd>
<dd>Library's c. 1 lacks gathering (:)</dd>
<dd>Binding, c. 1: old red goatskin. Boards tooled in gilt with double frames. Edges of boards tooled in gilt, page edges gilt. At center of boards, at corners of the inner frames and on the spine are impressions in gilt of a monogram composed of 2 C's and 2 M's. Remains of two pairs of ties at foredge. Centered on the front pastedown is the 19th-century armorial bookplate of: Mr. A. G.-du Plessis, with a pencilled note in English identifying the cover monogram as that of Philippe du Plessis du Mornay. This note is apparently by John Landwehr, whose label appears at the lower left-hand corner of the front pastedown. However, the monogram is not among those illustrated in Olivier, Reliures armoriées, for Philippe de Mornay, seigneur du Plessis-Marly, 1549-1623. Additional pencilled notes in Landwehr's hand appear on 2nd front free endpaper verso</dd>
<dd>Binding, c. 2: later vellum, tooled in gilt. Author &amp; title in gilt on spine. Page edges gilt, sprinkled red. Armorial bookplate of Courcol, front pastedown, with John Landwehr's label at lower left. On front free endpaper recto is label of Roger Peyrefitte. Pencilled notes in English by Landwehr on front free endpaper verso. Note on Bol in French on 2nd front free endpaper recto. Initials written to right of device on t.p.: L.B.S</dd>
<dd>As noted by Landwehr in his note in c. 2, the two copies are different issues. The imprint of c. 2 is: Antverpiae, Venalia apud Auctorem. M. DC. IIX. The preliminaries also differ. Copy 2 lacks "In Cupidines Othonis VaenI," by Max. Vrientius, p. [6]-[7] in c. 1. The missing gathering (:) in c. 1 makes it impossible to specify other possible differences</dd>
<dd>[16], 247, [1] pages 15 x 20 cm</dd>
<dd>Recto of last leaf of copy 1 numbered 747 rather than 247</dd>
<dd>Accompanying text, mainly in verse, in Latin, Dutch, and French. Other editions published the same year have texts in Latin combined with Dutch &amp; French, Italian &amp; Spanish, or Italian &amp; English; see Landwehr</dd>
<dd>Landwehr cites two different issues of this emblem book. One has imprint: Antuerpiae : Venalia apud auctorem; the other has imprint: Venalia apud auctorem, prostant apud Hieronymum Verdussen. In addition the preliminaries are different. This copy lacks "In Cupidines Othonis VaenI" by Max. Vrientius, present in other issues</dd>
<dd>Woodcut title page vignette. 124 emblems, each with full-page ill. within an oval on right-hand page of opening, text on facing left-hand page. They are by Vaenius, except for the 1st which is signed by Cornelius Bol; see Landwehr</dd>
<dd>Signatures: pi⁴ (:)⁴ A-2H⁴</dd></dl><br>Subjects: Emblems; Love in art; Emblems -- Early works to 1800</div>
<div class="fn value">
Veen, Otto van, 1556-1629</div>
Internet Archive identifier