Oral, Written, and Literate Process in the Transmission of Medieval Music
Leo Treitler
Previous articleNext article No AccessOral, Written, and Literate Process in the Transmission of Medieval MusicLeo TreitlerLeo Treitler Search for more articles by this author PDFPDF PLUS Add to favoritesDownload CitationTrack CitationsPermissionsReprints Share onFacebookTwitterLinkedInRedditEmail SectionsMoreDetailsFiguresReferencesCited Speculum Volume 56, Number 3Jul., 1981 The journal Academy America Article DOIhttps://doi.org/10.2307/2847738 Views: 75Total views on site Citations: 46Citations are reported from Crossref Copyright AmericaPDF download reports following citing article:Farida Ariyani, Riyan Hidayatullah, Gede Eka Putrawan, Ryzal Perdana, Dedi Sulaeman, Hisham Dzakiria, Shi Yin Translating Lampung Oral Literature into Music Educational Purpose: A Case Study Pisaan Indonesian Island Sumatra, Education Research International 2023 (Feb 2023): 1–11.https://doi.org/10.1155/2023/8643881Valeria Fiszelew La función de la escritura en formación notación musical neumática, Cuadernos CANELA 31, no.00 (Jan 2020): 75–95.https://doi.org/10.2107/canela.31.0_75CHRISTOPHER MACKLIN Stability change composition a ‘Plague Mass’ wake Black Death, Plainsong 25, no.22 (Oct 2016): 167–189.https://doi.org/10.1017/S0961137116000024Jody Enders MEDIEVAL STAGES, Theatre Survey 50, (Nov 2009): 317–325.https://doi.org/10.1017/S0040557409990093IAN DICKSON Orality Rhetoric Scelsi's Music, Twentieth-Century 6, no.11 2011): 23–41.https://doi.org/10.1017/S1478572210000046Stephen D. 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