title: In the Eye of the Beholder: The Science of Face Perception
author:  Vicki Bruce 
description: Art and science join hands in this beautifully illustrated book on the subject of human facial perception. Bruce (psychology, Univ. of Stirling) and Young (applied psychology, Cambridge Univ.) describe the neurological processes that occur as we look at a face and suggest reasons for the almost universal reaction to beauty and certain features of facial "personality." Written to accompany a recent exhibition at the Scottish National Portrait Gallery, the book successfully illustrates psychological and neurological processes with pieces from the show. While emphasizing research in psychology, the authors also include relevant discoveries in the fields of medicine, biology, and engineering. Daniel McNeill's The Face (Little, Brown, 1998) covers similar ground in a slightly more engaging, accessible manner?though without the extensive and effective use of illustration found here. Both books are recommended for their organization, clarity of text, and unusual insight into human behavior.?Laurie Bartolini, Illinois State Lib., Springfield<br />Copyright 1998 Reed Business Information, Inc.
zlib_text: NUNC COCNOSCO EX PARTE 
  TRENT UNIVERSITY 
  LIBRARY 
  
  COLERIDGE 
  ON IMAGINATION 
  
  Digitized by the Internet Archive 
  in 2019 with funding from 
  Kahle/Austin Foundation 
  https://archive.org/details/coleridgeonimagiOOOOrich 
  
  COLERIDGE 
  ON 
  IMAGINATION 
  BY 
  I. A. RICHARDS, Litt.D. 
  LONDON 
  ROUTLEDGE & KEGAN PAUL LTD 
  BROADWAY HOUSE: 68-74 CARTER LANE, E.C.4 
  Thomas J. Bata 
  
  r ?>' ( Q V!*> 
  First published 1934 
  Second edition 1950 
  Reprinted 1933 
  Third edition (with a new Foreword) 1962 
  Reprinted 1968 
  c. Op- 
  Printed by offset in Great Britain 
  by Alden &■ Mowbray Ltd 
  at the Alden Press, Oxford 
  SNB 4100 2031 7 
  
  DOROTHEA 
  FOR HELP IN PREFERRING 
  THE ACTUAL TO THE ABSTRACT 
  109 
  
  [ face p. vii] 
  
  As to me, my face, unless when animated by immediate eloquence, expresses great 
  sloth, and great, indeed, almost idiotic good-nature. ’ Tis a mere carcass of a face; 
  fat, flabby, and expressive chiefly of inexpression. Tet I am told that my eyes, eye¬ 
  brows, and forehead are physiognomical