East Christian (Byzantine) incentives of the proto-Renaissance traditions of European culture and music of the Middle Ages and the Renaissance
Olga Muravskaya
The purpose of the article is to highlight phenomenon influence Eastern Christian tradition on pan-European cultural area Middle Ages and Renaissance, which determines interdependence world cultures, including music, in artistic creative transformation a symbol image world. methodology work complex built unity means cultural, historical-typological, hermeneutical musical-aesthetic type research. scientific novelty determined by fact that it first systematized data literature regarding (Byzantine) culture-making factor formation European “medieval Renaissance”, as well musical Renaissance area. Conclusions. history medieval non-Byzantine revivals (Ostrogothic, Carolingian, Ottоn, 12th-century revival) traced, revealing significant role component represented or through early traditions spiritual ascetic experience Ireland, Gaul, Britain, directly Byzantium. latter noted cult scholarship, development not only Latin but also Greek, associated with high liturgical practice, active translation activities, thanks works patriotism were introduced into theological everyday life Western Christianity. Academies, united intellectual, highly educated, encyclopedic erudite elite grouped around monarch his empire, essential. Interesting interest ancient heritage, dominant cosmos adaptation ideas Neo-Platonism, turn will later determine spiritual-philosophical specifics Italian XIV-XVI centuries, genesis was formed Greek-Byzantine elite.
Vìsnik Deržavnoï akademìï kerìvnih kadrìv kulʹturi ì mistectv