<Table> <Tr> <Th> # </Th> <Th> Title </Th> <Th> Description </Th> <Th> Length </Th> </Tr> <Tr> <Td> 1 . </Td> <Td> Hoist the Colours </Td> <Td> Hoist the Colours , `` main theme '' of At World 's End , in addition to representing the pirates and their ideology for freedom , tells the story of how Calypso was imprisoned in a human body by the Pirate King . In its opening rendition , it is sung by a young boy and eventually by a larger chorus . A lengthy suite arrangement of the theme also makes up the end credits in the film , which is not featured on the soundtrack , but an altered version was released on the Soundtrack Treasures Collection CD on a track called Hoist the Colours Suite . </Td> <Td> 1 : 31 </Td> </Tr> <Tr> <Td> 2 . </Td> <Td> Singapore </Td> <Td> Singapore is a suite starting with Sao Feng 's theme , played by varying Asian instruments , notably the erhu . The middle portion of this track is the first variation of the new Cutler Beckett and the East India Trading Company theme , used for the opening battle sequence in the Singapore bathhouse , followed by a plucked variation of Sao Feng 's theme . At the very end , we hear Jack Sparrow 's easily recognizable arrival theme , presented almost identically to its appearances in the other two films . </Td> <Td> 3 : 40 </Td> </Tr> <Tr> <Td> 3 . </Td> <Td> At Wit 's End </Td> <Td> At Wit 's End , a lengthy suite , begins with the first appearance of the second main theme of the movie , commonly referred to as the `` love theme . '' ( Zimmer himself stated that , even though this is popularly considered a `` love theme , '' it is in fact `` a theme for the whole movie , '' as inspired by traditional swashbuckling scores . ) Only the A and B sections of the theme are stated here , the A section on horn and the B section in a grand orchestral statement at 3 : 10 . This is followed by a statement of Davy Jones ' theme , first on music box ( with Love Theme A playing over the top ) , then explosively on organ . The last few minutes of the cue are action material for when the ship falls off the edge of the world , again featuring the A and B sections , and ending with a new theme for the concept of `` world 's end '' . </Td> <Td> 8 : 05 </Td> </Tr> <Tr> <Td> 4 . </Td> <Td> Multiple Jacks </Td> <Td> Multiple Jacks is a synthesized and electronic piece played during Jack Sparrow 's imprisonment in Davy Jones ' Locker . It features an off - kilter version of Jack 's theme from Dead Man 's Chest , and several unique instruments such as a mouth harp . </Td> <Td> 3 : 51 </Td> </Tr> <Tr> <Td> 5 . </Td> <Td> Up Is Down </Td> <Td> Up is Down is a fast - paced , uplifting track featuring a Celtic - inspired fiddle theme in 12 / 8 that accompanies statements of the A and B sections of the love theme , and ends with the world 's end theme . It accompanies the scene where the Black Pearl is tipped upside - down to escape Davy Jones ' Locker ( though chronologically it comes after the following track , I See Dead People in Boats . </Td> <Td> 2 : 42 </Td> </Tr> <Tr> <Td> 6 . </Td> <Td> I See Dead People in Boats </Td> <Td> I See Dead People in Boats is a suite of cues from various points in the movie . Beginning with the A love theme on solo oboe , it is most prominently featured when the Black Pearl observes the souls of the dead who are journeying to the other side -- and Elizabeth discovers that her father is among the travelers . The last third of this track is devoted to the action sequence later in the film when Norrington is helping Elizabeth and her Singapore crew escape from the Flying Dutchman back to The Empress , and features a short statement of the C section of the love theme . </Td> <Td> 7 : 09 </Td> </Tr> <Tr> <Td> 7 . </Td> <Td> The Brethren Court </Td> <Td> The Brethren Court starts off with another off - kilter use of the Dead Man 's Chest Jack Sparrow theme ( purported to represent the character of Captain Teague ( Keeper Of The Code ) , which is then followed by variations of
<Table> <Tr> <Th> # </Th> <Th> Title </Th> <Th> Description </Th> <Th> Length </Th> </Tr> <Tr> <Td> 1 . </Td> <Td> Hoist the Colours </Td> <Td> Hoist the Colours , `` main theme '' of At World 's End , in addition to representing the pirates and their ideology for freedom , tells the story of how Calypso was imprisoned in a human body by the Pirate King . In its opening rendition , it is sung by a young boy and eventually by a larger chorus . A lengthy suite arrangement of the theme also makes up the end credits in the film , which is not featured on the soundtrack , but an altered version was released on the Soundtrack Treasures Collection CD on a track called Hoist the Colours Suite . </Td> <Td> 1 : 31 </Td> </Tr> <Tr> <Td> 2 . </Td> <Td> Singapore </Td> <Td> Singapore is a suite starting with Sao Feng 's theme , played by varying Asian instruments , notably the erhu . The middle portion of this track is the first variation of the new Cutler Beckett and the East India Trading Company theme , used for the opening battle sequence in the Singapore bathhouse , followed by a plucked variation of Sao Feng 's theme . At the very end , we hear Jack Sparrow 's easily recognizable arrival theme , presented almost identically to its appearances in the other two films . </Td> <Td> 3 : 40 </Td> </Tr> <Tr> <Td> 3 . </Td> <Td> At Wit 's End </Td> <Td> At Wit 's End , a lengthy suite , begins with the first appearance of the second main theme of the movie , commonly referred to as the `` love theme . '' ( Zimmer himself stated that , even though this is popularly considered a `` love theme , '' it is in fact `` a theme for the whole movie , '' as inspired by traditional swashbuckling scores . ) Only the A and B sections of the theme are stated here , the A section on horn and the B section in a grand orchestral statement at 3 : 10 . This is followed by a statement of Davy Jones ' theme , first on music box ( with Love Theme A playing over the top ) , then explosively on organ . The last few minutes of the cue are action material for when the ship falls off the edge of the world , again featuring the A and B sections , and ending with a new theme for the concept of `` world 's end '' . </Td> <Td> 8 : 05 </Td> </Tr> <Tr> <Td> 4 . </Td> <Td> Multiple Jacks </Td> <Td> Multiple Jacks is a synthesized and electronic piece played during Jack Sparrow 's imprisonment in Davy Jones ' Locker . It features an off - kilter version of Jack 's theme from Dead Man 's Chest , and several unique instruments such as a mouth harp . </Td> <Td> 3 : 51 </Td> </Tr> <Tr> <Td> 5 . </Td> <Td> Up Is Down </Td> <Td> Up is Down is a fast - paced , uplifting track featuring a Celtic - inspired fiddle theme in 12 / 8 that accompanies statements of the A and B sections of the love theme , and ends with the world 's end theme . It accompanies the scene where the Black Pearl is tipped upside - down to escape Davy Jones ' Locker ( though chronologically it comes after the following track , I See Dead People in Boats . </Td> <Td> 2 : 42 </Td> </Tr> <Tr> <Td> 6 . </Td> <Td> I See Dead People in Boats </Td> <Td> I See Dead People in Boats is a suite of cues from various points in the movie . Beginning with the A love theme on solo oboe , it is most prominently featured when the Black Pearl observes the souls of the dead who are journeying to the other side -- and Elizabeth discovers that her father is among the travelers . The last third of this track is devoted to the action sequence later in the film when Norrington is helping Elizabeth and her Singapore crew escape from the Flying Dutchman back to The Empress , and features a short statement of the C section of the love theme . </Td> <Td> 7 : 09 </Td> </Tr> <Tr> <Td> 7 . </Td> <Td> The Brethren Court </Td> <Td> The Brethren Court starts off with another off - kilter use of the Dead Man 's Chest Jack Sparrow theme ( purported to represent the character of Captain Teague ( Keeper Of The Code ) , which is then followed by variations of
pirates of the caribbean at world 's end love theme
pirates of the caribbean at world 's end love theme
At Wit 's End
At Wit 's End