title: Forensic Art and Illustration
author:  Karen T. Taylor 
description: <P>"For anyone interested in forensic related art, facial reconstruction and identification, this book is a wealth of knowledge.  Certainly, it is a major work that merits serious attention and consideration. Importantly, the language and style of writing is most conducive to a quick grasp of the intended meaning. Finally, noting that the author gave named recognition to other contributors, it speaks well that the book was written for the right reasons."<BR>- RICHARD D. WALTER<BR><BR>"This book is quite literally a vade mecum on the subjects it canvasses.  it is a manual, more than merely a primer, for the investigative uses of the subjects of forensic art and illustration.  would I stock my library with this book? I have two, one for my home study and one for my professional office. Need more be said in praise of this book?"<BR>-PROFESSOR JAMES E. STARRS, LLM, Professor of Law and Forensic Sciences, George Washington University, Law School, Washington, D.C., in Scientific Sleuthing Review<BR><BR>" a comprehensive text that examines forensic art and its role in criminal investigation  essential not only to law enforcement and criminal justice personnel but also to forensic and social anthropologists, police artists, and mental health care professionals who assist crime victims."<BR>-MICHAEL TAISTER, Forensic Artist, Forensic Science Communications, Federal Bureau of Investigation, Washington, D.C., in Forensic Science Communications<BR><BR>"[a] multidisciplinary approach to many forensic art applications  an excellent publication  this is one of those books that defines a discipline and will be read and referred to for many years "<BR>-ROY PASCHAL, Forensic Artist, South Carolina Law Enforcement Division, in Journal of Forensic Identification <BR><BR>"Our viewers know we've worked with Karen on many cases. She's one of the best."<BR>-JOHN WALSH, Host of "America's Most Wanted," FOX Television<BR><BR>" a class act by a class author  a wonderful contribution to the area "<BR>-DR. RONALD P. FISHER, Department of Psychology, Florida International University, Miami<BR><BR>"As Vernon Geberth's Practical Homicide Investigation is the bible for homicide investigators, Karen Taylor's Forensic Art and Illustration will become the bible for forensic artists."<BR>-DETECTIVE CASEY JOHNSON, King County Sheriff's Office, Seattle, Washington<BR><BR>" superb. It provides an easy-to-read and practical guide to the esoteric science of forensic art."<BR>-DR. CLYDE SNOW, Forensic Anthropologist <BR><BR>"Great for Television Writers  The book succeeds as both a useful research tool for the experienced analyst as well as being a fascinating, entertaining, easy to follow text for anyone who is new to the field of forensic art  We cannot say enough good things about this book."<BR>-JOSH BERMAN (Co-producer) and DAVID BERMAN (Researcher), "C.S.I.: Crime Scene Investigation", CBS Television <BR><BR>"Karen Taylor, a renowned forensic artist, has created the definitive guide to the art and science of forensic illustration. In her lucidly written and gorgeously illustrated book, Forensic Art and Illustration, she provides an authoritative account of the history and practice of forensic illustration and offers her readers a fascinating glimpse into the world of crime victims and criminal offenders. Her book should become a classic reference text for those interested in forensic science and criminal justice, and an invaluable resource for those of us interested in the faces as researchers, artists, physicians, anthropologists, or simply as human beings."<BR>-NANCY ETCOFF, Ph.D., Psychologist and Neuropsychologist, Harvard Medical School<BR>Author of "Survival of the Prettiest"<BR><BR>"This book should be in the library of every forensic artist and forensic anthropologist. Taylor has managed to produce a comprehensive reference text that is encyclopedic in scope, yet is as interesting as a mystery novel. The book is filled with well-illustrated case reports and step-by-step instructions on the use of techniques  Taylor's artistic talents, which have resulted in successful identification of countless suspects as well as victims, are now matched only by her talents as an author."<BR>-EMILY CRAIG, Ph.D, Forensic Anthropologist, Kentucky State Medical Examiner's Office<BR><BR>" more than worth the price  it covers simply everything, and even manages to do it in an interesting, extremely well-written manner. I actually found myself sitting down and reading it just for pleasure. A perfectly superb piece of work."<BR>-AARON ELKINS, Anthropologist and Edgar-award winning mystery writer, Washington<BR><BR>"Karen Taylor's much anticipated text on forensic art happily lives up to the highest expectations. Karen is preeminent in the field and one of the few people practicing today who has professional experience in ALL aspects of forensic art  Chapters [which are] co-authored with Betty Pat. Gatliff (the 'Grand Dame' of forensic facial reconstruction) will be especially appreciated by the students of these two distinguished international teachers."<BR>-ROBERT GEORGE, Ph.D., Professor of Anatomy and Biology, Florida International University, Miami<BR><BR>"Karen Taylor has done a thorough and painstaking job to make this technical arena both fascinating and accessible.  no one will come away without having learned an immense amount about how art aids in criminal investigation."<BR>-DR. KATHERINE RAMSLAND, Court TV/Crime Library<BR><BR>"In addition to being a wonderful  'how to do it', the book is enjoyable and interesting to read even for the lay reader.  I suspect that the very simple and straightforward approach conveyed in Forensic Art and Illustration only comes from those who feel the masters (or mistresses) of their field of expertise. I consider this book an essential part of every forensic anthropologist's and odontologist's library."<BR>-DR. JOHN G. CLEMENT, Professor of Oral Pathology and Forensic Odontology, University of Melbourne, Australia<BR><BR>"Taylor has made a wonderful contribution for all future Forensic Investigation  a must read."<BR>-SUSAN KLINGER, D.O., Pathologist, Anchorage, Alaska<BR><BR>" the quintessential forensic art book that sets the standard for the discipline and for all future textbooks to come. Taylor's book has well over 500 pages of illustrations and information  meticulously researched, organized, referenced and indexed  great aid for criminal lawyers, police departments, colleges with criminal justice courses and  research psychologists."<BR>-DETECTIVE FRANK DOMINGO, Forensic Artist, New York City Police Department, Retired<BR><BR>"Impressive  thorough coverage of all the diverse aspects of facial reconstruction  every work step and work background is described extensively, and detailed descriptions of specific cases are given  this book is a new standard!"<BR>-PROF. DR. FREIDRICH W. ROSING, Anthropologist, Institute for Human Genetics and Anthropology, Ulm, Germany <BR><BR>" an amazing contribution for portrait artists and teachers of art at high school and adult levels "<BR>-DR. JUDY KULA, Professor of Art, Phoenix College, Arizona, USA<BR><BR>" an extraordinarily concise and helpful guide in my efforts to understand this field of research.  Taylor finds the exact balance of effective teaching  she is able to demystify the complexities of such work by a step by step approach based in common sense  I consider this book to be a prize possession and it no doubt will, as Ms. Taylor hoped, be dog-eared and worn from frequent use."<BR>-DONNA CLINE, M.A., Cline Medical Illustration, Sierra Madre, California<BR><BR>"Finally, one of the most accomplished Sketch Artists of our time has brought the discipline of Forensic Art into focus "<BR>-GIL ZAMORA, Forensic Artist and Instructor, San Jose, California<BR><BR>" this book reads as though you are sitting next to Ms. Taylor and she has decided to reveal the secrets of the forensic art universe over a cup of tea  no artist will be able to claim he or she is properly trained without having studied with Karen or from her book."<BR>-KAREN HARE, Crime Scene Investigator, Midland, Texas<BR><BR>" an invaluable aid for any practitioner in this field."<BR>-JANET RICHARDSON, Forensic Artist, United Kingdom<BR><BR>" a gift to all who toil in the trenches of police investigations."<BR>-KAREN WISNIEWSKI, Police Officer, Fingerprint Examiner, Composite Artist, Dearborn, Michigan<BR><BR>" Karen has handed down to us a career's worth of precious and priceless knowledge "<BR>-LT. LISA SHEPPARD, Texas Department of Public Safety, Corpus Christi<BR><BR>" the most comprehensive, detailed, methodical, insightful and visual presentation of the profession "<BR>-DETECTIVE KEVIN RICHLIN, San Jose, California<BR><BR>" the definitive book on artists who use their talents to help law enforcement catch criminals "<BR>-LOIS GIBSON, Forensic Artist, Houston Police Department, Texas<BR><BR>"This is a classic portrait drawing book. Karen Taylor's book deserves 5 stars  There is nothing like it  fascinating reading."<BR>-JAMES L. FERRY, Art Instructor, Sacramento, California<BR><BR>" THE ONLY complete source on the subject of forensic illustration available today.  It is a must for every potential police sketch artist and every law enforcement agency!"<BR>-DOROTHY NALLS, Forensic Artist, Carpinteria, California<BR><BR>" will no doubt be the bible of forensic artists for many, many years to come."<BR>-CHARLES T. JACKSON, Forensic Artist, Haddon Township, New Jersey<BR><BR>" I'm certain that the excellent presentation of material, coupled with the easy-to-follow information will keep the novice reader and professional artist involved from cover to cover. And it should hold a proud spot on everyone's shelf as a learning resource for years to come."<BR>-LORI FRANZ, Continuing Education Staff, University of Texas, Austin<BR><BR>" Her book has been a tremendous guide for me in understanding the interview process of victims/witnesses, and her examples of her own drawings have been an aide to me that is unsurpassed."<BR>-CORPORAL WALTER SIEGEL, Police Officer, Shaker Heights, Ohio<BR><BR>" a must for all forensic artists."<BR>-ROBER T. EXTER, Forensic Artist, Reddind, California<BR><BR>"The clearly described detail makes this book a must as a reference/resource for all professional personnel involved in forensic identification."<BR>- RONN TAYLOR, Forensic Sculptor, Victorian Institute of Medicine and School of Dental Science, The University of Melbourne, Australia<BR><BR>" a MUST tool for any forensic artist! "<BR>-STEVEN L. JOHNSON, Forensic Artist, Davenport, Iowa<BR><BR>"an excellent resource manual for us to keep nearby when consulting and working on active cases"<BR>-MICHAEL STREED, Detective, Orange County, Calfornia<BR><BR>"For any artist who desires to understand the human head, this book is a must."<BR>- DETECTIVE BOB POWERS, Chief Forensic Artist, Maricopa County, Arizona Sheriff's Office, USA<BR><BR>"Forensic Art and Illustration is the perfect synthesis of art and science applied to forensics... An outstanding landmark in the field, Forensic Art and Illustration is the one book for anyone interested in the application of art and illustration to forensic investigations."<BR>-Science &amp; Justice 2001; vol. 41;4 (November)</P> <P>"...In a highly interesting and fascinating presentation, leading forensic artist Karen T. Taylor explains how we can use art for administration of law and justice...."<BR><EM> Anil Aggrawal's Internet Journal of Forensic Medicine and Toxicology</EM>, Volume 3, Number 1, January - June 2002</P> <P>For established forensic artists, it would prove to be an excellent text for recapitulation or even for familiarization of new facts. People in other sub disciplines of forensic science (e.g. forensic pathologists like this reviewer) would find this book immensely interesting, if only to know what this new and exciting branch is all about. <BR><EM>Anil Aggrawal's Internet Journal of Forensic Medicine and Toxicology<BR></EM></P> <P><EM></EM><BR>&nbsp;</P>
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  # Author’s Note
  
  
  Deadly Images is a work of fiction. All of the characters and events are
  imaginary. While major cities and historical sites in Michigan, such as
  Detroit, Grand Rapids, Jackson, and the Detroit Institute of Art (DIA) are
  real, the Carrington Adult Daycare Center is not.
  
  
  
  
  
  
  
  
  Deadly Images
  
  
  A Paige Healy Mystery
  
  
  by
  
  
  Mildred Wilson
  
  
  
  
  
  
  
  
  # Chapter 1
  
  
  Paige sat at her desk with her head in her hands. She had a splitting
  headache. She rubbed her temples to get some relief. Every fourth Friday of
  each month, the Center had its board meeting and she had just returned from
  what felt like a boxing match. Once again, Wendell Collins, the Treasurer, had
  lit into her, much like he had at the last two meetings, about her prognosis
  for her clients. As much as she had tried to explain how art therapy worked,
  he still didn’t appear to get it or didn’t want to.
  
  
  Two years ago, she had been hired at the Carrington Adult Day Care Center as
  its art therapist.