<br><p><b>Identifier</b>: antonioallegrida00riccrich (<a class="external text" href="https://commons.wikimedia.org/w/index.php?title=Special%3ASearch&amp;profile=default&amp;fulltext=Search&amp;search=insource%3A%2Fantonioallegrida00riccrich%2F">find matches</a>)<br><b>Title</b>: <a rel="nofollow" class="external text" href="https://www.flickr.com/photos/internetarchivebookimages/tags/bookidantonioallegrida00riccrich">Antonio Allegri da Correggio, his life, his friends, and his time</a><br><b>Year</b>: <a rel="nofollow" class="external text" href="https://www.flickr.com/photos/internetarchivebookimages/tags/bookyear1896">1896</a> (<a rel="nofollow" class="external text" href="https://www.flickr.com/photos/internetarchivebookimages/tags/bookdecade1890">1890s</a>)<br><b>Authors</b>:  <a rel="nofollow" class="external text" href="https://www.flickr.com/photos/internetarchivebookimages/tags/bookauthorRicci__Corrado__1858_1934">Ricci, Corrado, 1858-1934</a> <a rel="nofollow" class="external text" href="https://www.flickr.com/photos/internetarchivebookimages/tags/bookauthorSimmons__Florence">Simmons, Florence</a><br><b>Subjects</b>:  <a rel="nofollow" class="external text" href="https://www.flickr.com/photos/internetarchivebookimages/tags/booksubjectCorreggio__1489__1534">Correggio, 1489?-1534</a><br><b>Publisher</b>:  <a rel="nofollow" class="external text" href="https://www.flickr.com/photos/internetarchivebookimages/tags/bookpublisherNew_York___Charles_Scribner_s_sons">New York : Charles Scribner's sons</a><br><b>Contributing Library</b>:  <a rel="nofollow" class="external text" href="https://www.flickr.com/photos/internetarchivebookimages/tags/bookcontributorUniversity_of_California_Libraries">University of California Libraries</a><br><b>Digitizing Sponsor</b>:  <a rel="nofollow" class="external text" href="https://www.flickr.com/photos/internetarchivebookimages/tags/booksponsorMSN">MSN</a><br><br><b>View Book Page</b>: <a rel="nofollow" class="external text" href="https://archive.org/stream/antonioallegrida00riccrich/antonioallegrida00riccrich#page/n393/mode/1up">Book Viewer</a><br><b>About This Book</b>: <a rel="nofollow" class="external text" href="https://archive.org/details/antonioallegrida00riccrich">Catalog Entry</a><br><b>View All Images</b>: <a rel="nofollow" class="external text" href="https://www.flickr.com/photos/internetarchivebookimages/tags/bookidantonioallegrida00riccrich">All Images From Book</a><br>
Click here to <a rel="nofollow" class="external text" href="https://archive.org/stream/antonioallegrida00riccrich/antonioallegrida00riccrich#page/n393/mode/1up"><b>view book online</b></a> to see this illustration in context in a browseable online version of this book.<br><br><b>Text Appearing Before Image:</b><br><i>aculous,and it is scarcely possible to paint better. ^ Francesco Algarottimakes the following admission : May Raphaels divine genius pardonme, if, when gazing at this picture, I break faith with him, and amtempted to say in secret to Correggio : Thou alone canst pleaseme ! 2 The enthusiasm of past generations, of which we have givensome few samples, is shared by many modern critics. Burckhardt, forinstance, speaks of this picture as a marvel of colour and of execution,a perfect expression of serene and innocent happiness. He praises theexquisite beauty of the Magdalen, and says that the gesture withwhich she prostrates herself before the Infant Saviour is unsurpassedin its suggestion of feminine grace. Another picture, hardly less famous than this, was carried with it to Paris in 1796, and restored to the Royal Gallery of Parma in 1S16. This was the Holy Family, known as the Madonna dclla Scodclla Viti\ iv. )). 114. Bottaii, Ldlcrc artistichc, vii. p. 419. • /(■ Cica-oiic, p. 715.</i><br><b>Text Appearing After Image:</b><br><i>KD II ChynO (IHF DAV). •■IlIE Nr.\T&gt;0\\.\ DF.I.T.A SCOl )(:i,L.\ ;S:; (The \irgin witli the Cup). On llic lower part of its wonderfularchitectonic frame is the following inscription : — ;)I\(1 JOSKPPO DEIPARAK VH-iClXIS CVSTODIIllUSS. COELITVS(1. niCSTlNATO HVIVSCE Arm; comvxi aere erectokios devoti Al.ACREStl. EREXERE MIiXXX. Die II. ivxii. Strange to say, there are no documents of any sort relating to thispicture. The agreement and the receipt for payment ha\e alikedisappeared. Pungileoni, relying on a document in the archives ofSan Salvatorc, described it as painted aboii/ 1527-28.^ The paperfurther states : It is said to have been paid for by the offeringsof several contributors. The anonymous chronicler thus advancesas a hypothesis what is stated as a fact in the inscription reproducedabove. He adds that the tradition was borne out by the will ofCristoforo Bondini, who in 1524 bequeathed a sum of fifteen imperial/ire towards the purchase, and concludes with the statement</i><br><br><b>Note About Images</b><br></p>
<i>Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original work.</i>
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1896
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<ul><li>Source book page: <a rel="nofollow" class="external free" href="https://archive.org/stream/antonioallegrida00riccrich/antonioallegrida00riccrich#page/n393/mode/1up">https://archive.org/stream/antonioallegrida00riccrich/antonioallegrida00riccrich#page/n393/mode/1up</a></li></ul>