title: Emily Dickinson's Herbarium: A Facsimile Edition
author:  Emily Dickinson 
description: Judith Farr, who provided the preface, believes the <i>Herbarium</i> to be "the progenitor of Dickinson's poetry." Its contents, she wrote, "seem to suggest what would become Emily Dickinson's preoccupations, tastes, beliefs, and dreams: the 'germ' of her poet's fancy." As such, the <i>Herbarium</i> offers a unique invitation to Dickinson's work. (Melissa Ozawa <i>House and Garden</i> 2006-09-01)<br /><br />This exquisite facsimile of the herbarium Emily Dickinson arranged as an adolescent will delight readers and gardeners alike. <i>Emily Dickinson's Herbarium</i> is a true pleasure for those who want to know more about this enigmatic poet--one who made sure that scant biographical traces of her life would remain after her death...In page after page of these richly detailed reproductions, the young Dickinson comes to life--in the delicate flourishes of the hand-written labels that fix the more than 400 specimens to the page, in the graceful and exacting way she arranged the plants throughout the album and in the selection of plants themselves, most of them picked within walking distance of her home in Amherst, Massachusetts. Dickinson sent her friends more than 30 poems accompanied by pressed flowers and bouquets. Flowers, both as physical objects and as the subject of her writing, became one of her primary means of communication. (Elizabeth Schmidt <i>New York Times Book Review</i> 2006-12-03)<br /><br />Modern photographic techniques (okay, the Digital Age has its uses) have permitted the reproduction, which is large and handsomely bound and includes a protective slipcase. The book offers a direct connection to the poet and the plants that were so formative to her creative life. Assembled when she was just 14, the herbarium contains both decorative flora from her family garden and wildflowers from the surrounding countryside of Amherst, Massachusetts. Collecting and pressing flowers was a common pastime in the 1840s, but Dickinson's herbarium is clearly the work of someone deeply connected to botany at an early age. It contains 424 specimens on 66 pages. In an introduction, Sewall writes, 'Take Emily's herbarium far enough, and you have her.' The care she took with it and her need for plants would manifest themselves in her work...Facsimiles tend to be expensive, and this one is no exception, but for gardeners and fans of Emily Dickinson (a pretty broad lot), this would be a cherished addition to the home library. (Adrian Higgins <i>Washington Post</i>)<br /><br />The herbarium has long been a part of the Emily Dickinson Collection at Houghton Library, but due to its fragility the original had been in a vault for years--the last significant Dickinson Collection item completely off-limits. Now Dickinson devotees can finally examine what lies inside with a full-size, full-color reproduction of the album published in September...Dickinson, the reclusive poet whose extensive work was discovered and published in its entirety only after her death in 1886, was better known in her lifetime for her expert gardening skills than her poetry. She helped her mother in the garden from a young age and later tended plants in her own conservatory. As Dickinson admirers know, her love of the natural world comes through in her poems, which are full of flower references and themes--making scholars particularly interested in what they might glean from her herbarium. (Jennifer Tomase <i>Harvard University Gazette</i>)<br /><br />Dickinson followed the Linnaean system of classification when labeling her specimens but nevertheless arranged her collection with more of an eye to aesthetics than to science, reflecting both the prevailing taste for "rich confusion" and the pre-Darwinian sense that plant life represented the fabulous bounty of the Creator. (Peter Parker <i>Daily Telegraph</i> 2007-06-30)<br /><br />It is a fragile, rarely seen part of the Dickinson Collection that is at last accessible to scholars and to fans and gardeners...it is thrilling to turn the pages, knowing with what joy Dickinson picked the plants in her garden and in the fields and woods around Amherst...Dickinson scholar Richard Sewall provides context in a splendid introductory essay, "Science and the Poet," and Ray Angelo, associate of the Harvard University Herbaria, provides meticulous botanical scholarship. (Patricia Jones <i>Plants and Gardens News</i> 2007-04-01)<br /><br />Emily Dickinson's herbarium, containing more than 400 flower and plant specimens, pressed and preserved by 14-year-old Dickinson, is now beautifully reproduced in full size and full color. (<i>Emily Dickinson International Society Bulletin</i> 2007-05-01)<br /><br />Many of Dickinson's pressings seem prophetic of her future preoccupations and themes. For example, the plucky triumph of small flowers, such as the gentian or violet that bloom despite harsh conditions--she pressed nine different violets on page 46 of her herbarium--served her in poems about courage. She wrote tributes to the democracy of the clover and the holy yet merry aspect of lilies of the field, made sacred to her by Scripture...Now that almost 2,000 of Emily Dickinson's poems and more than 1,000 of her letters are accessible, it is clear how truly important flowers were to her. More than a third of her poems and half of her letters take their subject matter, metaphors, and diction from the realm of plants and gardening. The herbarium had been her childhood effort to hallow those flowers she regarded as her "friends," "children," "saints." Her chief theme as a poet was the idea of immortal life; her central concern was whether life after death truly existed. Rising again after long, icy Amherst winters, her perennials seemed to assure her that there was such a thing as eternity. (Judith Farr <i>Nature's Garden</i> 2008-06-01)
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  [![image](../images/titlepage.jpg)](9780062936028_Contents.xhtml#rtit)
  
  
  
  
  
  
  
  
  
  
  
  [Dedication](9780062936028_Contents.xhtml#rded)
  
  
  To Emily, who doesn’t have to read this, but did
  
  
  make me think the right thing.
  
  
  
  
  
  
  
  
  
  
  
  Contents
  
  
  
  
  
  [_Cover_](9780062936028_Cover.xhtml#cover)
  
  
  [_Title Page_](9780062936028_Titlepage.xhtml#tit)
  
  
  [_Dedication_](9780062936028_Dedication.xhtml#ded)
  
  
  [Please Read This](9780062936028_Chapter_1.xhtml#ch1)
  
  
  [Aecor (and Earth)](9780062936028_Chapter_2.xhtml#ch2)
  
  
  [Mirabilis](9780062936028_Chapter_3.xhtml#ch3)
  
  
  [Opera](9780062936028_Chapter_4.xhtml#ch4)
  
  
  [Votum](9780062936028_Chapter_5.xhtml#ch5)
  
  
  [_Acknowledgements_](9780062936028_Acknowledgements.xhtml#ack)
  
  
  [_Read on for exclusive content_](9780062936028_Chapter_6.xhtml#ch6)
  
  
  [_Becky’s questions for Nikki_](9780062936028_Chapter_7.xhtml#ch7)
  
  
  [_Nikki’s questions for Becky_](9780062936028_Chapter_8.xhtml#ch8)
  
  
  
  
  
  
  
  
  [_An Excerpt from_ THE GALAXY, AND THE GROUND
  WITHIN](G