Some Narrative Subjects in the Portal Sculpture of Auxerre Cathedral
Don Denny
AMONG THE PORTAL SCULPTURES of Gothic France the carvings on western portals Auxerre Cathedral are notable for special extensiveness and variety narrative sequences (Fig. 1).' This paper deals with three those narratives: David Bathsheba cycle, dado right portal, Youth Joseph Prodigal Son cycles, central portal. It will be argued that choice these subjects was due not primarily to ecclesiastical concerns but influence patronage Count Auxerre. A short review earlier history cathedral encompassing is necessary our discussion sculpture. Long before first portal sculpture undertaken had been begun. About 1215 Guillaume de Seignelay, bishop Auxerre, decided replace town's old a new building.2 Work commenced at east demolition existing parts construction chevet. gave generously from his own resources project as much 10 livres per week throughout following years. After transfer Paris in 1220 he continued interested cathedral, death left 700 fabric.3 Under successor, Henri Villeneuve (1220-34), chevet completed; 1000 spent building. completion chevet, however, slowed or completely halted. Whereas Gesta Pontificum Autissiodorensium records large donations made building program by two preceeding bishops, it tells us only Bernard Sully (1234-45) contributed implements altar money designated expenses liturgy.4 One gains impression once beautiful choir completed concern enhance rites performed there rather than move ahead continuation recorded Bishop Renaud Saligny, who ruled about years (1245-47), encouraged chronicles also silent any such interest part
Speculum