Jack Lueders-Booth
Jack Lueders-Booth (born John Cuneo, June 3, 1935) is an American photographer. He retired from teaching at Harvard in 2000, and continues to live and work in the Boston area.

Early life
Lueders-Booth was born in Boston, MA on June 3, 1935. His father, Edward J. Booth, was a math professor and his mother, Marie G. Booth, a homemaker. Lueders-Booth is the oldest of six children, four girls and two boys. He was raised Catholic.

Lueders-Booth has lived in Boston, Ma. his entire life. After graduating high school, He began studying English at Harvard. Booth never finished his undergraduate degree, and instead began working for an insurance company, where he stayed for 15 years. Booth's interest in photography began when he was a young child, though this did not become a serious interest until he was 25.

Career

Teaching career
A self-taught documentary photographer, Jack Lueders-Booth left an office management company with Combined Insurance Company of America in 1970, at the age of 35, to pursue overriding interests in photography. Booth went to work for Harvard University as the manager of their photography teaching laboratory, and a year later began to also teach photography there.

In 1976, Booth took on a part-time study at Harvard’s Graduate School of Education, which he designed to be a photographic education, and he received his master's degree in 1978. He worked as a photography instructor in Harvard University’s Extension and Summer School’s until 1999. Booth also taught at The Maine Photographic Workshop, teaching both beginning and advanced documentary seminars. He served as a guest critic and lecturer at The Art Institute of Boston, Boston University, University of Colorado Boulder, Dartmouth College, Emerson College, The Maine Photographic Workshops, Massachusetts College of Art and Design, School of the Museum of Fine Arts, Tufts University, and Yale Graduate School of Art. In 1989, Booth was appointed Artist-in-Residence at Dartmouth College, and in 1983-84 he was guest Artist-Teacher at the Danforth Museum in Framingham, Ma. From 1983-1995, Booth received twelve Commendations for Distinguished Teaching, and three nominations for Harvard University’s Joseph P. Levenson Prize for Best Teacher of the Year.

In 2000, Booth semi-retired to adjunct faculty positions at (sequentially), The School of The Museum of Fine Arts in Boston, The Rhode Island School of Design, The Massachusetts College of Art, The Art Institute of Boston, and Lesley University College of Art and Design.

Photography
While working a full-time teaching schedule, Lueders-Booth pursued documentary projects at every opportunity. These included Chronic Disease and Custodial Patients - supported in part by a Harvard University Work Completion Grant from 1970-1973; The Salvation Army from 1974-1975; Camping Families in 1976; and Patmos, Greece in 1977. Booth photographed Women Prisoners, supported in part by fellowships from the NEA, Massachusetts Council on the Arts and Humanities, The ‘Artists’ Foundation, and the Polaroid Foundation. Booth photographed the American Motorcycling Community and Culture from 1985–present. He also photographed Neighborhoods of the Orange Line, a branch of Boston’s public transportation system which runs through strongly segregated neighborhoods.  This project was commissioned by Urbanarts and supported in total by group project grants from the Boston Arts Lottery, the Boston Globe Foundation, and the Rowland Foundation, and a personal grant from the Maine Photographic Workshops (1985-1987). Booth worked on a series of Cambridge Families Before gentrification, supported by a grant from the Cambridge Arts Council in 1987; of Lowell Folklife, a personal commission from the U.S. Library of Congress to work as photographer with oral historians conducting a contemporary and historical social study of Lowell, Ma., its traces to nineteenth century mill culture, and the recent influx of Southeast Asians fleeing the turmoil in their homelands from 1987-1988; Cambodians in New England, a personal continuation of the Library of Congress commission for The Addison Gallery of American Art’s exhibition Shifting Cultures from 1990-1991; and Families who live in and off of the Dumps of Tijuana from 1991-1998. Booth also received a Humanitarian Award from The Pine Street Inn, a Boston homeless shelter, for volunteer fund-raising photography.

2000-present
After leaving his teaching position at Harvard University, Booth pursued his interest in photography full-time. From 2000-2006, Booth worked on the series The Last Corner Store, a shop near Central Square in Cambridge, Massachusetts.  Since 2005, Booth has photographed in and around Central Square, as well as at The Cantab and The Cantabridgean Lounge.  This work has yet to be published.

Personal life
Booth has six adult children, Douglass (B.1957), Laura (B.1959), Gregory (B.1960), Peter  (B.1968), Lucy Nguyen (B.1980), and Evie Lueders-Booth (B.1991).  For fun, he plays darts, tennis, and races motorcycles.  Booth lives in Cambridge, Massachusetts.

Work and awards

Selected collections
 Addison Gallery of American Art, Andover, Massachusetts
 Art Institute of Chicago, Chicago, Illinois
 DeCordova Museum and Sculpture Park, Lincoln, Massachusetts
 Fogg Museum at Harvard University, Cambridge, Massachusetts
 Hood Museum of Art at Dartmouth College, Hanover, New Hampshire
 Library of Congress, Washington, District of Columbia
 Museum of Contemporary Photography at Columbia College Chicago, Chicago, Illinois
 Museum of Modern Art, New York, New York
 Museum of Photographic Arts, San Diego, California
 San Francisco Museum of Modern Art, San Francisco, California
 Smithsonian Institution, Washington, District of Columbia

Selected exhibitions
 An Elevated View: The Orange Line at Boston Public Library, Boston, Massachusetts, 1988, 2016
 The Smithsonian (2012) (group "American Prisons")
 The Small Works Show, Sacramento Gallery, Cambridge, Massachusetts October 23 - December 4, 2009
 “Lueders-Booth Tuckerman” at The Art Institute of Boston, Boston, Massachusetts, 2005
 Our Town, The Burden Gallery, Aperture Foundation, NYC, 1993 (group)
 Families Who Live In and Off of the Dumps of Tijuana, The Carpenter Center for Visual Arts at Harvard University, Cambridge, Massachusetts, 1994 (one person)
 Photography Now, The Columbia College of Photography, Chicago Illinois, 1980 (group)
 Families Who Live In and Off of the Dumps of Tijuana, The David Rockefeller Center for Latin American Studies at Harvard University, Cambridge, Massachusetts 1996 (one person)
 John Lueders-Booth: Artist in Residence, The Hopkins Center of Art at Dartmouth College, Hanover, New Hampshire, 1989 (one person)
 Boston Now, The Institute of Contemporary Art, Boston, Massachusetts, 1980 (group)
 Families Who Live In and Off of the Dumps of Tijuana, The Maine Photographic Workshops, 1998 (one person)
 Women Prisoners, Marion Art Center, Marion Massachusetts, 1980 (one person)
 Families Who Live In and Off of the Dumps of Tijuana, The Massachusetts College of Art, 2006 (one person)
 Recent Acquisitions (with Robert Frank), The Museum of Modern Art, NYC, 1988 (group)
 Women Prisoners, Northeastern University, Boston, Massachusetts, 1989 (one person)
 Families Who Live In and Off of the Dumps of Tijuana, The Rhode Island School of Design, 2003 (one person)
 Crossing the Frontier, The San Francisco Museum of Modern Art, San Francisco, California, 1996 (group)
 The Library of Congress Lowell Folklife Project, The United States Senate Rotunda, Washington, District of Columbia, 1994 (one person)
 Families Who Live In and Off of the Dumps of Tijuana, The University of Colorado at Boulder, Boulder, Colorado, 1995 (one person)

Selected grants, fellowships, and awards
 American Photography: Best Books of 2005
 The Artists Foundation, Massachusetts (2)
 Lucie Award 
 Bookbuilders of Boston 
 The Massachusetts Council for The Arts and Humanities (3)
 The Maine Photographic Workshops
 The National Endowment for the Arts
 The National Endowment for The Humanities
 Humanitarian Award, Pine Street Inn, Homeless Shelter (volunteer photography)
 The Polaroid Foundation (2)
 Urban Arts/Rowland Foundation
 Nominated twice with Luis Alberto Urrea for The Dorothea Lange, Paul Taylor Prize, Duke University Center for Documentary Studies.

Publications

Books
 Inherit the Land (awarded monograph [5] with introduction by Luis Alberto Urrea and Afterword by Frank Gohlke)
 Across the Wire (with Luis Alberto Urrea)
 By The Lake of Sleeping Children (with Luis Alberto Urrea)
 John Lueders-Booth, Artist in Residence, Dartmouth College, Hanover NH (exhibition catalogue, 1989)
 New American Photography (exhibition catalog)
 Photojournalism 1997 (best of), Graphis Press 

Other Selected Publications

 American Photography Periodical
 DoubleTake, The Center for Documentary Studies at Duke University
 Selected Photographs from The Library of Congress American Folklife Center 
 Weddings, National Endowment for the Arts
 New American Photography produced by Columbia College for the exhibition at the Chicago Center for Contemporary Photography
 The article The Artist's Lens: A Focus on Relocation produced by the Photographic Resource Center at Boston University in their quarterly publication "Views."
 The article John Lueders-Booth: Inside Stories published in Aperture's Quarterly Summer Vol. 91
 The article Like Silk written by Marianne Wiggins and published in Aperture's Quarterly Spring Vol. 127
 Across the Wire: Life and Hard Times on the Mexican Border written by Luis Alberto Urrea
 Thoughts on Landscape: Collected Writings and Interviews written by Frank Gohlke
 The Best Books of the Year written by David Schonauer
 Lueders-Booth & Tuckerman @ The Art Institute of Boston written by Matthew Nash

References

1935 births
Living people
Harvard University faculty
Dartmouth College faculty
American photographers
Harvard Graduate School of Education alumni