title: Sinatraland: A Novel
author:  Sam Kashner 
description: Jonathan Yardley <i>The Washington Post</i> Uncommonly original and engaging...a smart, funny, knowing novel about what it's like to be a certain kind of American man.<br /><br />Mark Rozzo <i>Los Angeles Times</i> If you were still with us, Frank, you'd sleep the sleep of kings knowing that the art of book writing is safe in [Sam Kashner's] hands.<br /><br />Robert Taylor <i>The Boston Globe</i> Quirky...intelligent...very funny.<br /><br />James Ellory Ring-a-ding! <i>Sinatraland</i> is the postmortem on Frank Sinatra. Sam Kashner pokes, probes, dissects, and undermines the myth and takes us on a deep dunk into the sewer of American pop culture. This is an indictment of the Voice and a gorgeously wrought hymn to the finger-popping twentieth-century loser.<br /><br />Madison Smartt Bell Sam Kashner's first novel is weirder than it sounds, but with wit and charm to match its strangeness. By turns hilarious, perverse, surreal, and genuinely touching, <i>Sinatraland</i> is what one might call an incomparable debut.<br /><br />Helen Schulman author of <i>The Revisionist</i> Smart, humorous, original, Sam Kashner's <i>Sinatraland</i> deftly explores the peculiarly tragic aspects of an obsession with a celebrity -- <i>the</i> celebrity, Sinatra -- in a moving, romantic, epistolary, tour de force.<br /><br />Robert Plunket author of <i>My Search for Warren Harding</i> and <i>Love Junkie</i> Regardless of how you feel about Frank Sinatra you will gleefully devour <i>Sinatraland.</i> It's the Old Blue Eyes legend writ small, transferred to the oddly romantic life of "Finkie" Finkelstein. Harrowing, sad, and very funny, it charts the darker and more complex corners of the twentieth-century male psyche.
zlib_text: SINATRA v ers u s  GABRINI
  FAMILY AT WAR
  BY
  MALLORY MONROE
  
   
   
  Copyright©2020 Mallory Monroe
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  This novel is a work of fiction.  All characters are fictitious.  Any
  similarities to anyone living or dead are completely accidental.  The
  specific mention of known places or venues are not meant to be
  exact replicas of those places, but are purposely embellished or
  imagined for the story’s sa