Unstable embodiments of musical theory and practice in the<i>Speculum musicae</i>
George A. Harne
ABSTRACT Taking the Boethian understanding of relation between musicus and cantor as his point departure, Jacobus – author Speculum musicae develops this in light new ecclesiastical realities Aristotelian theory practice. Without entirely abandoning an allegiance to priority over practice corresponding embodiments these categories , redefines terms create a threefold taxonomy: who understands but does not perform or compose, practicus both practises within context (and is equivalent peritus ), sings without understanding. These developments follow attempts by earlier authors negotiate heritage antiquity cantus tradition musical liturgical contexts. Jacobus's solution also differs from solutions offered contemporary later authors.
Plainsong & Medieval Music