So when we're trying to understand how to think about sound from — and I'm just taking Japanese culture as one example — Japanese culture has its own embedded environment for the way people are perceiving sound, the way they're judging it against certain aesthetic kind of relationships that they have grown up and been taught to experience in a certain way, so that when you take that context outside of Japan and try to have sound experiences from a different culture, you're going into a whole different kind of aesthetic world, or a whole different kind of music teleology in order to understand that perception. 