SPIRITUAL ORIGINS OF THE ARIA GENRE AND THE SPECIFICITY OF ITS FORMATION IN THE COMPOSITE WORKS OF EUROPE AND CHINA
Shangzhui Sung
The purpose of the article is to reveal common features in interpretation genre aria and its evolution Europe China from Middle Ages beginning Modern Times. methodology formed by music-cultural intonational-stylistic analysis, as well a comparative style styling. scientific novelty defined revealing commonality development certain phenomena history musical art different countries, particular, France due increased attention aria. Conclusions. term "aria" European music this period meant three possible semantic nuances - "polite", "serious" spiritual. Aria originated practice French temple singing XII – XIII centuries, when high-frequency heterophony emphasized high medium ("countertenor") voices which free "rhetorical" party was determined spiritual melody "tenor". In future, XVIIth century opera, according description, retained connection with old church tradition, subsequently abandoned. However, arias actively used theater XV XVI centuries (drama Yuan, Kunqu), vocalization specific methods sound production generously filled rhetoric inventions scenery, symbolizing continuity traditions court lyrics era national revival after liberation Mongol conquest. an important structural component Chinese opera This historically basic one for representatives Far East, Tan Dun, Yun Isang their creative composer technique form.
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