title: The Culture of the Copy: Striking Likenesses, Unreasonable Facsimiles (Zone Books)
author:  Hillel Schwartz 
description: <P>The authorbrings his considerable synthetic powers to bear on our uneasy preoccupation with doubles, likenesses, facsimiles, replicas and re-enactments. I doubt that these cultural phenomena have ever been more comprehensively or more creatively chronicled. A book that gets you to see the world anew, again.</P><I>New York Times</I><br /><br /><P>A sprightly and disconcerting piece of cultural history.</P><I>London Review of Books</I><br /><br /><P>In<I>The Culture of the Copy</I>, [Schwartz] has written the perfect book: original and repetitive at once.</P><I>Los Angeles Times</I>
zlib_text: S U C C U B U S  H U N T E D : B E T R AY E D
  S U C C U B U S  H AR E M
   P AR T  21
  Copyright ©  2 0 1 9  by L.L. Frost
  All rights reserved. No part of this publication may be reproduced, distributed, or transmitted
  in any form or by any means, including photocopying, recording, or other electronic or
  mechanical methods, without the prior written permission of the writer, except in the case of
  brief quotations embodied in critical reviews and certain other noncommercial uses
  permitted by copyright law.
  This is a work of fiction. Names, characters, businesses, places, events and incidents are
  either the products of the author’s imagination or used in a fictitious manner. Any
  resemblance to actual persons, living or dead, or actual events is purely coincidental.
  Cover design by L.L. Frost
  Book design by L.L. Frost
  Printed in the United States of America.
  First Printing, 2 0 1 9
  
  C ONTENTS
  1 . Riding a Nightmare
  2 . Barriers
  3 . They’re Not Babies
  4 . Fee-Fie-Fo-Fum
  From the Author
  Also b