<p>"The Matrons in Hanging-Sleeves, or The Enquirer into Nature", an eighteenth-century satire (or "satyr") against sex-education.  This caricature print shows women and girls looking at an exhibition display of a wax-model cutaway view of human pregnancy (with other suggestive statuettes on a side table at left); the poem beneath condemns the "bawdy Itch of knowing secret Things / And tracing human Nature to its Springs" as being a symptom of modern degeneracy (as opposed to the female virtue of previous ages) -- and as being morally dubious for inherently "frail" women, and incompatible with the highly-desirable "innocence" of unmarried girls.
</p><p>The poem in the print reads:
</p>
<dl><dd>In days of <i>Yore</i>, when modesty reign'd here,</dd>
<dd>Virgins were bashful, Matrons were severe;</dd>
<dd>None knew then what it was to chat with Men,</dd>
<dd>Or in smart Billets-doux to use the pen.</dd>
<dd>Sermons and Psalm-Books much employ'd their time,</dd>
<dd>Nor, save the latter, read they ought in Rhime.</dd>
<dd>If e'er they wrote, 'twas when some choice Receipt <i>[i.e. recipe]</i></dd>
<dd>Was found to cure a Cough, or toss up Meat;</dd>
<dd>Such th' Assiduous House-wife sought with Care,</dd>
<dd>And in her Books preserv'd as Treasure rare.</dd>
<dd>Each Woman then, the Glory of her Spouse,</dd>
<dd>Look'd to his Wealth, and constant kept his House.</dd>
<dd>Decent her Garb; her Language true and plain;</dd>
<dd>She heightened ev'ry Joy, and softened ev'ry Pain.</dd></dl><dl><dd>In our politer times, the Female Race</dd>
<dd>An easier mode of Living [by] far embrace.</dd>
<dd>No more such arduous Methods Women try,</dd>
<dd>But with the Men in thirst of Pleasure vie:</dd>
<dd>Like them, they Ride, they Walk, nay Rake and Drink,</dd>
<dd>And seldom say their Prayers, or deign to Think.</dd>
<dd>Thus rub thro' Life, forgetful of its End;</dd>
<dd>By none Befriended, and to none a Friend;</dd>
<dd>Wild without Wit, from Spleen -- not Judgment -- grave;</dd>
<dd>Despising Faith, but to her Lusts a Slave.</dd>
<dd>Each courtly Wanton wanders thro' her Time,</dd>
<dd>And feels Declension <i>[i.e. herself to be declining]</i> ere she reach her Prime.</dd></dl><dl><dd>But of all Follies, sure the last and worst</dd>
<dd>Is that with which our learned Age is curs'd.</dd>
<dd>This bawdy Itch of knowing secret Things,</dd>
<dd>And tracing human Nature to its Springs;</dd>
<dd>Exploring in the sight of all the world</dd>
<dd>The dark Receptacle from whence we're hurl'd.</dd>
<dd>O famous wax-work!  Where our fair ones come,</dd>
<dd>Like female Neros made to see a womb,</dd>
<dd>To hear fine Lectures, read on Generation,</dd>
<dd>And all the Arts explain'd of Procreation.</dd></dl><dl><dd>That Rake, in time to come, when he convenes,</dd>
<dd>What <i>copious Drury</i> sends, and <i>Wild-street</i> gleans,</dd>
<dd>He may have Bawds in Bibs, and Midwives in their teens.</dd>
<dd><i>[i.e. sex education would lead to child prostitution]</i></dd></dl><dl><dd>What Vices <i>Greek</i> and <i>Roman</i> Dames defil'd,</dd>
<dd>How they on Slaves and Fencers <i>[i.e. gladiators]</i> often smil'd,</dd>
<dd>Rode, Drink, and Danced, we're by old <i>Sat'rists</i> told;</dd>
<dd>But of no Thais of our modern Mold --</dd>
<dd>Who ere for Wedlock ripe is wild to see</dd>
<dd>What must its Joys, and what its Pains must be;</dd>
<dd>How in the Womb the Foetus is reclin'd;</dd>
<dd>What Passage thence by Nature is design'd;</dd>
<dd>With ev'ry other Circumstance beside,</dd>
<dd>That may inform her ere she be a Bride,</dd>
<dd>And make her wiser than the Dame who bore</dd>
<dd>This prying Wench, -- or Grandmother before,</dd>
<dd>Who liv'd when Innocence sway'd here of <i>Yore</i>.</dd></dl><dl><dd>O might the shocking Scene so strike the Mind,</dd>
<dd>As that true Sense from this strange sight they'd find:</dd>
<dd>Learn to believe themselves but frail, tho' fair;</dd>
<dd>And make their Souls what they deserve -- their Care;</dd>
<dd>Live to those Ends for which their Lives were given,</dd>
<dd>To bless Mankind, and make this World a Heaven.</dd>
<dd>The Wax-work then -- should be deem'd worthy Fame,</dd>
<dd>Not be, as now, all its Spectators' Shame.</dd></dl><p>The Roman emperor Nero is mentioned above because of the story that when he assassinated his mother Agrippina, he cut open her womb so that he could see where he had come from.
</p><p>For an 18th-century wax model somewhat like the one which is considered to be a source of moral corruption here, see <a href="//commons.wikimedia.org/wiki/File:Specola_20.jpg" title="File:Specola 20.jpg">Image:Specola 20.jpg</a> (from <a href="https://en.wikipedia.org/wiki/La_Specola" class="extiw" title="en:La Specola">en:La Specola</a> museum).
</p>
<hr><p>Bibliographic information found on the LoC site:
</p><p>TITLE:  The matrons in hanging-sleeves: or, The enquirer into nature - a satyr
</p><p>CALL NUMBER:  PC 2 - Matrons in hanging-sleeves ... (A size) [P&amp;P]
</p><p>REPRODUCTION NUMBER:  LC-USZ62-59610 (b&amp;w film copy neg.)
No known restrictions on publication.
</p><p>SUMMARY:  Print shows women and children of all ages viewing exhibits
at the "Wax-works" and "see a Womb, to hear fine Lectures, read on
Generation, and all the Arts explain'd of Procreation ..."; in a large
display case is a life-size figure of a pregnant woman with a cut-away
view showing a fetus in the womb, and on a table are figures in an
erotic embrace.
</p><p>MEDIUM:  1 print : etching.
</p><p>CREATED/PUBLISHED:  [1802?]
</p><p>NOTES:
Title from item.
Forms part of: British Cartoon Collection (Library of Congress).
</p><p>SUBJECTS:
</p>
<ul><li>Women--Social life--England--London--1800-1810.</li>
<li>Women--Education--England--London--1800-1810.</li>
<li>Wax figures--1800-1810.</li>
<li>Galleries &amp; museums--England--London--1800-1810.</li>
<li>Human life cycle--1800-1810.</li></ul><p>FORMAT:
Satires (Visual works) British 1800-1810.
Etchings British 1800-1810.
</p><p>REPOSITORY:  Library of Congress Prints and Photographs Division
Washington, D.C. 20540 USA
</p><p>DIGITAL ID:  (b&amp;w film copy neg.) cph 3b07352
<a rel="nofollow" class="external free" href="http://hdl.loc.gov/loc.pnp/cph.3b07352">http://hdl.loc.gov/loc.pnp/cph.3b07352</a>
</p>
CARD #:  2003675443
Unknown author<span style="display: none;">Unknown author</span>
<p>Edited from image <a rel="nofollow" class="external free" href="http://memory.loc.gov/master/pnp/cph/3b00000/3b07000/3b07300/3b07352u.tif">http://memory.loc.gov/master/pnp/cph/3b00000/3b07000/3b07300/3b07352u.tif</a> on Library of Congress website.
</p>
<a rel="nofollow" class="external free" href="http://hdl.loc.gov/loc.pnp/cph.3b07352">http://hdl.loc.gov/loc.pnp/cph.3b07352</a>