The Role of the Parisian Sequence in the Evolution of Notre-Dame Polyphony
Margot Fassler
Previous articleNext article No AccessThe Role of the Parisian Sequence in Evolution Notre-Dame PolyphonyMargot E. FasslerMargot Fassler Search for more articles by this author PDFPDF PLUS Add to favoritesDownload CitationTrack CitationsPermissionsReprints Share onFacebookTwitterLinkedInRedditEmail SectionsMoreDetailsFiguresReferencesCited Speculum Volume 62, Number 2Apr., 1987 The journal Medieval Academy America Article DOIhttps://doi.org/10.2307/2855230 Views: 8Total views on site Citations: 5Citations are reported from Crossref Copyright AmericaPDF download reports following citing article:Patricia Peláez Bilbao, Arturo Tello Ruiz-Pérez Hacia un concepto de la secuencia (o prosa) litúrgica medieval, Cuadernos Música Iberoamericana 34 (Sep 2021): 431–491.https://doi.org/10.5209/cmib.77986Lawrence Earp Notation II, (Aug 2018): 674–717.https://doi.org/10.1017/9780511979866.023Edward H. Roesner Notre Dame, 834–880.https://doi.org/10.1017/9780511979866.028Charles M. Atkinson Franco Cologne rhythm organum purum, Early Music History 9 (Dec 2008): 1–26.https://doi.org/10.1017/S026112790000098XMargot Accent, Meter, and Rhythm Treatises "De rithmis", Journal Musicology 5, no.22 (Apr 1987): 164–190.https://doi.org/10.2307/763850
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