MS 410
Described Thomas James 183; Stanley N. 25; Nasmith 410; Scriptorum de musica medii aevi: Novam seriem a Gerbertina alteram, ed. E. Coussemaker, vol. 1 (Paris 1864), pp. xiv–xv; James, Corpus Walteri Odington Summa Speculatione Musicae, Frederick F. Hammond, Musica 14 (1970), 13,17–19 and plates (of Pt. 1, f. 1), 2 14v), 5 35v) 6 36); Cambridge Music Manuscripts, 900–1700: Published to Coincide with an Exhibition Held at the Fitzwilliam Museum in July August 1982, Iain Fenlon (Cambridge, 1982), no. 33 on p. 108 ff. 34v–35); Répertoire International des Sources Musicales, Vol. B iii 4, Manuscripts from Carolingian Era up c. 1500 Great Britain United States of America: Descriptive Catalogue Part I, Christian Meyer (Munich, 1992), 4–5; 6, 1500: Addenda, Corrigenda, et al. 2003), 377. Partial description M.F. Bukofzer, Geschichte englischen Diskants und Fauxbourdons nach den theoretischen Quellen (Strasbourg, 1936), 51. Joseph Smits van Waesberghe, Cymbala: Bells Middle Ages, American Institute Musicology, Musicological Studies Documents (Rome, 1951), 41; Klaus Jürgen Sachs, Mensura fistularum: Die Mensurierung der Orgelpfeifen im Mittelalter, Schriftenreihe Walcker-Stiftung für Orgelwissenschaftliche Forschung (Stuttgart, 1970), 23. Der Contrapunctus 14. 15. Jahrhundert: Untersuchungen zum Terminus, zur Lehre zu Quellen, Beihefte Archiv Musikwissenschaft 13 (Wiesbaden, 1974), 188; Oliver B. Ellsworth, The Berkeley Manuscript: University California Library, MS. 744 (olim Phillipps 4450). A New Critical Text Translation (Lincoln, Nebr., 1984), 282; Index Images 106 (Pt. MS).