Black Stone
Joanna Story
Abstract This chapter centres on an analysis of the black stone used to make epitaph for Hadrian, and cultural connotations choice a coloured marble major inscription at this time. It analyses textual geological evidence sourcing in Francia, specifically from carboniferous limestones quarried Carolingian heartlands, around river Meuse further east, near Aachen. A comparison is made between Blaustein that was construction chapel Aachen its Carolingian-era decoration. The comparative demonstrates local sources were being selectively exploited vicinity Charlemagne’s reign. draws attention early medieval texts discuss stones, especially letter King Offa Mercia written 796, same year as commission Hadrian. use black, masonry opus sectile flooring survives few places discussed, alongside presence two very rare porphyry columns. symbolic importance practical significance Roman spolia, columns, design making stressed. argues by selecting Francia Hadrian’s epitaph, Charlemagne, patron, drawing classical demonstrating his imperial-style control over natural resources. structural decorative makes it clear locally available Charlemagne later eighth century that, time, these resources sent there Rome.
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