Musikalische Diagramme zwischen Spätantike und Karolingerzeit
Matteo Nanni
Abstract During the Late Antiquity and Early Middle Ages, different strategies of visualizing music were adopted. In this article history development music-related diagrams is put into larger context a cultural visualization. The philosophical discussion on notational iconicity diagrammatology, known as ‘Schriftbildlichkeit’, supplies theoretical background for description offered here. basic question how visuality musical graphic (diagrams notation) interact focusing specific visual logic related to issues. After short introduction Sybille Krämer‘s concept diagram after working out some main characteristic medieval diagrams, selection depicted. sources presented range from ancient Greek Latin descriptions (Aristoxenus Tarentum, Phaenias Eresus, Bakchios Vitruvius) wing Aristides Quintilianus Martianus Capella, structural graphics by Boethius concludes with in Carolingian treatises (Musica Scolica Enchiriadis).
Das Mittelalter