Some thoughts on historical narrative in twentieth-century Italian literature
Margaret Baker
Margaret Baker, Lampedusa, Pratolini, Morante, witness literature, memoirs, diary, tract, dialogue, historical novel, romanzo storico, third-person account, testimonianza, Calvino, Debenedetti, deportation, Jews, Mercury, Maraini, Memorie di una ladra, Dolci, Non esiste il silenzio, misfortune, disadvantage, experience, I promessi sposi, Manzoni, time, Charlemagne, mythologizing, reductivness, Carolingian, cavalleresco, extra-literary perceptions, Ginzburg, Caro Michele, Eco, Il nome della rosa, giallo, Spinazzola, De Roberto, Vicere, Pirandello, vecchi e i giovani, gattopardo, Banti, Corti, neorealism, neo-realism, Paragone, partigiano, temporal distance, spiritual detachment, mythic reality, childhood, adulthood, narration, narrator, first-person, interpretation, re-enactment, Levi, Sciascia, contemporary memory, documentary, chronicle, Auschwitz, distacco, reflection, O'Neill, taglio del bosco, Cassola, poetica, Pavese, Pavesian, Dostojevskij, Dostoyevsky, Stendhal, sentiero dei nidi ragno, Spanish oppression, Milan, La storia, Contini, Pasolini, Rome, Roman, borgate, Loy, Cioccolata da Hanselmann, evil, forgiveness, autobiographical, Gadda, Ermanno Paccagnini, Giorgio Barberi Squarotti
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