Notes on the Panels from a Carolingian Ivory Diptych in the Ravenna and South Kensington Museums, and on two Fourteenth-century Ivory Groups
Eric Maclagan
The three plaques of ivory here illustrated are already well known to students such work, but there has been some uncertainty as the form in which they were originally joined together. One them, representing Eagle Evangelist St. John, is Victoria and Albert Museum,1 for it was acquired 1867 from Webb Collection; other two, with Angel Matthew a half-length figure Christ, now Museo Nazionale at Ravenna.
The Antiquaries Journal