The Sheltering Cloak: Images of Charity and Mercy in Fourteenth-century Italy
H. van Asperen
The iconography of charity (caritas) underwent considerable changes in fourteenth-century Italy, signifying a break with the traditional transalpine depictions love personified. Some iconographical aspects French Caritas Misericordia (or Mercy Charity) were transferred to Madonna Mercy, also known as sheltering-cloak Madonna. With her cloak spread protect needy and devotees, likewise personifies benevolence, leaving room for artists develop an allegorical type Charity. Significantly, earliest Mother images show Virgin extending own hands meaning gesture is multifaceted. not just offering cloak, but sharing hers. Because association textiles flesh, therefore incarnation, textile relics supposed have protective powers. garment, Charity—and later Virgin—provides pauper layer. development fits changed views practices Italy during thirteenth century. depicted frequently churches, oratories, charitable institutions, often more than once within one hospital. In opening up mantle, she mirrors hospital loggia. could symbolize walls building, or even dome heaven. Reversely, loggia be regarded metaphorically sheltering cloth protecting citizens community. Visually functioned transitional area, embracing enclosing space covering community like cloak. As such, articulated purpose aspirations society, reflecting popular image Mercy.
Textile-the Journal of Cloth & Culture