13세기 말~14세기 초 프랑스 왕권 이미지 생산
홍용진
The purpose of this paper is to analyze the production royal images in late 13th and early 14th centuries France consideration medieval culture image. Attention must be paid theological significance material nature its medium with regard functionality. On other hand, period marked by appearance State system imposed kingship, which provoked critical discontent strong challenge political society. In context, produced kingship functioned as a communication. Various images, particular sculptures French kings are analyzed: Montjoies, statues reliquaries ‘Saint Louis’, Palais de la Cite etc. relation these it important consider two events: canonization Louis Ⅸ, immediately idealized most christian king form cult new saint, outrage at Agnani against pope Boniface Ⅷ result accusations ‘idolatry.’ These events allowed produce various that avoided risk idolatry. Especially for Philip Ⅳ, what representation sanctity dynasty continued from Merovingian Carolingian Capetian, i.e. continuation perpetuity kingship. sense represents mode communication through exploitation visual had gradually developed since century.
역사학보