<br><p><b>Identifier</b>: antonioallegrida00ricc (<a class="external text" href="https://commons.wikimedia.org/w/index.php?title=Special%3ASearch&amp;profile=default&amp;fulltext=Search&amp;search=insource%3A%2Fantonioallegrida00ricc%2F">find matches</a>)<br><b>Title</b>: <a rel="nofollow" class="external text" href="https://www.flickr.com/photos/internetarchivebookimages/tags/bookidantonioallegrida00ricc">Antonio Allegri da Correggio, his life, his friends, and his time</a><br><b>Year</b>: <a rel="nofollow" class="external text" href="https://www.flickr.com/photos/internetarchivebookimages/tags/bookyear1896">1896</a> (<a rel="nofollow" class="external text" href="https://www.flickr.com/photos/internetarchivebookimages/tags/bookdecade1890">1890s</a>)<br><b>Authors</b>:  <a rel="nofollow" class="external text" href="https://www.flickr.com/photos/internetarchivebookimages/tags/bookauthorRicci__Corrado__1858_1934">Ricci, Corrado, 1858-1934</a><br><b>Subjects</b>:  <a rel="nofollow" class="external text" href="https://www.flickr.com/photos/internetarchivebookimages/tags/booksubjectCorreggio__1489__1534">Correggio, 1489?-1534</a><br><b>Publisher</b>:  <a rel="nofollow" class="external text" href="https://www.flickr.com/photos/internetarchivebookimages/tags/bookpublisherNew_York___C__Scribner_s_Sons">New York : C. Scribner's Sons</a><br><b>Contributing Library</b>:  <a rel="nofollow" class="external text" href="https://www.flickr.com/photos/internetarchivebookimages/tags/bookcontributorHarold_B__Lee_Library">Harold B. Lee Library</a><br><b>Digitizing Sponsor</b>:  <a rel="nofollow" class="external text" href="https://www.flickr.com/photos/internetarchivebookimages/tags/booksponsorBrigham_Young_University">Brigham Young University</a><br><br><b>View Book Page</b>: <a rel="nofollow" class="external text" href="https://archive.org/stream/antonioallegrida00ricc/antonioallegrida00ricc#page/n144/mode/1up">Book Viewer</a><br><b>About This Book</b>: <a rel="nofollow" class="external text" href="https://archive.org/details/antonioallegrida00ricc">Catalog Entry</a><br><b>View All Images</b>: <a rel="nofollow" class="external text" href="https://www.flickr.com/photos/internetarchivebookimages/tags/bookidantonioallegrida00ricc">All Images From Book</a><br>
Click here to <a rel="nofollow" class="external text" href="https://archive.org/stream/antonioallegrida00ricc/antonioallegrida00ricc#page/n144/mode/1up"><b>view book online</b></a> to see this illustration in context in a browseable online version of this book.<br><br><b>Text Appearing Before Image:</b><br><i>MARRIAGE OF ST. CATHERINE, BY CORREGCIO. Dr. G. Frizzoni, Milan. oval medallion of Abrahams Sacrifice. Morelli does not notice thaton the back of the throne, above, there is a roundel, as in MantegnasS. Maria della Vittoria ; and that the niche behind is wreathed with 1 Le opere dei maestri itahani, p. 123. See also Morellis two volumes, Italia?i-Painters, i. p. 255, and ii. p. 148. Camillo Laderchi (Descrizione della QuadreriaCostabili, part iii. p. 60. Ferrara, 1841) attributes this picture to Fra Bartolommeo, andsays that other persons had ascribed it to Raphael. He adds,-however, T. Geyser,</i><br><b>Text Appearing After Image:</b><br><i>MADONNA AND CHILD WITH ANGELS. In the Uffizi Gallery, Florence. EARLY PICTURES BY CORREGGIO 101 one of the garlands of fruit and flowers so often introduced by theVicenzan master. The long, scanty folds of St. Catherines robe arealso very Mantegnesque in treatment. In the Uffizi1 there is another small picture by Correggio,attributed to Titian in the old catalogues, but declared by severalwriters to be a Ferrarese work. Morelli restored it to its rightfulauthor. Its value is much enhanced by its unusually fine state ofpreservation. The Virgin, enthroned in a mass of snowy clouds, supports theChild upon her lap. Both are turned to the left, entranced by themusic of a youthful winged angel, who plays the viol beside them.Another angel behind them sings to the accompaniment of a lyre.Around the shining aureole above is a cluster of rosy cherub heads,as in the San Francesco altar-piece. The colour is rich and glowing,and especially brilliant in the Virgins crimson robe, and her bluemantle</i><br><br><b>Note About Images</b><br></p>
<i>Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original work.</i>
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1896<div style="display: none;">date QS:P571,+1896-00-00T00:00:00Z/9</div>
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<ul><li>Source book page: <a rel="nofollow" class="external free" href="https://archive.org/stream/antonioallegrida00ricc/antonioallegrida00ricc#page/n144/mode/1up">https://archive.org/stream/antonioallegrida00ricc/antonioallegrida00ricc#page/n144/mode/1up</a></li></ul>