<P> Framestore created 253 shots for the film for the New York fight sequence in the first act of the film . Patric Roos , Framestore 's VFX Supervisor , called their shots a `` mix of full CG shots , plate shots , FX , set extensions , magic spells and a lot of character work '' . A portion of the fight sequence was shot in Atlanta , before moving to a fully CGI Washington Square Park . Framestore 's Capture Lab spent a month in Manhattan and New Jersey shooting photo reference , LIDAR and gigapixel panoramas to capture the environments that had to be recreated digitally , capturing more than 250,000 photos and 15TB of data . For their work on the Black Order members , Framestore spent close to a year developing their models , working with Marvel Studios ' visual development team to create animation vignettes to explore each member 's personalities and character traits . Framestore also created Iron Man 's new suit , the Mark 50 , that is made up of singular nanobots which move around his body to form a suit , and was developed alongside Marvel for about two years , and Spider - Man 's Iron Spider armor suit . The models and textures for the Iron Spider suit were shared with fellow visual effects vendor Trixer in order for them to implement them in Spider - Man : Homecoming where it was first seen . Framestore also worked on the Black Order 's Q - Ship , and Doctor Strange 's `` Eldritch magic '' , which was updated from its first appearance in Doctor Strange . Cinesite 's work on the interior of the Q - Ship when Ebony Maw interrogates Strange consisted of 215 shots . The company also worked on the small fight between Iron Man , Spider - Man , Strange and the Guardians on the ship , which required full character animation , blaster and web effects , CGI daggers , Star - Lord 's mask , Mantis ' antennae , and damage to the Q - Ship . The post-credit sequence , the opening scene in Central Park , the scene when Black Panther presents Bucky Barnes with his new arm , interior shots of the Quinjet , and an establishing shot of the planet Vormir were created by Rise , which totaled 26 shots . For the post-credit sequence , Oliver Schulz , Rise 's VFX Supervisor , noted the company had done a similar fading effect for a previous commercial project , so those assets were used as a baseline . The company also received digital assets of Cobie Smulders and Samuel L. Jackson from The Winter Soldier for use in the scene . Schulz noted that part of the sequence 's difficulty was because `` at a later point in the process the decision was made to not move forward with the filmed plate of Nick Fury -- instead we would do a camera takeover and switch to a full CG shot . This included a full CG arm crumbling away in close - up together with a full CG environment . Additionally were also the CG close - up pavement and the all CG pager -- which reveals the illuminated Captain Marvel Logo at the end . '' </P>
<P> Framestore created 253 shots for the film for the New York fight sequence in the first act of the film . Patric Roos , Framestore 's VFX Supervisor , called their shots a `` mix of full CG shots , plate shots , FX , set extensions , magic spells and a lot of character work '' . A portion of the fight sequence was shot in Atlanta , before moving to a fully CGI Washington Square Park . Framestore 's Capture Lab spent a month in Manhattan and New Jersey shooting photo reference , LIDAR and gigapixel panoramas to capture the environments that had to be recreated digitally , capturing more than 250,000 photos and 15TB of data . For their work on the Black Order members , Framestore spent close to a year developing their models , working with Marvel Studios ' visual development team to create animation vignettes to explore each member 's personalities and character traits . Framestore also created Iron Man 's new suit , the Mark 50 , that is made up of singular nanobots which move around his body to form a suit , and was developed alongside Marvel for about two years , and Spider - Man 's Iron Spider armor suit . The models and textures for the Iron Spider suit were shared with fellow visual effects vendor Trixer in order for them to implement them in Spider - Man : Homecoming where it was first seen . Framestore also worked on the Black Order 's Q - Ship , and Doctor Strange 's `` Eldritch magic '' , which was updated from its first appearance in Doctor Strange . Cinesite 's work on the interior of the Q - Ship when Ebony Maw interrogates Strange consisted of 215 shots . The company also worked on the small fight between Iron Man , Spider - Man , Strange and the Guardians on the ship , which required full character animation , blaster and web effects , CGI daggers , Star - Lord 's mask , Mantis ' antennae , and damage to the Q - Ship . The post-credit sequence , the opening scene in Central Park , the scene when Black Panther presents Bucky Barnes with his new arm , interior shots of the Quinjet , and an establishing shot of the planet Vormir were created by Rise , which totaled 26 shots . For the post-credit sequence , Oliver Schulz , Rise 's VFX Supervisor , noted the company had done a similar fading effect for a previous commercial project , so those assets were used as a baseline . The company also received digital assets of Cobie Smulders and Samuel L. Jackson from The Winter Soldier for use in the scene . Schulz noted that part of the sequence 's difficulty was because `` at a later point in the process the decision was made to not move forward with the filmed plate of Nick Fury -- instead we would do a camera takeover and switch to a full CG shot . This included a full CG arm crumbling away in close - up together with a full CG environment . Additionally were also the CG close - up pavement and the all CG pager -- which reveals the illuminated Captain Marvel Logo at the end . '' </P>
whats the logo at the end of the infinity war
whats the logo at the end of the infinity war
Captain Marvel Logo
Captain Marvel Logo