The Divine Office in the Latin Middle Ages : methodology and source studies, regional developments, hagiography : written in honor of Professor Ruth Steiner
Margot Fassler|Rebecca A. Baltzer
Lila Collamore: Prelude: Charting the Divine Office Part I. A Methodological Introduction 1: Margot E. Fassler: Sermons, Sacramentaries, and Early Sources for in Latin West: The Example of Advent 2: Laszlo Dobszay: Reading an Book II. Pre-Carolingian 3: James W. McKinnon: Origins Western 4: Joseph Dyer: Observations on Rule Master 5: Peter Jeffery: Eastern Elements Irish Monastic Prayer Hours III. Manuscript Studies 6: Ritva Jacobsson: Antiphoner Compiegne, Paris, BNF lat. 17436 7: Grier: at St. Martial Eleventh Century: BN 1085 8: Michael Huglo: Cluniac Processional Solesmes, Bibliotheque de l'Abbaye 9: Susan Rankin: Taking Rough with Smooth: Melodic Versions Status IV. Regional Developments: Carolingian Period to Later Middle Ages 10: Hartmut Moeller: Compositions from Gall: Saints Gallus Othmar 11: Terence Bailey: Development Chronology Ambrosian Sanctorale: Evidence Antiphon Texts 12: Gunilla Bjoerkvall Andreas Haug: Performing Verse: Text Music Medieval Versified Offices 13: Anne Walters Robertson: From Mass: Antiphons Vespers Lauds before Gospel Northern France 14: Wulf Arlt: Feast Circumcision Le Puy 15: Craig Wright: Palm Sunday Chartres 16: Barbara Haggh: Nonconformity Use Cambrai Cathedral: Guillaume Du Fay's Foundations V. Hagiography 17: Iversen: Transforming a Viking into Saint: Olav 18: Janka Szendrei: On Prose Historia Augustine 19: David Hiley: Julian Mans by Letald Micy: Some Comments Questions about North French Century 20: Rebecca A. Baltzer: Little Virgin Mary's Role Paris 21: John Boyce: Carmelite Presentation Virgin: Study Musical Adaptation VI. Computers 22: Andrew Hughes: Large Projects Small Resources: Late Liturgical 23: Lora Matthews & Paul Merkley: CANTUS Tonaries Bibliography Writings Ruth Steiner
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