<Li> The tibia ( Greek aulos - αὐλός ) , usually double , had two double - reed ( as in a modern oboe ) pipes , not joined but generally played with a mouth - band capistrum ( Greek phorbeiá - φορβεία ) to hold both pipes steadily between the player 's lips . Modern changes indicate that they produced a low , clarinet - like sound . There is some confusion about the exact nature of the instrument ; alternate descriptions indicate each pipe having a single reed ( like a modern clarinet ) instead of a double reed . </Li>
<Li> The tibia ( Greek aulos - αὐλός ) , usually double , had two double - reed ( as in a modern oboe ) pipes , not joined but generally played with a mouth - band capistrum ( Greek phorbeiá - φορβεία ) to hold both pipes steadily between the player 's lips . Modern changes indicate that they produced a low , clarinet - like sound . There is some confusion about the exact nature of the instrument ; alternate descriptions indicate each pipe having a single reed ( like a modern clarinet ) instead of a double reed . </Li>
what was the double-reed wind instrument that was an important part of ancient greek music
what was the double-reed wind instrument that was an important part of ancient greek music
The tibia
The tibia