Samuraj a sprawa europejska
Bogdan Zemanek
The article analyses the origins of pictures in C.K. Norwid’s Album Orbis: Japanese monks from vol. I and a archer III. Norwid borrowed illustrations Aimé Humbert’s book Le Japon illustré; these originated as photographs by Felice Beato, transformed first into graphics printed books press articles, later cut-out or re-drawn placed an entirely new illustrative narrative context within his Album. Such multi-stage borrowing (photography-graphic-drawing) required many modifications; this process reflected indirect transfer knowledge between Japan Europe 19th century exchange was taking place European, including French, colonial expansion Asia. fact that among early medieval may suggest he wanted to create parallel actions Carolingian dynasty towards papacy undertaken Minamoto shoguns with regard emperor, latter were described A. Humbert.
Studia Norwidiana|Jagiellonian University Repository (Jagiellonian University)