title: The Copyright Permission and Libel Handbook: A Step-by-Step Guide for Writers, Editors, and Publishers
author:  Lloyd J. Jassin 
description: Any writer or editor not concerned about copyright and libel ought to be. While the laws governing copyright are more straightforward than those regarding libel, disregarding either can land a writer or publication in a lot of hot water. Very hot. While the authors of <i>The Copyright Permission and Libel Handbook</i> state outright that their guide should not take the place of an attorney, they explain copyright and libel issues in great detail, so that, at the very least, you'll know when to be on the alert. Copyright is relatively simple. "If you intend to use someone's copyrighted work," say Jassin and Schechter, "unless the use is considered a fair use, you must obtain that person's written permission." Of course, "fair use" gets tricky. One court determined that the Moral Majority's reproduction of a full ad from <i>Hustler</i> magazine was a fair use, while another ruled that <i>The Nation</i>'s reproduction of 300 words from President Ford's 20,000-word unpublished memoirs was not.
zlib_text: REVEL
  
  AIDY AWARD
  
  GRA Y ’ S  S E DU C T IO N
  Gray:
  I’ve been Angelina's bodyguard for years and in lust with her since the day we met. When she
  finally kicks her stupid fiancé to the curb I’ve got a chance to finally make her mine.
  But I won't be her rebound.
  I will help her find that kinky desirable side of herself. Even if means sacrificing my own
  happiness.
  
  Copyright © 2020 by Aidy Award.
  All rights reserved. No part of this publication may be reproduced, distributed or transmitted in any form or by any means, including
  photocopying, recording, or other electronic or mechanical methods, without the prior written permission of the publisher, except in the
  case of brief quotations embodied in critical reviews and certain other noncommercial uses permitted by copyright law.
  Publisher’s Note: This is a work of fiction. Names, characters, places, and incidents are a product of the author’s imagination. Locales
  and public names are sometimes used for atmospheric purposes. Any resemblanc