title: Musical Form and Analysis: Time, Pattern, Proportion
author:  Glenn Spring 
description: "<i>Musical Form and Analysis</i> is fantastic.... It is the best I have found." --Nkeiru Okoye, SUNY New Paltz<br /><br />"An excellent, well-organized text. The musical scores that accompany the chapters are perfectly chosen." --Stephen Burnaman, Huston-Tillotson University<br /><br />"The organization of the book is well done and the included examples are, by and large, excellent." --Frank Felice, Butler University
zlib_text: © Koninklijke Brill NV, Leiden, 2013 
  DOI: 10.1163/22129758-12341241
  Greek and Roman Musical Studies 1 (2013) 151-171
  brill.com/grms
  Aulos and Harp: Questions of Pitch and Tonality
  Stefan Hagel
  Institute for the Study of Ancient Culture
  Austrian Academy of Sciences
  Sonnenfelsgasse 19, 1010 Vienna, Austria
  stefan.hagel@oeaw.ac.at
  Abstract
  This study addresses the question of pitches and pitch structures that may have been played on 
  the excavated instruments, assessing string lengths and their implications as well as searching 
  for a plausible efffective length for the aulos including its reed, based on computer-modelling the 
  behaviour of the oscillating air column. The results are discussed in the context of our present 
  knowledge about pitch ranges that were typically used in ancient music. 
  Lo studio esamina il problema delle altezze e delle strutture di altezze che si sarebbero potute 
  ottenere dagli strumenti ritrovati negli scavi. Per far ciò si determinano le lunghezze delle cor