He just glances up a very, very small bit. my, my point is that in a world that is as cold and, and, you know, I guess at best, in passive as Sternberg gives us these moments of tenderness takes on enormous power. very small details, just the movement in or out of light, the handling of a prop is enough to give us incite into character and, and connect us to, to these character's. that scene is answered by this scene, the next morning. 