<Table> <Tr> <Th> Year </Th> <Th> Title </Th> <Th> Country </Th> <Th> Color process </Th> <Th> Length </Th> <Th> Production company </Th> </Tr> <Tr> <Td> 1903 </Td> <Td> La Vie et la passion de Jésus Christ </Td> <Td> France </Td> <Td> Pathéchrome </Td> <Td> </Td> <Td> Pathé Frères </Td> </Tr> <Tr> <Td colspan="6"> Extant . Also known as The Passion Play and Vie et Passion du Christ . Not released as a single feature , but as 32 individual shorts in three different groupings and shot at different times . Some scenes are partially hand coloured ( e.g. 52 min . copy on Youtube ) . The later scenes feature different actors and costumes from the earlier scenes . On DVD . </Td> </Tr> <Tr> <Td> 1912.1 ! 1912 </Td> <Td> With Our King and Queen Through India </Td> <Td> United Kingdom </Td> <Td> Kinemacolor </Td> <Td> </Td> <Td> Natural Color Kinematograph Company </Td> </Tr> <Tr> <Td colspan="6"> First feature - length documentary capturing natural color rather than colorization techniques . The original footage ran for 21⁄2 hours ( 16,000 ft . ) , presented in two different programmes . The main film of the Delhi Durbar itself was shot on 12 December 1911 . The rest of the film was made in other locations in India up to 30 December 1911 , of which only a ten - minute extract still exists . Released in UK on 2 February 1912 . </Td> </Tr> <Tr> <Td> 1912.2 ! 1912 </Td> <Td> Miracle ! The Miracle </Td> <Td> United Kingdom </Td> <Td> Pathéchrome </Td> <Td> </Td> <Td> Joseph Menchen ( personal project ) </Td> </Tr> <Tr> <Td colspan="6"> First stencil - colored feature - length narrative film . Filmed in Austria in October 1912 ; hand - colored in Paris by seventy people ; UK release on 21 December 1912 . Original UK length 7,000 feet ; censored versions showed at 5,000 and 5,500 feet . Designed to be accompanied by score for full symphony orchestra and chorus by Engelbert Humperdinck . A B&W print of a cut version is extant , held at the CNC Archives , France . Available on Youtube and final scene only , with extracts of the original music . </Td> </Tr> <Tr> <Td> 1914.1 ! 1914 </Td> <Td> World ! The World , the Flesh and the Devil </Td> <Td> United Kingdom </Td> <Td> Kinemacolor </Td> <Td> </Td> <Td> Natural Color Kinematograph Company </Td> </Tr> <Tr> <Td colspan="6"> First feature - length narrative film in natural color . Lost . </Td> </Tr> <Tr> <Td> 1914.2 ! 1914 </Td> <Td> Little Lord Fauntleroy </Td> <Td> United Kingdom </Td> <Td> Kinemacolor </Td> <Td> </Td> <Td> Natural Color Kinematograph Company </Td> </Tr> <Tr> <Td colspan="6"> Status Unknown . </Td> </Tr> <Tr> <Td> 1915 </Td> <Td> Britain Prepared </Td> <Td> United Kingdom </Td> <Td> Kinemacolor inserts </Td> <Td> </Td> <Td> Jury 's Imperial Pictures </Td> </Tr> <Tr> <Td colspan="6"> First British propaganda film . Extant . </Td> </Tr> <Tr> <Td> 1916 </Td> <Td> Joan the Woman </Td> <Td> United States </Td> <Td> Handschiegl Color Process inserts </Td> <Td> </Td> <Td> Famous Players - Lasky </Td> </Tr> <Tr> <Td colspan="6"> Survives complete with color sequences . Directed by Cecil B. DeMille . ( Color was billed as the `` DeMille - Wyckoff Process '' ) </Td> </Tr> <Tr> <Td> 1917.1 ! 1917 </Td> <Td> Gulf ! The Gulf Between </Td> <Td> United States </Td> <Td> Technicolor feature </Td> <Td> </Td> <Td> Technicolor Corporation </Td> </Tr> <Tr> <Td colspan="6"> First American film shot in color . Lost film . Only a few frames from test prints , showing star Grace Darmond , have survived . </Td> </Tr> <Tr> <Td> 1917.2 ! 1917 </Td> <Td> Devil ! The Devil - Stone </Td> <Td> United States </Td> <Td> Handschiegl Color Process inserts </Td> <Td> </Td> <Td> Famous Players - Lasky </Td> </Tr> <Tr> <Td colspan="6"> Directed by Cecil B. DeMille . Only two reels survive in AFI collection at Library of Congress . </Td> </Tr> <Tr> <Td> 1918.1 ! 1918 </Td> <Td> Cupid Angling </Td> <Td> United States </Td> <Td> Douglass Natural Color feature </Td> <Td> </Td> <Td> Douglass Natural Color Film Inc . </Td> </Tr> <Tr> <Td colspan="6"> Lost film . Only feature film made in this process . </Td> </Tr> <Tr> <Td> 1918.2 ! 1918 </Td> <Td> Our Navy </Td> <Td> United States </Td> <Td> Prizma feature </Td> <Td> </Td> <Td> Prizma </Td> </Tr> <Tr> <Td colspan="6"> First feature film shot in Prizmacolor . </Td> </Tr> <Tr> <Td> 1920.1 ! 1920 </Td> <Td> Treasure Island </Td> <Td> United States </Td> <Td> Hand coloring ( Handschiegl ? ) </Td> <Td> </Td> <Td> Paramount Pictures </Td> </Tr> <Tr> <Td colspan="6"> Lost film . </Td> </Tr> <Tr> <Td> 1920.2 ! 1920 </Td> <Td> Roman
<Table> <Tr> <Th> Year </Th> <Th> Title </Th> <Th> Country </Th> <Th> Color process </Th> <Th> Length </Th> <Th> Production company </Th> </Tr> <Tr> <Td> 1903 </Td> <Td> La Vie et la passion de Jésus Christ </Td> <Td> France </Td> <Td> Pathéchrome </Td> <Td> </Td> <Td> Pathé Frères </Td> </Tr> <Tr> <Td colspan="6"> Extant . Also known as The Passion Play and Vie et Passion du Christ . Not released as a single feature , but as 32 individual shorts in three different groupings and shot at different times . Some scenes are partially hand coloured ( e.g. 52 min . copy on Youtube ) . The later scenes feature different actors and costumes from the earlier scenes . On DVD . </Td> </Tr> <Tr> <Td> 1912.1 ! 1912 </Td> <Td> With Our King and Queen Through India </Td> <Td> United Kingdom </Td> <Td> Kinemacolor </Td> <Td> </Td> <Td> Natural Color Kinematograph Company </Td> </Tr> <Tr> <Td colspan="6"> First feature - length documentary capturing natural color rather than colorization techniques . The original footage ran for 21⁄2 hours ( 16,000 ft . ) , presented in two different programmes . The main film of the Delhi Durbar itself was shot on 12 December 1911 . The rest of the film was made in other locations in India up to 30 December 1911 , of which only a ten - minute extract still exists . Released in UK on 2 February 1912 . </Td> </Tr> <Tr> <Td> 1912.2 ! 1912 </Td> <Td> Miracle ! The Miracle </Td> <Td> United Kingdom </Td> <Td> Pathéchrome </Td> <Td> </Td> <Td> Joseph Menchen ( personal project ) </Td> </Tr> <Tr> <Td colspan="6"> First stencil - colored feature - length narrative film . Filmed in Austria in October 1912 ; hand - colored in Paris by seventy people ; UK release on 21 December 1912 . Original UK length 7,000 feet ; censored versions showed at 5,000 and 5,500 feet . Designed to be accompanied by score for full symphony orchestra and chorus by Engelbert Humperdinck . A B&W print of a cut version is extant , held at the CNC Archives , France . Available on Youtube and final scene only , with extracts of the original music . </Td> </Tr> <Tr> <Td> 1914.1 ! 1914 </Td> <Td> World ! The World , the Flesh and the Devil </Td> <Td> United Kingdom </Td> <Td> Kinemacolor </Td> <Td> </Td> <Td> Natural Color Kinematograph Company </Td> </Tr> <Tr> <Td colspan="6"> First feature - length narrative film in natural color . Lost . </Td> </Tr> <Tr> <Td> 1914.2 ! 1914 </Td> <Td> Little Lord Fauntleroy </Td> <Td> United Kingdom </Td> <Td> Kinemacolor </Td> <Td> </Td> <Td> Natural Color Kinematograph Company </Td> </Tr> <Tr> <Td colspan="6"> Status Unknown . </Td> </Tr> <Tr> <Td> 1915 </Td> <Td> Britain Prepared </Td> <Td> United Kingdom </Td> <Td> Kinemacolor inserts </Td> <Td> </Td> <Td> Jury 's Imperial Pictures </Td> </Tr> <Tr> <Td colspan="6"> First British propaganda film . Extant . </Td> </Tr> <Tr> <Td> 1916 </Td> <Td> Joan the Woman </Td> <Td> United States </Td> <Td> Handschiegl Color Process inserts </Td> <Td> </Td> <Td> Famous Players - Lasky </Td> </Tr> <Tr> <Td colspan="6"> Survives complete with color sequences . Directed by Cecil B. DeMille . ( Color was billed as the `` DeMille - Wyckoff Process '' ) </Td> </Tr> <Tr> <Td> 1917.1 ! 1917 </Td> <Td> Gulf ! The Gulf Between </Td> <Td> United States </Td> <Td> Technicolor feature </Td> <Td> </Td> <Td> Technicolor Corporation </Td> </Tr> <Tr> <Td colspan="6"> First American film shot in color . Lost film . Only a few frames from test prints , showing star Grace Darmond , have survived . </Td> </Tr> <Tr> <Td> 1917.2 ! 1917 </Td> <Td> Devil ! The Devil - Stone </Td> <Td> United States </Td> <Td> Handschiegl Color Process inserts </Td> <Td> </Td> <Td> Famous Players - Lasky </Td> </Tr> <Tr> <Td colspan="6"> Directed by Cecil B. DeMille . Only two reels survive in AFI collection at Library of Congress . </Td> </Tr> <Tr> <Td> 1918.1 ! 1918 </Td> <Td> Cupid Angling </Td> <Td> United States </Td> <Td> Douglass Natural Color feature </Td> <Td> </Td> <Td> Douglass Natural Color Film Inc . </Td> </Tr> <Tr> <Td colspan="6"> Lost film . Only feature film made in this process . </Td> </Tr> <Tr> <Td> 1918.2 ! 1918 </Td> <Td> Our Navy </Td> <Td> United States </Td> <Td> Prizma feature </Td> <Td> </Td> <Td> Prizma </Td> </Tr> <Tr> <Td colspan="6"> First feature film shot in Prizmacolor . </Td> </Tr> <Tr> <Td> 1920.1 ! 1920 </Td> <Td> Treasure Island </Td> <Td> United States </Td> <Td> Hand coloring ( Handschiegl ? ) </Td> <Td> </Td> <Td> Paramount Pictures </Td> </Tr> <Tr> <Td colspan="6"> Lost film . </Td> </Tr> <Tr> <Td> 1920.2 ! 1920 </Td> <Td> Roman
when was the first color movie made in hollywood
when was the first color movie made in hollywood
The Gulf Between
The Gulf Between