<P> During the first half of the twentieth century , a significant shift to general aesthetic theory took place which attempted to apply aesthetic theory between various forms of art , including the literary arts and the visual arts , to each other . This resulted in the rise of the New Criticism school and debate concerning the intentional fallacy . At issue was the question of whether the aesthetic intentions of the artist in creating the work of art , whatever its specific form , should be associated with the criticism and evaluation of the final product of the work of art , or , if the work of art should be evaluated on its own merits independent of the intentions of the artist . </P>
<P> During the first half of the twentieth century , a significant shift to general aesthetic theory took place which attempted to apply aesthetic theory between various forms of art , including the literary arts and the visual arts , to each other . This resulted in the rise of the New Criticism school and debate concerning the intentional fallacy . At issue was the question of whether the aesthetic intentions of the artist in creating the work of art , whatever its specific form , should be associated with the criticism and evaluation of the final product of the work of art , or , if the work of art should be evaluated on its own merits independent of the intentions of the artist . </P>
the field of philosophy called aesthetics asked the question
the field of philosophy called aesthetics asked the question
the question of whether the aesthetic intentions of the artist in creating the work of art , whatever its specific form , should be associated with the criticism and evaluation of the final product of the work of art , or , if the work of art should be evaluated on its own merits independent of the intentions of the artist
the question of whether the aesthetic intentions of the artist in creating the work of art , whatever its specific form , should be associated with the criticism and evaluation of the final product of the work of art , or , if the work of art should be evaluated on its own merits independent of the intentions of the artist