title: Seiobo There Below (Ndp; 1280)
author:  L&aacute;szl&oacute; Krasznahorkai 
description: Near-infinite sentences in a nonlinear narrative shuttling across time and space, linked only by occasional appearances from a Japanese goddess? It sounds daunting, I realize. Yet the amazing thing about <em>Seiobo There Below</em> is that Krasznahorkai makes the whole thing feel utterly natural and utterly relevant. Krasznahorkai is one of contemporary literature's most daring and difficult figures, but although this book is ambitious, it isn't ever obscure. On the contrary: it places upon us readers the same demands of all great art, and allows us to grasp a vision of painstaking beauty if we can slow ourselves down to savor it.<br /> - <strong><em>NPR Books</em></strong><br /><br />Krasznahorkai is an expert with the complexity of human obsessions. Each of his books feel like an event, a revelation, and <em>Seiobo There Below</em> is no different.<br /> - <strong><em>The Daily Beast</em></strong><br /><br />Lszl Kraznahorkai has given us a work that shimmers under a prism of hidden meanings. Our task is to connect the dots, experience the mystery of the text, and embrace moments of bewilderment with patience, openness, and preparation for a deeply meaningful encounter.<br /> - <strong><em>The Millions</em></strong><br /><br />Krasznahorkais erudition is staggering, but the way he relates the choosing of the wood for the shrine, or the restoration of a canvas, is so attentive and so modest that is sidesteps pedantry entirely, and instead participates in the very concentration it describes. The chapters are numbered according to the Fibonacci sequence, in which each number is the sum of the two before it, and indeed, <em>Seiobo There Below</em> compounds and reinforces itself ever more rapidly, its scope soon defying human proportions... <em>FinishingSeiobo There Below</em>is like walking out of a cathedral: its parting gift is a ringing in the ears. This book is magnificent and will outlive interpretation.<br /> - <strong>Madeleine LaRue, <em>The Coffin Factory</em></strong><br /><br />Tinged both with sadness and an anxiety about the capability of language, this brilliantly ambitious novel, like the tragic poetry of one of its characters, becomes a 'ravishing cadenza.'<br /> - <strong><em>Publishers Weekly</em></strong><br /><br />Those lucky enough to be familiar with Krasznahorkais work will recognize the breathless prose as nothing new from the author. His obsession with detail and process recalls Melvilles prose, while the page-long sentences bring to mind the stream-of-conscious modernism of Joyce or Faulkner. But there is a kind of damp, earthy darkness all of Krasznahorkais own that makes it hard to pin down an easy comparison. As a result, <em>Seiobo There Below</em> is not simple to read; it is often enormously dense, complex and difficult. But Krasznahorkai rewards patience generously.<br /> - <strong><em>New York Daily News</em></strong>
zlib_text:  
  CMKOQ“ KCX_XORCZLCQ
  CMKOQ“ KCX_XORCZLCQ 
  A_RQG HO R_KCQ
  A_RQG HO R_KCQ
  "Ionlz cquono quo trcksioro g quo scbo o 
  "Ionlz cquono quo trcksioro g quo scbo o cprokho g quo okslkc" (Agrc 
  cprokho g quo okslkc" (Agrc Agrcnlkc).
  Agrcnlkc). 
  3
  www.cmkoskctutorcplcs.ag`.br
  www.cmkoskctutorcplcs.ag`.br 
  o-`cln4
  o-`cln4 agktctgJcmkoskctutorcplcs.ag`.br
  agktctgJcmkoskctutorcplcs.ag`.br 
  igkos4 ??-33-232<-=8:3 gu ??-33-26:?-8<3= gu ??-33-< =31<-=3<2
  igkos4 ??-33-232<-=8:3 gu ??-33-26:?-8<3= gu ??-33-< =31<-=3<2
  CZGQXLNC
  CZGQXLNC
  HG A_RQG
  HG A_RQG
  HO
  HO
  R_KCQ
  R_KCQ
  
   
  CMKOQ“ KCX_XORCZLCQ
  CMKOQ“ KCX_XORCZLCQ 
  A_RQG HO R_KCQ
  A_RQG HO R_KCQ
  "Ionlz cquono quo trcksioro g quo scbo o 
  "Ionlz cquono quo trcksioro g quo scbo o cprokho g quo okslkc" (Agrc 
  cprokho g quo okslkc" (Agrc Agrcnlkc).
  Agrcnlkc). 
  2
  www.cmkoskctutorcplcs.ag`.br
  www.cmkoskctutorcplcs.ag`.br 
  o-`cln4
  o-`cln4 agktctgJcmkoskctutorcplcs.ag`.br
  agktctgJcmkoskctutorcplcs.ag`.br 
  igkos4 ??-33-232<-=8:3 gu ??-33-26:?-8<3= gu ??-33-< =31<-=