Średniowieczne drzwi brązowe i ich cykle obrazowe jako wyraz liturgii : analiza wybranych przykładów
Dariusz Tabor
The medieval bronze doors and its pictorial cycles as an expression of liturgy: analysis selected examples principal goal this paper is to discovery a relationship between pro-grams some european churches the liturgy celebrated in these churches. There group doors, that have been decorated with images represent-ing scenes Old New Testament. These are from Hildesheim, Verona, Płock made by Bonanus Pisa – cathedrale Dariusz Tabor CR122 Monreale. Its reveal balance On one hand Testament pictures seems forecast events other Płock, Piza Monreale strictly christological image program, although at beginning narative elements were also introduced. All programs result theological knowledge sensitivity clergymen, who designed them time. Lech Kalinowski interpreted church symbole Christ. However only alegorical interpetation liturgy, having origine carolingian culture, can give answer question on liturgy. course acts understood recontrsuction Christ’s life. So background pictorial, was interpretation it not matter presenting episods life Christ, but visualization two mysteries Mystery Incarnation Salvation. Gniezno door cycle saint Afdalbert, th Trani Ravello, Barisanus, where hagiographic symbolic representations predominate, well Augsburg, whose make many difficulties reading them, exceptions special cases. considerable finding theirs connections church. Therefore they must be researched way future