[PAR] [TLE] Can-can [SEP] The can-can (or cancan as in the original French; ] ) is a high-energy, physically demanding dance which became a popular music hall dance in the 1840s, continuing in popularity in French cabaret to this day.  Originally danced by both sexes, it is now traditionally associated with a chorus line of female dancers.  The main features of the dance are the high kicks, splits and cartwheels.  The "Infernal Galop" from Jacques Offenbach's "Orpheus in the Underworld" is the tune most associated with the can-can. [PAR] [TLE] Orpheus in the Underworld [SEP] Orphée aux enfers, whose title translates from the French as Orpheus in the Underworld, is an opéra bouffe (a form of operetta), or opéra féerie in its revised version.  Its score was composed by Jacques Offenbach to a French text written by Ludovic Halévy and later revised by Hector-Jonathan Crémieux.
[PAR] [TLE] Can - can [ SEP ] The can - can ( or cancan as in the original French ; ] ) is a high - energy , physically demanding dance which became a popular music hall dance in the 1840s , continuing in popularity in French cabaret to this day . Originally danced by both sexes , it is now traditionally associated with a chorus line of female dancers . The main features of the dance are the high kicks , splits and cartwheels . The " Infernal Galop " from Jacques Offenbach 's " Orpheus in the Underworld " is the tune most associated with the can - can . [PAR] [TLE] Orpheus in the Underworld [ SEP ] Orphée aux enfers , whose title translates from the French as Orpheus in the Underworld , is an opéra bouffe ( a form of operetta ) , or opéra féerie in its revised version . Its score was composed by Jacques Offenbach to a French text written by Ludovic Halévy and later revised by Hector - Jonathan Crémieux .
The "Infernal Galop" was based on a text written in what language?
The " Infernal Galop " was based on a text written in what language ?
French
French