El Epigramma operis subsequentis de Tajón de Zaragoza en los mss. Aug. Perg. 255, Clm 14854 y Ott. Lat. 2546
Julia Aguilar Miquel
This paper examines the presence of Taio Zaragoza’s poem Epigramma operis subsequentis in three manuscripts, where it appears without an author and significantly transformed relation to its original form ( k = Karlsruhe, Badische Landesbibliothek, Aug. Perg. 255, s. IX; m Munich, Bayerische Staatsbibliothek, Clm 14854, IX and V Vatican City, Biblioteca Apostolica Vaticana, Ott. Lat. 2546, X-XI). These verses were conceived as a preface Taio’s work Sententiae . Nevertheless, study poem’s indirect transmission reveals that, from Carolingian period onwards, was used prologue different works unrelated Taio. Furthermore, manuscript V, ten additional hexameters, whose source has not been identified until now, have incorporated Epigramma come carmen Avitus Vienna (s. V-VI); joined verses, they produce cento-like composition that is generally attributed Alan Farfa VIII).
Revista de estudios latinos: RELat