And yet, as you look at these very large figures, you see that they are standing on a ground line that projects into the spectator's space, and that suggests to us that what we are dealing with here-- if we have to categorize this and put it into First, Second, Third, or Fourth Style -- we're going to call it a Second Style Roman wall painting, because it has, again, residual from the First Style, but it's done entirely in paint, but it has this projecting element at the bottom, this baseline on which the figures stand and on which the figures process. 